Atomos Ninja TX Enregistreur Vidéo 8K

    ATOMNJTX01
    Prix : 999,00 €
    HT
    Ventes à l'échelle de l'UE, facturation pour livraisons intracommunautaires exonérée de TVA.

    Deux choix se font souvent trop tard : contrôler l’image HDR en plein jour et sélectionner le codec qui conservera le signal caméra. Atomos Ninja TX répond aux deux avec un écran tactile IPS de 13,2 cm, 1920 × 1080 et 1500 nits, traitement 8/10 bits et gamut Rec.709. Waveform, parade RGB, vectorscope, zébras, focus peaking, fausses couleurs Atomos/ARRI et EL Zone offrent des repères mesurables. Les LUT 3D .cube, la conversion Log/HDR vers HLG ou PQ et la désanamorphose servent à vérifier les profils log, les optiques anamorphiques et le rendu client.

    Côté enregistrement, le moniteur accepte les signaux RAW compatibles jusqu’en 8K30 ou 6K60, ainsi que le 4K DCI/UHD jusqu’à 60p. Il encode en Apple ProRes RAW/RAW HQ, ProRes LT/422/422 HQ, Avid DNxHD/DNxHR ou H.265, avec les principaux codecs activés d’origine. Une carte CFexpress Type B certifiée Atomos limite l’encombrement sur un rig mobile ; un support USB 3.0 sur l’un des ports USB-C prend le relais pour les prises longues. Les proxies simultanés et l’envoi progressif vers ATOMOSphere, Frame.io ou Dropbox accélèrent l’accès aux plans, sans déplacer les originaux.

    La connectique distingue ce modèle des Ninja limités au HDMI : entrée et sortie HDMI 2.0, entrée et sortie 12G-SDI, loop-through et conversion croisée HDMI vers SDI ou SDI vers HDMI. Une caméra cinéma peut être enregistrée tout en alimentant un moniteur client, un émetteur sans fil ou un encodeur. En production IP, NDI 6 HX3 en émission et réception fait de l’appareil une source réseau ou un écran de contrôle ; le Wi-Fi 6E assure aussi les transferts Camera-to-Cloud et les mises à jour AtomOS.

    Sur les tournages multicaméras, AirGlu par RF ou Bluetooth synchronise le timecode entre appareils compatibles et évite un réalignement manuel des prises. Avec AtomOS à jour, le pilotage USB-C et la mise au point tactile fonctionnent sur certaines caméras Canon, Fujifilm, Nikon, Panasonic et Sony ; les Z CAM E2 demandent un câble LANC optionnel. Batterie NP-F ou USB-C PD, refroidissement actif et adaptateurs de verrouillage fournis répondent aux contraintes du terrain, du studio compact et des captations à remettre sans délai.

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    The Ninja TX 5″ Monitor-Recorder joins the legendary Ninja lineup — quieter, cooler, more powerful, more connected, and more advanced than ever.

    Key Features
    Camera control & touch to focus on supported cameras
    Record in Apple ProRes, Avid DNx or H.265
    Quieter, cooler temperature while using
    Capture to CFexpress Type B or USB-C storage
    Super-bright, 1500nit 5-inch touchscreen display
    HDMI 2.0, 12G-SDI & Wi-Fi 6E input and output
    Direct upload to ATOMOSphere, Frame.io, Dropbox
    Streaming via NDI 6
    Timecode sync over RF or Bluetooth
    Powered by USB-C, NP-F battery or AC adaptor
    Get 20GB cloud storage FREE with ATOMOSphere
    Over the air (OTA) firmware updates

    Summary
    Ninja TX combines SDI and HDMI inputs and outputs, up to 8Kp30Apple ProRes/RAW recording to ultra-fast CFexpress or external USB media, camera control on supported cameras, and a full suite of professional monitoring tools. It features built-in camera-to-cloud with free ATOMOSphere membership, supports NDI 6 streaming, and runs on the lightning-fast AtomOS Linux platform. No other monitor-recorder packs so much performance and compatibility into such a compact, connected device.

    Camera control
    Using intuitive, on-screen sliders you can adjust white balance, lens aperture, shutter speed and ISO. Control is available for most Canon, Fujifilm, Nikon, Panasonic, and Sony mirrorless cameras over USB-C, and all Z CAM E2 series models (LANC cable required, purchased separately).

    Touch to focus
    Tap the Ninja TX touchscreen to have the camera automatically focus on your point of interest. Touch to focus takes advantage of camera focus modes such as focus tracking for effortless control and sharp images. Available with compatible cameras only.

    Preloaded Codecs
    Ninja TX comes with preloaded codecs: Apple ProRes/RAW, Avid DNx, H.265 and NDI 6 HX3 TX & RX.

