Kinefinity MAVO mark2 S35 KineMOUNT Caméra 6K

Kinefinity MAVO mark2 S35 KineMOUNT Caméra 6K

Name: Kinefinity MAVO mark2 S35 KineMOUNT Caméra 6K
Brand: Kinefinity
SKU: A010-004-02
Price: 4189.00 EUR
Availability: InStock

MPN: A010-004-02

Prix : 4 189,00 €

Ventes à l'échelle de l'UE, facturation pour livraisons intracommunautaires exonérée de TVA.

Disponible chez le fournisseur (délai de livraison à confirmer)

Deux sorties SDI 3G/1.5G indépendantes, un timecode LTC en entrée comme en sortie, une synchronisation RS422 : la Kinefinity MAVO mark2 S35 KineMOUNT parle la langue des plateaux multicaméras avant même qu'on aborde son capteur. Les ports vidéo propriétaires alimentent les écrans tactiles KineMON-5U2 et 7U2, tandis que les entrées XLR à alimentation fantôme 48 V enregistrent du PCM linéaire 24 bits / 48 kHz. Un tournage documentaire garde perche et micro-cravate dans le fichier image, sans enregistreur à resynchroniser au montage.

Le capteur CMOS 6K 3:2 Super 35 occupe 24 × 16 mm pour un cercle image de 28,8 mm. Cette hauteur inhabituelle change tout dès qu'un anamorphique 2x ou 1,33x arrive sur la monture : les modes 5K 4:3 et 4,8K 6:5 exploitent la surface sans rogner l'image, avec désanamorphose intégrée pour le monitoring. La double sensibilité native ISO 800/3200 et les plus de 14 diaphragmes de latitude couvrent un intérieur en lumière mixte comme une séquence nocturne, et le gain analogique descend à 160 ISO.

La caméra grave de l'Apple ProRes du 422 LT au ProRes 4444XQ 12 bits, en courbe KineLOG3, sur un SSD NVMe KineMAG Nano en baie unique, protégé en lecture seule et en RAID 5, avec transfert USB-C jusqu'à 10 Gb/s vers la station de montage. Les cadences suivent le format : 60 im/s en pleine fenêtre 6K, 75 im/s en 6K DCI, 96 im/s en 6K 2.4:1, puis 110 et 140 im/s en zone Micro 4/3 et jusqu'à 270 im/s en fenêtre 16 mm. La lecture capteur avoisine 11 ms en 6K DCI, ce qui limite nettement le rolling shutter.

La KineMOUNT native garde son tirage court : bagues PL, LPL et EF s'échangent sans outil, et les montures actives PL ou E se fixent par quatre vis, restent calables et n'imposent aucun réétalonnage. Le protocole Cooke/i inscrit focale, diaphragme et distance dans le fichier, un gain de temps en postproduction VFX. Côté énergie, une platine hybride accepte le V-mount 14,8 V ou le BP-U, doublée d'une entrée continue 11–26 V pour environ 27 W. Châssis en alliage d'aluminium aéronautique, filtre optique passe-bas à coupure UV/IR et pilotage Wi-Fi depuis un smartphone complètent un ensemble taillé pour la fiction, la publicité et le direct multicaméra.

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MAVO mark2 S35 is equipped with a new 6K S35 CMOS imaging sensor, its frame rate up to 96 fps at 6K Wide. Dual native ISO 800/3200 delivers clean low-light performance with 14 stops of dynamic range, providing flexible creativity and more possibilities for cinematographers.

Native KineMOUNT
The first cinema camera KineRAW-S35 launched by Kinefinity in 2012 was equipped with the short flange distance native KineMOUNT. KineMOUNT is very convenient for switching mount adapters including EF, PL and LPL adapters without tools. In addition to keeping the exclusive native KineMOUNT, MAVO mark2 provides two new lens mounts: the Active PL Mount and Active E Mount. Users can install and detach the active mounts without extra flange distance calibration.

Key Features:
Super35 6K 3:2 CMOS (6016 x 3984) with 14+ stops, dual native ISO 800/3200
6K96 Wide ProRes 4444XQ, 4K112, anamorphic de-squeeze (4:3 / 6:5)
Native KineMOUNT + optional active PL/E adapters with lens control & metadata
KineLOG3, Rec.709, custom 3D LUTs; compressed cDNG (3:1/5:1/7:1)
Dual proprietary video, 3G-SDI, 2x XLR audio, timecode, sync
KineMAG Nano SSD recording (1TB/2TB or third-party NVMe)
Wi-Fi app control (iOS/Android), 23 W power, V-mount/BP-U hybrid
Compact 1.37 kg body with optical LPF + UV/IR cut

Integrated Body Design
MAVO mark2 inherits the integrated body design of MAVO Edge camera which has won the prestigious iF DESIGN AWARD 2021. The compact camera body features a host of general control ports, dual SDI outputs with embedded metadata and audio, high-quality multi-channel audio recording, timecode sync, and RS232 protocol LENS port for third-party accessories.

