Blackmagic Design Pocket...
2 390,00 €
La Blackmagic Design Pocket Cinema Camera 6K Pro est une solution compacte mais puissante au format Super 35, offrant une résolution de 6144 x...
Repoussez les limites de la production cinématographique avec la Z-CAM E2-M4 Mark II 4K Cinema Camera, équipée d’un capteur CMOS WDR 4/3” et d’une monture MFT active. Capturez des images en DCI et UHD 4K jusqu’à 160 ips, garantissant une clarté exceptionnelle et un mouvement fluide. La caméra prend en charge ZRAW, ProRes RAW et la couleur 10 bits, offrant une grande flexibilité en post-production. Avec une plage dynamique de 13 à 15 stops, extensible à 16 stops en mode WDR, elle excelle dans la capture d’images détaillées en conditions d’éclairage variées. Le double ISO natif (500 et 2500) s’adapte à différents environnements de tournage, tandis que la connectivité avancée HDMI, 3G-SDI et Genlock facilite l’intégration dans des configurations complexes. Un capteur gyroscopique intégré améliore la stabilisation pour des prises de vue fluides et stables. Son design compact inclut une monture Micro Four Thirds interchangeable, garantissant une compatibilité avec une large gamme d’objectifs. De plus, la caméra prend en charge le streaming en direct via Gigabit Ethernet avec PoE+, répondant aux exigences de la diffusion moderne. La Z-CAM E2-M4 Mark II est une solution complète pour les professionnels exigeant une production vidéo 4K de haute qualité.
Key features:
4/3" CMOS 4K 160 FPS Max
3G-SDI + HDMI Connectivity
BNC Connector Timecode Interface
Built-in Gyroscope Sensor
PoE+ Power Over Ethernet
Genlock
Mini V-Lock Battery Plate
CF Express Type B Storage Media Slot
Probably the Most Versatile Camera
You might not have seen the Z CAM E2 at these venues, but you've likely watched the stunning images captured by it.
Multiple Camera Synchronization
Z CAM has been widely adopted in many multiple camera applications worldwide due to its high sync precision, open API and reliability.
Z CAM EzLink Sync
All cameras are connected to a network switch for Z CAM EzLink Sync.
Once connected, one camera must be designated as the master, with the others set as slaves.
Z CAM EzLink ensures precise synchronization, maintaining a tolerance of no more than 0.5ms.
Z CAM PixelLink*
Z CAM PixelLink Sync (Master/Slave) requires all cameras to be connected in a daisy chain using Z CAM sync cables.
Cameras are interconnected using Cat 6 Ethernet cables.
Ensuring perfect line sync precision.
* Only available on Z CAM E2 model
IP Streaming is the Future
Z CAM supports a number of streaming protocols. Easily accessible through the built-in web client.
Open API & SDK
Full set open API.
Facilitates easier secondary development.
Compact & Robust
Compact form factor.
Full metal body construction.
Weighted 1060g only*.
* measured on Z CAM E2-M4 Mark II model (without lens and battery)
Durability & Reliability
Both the Z CAM E2 and the Z CAM E2 Mark II series are engineered for sustained, long-term recording and streaming.
Fanless design. No active cooling.
Interchangeable Mounts
Z CAM E2-M4 Mark II : MFT Mount (Active Lock)
Optional Z CAM Interchangeable lens mount:
Z CAM PL Mount (Active Lock)
Z CAM LPL Mount (Active Lock)
Z CAM M Mount (Active Lock)
Stunning Image Quality
Go-to camera for many big film and documentary productions.
Entrusted by many well-known DOPs and Directors.
Qualified as A camera.
Perfect for B camera.
Technical Specifications
Camera
Sensor Type: 4/3" CMOS Sensor
Sensor Size: 19.0 x 13.0 mm (Diagonal 21.63mm)
Effective Pixels: 10.71M
Dynamic Range: 13~15 Stops (Z-Log2) / 16 Stops (with WDR activated)
Lens Mount: MFT Mount w/active lock (interchangeable)
Microphone: Built-in Stereo Microphone
Recording
Resolution & Max Frame Rate:
30fps max @ C4K Low Noise (4096x2160)
120fps max @ C4K (4096x2160)
150fps max @ C4K 2.4:1 (4096x1728)
30fps max @ 4K Low Noise (3840x2160)
120fps max @ 4K (3840x2160)
160fps max @ 4K 2.4:1 (3840x2160)
30fps max @ 3696x2772 Low Noise
60fps max @ 3696x2772
60fps max @ 3312x2760
170fps max @ S16 16:9 (2752x1548)
160fps max @ S16 (2704x1600)
240fps max @ 1920x1080
Video Encoder: H.264 / H.265 / ProRes 422 Proxy / ProRes 422 LT / ProRes 422 / ProRes 422 HQ / ZRAW*
RAW over HDMI: ProRes RAW (using Atomos Ninja V); BRAW (using BMD VideoAssist)
Color Bit-depth: 10-bit 4:2:0 (H.265) / 8-bit 4:2:0 (H.264)
Audio Format: 16-bit 48 kHz
Audio Encoder: AAC / PCM (for MOV only)
File Format: MOV / MP4
Record Mode: Video / Time Lapse Video / Still Image Capture
Settings
ISO: Auto, Manual (500 ~ 102400), Dual Native ISO: 500 / 2500
Shutter: Shutter Speed: Auto, Manual (1”~ 1/8000”) Shutter Angle: Auto, Manual (1° ~ 360°)
White Balance: Auto, Preset, Manual (2300K ~ 30000K)
Focus Mode: MF / AF / CAF
Image: Brightness / Contrast / Saturation / Sharpness / Gamma Setting
Image Config: Rec.709, Z-Log2, Flat, Concert, Vivid 0, Vivid 1, Vivid 2, HLG, Gamma
Time Code: Current Time / Manual Input / External Input
Connectivity
HDMI: HDMI 2.0 Type A (up to 4K DCI 60p, 10-bit 4:2:2)
SDI: 3G-SDI
Timecode In: LTC Timecode Input via BNC
Genlock: BB/Tri-Level Genlock Input via BNC
USB: USB 3.0 Type C for camera control & data transfer only
Remote Port: 2.5 mm jack socket (Sony LANC compatible)
Audio In: 3.5 mm stereo jack socket (TRS) or 5-pin LEMO port for dual channel XLR microphone (require additional XLR audio connector)
Audio Out: 3.5 mm stereo jack socket
Wi-Fi: 5G, up to 802.11n, external antenna port
CTRL: Serial port
Ethernet: Gigabit Ethernet port
Power
Battery: Mini V-Lock 14.8V (Battery not included)
Power Input: DC 12~18V (2-pin LEMO socket) / PoE+ (802.3at)
Power Output (AUX): DC 12V 2A (2-pin LEMO socket)
Power Consumption: 50W maximum, not inclusive of AUX power consumption
Physical
Camera Body: Aluminum Alloy
Weight - Camera (w/o Lens): 1.06 kg (with MFT mount)
Weight - Full Package: 1.40kg
Dimensions (HxWxL) - Camera: 105 x 98 x 116 mm / 4.13 x 3.86 x 4.57 inch (MFT mount)
Dimensions (HxWxL) - Package: 145 x 195 x 162 mm / 5.71 x 7.68 x 6.38 inch
Environment
Storage Temperature: -20 °C ~ 60 °C
Operation Temperature: 0 °C ~ 40 °C
Fiche technique
Références spécifiques
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