    Display
    5.2-inch IPS touchscreen, with increased brightness to 1500nits – perfect for clear, precise and vivid monitoring in any setting, from the outdoors in sunlight, to a studio.  The 8/10-bit color processing, HDR support, Rec. 709 color gamut, and calibration support ensure accurate and defined color and high-quality monitoring.

    New Operating System & Build
    Powered by the lightning-fast AtomOS Linux operating with user-friendly UX and a full suite of professional monitoring tools, and a re-engineered build providing a quieter, cooler and more efficient operation.

    Wireless Features and Camera to Cloud
    Ninja TX camera monitor & recorder comes with connectivity built-in, including, camera-to-cloud with free ATOMOSphere membership, NDI 6 streaming and full integration into an NDI network, It also includes AirGlu timecode sync over RF or Bluetooth to sync all your cameras, audio recorders, and monitors, acting as a timecode sync solution.

    Ninja TX is also the leader in Camera to Cloud (C2C) workflows – allowing you to upload your video files directly from your Atomos monitor-recorder to the cloud. Atomos supports direct progressive upload to ATOMOSphere (with a free 20GB starter storage plan), as well as Adobe Frame.io and Dropbox.

    The wireless capabilities also provide ‘over the air’ (OTA) firmware updates, for a quick and convenient way to keep the OS current.

    Comprehensive Color and Metadata
    The Ninja TX supports the use of select Sony, ARRI, JVC, RED, FUJIFILM, Nikon, Panasonic, and Canon log formats. Upload custom 3D LUTs to the monitor and output HDR conversion to Log, HLG, PQ, or Dolby Vision formats.

    12G-SDI and HDMI Input/Output
    HDMI input supports 8K video up to 30 fps, up to 4K60, and up to 1080p120. Loop-through passes the incoming HDMI signal from the camera to another device, for example, an external monitor, wireless transmitter, or live streaming encoder. The addition of 12G-SDI means a wider range of cameras and production workflows is supported, and the SDI ports also support loop-through. The monitor also supports cross conversion from HDMI to 12G-SDI and 12G-SDI to HDMI.

    Via the HDMI input, you can record raw metadata such as white balance, exposure index, shutter speed/angle, Iris F stop, ISO, gamma, and gamut

    Recording & Media Options
    The Ninja TX now includes a CFexpress Type B slot and dual USB-C recording outputs supporting fast data transfer to external USB media. The optionality is designed for scalability and futureproofing. In addition to recording directly to storage, the USB-C ports can also be used custom 3D LUT uploads and audio devices.

    Professional Monitoring Tools
    The Ninja TX offers an expansive suite of easy to use, one-touch monitoring tools for focus, framing, and exposure, including focus peaking, zoom (2:1, 1:1), zebras, false color (including ARRI and EL Zone), frame guides, SMPTE safe areas, grid markers, waveforms, RGB parade, vectorscope, and flexible 3D/1D LUT support with profile and preset options (including .cube file uploads). It also provides anamorphic de-squeeze monitoring to correct the ratio for anamorphic lens setups.

    Power Options
    An L-series battery on the back of the Ninja TX supports NP-F L-series batteries. Alternatively, a battery eliminator can be used to provide DC power to the monitor, or a USB-C port supports 30W PD power delivery with the included cable.

    Unique cable locking system
    Atomos has developed a unique and rugged locking ecosystem to maintain a secure grip on connected HDMI and USB-C cables. Ninja TX comes with special brackets to facilitate this, and a USB-C locking cable. With Atomos locking cables you get the most robust cable system available today.

    Tally light
    Adding a tally light to Ninja TX is a simple but powerful update that is especially useful in live production setups. A tally light provides a clear visual indicator of when the camera is recording or broadcasting. When Ninja TX is recording, the light automatically turns red (live/on-air). If the tally light is green it indicates to the talent that the camera/monitor-recorder is on preview or standby.

