HDR dual monitor 8-channel HDp60 2-channel 4Kp60 rackmount recorder
The flexible new Shogun Studio 2 takes state of the art Atomos multi-channel recording technology and combines it with two premium 7” HDR 3000nit* high bright touchscreen displays, all in a single 3RU unit. Its unique combination of features makes it perfect for live events, outside broadcast vehicles, production galleries and MCRs, post production facilities, video wall playout, on-set DITs and sports officiating. Connect to practically any SDI or HDMI source including camera channels, PTZ cameras and vision mixers.

Record multiple formats
The Shogun Studio 2 records either two channels of 4Kp60, or up to eight HDp60 sources in industry standard Apple ProRes, ProRes RAW and AVID DNx codecs. Free your workflow from the constraints of highly compressed GOP based codecs and their associated artifacts. Replace them with clean images captured direct from the sensors of your camera channels using modern Intra-frame codecs.

Both ProRes and DNx are robust, easy to edit, color accurate production codecs used throughout the industry. You can even take this one step further and record ProRes RAW from a wide range of cinema cameras for maximum fidelity.

Playback and Edit
Review or play out your footage directly on the Shogun Studio 2 using the innovative touchscreen controls. Playback and play out up to 4Kp60 video, or 2K/HD high frame rate footage slowed down in the unit itself. Playlists can be created from clips either recorded on an Atomos recorder, or from your edit system in a supported codec, resolution and frame rate.

Master your rack with Shogun Studio 2
The Shogun Studio 2 only takes 3RU of space and has a short rack depth making it perfect for use in monitor bridges or in small mobile broadcast vehicles. Redundant dual power supplies balance the power load. The rear of the Shogun Studio 2 provides grouped connectivity for each of the recorder channels with 12G, 6G, 3G (single, Dual, Quad) and 1.5B SDI I/O, HDMI with support for both the inputs and outputs, plus XLR audio I/O, Genlock and LTC input and loop through.

Advanced record modes
The Shogun Studio 2 offers Pre Roll recording with a 8 second cache in HD, or 2-3 seconds in 4K, to make sure you never miss the action. It also offers Multi Camera ISO recording and Switching of up to 8 SDI inputs from cameras at up to 1080 p60. Each bank of 4 inputs also benefits from a switched output allowing you to have two video switched.

The ProRes RAW Advantage
ProRes RAW is now firmly established as the new standard for RAW video capture, with an ever growing number of supported HDMI and SDI cameras. ProRes RAW combines the visual and workflow benefits of RAW video with the incredible real-time performance of ProRes.

The format gives filmmakers enormous latitude when adjusting the look of their images and extending brightness and shadow detail, making it ideal for HDR workflows. Both ProRes RAW, and the higher bandwidth, less compressed ProRes RAW HQ are supported.

Manageable file sizes speed up and simplify file transfer, media management, and archiving. ProRes RAW is fully supported in Final Cut Pro, Adobe Premiere Pro, Avid Media Composer 2020.10 update, along with a collection of other apps including ASSIMILATE SCRATCH, Colorfront, FilmLight Baselight and Grass Valley Edius.

Class leading screen technology
The dual 7” screens of the Shogun Studio 2 have advanced dynamic zoned backlighting for deeper blacks and brighter whites, while retaining every detail in the highlights. See what the camera channel is capturing with unparalleled precision and use the advanced HDR tools for Log or RAW to ensure perfect exposure, colour and white balance.

Physical Specifications
Dimensions (W x H x D mm) 447 x 152 x 280mm, 17.6 x 6.0 x 11.0”(without rack ears), 490 x 152 x 280mm, 19.3 x 6.0 x 11.0” (with rack ears)
Weight 5.0kg / 11lb
Rack height 3U
Mount points Removable rack ears and desktop feet
Dual recorder Dual Screen, Recorder and switcher

Environmental
Ambient operating temperature Up to 40°C

Construction and Control
Body Aluminium alloy chassis
Cooling Actively controlled fans and Heat Sink
Tally light On front
Multi-function button Trigger dual record

Power
Continuous power Dual PSU
DC in connector Dual IEC C14

Display
Touchscreen SuperAtom IPS panel (capacitive touch)
Size Dual 7.2”
Resolution Dual 1920 x 1200
PPI 327 per screen
Bit depth 10-Bit (8+2 FRC)
Backlight Type Dynamic zoned back light 3", Dynamic Full Array Local Dimming (FALD) 360 Zones
Brightness (cdm2 / nits) 1500 / 3000 Peak HDR brightness
Aspect ratio 16 : 9
Color Gamut Rec.709
Calibration support Atomos Calibrator with Xrite i1 Display Pro / Plus (Retail)

Color Pipeline
Gamma Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log
Gamut Bt2020, DCI P3, PDCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
3D LUT Display .Cube Format Display Only
3D LUT Output Loop out
3DLUT 50/50 Yes
Monitoring Modes Native / HLG / PQ / 3D LUT
HDR output Conversion Log / HDR to HLG / PQ / Dolby Vision

Video Input
HDMI 1 x HDMI (2.0) 4k p60
SDI Quad link 3G SDI, with 2 x 12G SDI Backwards compatible Auto detection per recorder channel
SDI RAW Apples ProRes RAW up to 6k
RJ45 / Network Service Only
Bit Depth 8/10-Bit Video / RAW up to 16-Bit
Video Chroma Subsampling 4:02:02
HDCP copy protection No supported

