Blackmagic Design PYXIS 12K PL Mount Camera
€4,390.00
Blackmagic Design PYXIS 12K PL Mount is a large-format cinema camera built around a 12,288 x 8,040 RGBW sensor (35.64 x 23.32 mm) with a...
A second-generation take on Z CAM's Micro Four Thirds line, the Z-CAM E2-M4 Mark II keeps the compact cube body the E2 series built its reputation on and rewires it for networked, synchronised production. Its 4/3" CMOS sensor (19.0 × 13.0 mm, 10.71 megapixels) records 4K DCI at up to 120 frames per second, reaches 160 fps in 2.4:1 widescreen and 240 fps in Full HD — slow motion that earns its place in sports coverage, commercials and music films. Dual native ISO 500/2500 plus 13–15 stops of dynamic range in Z-Log2, stretched to 16 stops with WDR engaged, hold highlight and shadow detail when lighting shifts mid-take.
Footage lands on a single CFexpress Type B slot as 10-bit H.265, H.264, four ProRes 422 variants or ZRAW, while the HDMI 2.0 output feeds ProRes RAW to an Atomos Ninja V or Blackmagic RAW to a Video Assist whenever a grade calls for maximum latitude. A built-in gyroscope writes motion metadata with every clip, so material from a car mount or crash-cam position can be stabilised cleanly in post without a gimbal.
Live production is where this camera argues its case. 3G-SDI and HDMI run in parallel, LTC timecode and BB/tri-level genlock arrive on BNC, and Gigabit Ethernet with PoE+ lets a single network cable power, control and stream a unit rigged on a truss or in an OB relay position no operator can reach. RTMP, RTMPS, RTSP and SRT sit in the built-in web client, EzLink holds multi-camera rigs in sync within 0.5 ms, Wi-Fi 5 GHz and a LANC-compatible remote port cover handheld work, and an open API leaves room for custom studio integration.
Fanless aluminium construction, a mini V-lock battery plate, a 12 V accessory output and an interchangeable active-lock mount — PL, LPL and M options beside the stock MFT — make the Z-CAM E2-M4 Mark II easy to standardise across a rental fleet or a multi-studio operation. Our team assists with mount selection, network commissioning and multicam configuration before the first shoot day.
Z-CAM E2-M4 Mark II Camera
ZCE2M4M2
Price: €1,699.00
No tax
We offer EU-wide sales, invoicing for VAT-free intra-community delivery.
Available from supplier (Delivery time to be confirmed.)
A second-generation take on Z CAM's Micro Four Thirds line, the Z-CAM E2-M4 Mark II keeps the compact cube body the E2 series built its reputation on and rewires it for networked, synchronised production. Its 4/3" CMOS sensor (19.0 × 13.0 mm, 10.71 megapixels) records 4K DCI at up to 120 frames per second, reaches 160 fps in 2.4:1 widescreen and 240 fps in Full HD — slow motion that earns its place in sports coverage, commercials and music films. Dual native ISO 500/2500 plus 13–15 stops of dynamic range in Z-Log2, stretched to 16 stops with WDR engaged, hold highlight and shadow detail when lighting shifts mid-take.
Footage lands on a single CFexpress Type B slot as 10-bit H.265, H.264, four ProRes 422 variants or ZRAW, while the HDMI 2.0 output feeds ProRes RAW to an Atomos Ninja V or Blackmagic RAW to a Video Assist whenever a grade calls for maximum latitude. A built-in gyroscope writes motion metadata with every clip, so material from a car mount or crash-cam position can be stabilised cleanly in post without a gimbal.
Live production is where this camera argues its case. 3G-SDI and HDMI run in parallel, LTC timecode and BB/tri-level genlock arrive on BNC, and Gigabit Ethernet with PoE+ lets a single network cable power, control and stream a unit rigged on a truss or in an OB relay position no operator can reach. RTMP, RTMPS, RTSP and SRT sit in the built-in web client, EzLink holds multi-camera rigs in sync within 0.5 ms, Wi-Fi 5 GHz and a LANC-compatible remote port cover handheld work, and an open API leaves room for custom studio integration.