    Physical
    Dimensions151mm x 92mm x 36mm
    Weight400gms
    Mount points1 x anti-rotation 1/4-inch / 3/8-inch top and bottom
    Environmental
    Ambient operating temperatureUp to 40 degrees Celsius
    Construction
    BodyAluminium with ABS plastic
    CoolingActively controlled fan and heat sink
    Power
    Input voltage6.2V to 16.8V DC
    Operating powerUp to 30W
    Multi-function buttonPower / lock screen
    Continuous powerVia NP-F battery or USB-C PD Power
    DC in connectorVia Battery Eliminator (optional)
    DTAPUp to 30W
    USB PD IN45W capable, power supply required
    USB PD OUTUp to 13W
    Display
    Size5.2-inch
    Resolution1920 x 1080
    Backlight TypeEdge lit
    Brightness (cdm2 / Nits)1500
    Aspect ratio16:9
    Color GamutRec.709
    Calibration supportCalibrite Display Pro or Display Plus on PC/Mac with Atomos LANC cable
    Color Pipeline
    GammaSony SLog / SLog2 / SLog3 / HLG, Canon C-Log / C-Log2 / C-Log3, ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320, / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-Log / HLG, JVC J-Log, Red RedLogFilm / Log3G10 / Log3G12, FujiFilm F-Log, PQ (HDR10), HLG, Nikon N-Log
    GamutBT.2020, DCI P3, DCI-P3 D65, Rec709. Sony: S-Gamut / S-Gamut3 / S-Gamut3.cine / BT.2020 / Rec.709. Canon Cinema: DCI P3 / DCI P3plus / Rec.709. Panasonic: V Gamut. ARRI: Alexa Wide Gamut. JVC: LS300. RED: DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
    3D LUT Display.Cube format
    3D LUT Down StreamLoop out
    3DLUT 50/50Yes
    Monitoring ModesNative / HLG / PQ / 3D LUT
    HDR Output ConversionLog / HDR to HLG / PQ
    Video Input
    HDMI1 x HDMI 2.0
    Locking portBracket provided; HDMI locking cable purchased separately
    SDI12G
    Wi-FiWi-Fi 6E
    USB2 x USB-C 2.0/3.0
    Bit Depth8/10-bit video
    Video Chroma Subsampling4:2:2
    Video Output
    HDMI1 x HDMI (2.0) up to 4K60P
    Locking portOptional
    SDI12G
    Wi-FiWi-Fi 6E; W52/W53 bands: 5GHz operation for indoor use only.
    USB2 x USB-C 2.0/3.0
    Bit Depth8/10-bit video
    Video Chroma Subsampling4:2:2
    Metadata
    HDMIRAW - white balance, exposure index, shutter speed/angle, Iris F stop, ISO, gamma, gamut
    Network
    Wi-FiWi-Fi 6E
    USB2 x USB-C 3.0
    Connectivity
    BluetoothYes
    LANCYes
    Video Signal Conversion
    HDMI to SDIYes
    SDI to HDMIYes
    Audio In/Out
    HDMI8-channel, 24-bit
    SDI12-channel, 24-bit
    Analogue Audio Line In3.5mm headphone jack, 2-channel input
    Headphone Out3.5mm headphone jack, 2-channel
    Timecode
    EmbeddedHDMI & SDI
    Time of dayYes
    Reference / Genlock inputNo
    LTCNo
    Wireless AirGlu RF Server and ClientYes
    Wireless AirGlu BT ServerYes
    Resolution & Frame Rates (Record, Monitor & Playback)
    RAWUp to 6Kp60/8Kp30
    4K DCI23.98/24/25/29.9/30/50/59.94/60p
    4K UHD23.98/24/25/29.9/30/50/59.94/60p
    2K DCI 2048 x 1080Yes
    1080p23.98/24/25/29.9/30/50/59.94/60/100/120p
    1080 PsFConverted to P and looped out PsF
    1080i50/59.94/60i
    720p50/59.94/60p
    Supported Media
    CF ExpressAtomos certified CF Express type B media
    USBAtomos certified USB 3.0 media
    File SystemExFAT
    Codecs
    Apple ProRes RAWProRes RAW, ProRes RAW HQ
    Apple ProResLT, 422, 422 HQ
    Avid DNxHDDNxHD 220x, 220, 145, 36
    Avid DNxHRLB, SQ, HQ, HQX
    H.265LQ, MQ, HQ, XQ in 8/10-bit, 4:2:2 and 4:2:0
    Playback
    PlaylistYes, create customer playlists from full or sub-clips
    LoopYes, with user-customizable in/out markers
    Apple ProRes RAWYes, recorded clips
    Apple ProResYes, with linear PCM audio
    Avid DNxYes, with linear PCM audio
    H.265Yes
    Recording
    Pre-rollProRes, DNxHD only
    TimelapseYes
    Simultaneous Proxy RecordYes
    On-screen Monitoring Tools
    Waveform3 sizes – adjustable opacity & brightness
    RGB parade3 sizes – adjustable opacity & brightness
    Vectorscope2 sizes – adjustable opacity & brightness
    1 x ZoomYes, 1:1 pixel mapping for 4K
    2 x ZoomYes
    Focus peakingColour selected / threshold setting / colour / mono / edges only
    Atomos False ColorYes, with scale
    ARRI False ColorYes
    EL ZONEYes
    ZebraYes, adjustable
    Isolate color channelBlue Only
    Cine Frame GuidesPresets for 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
    Social Frame guidesPresets for 9:16, 1:1, 191:1, 4:5
    Onion SkinYes
    Safe areasAction and graphic
    Grid markers9 grid
    Anamorphic desqueeze1.25x, 1.33x, 1.5x, 1.6x, 1.65x, 1.79x, 1.8x, 2x
    Display FlipVertical only
    Onboard Signal Processing
    Pulldown removal24 / 25 / 30 pSF > 24 / 25 / 30p (2:2 pulldown), 60i > 24p (3:2 pulldown)
    4K UHD downscale for HDLoop out - 4K UHD to FHD
    DCI CropLoop out - 17:9 to 16:9 crop
    Remote Control
    HDMIAuto HDMI trigger, supported protocols - Canon, Sony, Atomos
    SDISDI trigger camera selectable
    Serial 2.5mm JackCalibration via optional USB to serial cable
    AirGlu BTYes
    AirGlu RFYes
    Camera Control
    USB-CStart/stop recording, ISO, shutter, aperture, white balance, touch to focus (for supported cameras)
    Camera to Cloud
    ATOMOSphereDirect progressive upload supported (20GB free storage)
    Adobe Frame.ioDirect progressive upload supported (separate purchase)
    DropboxDirect progressive upload supported (separate purchase)
    What’s in the Box
    Accessories includedNinja TX monitor-recorder, USB-C locking cable adaptor, HDMI locking cable adaptor, Wi-Fi antenna, 5x antenna tips (black, white, yellow, green, red), AirGlu antenna, antenna caps, USB-C locking cable (45cm), Quick Start Guide.
    Box dimensions (W x H x D mm)190mm x 130mm x 75mm
    Box weight665gms
    ATOMNJTX01
    1 Article

