• -€6,400.00

DZOFilm Pavo 2x Anamorphic 3-Lens Kit (32/55/100mm T2.1/T2.4) PL & EF Mount (S35) Blue

DZO-PAB3PLMB
€13,999.00
Price: €7,599.00 Save €6,400.00
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DZOFilm Pavo 2x Anamorphic 3-Lens Kit (32/55/100mm T2.1/T2.4) PL & EF Mount, S35, Blue brings three matched primes delivering a consistent 2x squeeze and uniform mechanics for scripted, studio and broadcast pipelines. Covering Super35, the set outputs native 2.39:1 images when de-squeezed, with controlled barrel distortion and neutral color across the trio for seamless intercutting on multi-camera shoots. The blue coating yields clean horizontal flares while maintaining contrast.

The 32mm and 55mm open to T2.1, the 100mm to T2.4, maintaining exposure continuity from establishing frames to tight coverage. Close focus is short for an anamorphic—0.40 m (1.31 ft) on 32mm, 0.60 m (1.97 ft) on 55mm, and 0.95 m (3.12 ft) on 100mm—enabling tight portraits, tabletop product frames and inserts with natural oval bokeh. A 16-blade iris keeps specular highlights smooth for consistent highlight roll-off.

For crews, the lenses share 0.8-Mod gears, a precise 270° focus rotation, and interchangeable PL / EF mounts with bayonets, shim sets and screws included. Integrated back-focus adjustment preserves accurate witness marks after mount swaps and reduces setup time between cameras. Metric engraving supports fast, repeatable pulls on drama, commercials and multi-cam live streaming, and the robust housing accepts follow-focus torque, remote FIZ and motion-control marks without drift.

Application examples: use the 32mm for interior wides or handheld documentary movement; the 55mm as an all-rounder for interviews, dialogue and stage on gimbal or tripod; the 100mm for compression, close-ups and controlled flare lines in music videos. Across the production day, the DZOFilm Pavo kit delivers a coherent look—accurate skin tones, dense micro-contrast and classic anamorphic character suited to TV drama, branded content, streaming studios and on-set VFX plates.

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2X Compression Factor for Authentic Anamorphic
The PAVO series comprises 28mm to 100mm focal lengths with a 2X compression ratio. This expansion of the cinematic scope allows for the inclusion of additional details, resulting in a more dramatic depth of field.

It achieves a genuine anamorphic look that immerses viewers in a visually spectacular world, while maintaining a harmonious and unified visual style across the entire series, making it the ideal choice for professional film production.

Unparalleled Compact Anamorphic
With its solid and lightweight design, the PAVO features a front diameter of only 95mm and weighs between 1.2 and 1.6 kg. This versatility allows for seamless integration with a range of filming accessories, such as gimbals, Steadicams, and drones.

Whether you're navigating handheld shots, shoulder-mounted rigs, vehicle-mounted setups, or aerial cinematography, PAVO offers the adaptability you need. Its precise construction and superior optical performance offer limitless creative possibilities for indie filmmakers and large-scale productions.

Modern Ergonomics, Cinematic Artistry
PAVO captures stunning imagery even in low-light shooting scenarios with a T2.1 aperture (28mm to 75mm) and T2.4 at 100mm. Its 14–16 blades of round iris create captivating oval-shaped bokeh and a mesmerizing 'waterfall' background blur, delivering a dreamlike aesthetic.

Revolutionary Close Focus
The PAVO series overcomes anamorphic limitations with a phenomenal minimum focus distance of 0.4m, perfect for capturing subtle facial expressions and using close-ups to create immersive and engaging visuals that resonate with viewers. This lens set is an ideal tool for filmmakers seeking to add depth and nuance to their storytelling.

Futuristic Design, Dual Flare
PAVO offers two different horizontal flare colors, Blue and Neutral, to cater to a wide range of movie genres and visual styles. The dark gray exterior design takes inspiration from the futuristic aesthetics of iconic sci-fi spaceships and blends the essence of modern design into its construction. 

The Blue version is adorned with cobalt ink, while the Neutral version is elegantly embellished with vermilion ink.

Superb Visuals for Immersive Brilliance
PAVO provides exceptional resolution with precise control, ensuring negligible breathing effects even at longer focal lengths. The innovative design minimizes chromatic aberration, resulting in sharp, crisp images with accurate color rendering. PAVO provides a smooth transition between in-focus and out-of-focus images with a characteristic anamorphic look.

Versatile Design, Flex Adaptation
PAVO lenses feature a built-in back-focus adjustment, enabling precise adjustments while the lens is mounted, streamlining operational processes. Additionally, these lenses can adapt to full-frame cinema cameras using the Marlin 1.6X Expander, broadening compatibility across various shooting scenarios and meeting the demands of professional film production.