Fanless aluminium construction, a mini V-lock battery plate, a 12 V accessory output and an interchangeable active-lock mount — PL, LPL and M options beside the stock MFT — make the Z-CAM E2-M4 Mark II easy to standardise across a rental fleet or a multi-studio operation. Our team assists with mount selection, network commissioning and multicam configuration before the first shoot day.
local_shipping
UE Shipping
We ship across the EU for €20, free over €1,000.
business_center
B2B Shop
B2B sales only, prices excl. VAT.
security
Safe Shopping
Official EU distribution and warranty.
payment
Secure checkout
Secure online payments via Stripe.
contact_mail
Individual quotation
Send your enquiry via the form or email avgear@avgear.shop
Key features:
4/3" CMOS 4K 160 FPS Max
3G-SDI + HDMI Connectivity
BNC Connector Timecode Interface
Built-in Gyroscope Sensor
PoE+ Power Over Ethernet
Genlock
Mini V-Lock Battery Plate
CF Express Type B Storage Media Slot
Probably the Most Versatile Camera
You might not have seen the Z CAM E2 at these venues, but you've likely watched the stunning images captured by it.
Multiple Camera Synchronization
Z CAM has been widely adopted in many multiple camera applications worldwide due to its high sync precision, open API and reliability.
Z CAM EzLink Sync
All cameras are connected to a network switch for Z CAM EzLink Sync.
Once connected, one camera must be designated as the master, with the others set as slaves.
Z CAM EzLink ensures precise synchronization, maintaining a tolerance of no more than 0.5ms.
Z CAM PixelLink*
Z CAM PixelLink Sync (Master/Slave) requires all cameras to be connected in a daisy chain using Z CAM sync cables.
Cameras are interconnected using Cat 6 Ethernet cables.
Ensuring perfect line sync precision.
* Only available on Z CAM E2 model
IP Streaming is the Future
Z CAM supports a number of streaming protocols. Easily accessible through the built-in web client.
Open API & SDK
Full set open API.
Facilitates easier secondary development.
Compact & Robust
Compact form factor.
Full metal body construction.
Weighted 1060g only*.
* measured on Z CAM E2-M4 Mark II model (without lens and battery)
Durability & Reliability
Both the Z CAM E2 and the Z CAM E2 Mark II series are engineered for sustained, long-term recording and streaming.
Fanless design. No active cooling.
Interchangeable Mounts
Z CAM E2-M4 Mark II : MFT Mount (Active Lock)
Optional Z CAM Interchangeable lens mount:
Z CAM PL Mount (Active Lock)
Z CAM LPL Mount (Active Lock)
Z CAM M Mount (Active Lock)
Stunning Image Quality
Go-to camera for many big film and documentary productions.
Entrusted by many well-known DOPs and Directors.
Qualified as A camera.
Perfect for B camera.
Technical Specifications
Camera
Sensor Type: 4/3" CMOS Sensor
Sensor Size: 19.0 x 13.0 mm (Diagonal 21.63mm)
Effective Pixels: 10.71M
Dynamic Range: 13~15 Stops (Z-Log2) / 16 Stops (with WDR activated)
Lens Mount: MFT Mount w/active lock (interchangeable)
Microphone: Built-in Stereo Microphone
Recording
Resolution & Max Frame Rate:
30fps max @ C4K Low Noise (4096x2160)
120fps max @ C4K (4096x2160)
150fps max @ C4K 2.4:1 (4096x1728)
30fps max @ 4K Low Noise (3840x2160)
120fps max @ 4K (3840x2160)
160fps max @ 4K 2.4:1 (3840x2160)
30fps max @ 3696x2772 Low Noise
