Three zoom barrels, one stop: the DZOFilm Pictor Zoom 3-Lens Kit (14-30/20-55/50-125 T2.8) White PL & EF Mount (S35) holds T2.8 from 14 mm to 125 mm across a Super 35 frame. On that sensor the set sweeps from about 83° to 11° horizontally, the view of a 20–181 mm on full frame. Ranges overlap at 20–30 mm and 50–55 mm, so a lens change at a conference or a two-day documentary shoot happens at a focal length already in use, with no jump in framing or exposure.
Each lens behaves as a parfocal cine zoom once its flange back is shimmed to the camera. The manual describes the check: a Siemens star at 1.5 m, read at both ends of the zoom, then the supplied shims adjusted until focus holds. A floating focus group keeps breathing minimal, which independent testing confirmed, so a rack between two faces in an interview stays clean. Optics run 21 elements in 17 groups on the 14-30, 18/15 on the 20-55 and 18/13 on the 50-125. Rendering is warm and gentle on skin rather than clinical; the 50-125 evens out its corners a little past T4, and the 16-blade iris draws star-shaped flares once stopped down.
Close focus is 0.6 m from the sensor on the two shorter zooms and 0.8 m on the 50-125. At 125 mm that gives 0.184x magnification, a frame about 13.5 cm wide: a guitarist's fretting hand fills it at a concert recording, no diopter required.
Nothing on the rig moves between lenses. Focus turns 270° and zoom 100° on every barrel, iris travel is 61°, 65° and 72°, and all three rings carry 0.8 MOD gears in matching positions for wireless lens motors. A shared 95 mm front and M86 thread keep one matte box and filter set in service. PL and EF mounts are both supplied: PL fitted, EF boxed with shims, support feet, zoom levers and a foam-lined hard case. EF suits mirrorless and cinema EF bodies, never DSLRs, and the mounts have no contacts, so VFX notes on stop and focal length are written on set. Focal reducers are ruled out because the rear element reaches too far back; Octopus adapters cover E, RF, L, X and Z, and DZOFilm's Marlin 1.6x turns the kit into 22.4–200 mm for full frame or VistaVision at about T4.7. Glass and mechanics match the black version.
DZOFilm Pictor Zoom 3-Lens Kit (14-30/20-55/50-125 T2.8) White PL & EF Mount (S35)
DZO-7220001W/2W/3W-Kit
Price: €5,490.00
No tax
We offer EU-wide sales, invoicing for VAT-free intra-community delivery.
Three zoom barrels, one stop: the DZOFilm Pictor Zoom 3-Lens Kit (14-30/20-55/50-125 T2.8) White PL & EF Mount (S35) holds T2.8 from 14 mm to 125 mm across a Super 35 frame. On that sensor the set sweeps from about 83° to 11° horizontally, the view of a 20–181 mm on full frame. Ranges overlap at 20–30 mm and 50–55 mm, so a lens change at a conference or a two-day documentary shoot happens at a focal length already in use, with no jump in framing or exposure.
Each lens behaves as a parfocal cine zoom once its flange back is shimmed to the camera. The manual describes the check: a Siemens star at 1.5 m, read at both ends of the zoom, then the supplied shims adjusted until focus holds. A floating focus group keeps breathing minimal, which independent testing confirmed, so a rack between two faces in an interview stays clean. Optics run 21 elements in 17 groups on the 14-30, 18/15 on the 20-55 and 18/13 on the 50-125. Rendering is warm and gentle on skin rather than clinical; the 50-125 evens out its corners a little past T4, and the 16-blade iris draws star-shaped flares once stopped down.
Close focus is 0.6 m from the sensor on the two shorter zooms and 0.8 m on the 50-125. At 125 mm that gives 0.184x magnification, a frame about 13.5 cm wide: a guitarist's fretting hand fills it at a concert recording, no diopter required.
Nothing on the rig moves between lenses. Focus turns 270° and zoom 100° on every barrel, iris travel is 61°, 65° and 72°, and all three rings carry 0.8 MOD gears in matching positions for wireless lens motors. A shared 95 mm front and M86 thread keep one matte box and filter set in service. PL and EF mounts are both supplied: PL fitted, EF boxed with shims, support feet, zoom levers and a foam-lined hard case. EF suits mirrorless and cinema EF bodies, never DSLRs, and the mounts have no contacts, so VFX notes on stop and focal length are written on set. Focal reducers are ruled out because the rear element reaches too far back; Octopus adapters cover E, RF, L, X and Z, and DZOFilm's Marlin 1.6x turns the kit into 22.4–200 mm for full frame or VistaVision at about T4.7. Glass and mechanics match the black version.
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| Specification | 14-30 mm | 20-55 mm | 50-125 mm |
|---|---|---|---|
| Colour | WHITE | ||
| Mount | PL / EF | ||
| T-Stop | T2.8-22 | ||
| Image Circle | ø31.5mm (S35) | ||
| Optical Construction | 21 Elements in 17 Groups | 18 Elements in 15 Groups | 18 Elements in 13 Groups |
| Flange Distance | 52mm (PL) / 44mm (EF) | ||
| Close Focus (from sensor plane) | 0.6m/2ft | 0.8m/2ft8in | |
| Zoom Ratio | 2.14X | 2.75X | 2.5X |
| Iris Control | 61° | 65° | 72° |
| Focus Control | 270° | ||
| Zoom Control | 100° | ||
| Front Dia. | ø95mm/3.74" | ||
| Length | 173mm (PL) 6.81”/ 181mm (EF) 7.13” | 164mm (PL) 6.46”/ 171.9mm (EF) 6.77” | 175mm (PL) 6.89”/ 182.9mm (EF) 7.20” |
| Iris Blade | 16 | ||
| Filter Size | M86*0.75 | ||
| Gear Pitch | 0.8 Mod | ||
| Material | Aluminum Alloy | ||
| Weight | ≈1880g | ≈1520g | ≈1700g |
DZO-7220001W/2W/3W-Kit
1 Item
Data sheet
- Lens Mount
- Canon EF
PL Mount - Focal Lengths
- 14-30mm
20-55mm
50-125mm - Maximum Aperture
- T2.8
- Lens Format Coverage
- Super 35mm
- Lens Type
- Bundle
Cinema Lens
Zoom
Specific References
- ean13
- 6970604943048
- mpn
- DZO-7220001W/2W/3W-Kit