PARAMETER
Focal Length: 32mm
Colour: Space Grey + Black
Flare Option: Blue
Mount: PL / EF
Aperture: T2.1-T22
Image Circle: φ31.5mm(S35)
Construction Of Optics: 15 Elements in 13 Groups
Flange Distance: 52mm(PL)/44mm(EF)
Close Focus (From Sensor Plane): 0.4m/1ft4in
Squeeze Factor: 2X
Iris Control: Manual(59°)
Focus Control: Manual(270°)
Front Dia.: φ95mm/3.74"
Length (From Lens Front To Flange Plane): 105.7mm/4.16"
Iris Blade: 16
Filter Size: M86
Gear Pitch: 0.8 Mod
Material: Aluminum Alloy
Weight (Product): ≈1278g

PARAMETER
Focal Length: 55mm
Colour: Space Grey + Black
Flare Option: Blue
Mount: PL / EF
Aperture: T2.1-T22
Image Circle: φ31.5mm(S35)
Construction Of Optics: 14 Elements in 13 Groups
Flange Distance: 52mm(PL)/44mm(EF)
Close Focus (From Sensor Plane): 0.6m/2ft
Squeeze Factor: 2X
Iris Control: Manual(63°)
Focus Control: Manual(270°)
Front Dia.: φ95mm/3.74"
Length (From Lens Front To Flange Plane): 108.4mm/4.26"
Iris Blade: 16
Filter Size: M86
Gear Pitch: 0.8 Mod
Material: Aluminum Alloy
Weight (Product): ≈1262g

PARAMETER
Focal Length: 100mm
Colour: Space Grey + Black
Flare Option: Blue
Mount: PL / EF
Aperture: T2.4-T22
Image Circle: φ31.5mm(S35)
Construction Of Optics: 14 Elements in 13 Groups
Flange Distance: 52mm(PL)/44mm(EF)
Close Focus (From Sensor Plane): 0.95m/3ft1in
Squeeze Factor: 2X
Iris Control: Manual(76°)
Focus Control: Manual(270°)
Front Dia.: φ95mm/3.74"
Length (From Lens Front To Flange Plane): 143.1mm/5.63"
Iris Blade: 16
Filter Size: M86
Gear Pitch: 0.8 Mod
Material: Aluminum Alloy
Weight (Product): ≈1654g

DZO-PAB3PLMB

Data sheet

Lens Mount
Canon EF
PL Mount
Focal Lengths
32mm
55mm
100mm
Maximum Aperture
T2.1
T2.4
Lens Format Coverage
Super 35mm
Lens Type
Anamorphic
Cinema Lens
Prime

Specific References

ean13
6970604941945
mpn
DZO-PAB3PLMB

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DZOFilm Pavo 2x Anamorphic 3-Lens Kit (32/55/100mm T2.1/T2.4) PL & EF Mount (S35) Blue

DZOFilm Pavo 2x Anamorphic 3-Lens Kit (32/55/100mm T2.1/T2.4) PL & EF Mount, S35, Blue brings three matched primes delivering a consistent 2x squeeze and uniform mechanics for scripted, studio and broadcast pipelines. Covering Super35, the set outputs native 2.39:1 images when de-squeezed, with controlled barrel distortion and neutral color across the trio for seamless intercutting on multi-camera shoots. The blue coating yields clean horizontal flares while maintaining contrast.

The 32mm and 55mm open to T2.1, the 100mm to T2.4, maintaining exposure continuity from establishing frames to tight coverage. Close focus is short for an anamorphic—0.40 m (1.31 ft) on 32mm, 0.60 m (1.97 ft) on 55mm, and 0.95 m (3.12 ft) on 100mm—enabling tight portraits, tabletop product frames and inserts with natural oval bokeh. A 16-blade iris keeps specular highlights smooth for consistent highlight roll-off.

For crews, the lenses share 0.8-Mod gears, a precise 270° focus rotation, and interchangeable PL / EF mounts with bayonets, shim sets and screws included. Integrated back-focus adjustment preserves accurate witness marks after mount swaps and reduces setup time between cameras. Metric engraving supports fast, repeatable pulls on drama, commercials and multi-cam live streaming, and the robust housing accepts follow-focus torque, remote FIZ and motion-control marks without drift.

Application examples: use the 32mm for interior wides or handheld documentary movement; the 55mm as an all-rounder for interviews, dialogue and stage on gimbal or tripod; the 100mm for compression, close-ups and controlled flare lines in music videos. Across the production day, the DZOFilm Pavo kit delivers a coherent look—accurate skin tones, dense micro-contrast and classic anamorphic character suited to TV drama, branded content, streaming studios and on-set VFX plates.

Write your review

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