Cartoni Focus 22 EFP 2-St CF System GS Video Tripod

Stadium-floor broadcasts, courtroom pool feeds and long studio shoots ask one thing of a tripod: stand dead still for hours without arguing with the operator. The Cartoni Focus 22 EFP 2-St CF System GS meets that brief with a ground-spreader geometry that plants the legs wide on flat surfaces, a hand-built HF2200 fluid head on top, and a two-stage carbon fibre leg set that trims carrying mass for one-person deployments.

Payload sits comfortably between roughly 3 and 25 kg, which covers full ENG shoulder rigs, cine cameras such as the Sony FX6 or Canon C500 Mk II with cine zoom, teleprompter-equipped studio bodies, and heavy broadcast lenses. The head keeps its reputation for silky movement thanks to the continuously adjustable wing counterbalance — no detented clicks, just a precise match to whatever kit is mounted — and the labyrinth-style fluid drag on both pan and tilt remains linear from feather-light isolation framing to full 360° arena pans.

Operators get ±90° tilt for overhead cutaways and low-angle reveals, while the illuminated bubble level removes guesswork during night exteriors. The 100 mm bowl accepts fast levelling on flat apron stages, and a side-load sliding plate keeps balance adjustments quick between lens swaps. With a working height from roughly 67 cm for low-angle product shots up to 172 cm for standing presenter-height framing, the Cartoni Focus 22 EFP 2-St CF System GS handles sit-down interviews, gimbal handoffs and locked-off multicam positions with equal calm.

The kit is bundled in a padded soft bag with one pan handle, and the carbon legs tolerate temperature swings from -40 to +60 °C. Behind the hardware stand Italian hand-assembly at the Rome factory and a five-year factory warranty, credentials that studio purchasing officers and rental houses rely on. For corporate AV specialists, sports OB trucks and house-of-worship streaming teams, this Focus 22 package is a solid, rep-ready staple.