60fps max @ 3696x2772
60fps max @ 3312x2760
170fps max @ S16 16:9 (2752x1548)
160fps max @ S16 (2704x1600)
240fps max @ 1920x1080
Video Encoder: H.264 / H.265 / ProRes 422 Proxy / ProRes 422 LT / ProRes 422 / ProRes 422 HQ / ZRAW*
RAW over HDMI: ProRes RAW (using Atomos Ninja V); BRAW (using BMD VideoAssist)
Color Bit-depth: 10-bit 4:2:0 (H.265) / 8-bit 4:2:0 (H.264)
Audio Format: 16-bit 48 kHz
Audio Encoder: AAC / PCM (for MOV only)
File Format: MOV / MP4
Record Mode: Video / Time Lapse Video / Still Image Capture
Settings
ISO: Auto, Manual (500 ~ 102400), Dual Native ISO: 500 / 2500
Shutter: Shutter Speed: Auto, Manual (1”~ 1/8000”) Shutter Angle: Auto, Manual (1° ~ 360°)
White Balance: Auto, Preset, Manual (2300K ~ 30000K)
Focus Mode: MF / AF / CAF
Image: Brightness / Contrast / Saturation / Sharpness / Gamma Setting
Image Config: Rec.709, Z-Log2, Flat, Concert, Vivid 0, Vivid 1, Vivid 2, HLG, Gamma
Time Code: Current Time / Manual Input / External Input
Connectivity
HDMI: HDMI 2.0 Type A (up to 4K DCI 60p, 10-bit 4:2:2)
SDI: 3G-SDI
Timecode In: LTC Timecode Input via BNC
Genlock: BB/Tri-Level Genlock Input via BNC
USB: USB 3.0 Type C for camera control & data transfer only
Remote Port: 2.5 mm jack socket (Sony LANC compatible)
Audio In: 3.5 mm stereo jack socket (TRS) or 5-pin LEMO port for dual channel XLR microphone (require additional XLR audio connector)
Audio Out: 3.5 mm stereo jack socket
Wi-Fi: 5G, up to 802.11n, external antenna port
CTRL: Serial port
Ethernet: Gigabit Ethernet port
Power
Battery: Mini V-Lock 14.8V (Battery not included)
Power Input: DC 12~18V (2-pin LEMO socket) / PoE+ (802.3at)
Power Output (AUX): DC 12V 2A (2-pin LEMO socket)
Power Consumption: 50W maximum, not inclusive of AUX power consumption
Physical
Camera Body: Aluminum Alloy
Weight - Camera (w/o Lens): 1.06 kg (with MFT mount)
Weight - Full Package: 1.40kg
Dimensions (HxWxL) - Camera: 105 x 98 x 116 mm / 4.13 x 3.86 x 4.57 inch (MFT mount)
Dimensions (HxWxL) - Package: 145 x 195 x 162 mm / 5.71 x 7.68 x 6.38 inch
Environment
Storage Temperature: -20 °C ~ 60 °C
Operation Temperature: 0 °C ~ 40 °C
ZCE2M4M2
Data sheet
- Video Output
- HDMI
RJ-45 (IP)
SDI - Audio Input
- LEMO 5-pin
Mini Jack 3.5mm - Audio Output
- HDMI Embedded
Mini Jack 3.5mm
RJ-45
SDI Embedded - Max Output Resolution
- 4K (4096 x 2160) 100/120 fps
- Output colour sampling
- RGB 4:2:2 10-bit
- Streaming protocols
- RTMP
RTMPS
RTSP
SRT
SSP
UVC - Network Connection
- Ethernet
Wi-Fi - Sensor Size
- 4/3" (19.0x13.0mm)
- Lens mount
- Interchangeable mount
MFT - Internal ND filtres
- No
- Media type
- CFexpress Type B
- Battery Type
- Mini V-Mount
- Screen Type
- External
- Sensor Resolution
- 10.71MP
- Sensor Type
- CMOS
- Image Stabilization
- Gyro
- ISO Sensitivity Range
- 500-102400
- Dynamic Range
- 16 stops
- Shutter Type
- Electronic Shutter
- Shutter Speed
- 1/8000s-1min
- Bit Depth
- 10-bit
- Viewfinder Type
- External
- Focus Mode
- AF
CAF
Manual - Internal Recording Modes
- H.264
H.265
ProRes 422
ProRes 422 HQ
ProRes 422 LT
ProRes 422 Proxy
ZRAW - External Recording Modes
- Blackmagic RAW
ProRes RAW - Timecode
- Yes
- Genlock
- Yes
Specific References
- ean13
- 6970130770170
- mpn
- E1512
Related Products ( 4 other products in the same category )
- New
