Laowa Nanomorph 42 mm T2.9 1.5× Anamorphic LF condenses large-format cinema power into a 1.03 kg, 121 mm housing. Its Ø44.7 mm image circle blankets Full-Frame sensors across 16 : 9, 3 : 2 and 4 : 3 gates, while the 66.5° × 33.8° field balances spatial context and subject presence. Constant 1.5× squeeze yields 2.66 : 1 on 16 : 9 capture, delivering authentic widescreen without cropping.
A 17-element / 15-group layout with specialised glass sustains edge-to-edge acuity and suppresses longitudinal CA. The rounded 13-blade iris shapes elliptical bokeh and generates a neutral silver flare ideal for colour-critical HDR10 pipelines. Minimum focus reaches 0.51 m (20 in); negligible breathing preserves framing through demanding rack pulls, and geometry stays stable—no “anamorphic mumps.” Coverage of 2 : 1, 2.25 : 1 and 2.4 : 1 deliverables keeps workflows very flexible.
Precision mechanics include 270 ° focus and 70 ° aperture throws, both 0.8 MOD-geared and dual-scaled in m / ft. The 77 mm filter thread, 80 mm front and 86.4 mm barrel integrate with clip-on matte boxes, MOFAGE POCO drop-ins and rails; internal focusing locks centre-of-gravity for gimbals, drones or Steadicams. The all-metal chassis survives −20 °C to +45 °C, keeping marks repeatable.
Interchangeable PL & EF mounts arrive with shims, and the back-focus collar enables on-set collimation in under a minute. Sub-1.05 kg mass mates with RS4-class stabilisers, yet rugged helicoids shrug off high-torque FIZ motors. From cinematic drama to live broadcast and virtual-production plates, the 42 mm Nanomorph supplies unmistakable cinematic anamorphic depth without vintage-glass compromises.
Laowa Nanomorph 42 mm T2.9 1.5× Anamorphic LF condenses large-format cinema power into a 1.03 kg, 121 mm housing. Its Ø44.7 mm image circle blankets Full-Frame sensors across 16 : 9, 3 : 2 and 4 : 3 gates, while the 66.5° × 33.8° field balances spatial context and subject presence. Constant 1.5× squeeze yields 2.66 : 1 on 16 : 9 capture, delivering authentic widescreen without cropping.
A 17-element / 15-group layout with specialised glass sustains edge-to-edge acuity and suppresses longitudinal CA. The rounded 13-blade iris shapes elliptical bokeh and generates a neutral silver flare ideal for colour-critical HDR10 pipelines. Minimum focus reaches 0.51 m (20 in); negligible breathing preserves framing through demanding rack pulls, and geometry stays stable—no “anamorphic mumps.” Coverage of 2 : 1, 2.25 : 1 and 2.4 : 1 deliverables keeps workflows very flexible.
Precision mechanics include 270 ° focus and 70 ° aperture throws, both 0.8 MOD-geared and dual-scaled in m / ft. The 77 mm filter thread, 80 mm front and 86.4 mm barrel integrate with clip-on matte boxes, MOFAGE POCO drop-ins and rails; internal focusing locks centre-of-gravity for gimbals, drones or Steadicams. The all-metal chassis survives −20 °C to +45 °C, keeping marks repeatable.
Interchangeable PL & EF mounts arrive with shims, and the back-focus collar enables on-set collimation in under a minute. Sub-1.05 kg mass mates with RS4-class stabilisers, yet rugged helicoids shrug off high-torque FIZ motors. From cinematic drama to live broadcast and virtual-production plates, the 42 mm Nanomorph supplies unmistakable cinematic anamorphic depth without vintage-glass compromises.
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Technical Specifications
Focal Length: 42mm
Aperture Range: T2.9-T22
Angle of View: 66.5° x 33.8°
Image Circle Diameter: 36.7 x 25.54mm (Ø 44.71mm)
Squeeze Ratio: 1.5X
Format: Full-Frame
Lens Structure: 17 elements in 15 groups
Aperture Blades: 13
Focus Throw: 270°
Aperture Throw: 70°
Focus Indicator: Dual Scale
Min. Focusing Distance: 50cm / 1’8”
In-focus Driving Mode: Manual Focus
Gear Mod: 0.8M
Filter Thread Diameter: 77mm
Front Diameter: 80mm
Dimensions: ø86.4mm x 121mm / ø3.4” x 4.76”
Weight: 1030g / 2.27lbs
Flare Colour: Silver
Mount: ARRI PL, Canon EF
Data sheet
Specific References