Comprehensive Power Solution
The MAVO mark2 offers an innovative hybrid battery plate to accommodate power demands in various shooting scenarios. It supports standard 14.8V V-mount batteries like KineBAT PD 99/200, as well as BP-U type batteries like GripBAT 4S. With the addition of Movcam KineKIT-Edge cage, NP-F550 type batteries can support an uninterruptible power supply (UPS) to the camera via the UPS baseplate.

Ultra-Compact, Ultra-Light
MAVO mark2 features a high-strength aviation aluminum alloy body with highly integrated functions, yet weighs only 1.35kg (2.98lbs). It is lighter than both MAVO Edge and MAVO LF with KineBACK, making it easy to carry and suitable for a wide range of complex and dynamic shooting scenarios.

Package Content:
Kinefinity MAVO mark2 S35 Digital Cinema Camera (KineMOUNT)
KineMOUNT
Body Cap

CMOS Imaging Sensor
CMOS Sensor Type	Super 35 6K 3:2 CMOS
Max Recording Resolution	6144×4016 (3:2 Open Gate), 25M
Max Frame Rate (Wide)	6K Wide 0.2~96fps
Active Sensor Area	24×16mm, ø 28.8mm
Dual Base ISO	800 / 3200
Dynamic Range	>14 Stops
Shutter Angle	0.7°~358° with Rolling Shutter
Lens Mount	KineMOUNT
Optical Filter	Optical LPF with UV and IR-cut filter
Codec, LUT & Recording Media
Recording Codec	ProRes 4444XQ / ProRes 4444 / ProRes 422HQ / ProRes 422 / ProRes LT
Format	QuickTime .mov
Bit Depth	12-bit (4444XQ/4444) 10-bit (422HQ/422/LT)
Color Science	KineLOG3
LUT Support	KineLOG3, Neutral (Rec 709), Custom 3D LUT support
Recording Media	KineMAG Nano SSD 1TB/2TB, single media slot. Third-party NVMe M.2 2280 SSD supported via KineMAG Nano Body.
Media Size (W×H×L)	1.6×3.5×0.35″ / 40×88×9mm
Monitoring
Video Ports	KINEFINITY Proprietary Video Port ×2
SDI Outputs	3G/1.5G SDI ×2 with metadata and audio (standard BNC)
Monitor Support	KINEFINITY Micro OLED EVF Viewfinder, KineMON-5U2/7U2 Ultra Bright Monitor with Touch Screen
Audio
Audio Sampling	Linear PCM, 24-bit, 48KHz
Audio Input	Built-in Mono Microphone, 3.5mm Stereo Microphone Jack, 48V Phantom-power Balanced Input ×2 (standard XLR)
Audio Output	3.5mm Stereo Headphone Jack
Wireless & Network
Wireless	WiFi 5 for live streaming and camera control
Sensor	3-axis accelerometer
SYNC & Control
Timecode	Linear TC In & Out (0B 5-pin)
Lens Control Port	RS232 Lens Port, Power Output (0B 5-pin)
Multi-Sync Port	RS422 Sync and KINEFINITY Camera Sync, Power Output (0B 9-pin)
RS Trigger Port	Rec Trigger Input with Power Output (Fisher 3-pin)
Extension Ports	Data & Control, EXT 1 and EXT 2 (Pogo-pin, 2×4 contacts)
USB	USB Type-C ×1, for firmware updates and custom 3D LUT import
Power In & Out
Power Consumption	27W (6K HD 25fps, live view)
Power Input	Integrated Hybrid Battery Plate (V-mount or BP-U compatible), DC Input (1B 2-pin), 11~26V
UPS Port	EXT 3 (Pogo-pin, 2×5 contacts)
Power Outputs	RS ×1 @4A, SYNC ×1 @3A, Lens ×1 @6A
Construction & Size
Body Color	Black
Body Material	Aerospace-grade Aluminum Alloy
Body Weight	2.98lb / 1.35kg
Dimensions (W×H×L)	4.1×4.8×4.2″ / 106×124×107mm (*without protrusions)
Operating Temperature	0°C ~ 40°C
Recording Formats — S35
S35 6K OG	6144×4016, 0.2~60fps Codec: up to ProRes 4444XQ Optical Format: 24×16mm, ø 28.8mm
S35 6K DCI	6144×3240, 0.2~75fps Codec: up to ProRes 4444XQ Optical Format: 24×12.9mm, ø 27.3mm
S35 6K 2.4:1	6144×2516, 0.2~96fps Codec: up to ProRes 4444XQ Optical Format: 24×10.0mm, ø 26.0mm
S35 6K UHD	5760×3240, 0.2~75fps Codec: up to ProRes 4444XQ Optical Format: 22.5×12.9mm, ø 25.9mm
S35 5K 17:9	5120×2700, 0.2~90fps Codec: up to ProRes 4444XQ Optical Format: 20×10.8mm, ø 22.7mm
S35 5.7K 3:2	5760×3840, 0.2~60fps Codec: up to ProRes 4444XQ Optical Format: 22.5×15.3mm, ø 27.2mm
S35 5K 4:3	5120×3840, 0.2~60fps Codec: up to ProRes 4444XQ Optical Format: 20×15.3mm, ø 25.2mm
S35 4.8K 6:5	4864×3840, 0.2~60fps Codec: up to ProRes 4444XQ Optical Format: 19×15.3mm, ø 24.4mm
S35 4K DCI (OS)	4096×2160, 0.2~75fps Codec: up to ProRes 4444XQ Optical Format: 24×12.9mm, ø 27.3mm
S35 4K 2.4:1 (OS)	4096×1672, 0.2~96fps Codec: up to ProRes 4444XQ Optical Format: 24×10.0mm, ø 26.0mm
S35 3.8K 3:2 (OS)	3840×2460, 0.2~60fps Codec: up to ProRes 4444XQ Optical Format: 22.5×15.3mm, ø 27.2mm
S35 4K UHD (OS)	3840×2160, 0.2~75fps Codec: up to ProRes 4444XQ Optical Format: 22.5×12.9mm, ø 25.9mm
S35 3.8K 2.4:1 (OS)	3840×1576, 0.2~96fps Codec: up to ProRes 4444XQ Optical Format: 24×10.0mm, ø 26.0mm
S35 3.4K 4:3 (OS)	3456×2460, 0.2~60fps Codec: up to ProRes 4444XQ Optical Format: 20×15.3mm, ø 25.2mm
S35 3K 6:5 (OS)	3072×2460, 0.2~60fps Codec: up to ProRes 4444XQ Optical Format: 19×15.3mm, ø 24.4mm
Recording Formats — M43
M43 4K DCI	4096×2160, 0.2~110fps Codec: up to ProRes 4444XQ Optical Format: 16×8.6mm, ø 18.2mm
M43 4K 2.4:1	4096×1672, 0.2~140fps Codec: up to ProRes 4444XQ Optical Format: 16×6.8mm, ø 17.4mm
M43 4K UHD	3840×2160, 0.2~110fps Codec: up to ProRes 4444XQ Optical Format: 15×8.6mm, ø 17.3mm
M43 3.8K 2.4:1	3840×1576, 0.2~150fps Codec: up to ProRes 4444XQ Optical Format: 15×6.4mm, ø 16.3mm
M43 4K 4:3	4096×3072, 0.2~75fps Codec: up to ProRes 4444XQ Optical Format: 16×12.2mm, ø 20.1mm
M43 2K DCI (OS)	2048×1080, 0.2~110fps Codec: up to ProRes 4444XQ Optical Format: 16×8.6mm, ø 18.2mm
M43 2K 2.4:1 (OS)	2048×832, 0.2~140fps Codec: up to ProRes 4444XQ Optical Format: 16×6.8mm, ø 17.4mm
M43 2K FHD (OS)	1920×1080, 0.2~110fps Codec: up to ProRes 4444XQ Optical Format: 15×8.6mm, ø 17.3mm
M43 1.9K 2.4:1 (OS)	1920×784, 0.2~150fps Codec: up to ProRes 4444XQ Optical Format: 15×6.4mm, ø 16.3mm
Recording Formats — S16 / 16mm
S16 2K DCI	2048×1080, 0.2~220fps Codec: up to ProRes 4444XQ Optical Format: 8×4.3mm, ø 9.1mm
S16 2K 2.4:1	2048×832, 0.2~270fps Codec: up to ProRes 4444XQ Optical Format: 8×3.4mm, ø 8.7mm
S16 2K FHD	1920×1080, 0.2~218fps Codec: up to ProRes 4444XQ Optical Format: 7.5×4.3mm, ø 8.6mm
S16 1.9K 2.4:1	1920×784, 0.2~270fps Codec: up to ProRes 4444XQ Optical Format: 7.5×3.2mm, ø 8.2mm