    Fiche technique

    Entrée vidéo
    HDMI
    SDI
    Entrée audio
    HDMI Embedded
    Mini Jack 3.5mm
    SDI Embedded
    Résolution maximale de sortie
    8K (8192 x 4320) 25/30 fps
    Connexion Newtork
    Wi-Fi
    Canaux d'entrée vidéo
    1
    Taille d'écran
    5.2"
    Supports compatibles
    CFexpress Type B
    USB Drives
    Luminosité d'écran
    1500 nits
    Ratio d'aspect
    16:9
    Codecs d'enregistrement
    Apple ProRes RAW
    Apple ProRes RAW HQ
    Avid DNxHD
    Avid DNxHR
    H.265
    ProRes 422
    ProRes 422 HQ
    ProRes 422 LT

    Références spécifiques

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    ATOMNJTX01

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    Votre commentaire

    Atomos Ninja TX Enregistreur Vidéo 8K

    Deux choix se font souvent trop tard : contrôler l’image HDR en plein jour et sélectionner le codec qui conservera le signal caméra. Atomos Ninja TX répond aux deux avec un écran tactile IPS de 13,2 cm, 1920 × 1080 et 1500 nits, traitement 8/10 bits et gamut Rec.709. Waveform, parade RGB, vectorscope, zébras, focus peaking, fausses couleurs Atomos/ARRI et EL Zone offrent des repères mesurables. Les LUT 3D .cube, la conversion Log/HDR vers HLG ou PQ et la désanamorphose servent à vérifier les profils log, les optiques anamorphiques et le rendu client.

    Côté enregistrement, le moniteur accepte les signaux RAW compatibles jusqu’en 8K30 ou 6K60, ainsi que le 4K DCI/UHD jusqu’à 60p. Il encode en Apple ProRes RAW/RAW HQ, ProRes LT/422/422 HQ, Avid DNxHD/DNxHR ou H.265, avec les principaux codecs activés d’origine. Une carte CFexpress Type B certifiée Atomos limite l’encombrement sur un rig mobile ; un support USB 3.0 sur l’un des ports USB-C prend le relais pour les prises longues. Les proxies simultanés et l’envoi progressif vers ATOMOSphere, Frame.io ou Dropbox accélèrent l’accès aux plans, sans déplacer les originaux.

    La connectique distingue ce modèle des Ninja limités au HDMI : entrée et sortie HDMI 2.0, entrée et sortie 12G-SDI, loop-through et conversion croisée HDMI vers SDI ou SDI vers HDMI. Une caméra cinéma peut être enregistrée tout en alimentant un moniteur client, un émetteur sans fil ou un encodeur. En production IP, NDI 6 HX3 en émission et réception fait de l’appareil une source réseau ou un écran de contrôle ; le Wi-Fi 6E assure aussi les transferts Camera-to-Cloud et les mises à jour AtomOS.

    Sur les tournages multicaméras, AirGlu par RF ou Bluetooth synchronise le timecode entre appareils compatibles et évite un réalignement manuel des prises. Avec AtomOS à jour, le pilotage USB-C et la mise au point tactile fonctionnent sur certaines caméras Canon, Fujifilm, Nikon, Panasonic et Sony ; les Z CAM E2 demandent un câble LANC optionnel. Batterie NP-F ou USB-C PD, refroidissement actif et adaptateurs de verrouillage fournis répondent aux contraintes du terrain, du studio compact et des captations à remettre sans délai.

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