Laowa Aurogon FF 10-50X NA0.5 Supermicro APO Fuji GFX
€1,559.00
Laowa Aurogon FF 10-50X NA0.5 Supermicro APO Fuji GFX transforms a G-mount camera into an on-camera microscope. A common apochromatic objective...
The DZOFilm Gnosis Macro 24mm T2.8 cine lens delivers full-frame coverage, supporting VV/FF sensors with an interchangeable LPL/PL to EF mount system. With a wide-angle 24mm focal length and a minimum focus distance of 15.5cm, it offers 0.8x magnification for detailed macro shots. The T2.8 aperture provides reliable performance in low-light conditions, while the lens 46.5mm image circle ensures sharpness across the frame. Featuring a 16-blade iris for beautifully smooth bokeh and a precise 300° focus rotation for professional control, this lens is built for cinematic precision and creative flexibility.
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Gnosis is DZOFILM’s high-performance full frame cinema prime macro lens. It allows you to reproduce the details and color in filming. Clear images, natural transition from in-focus to defocus and minimal breathing in focusing...all these can be found in Gnosis. They are suitable for different macro creation and can adapt to a wider range of subjects such as flowers and insects, bringing audience with pure and vivid image texture and natural transition of focus shifting. Precisely control and shift the focus with a 300 degree rotation to get a stable and comfortable performance. The industry standard front diameter of 114mm is compatible with matte boxes and other accessories, eliminating the need for repeated adjustments when changing lenses and greatly enhancing shooting efficiency.
Focusing on Details Reframing Micro Vision
The 24/32/65/90mm lens allows you to get an incredible amount of detail and discover the astonishing image of the microcosm at the minimum focusing distance of 17-26cm with a 1:1/1.33:1/1.5:1 magnification ratio respectively.
Cinematic Imaging In Great Details
From the MFD to INF, Gnosis provides excellent image quality with extreme sharpness from the center of frame right out to the edges. The color rendition is uniformly and naturally clean from in-focus to out-of-focus, presenting a stunning image rich in gradation.
For Professional Filmmaking And Tactful Collaboration
The industry standard front diameter of 114mm is compatible with matte boxes and other accessories, eliminating the need for repeated adjustments when changing lenses and greatly enhancing shooting efficiency.
Reliable, Precise Mechanics For Smooth Creation
Precisely control and shift the focus with a 300 degree rotation to get a stable and comfortable performance and perfect your work.
All-inclusive Meet multiple needs in filmmaking
LPL/ PL/ EF Mount These lenses cover wide-angle, standard, and telephoto focal lengths, providing flexible shooting distance and field of view options to meet the demand of macro creation in common focal lengths and adapt to a wider range of subjects.
Focal Length 24mm
COLOUR Black
MOUNT PL / EF / LPL
T-STOP T2.8
IMAGE CIRCLE ∮46.5(VV/FF)
OPTICAL CONSTRUCTION 12 Elements in 10 Groups
FLANGE DISTANCE 52mm (PL) / 44mm (EF) / 44mm (LPL)
"CLOSE FOCUS DIS. (FROM SENSOR PLANE) (METRIC/IMPERIAL)" 0.155m/6.1in
MAGNIFICATION RATIO 0.8X
IRIS CONTROL Manual (rotation angle 68°)
FOCUS CONTROL Manual (rotation angle 300°)
FRONT DIA. ∮114mm
LENGTH 100mm
IRIS BLADE 16
FILTER SIZE M105
GEAR PITCH 0.8 Mod
MATERIAL Housing: Aluminum Alloy
WEIGHT ≈1265g
Data sheet
Specific References