Metadata
HDMI RAW - white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut
SDI File Name from Arri, RED

Video Output
HDMI 1 x HDMI (2.0) 4k p60
SDI loop out 1 x 2 x 12G SDI Backwards compatible Auto detection
SDI Play out 2 x2 x 12G SDI Backwards compatible Autodetection level A and B selectable
Video Chroma Subsampling 422
Bit Depth 10-Bit Video

Web Streaming
USB UVC Optional via Connect 4k

Video Signal Conversion
HDMI to SDI Yes - Video and RAW
SDI to HDMI Yes - Video and RAW

Audio In/Out
Audio Quality 24/48kHz
Audio Codec PCM
HDMI 8ch 24-Bit, input dependent
SDI 12ch 24-Bit, input dependent
Analogue Audio in 2 x XLR Per recorder channel
Analogue Audio Out 2 x XLR Per recorder channel
Headphone out 3.5mm 2ch.

Timecode / Sync
Embedded HDMI and SDI
Time of day Yes, Time and Date
LTC LTC via BNC in/out Record mode
Genlock GenLock in/out Playback mode

Resolution and Frame Rates (Record, Monitor & Playback)
6k RAW Only up to 30p via SDI Only
4k DCI 23.98/24/25/29.9/30/50/59.94/60p
4k UHD 23.98/24/25/29.9/30/50/59.94/60p
2K DCI 2046 x 1080 2k DCI: 23.98/24/25/29.9/30/50/59.94/60p / Sony FX9 RAW up to 180p
FHD 1920 x 1080 Progressive 23.98/24/25/29.9/30/50/59.94/60/100/120p
FHD 1920 x 1080 PsF Converted to P and looped out PsF
FHD 1920 x 1080 Interlaced 23.98/24/25/29.9/30/50/59.94/60i
1280 x 720p 50/59.94/60p

Recording CODEC
CDNG For SDI RAW inputs Only
Apple ProRes RAW ProRes RAW, HQ
Apple ProRes LT, 422, 422HQ
Avid DNxHD DNxHD 220x,220,145,36
Avid DNxHR LB, SQ, HQ, HQX.

Playback
Playlist Yes, Create customer play lists from full or sub clips
Loop Yes, with user customisable in / out markers
Apple ProRes Raw Yes, recorded clips
Apple ProRes Yes, with Linear PCM audio
Avid DNx Yes, with Linear PCM audio

Recording functions
Pre-roll record Yes (HD 8s, 4K 2s) - Not available in RAW
ISO Record Up to 8 x up to 1080p 60 (3G SDI Level A ONLY) 4 Per recorder channel
Switched Program Record Yes Up to 1080p 60

Multi Input / Switching
SDI A/B toggle Yes, Up support up to 12G SDI per input
Dual Input display Via Multi ISO input mode
Multiple SDI input Up to 4 x up to 1080p 60 (3G SDI Level A ONLY)
Input transitions Auto or manual XML transition

Supported media
Master Caddy I Not compatible
SSDmini Yes, BUT ONLY with optional Grab handle
File Naming Unit Name - Scene/Shot/Take, Arri & RED via SDI
File System ExFAT

On screen tools
Waveform Yes, 3 size / Position
RGB parade Yes, 3 size / Position
Vector scope Yes, 2 size / Position
1 x Zoom Yes. 1:1 Pixel mapping for 4k
2 x Zoom Yes
Focus peaking Colour selected / threshold setting / colour / mono / edges only
False colour Yes, with Scale
Zebra Yes, Adjustable
Isolate color channel Blue Only
Cine Frame Guides 2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
Social Frame guides 9:16, 1:1, 191:1, 4:5
Safe areas Action and Graphic
Grid markers 9 grid
Anamorphic desqueeze 1.25x 1.33x , 1.5x ,1.8x ,2x
Display Flip Vertical Only

Onboard Signal Processing
Pulldown Removal 24/25/30pSF > 24/25/30p (2:2 pulldown), 60i > 24p (3:2 pulldown)
4K UHD Downscale for HD Loop out - 4K UHD to FHD
DCI Crop Loop out - 17:9 to 16:9 Crop

Remote control
HDMI Auto HDMI Trigger, Supported Protocols - Canon, Sony, Atomos Open Standard
SDI SDI trigger camera selectable
Serial 2.5mm Jack LANC control and calibration via optional USB to serial cable
RJ45 Service Only
RS422 Yes, Qualified controllers only

Supported Applications
XML Cut tag EDL and Multcam with transitions in FCPX XML
Apple ProRes RAW Apple FCPX, Adobe Premier, After Effects, Avid Media Edius, Assimilate Scratch, Baselight Film Light.
Video Codecs All applications with support for Apple ProRes and Avid DNX in .MOV wrapper

What’s in the box
Accessories included Shogun Studio 2, 2 x rack ears with screws, 4 x rubber feet with screws, 2 x IEC power cable, 2 x HDMI cable, 5 x Master caddy II
Optional extras Powerkit, UltraSync One,HDMI cables, USB to serial cable,

Warranty
Standard 1 year. Extended to 3 years on product registration