Référence A010-004-02

Fiche technique

Sortie vidéo: Kinefinity Video Port
SDI
Entrée audio: Microphone intégré
Mini Jack 3.5mm
XLR
Sortie audio: HDMI Embedded
Mini Jack 3.5mm
SDI Embedded
Résolution maximale de sortie: 6K Open Gate (6144 × 4016) 50/60 fps
Échantillonnage de couleur de sortie: RGB 4:4:4 12-bit
Connexion Newtork: Wi-Fi
Taille du capteur: Super 35mm (24x16mm)
Montures objectif: KineMOUNT
Monture interchangeable
Filtres ND incorporés: Non
Type de média: KineMAG SSD
Type de batterie: Sony BP-U
V-Mount
Type d'écran: Externe
Résolution du capteur: 25MP
Type de capteur: CMOS
Stabilisation de l'image: Non
Sensibilité ISO: 160-81920
Plage dynamique: 14 stops
Type d'obturateur: Obturateur électronique
Vitesse d'obturation: 1/2000s-1/24s
Bit Depth: 12-bit
Type de viseur: Externe
Mode de mise au point: Manuel
Modes d’enregistrement internes: ProRes 422
ProRes 422 HQ
ProRes 4444
ProRes 4444XQ
ProRes LT
RAW CinemaDNG
Modes d'enregistrement externe: RAW CinemaDNG
Timecode: Oui
Genlock: Non