Libec RSP-750C Carbon Video Tripod

    RSP-750C
    Price: €2,899.00
    No tax
    We offer EU-wide sales, invoicing for VAT-free intra-community delivery.
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    Libec RSP-750C is a broadcast-focused carbon fibre tripod system combining the RHP75 fluid head, RT50C 2-stage legs and the SP-2B floor spreader. The head is rated for up to 17 kg, matching common ENG and compact cinema builds with matte box, follow focus, wireless video, battery plates and audio receivers—while keeping the setup realistic for daily location work.

    For repeatable balance, RS PLUS / “Perfect Balance” counterbalance works continuously across 5.5–14 kg (specified at 125 mm C.G.), so tilt can stay parked at an angle during long takes, prompter reads or locked-off live shots. Pan and tilt resistance is set with 7-step drag plus locking for consistent feel when moving between slow interview moves, fast sports reframes and stabilised long-lens work. The 100 mm bowl base integrates with standard broadcast platforms, and the side-load, one-touch plate system accelerates camera swaps on multicam sets. A sliding plate and two camera screws provide secure attachment and fore-aft trim without re-rigging.

    In field operation, the carbon pipes prioritise torsional stiffness for crisp starts and stops, and integrated metal spikes plus the ground-level spreader help maintain footprint on polished studio floors, wet pavement or uneven ground. The specified operating window of -40°C to +60°C supports winter OB, alpine documentary work and summer festival stages. An illuminated bubble level enables fast levelling in dim venues, and the extendable PH-8B pan handle with rubber grip helps hold framing precisely during micro-corrections.

    Typical deployments include multi-camera streaming, newsroom hits, corporate events, concerts, houses of worship and small-crew factual production where one support must handle locked-off shots, smooth pans and low-angle floor coverage. The supplied RC-70 carrying case keeps the complete kit protected and organised between call times, including rental and staff-operated kits.

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    The perfect controllability captures every single movement. Setup, shooting and transportation. Excellent, user-friendly for all situations. Libec's stylish and highly-developed technology leads to a new tripod range. From the studio to the EFP and OB, RS PLUS series is the perfect tripod system for every broadcast production.

    The spring tension of the head can be precisely adjusted according to the weight of the mounted camera using the counterbalance adjustment knob. This provides a perfect counterbalance between the camera weight and the innerspring tension at any tilt angle.

    Libec’s unique balance stabilizer mechanism prevents even the slightest wobble on the image caused by the spring-back effect at a stopping tilt movement. In addition, this mechanism greatly simplifies the strict adjustment procedures needed for perfect balancing. First, turn the tilt torque dial to 1 and balance the camera lengthwise. Then, adjust the spring tension by turning the counterbalance adjustment knob. Tilt the camera, once the camera remains stationary, then the counterbalance adjustment is complete. This way, the “perfect counterbalance” is easily achieved, which ensures a stable image even when the pan handle is released from the shooter’s hands.

    Generally, the spring tension gets stronger as the counterbalance adjustment knob is turned clockwise, increasing tension on the knob. This difficulty is simplified by the head’s smooth balancing system which stabilizes the turning force efficiently. The knob can be turned with constant force and offers easy and speedy adjustments.

    The sealed torque unit contributes to the smooth start and stop of pan and tilt movement, and produces precise camerawork just as intended. In addition, specific silicon grease is applied to ensure ordinary pan and tilt movement at a wide temperature range from -40° C/-40° F up to +60° C/+140° F. The variable seven-step torque switch system covers remarkably wide torque range, by which an optimum torque is selectable according to every shooting conditions and circumstances.

    The camera plate is attachable and detachable with just one touch, promoting speedy and easy setup.
    The case is equipped with two wheels and can be pulled along by the side handle grip, which allows easy transportation on foot. Damages are prevented by the soft and hard protectors on all sides of the case which absorb impacts, while the inner strap holds the tripod firmly in place. This all-round tripod case is designed with high rigidity and can be safely transported as a check-in luggage during flight.

    Importance of counterbalance
    When looking for a suitable tripod head for your camera, one of the most important aspects to consider is counterbalancing capability. The counterbalancing function provides a counterforce to keep the balance between the tripod head and the camera that is mounted on it. If the right counterbalance is maintained, the camera remains stationary at any angle of tilt. You do not need to worry about holding the camera by hand and yet are able to maintain precise control of the camera.

    Counterbalancing capability
    RS/RS PLUS/QD is equipped with an excellent counterbalancing system that provides a perfect counterforce that corresponds to the weight and angle of the camera. A special innerspring mechanism is used for this system. When the strength of a spring is insufficient, the head cannot bear the weight of the camera. If a spring is too strong, the camera will tilt upward. RS/RS PLUS/QD "variable counterbalance system" enables users to adjust the strength of the innerspring within a certain range using the counterbalance knob located on the outside of the head. Different cameras can be used and a perfect counterbalance can be set for each individual camera.

    Counterbalance chart to help you choose the perfect tripod head
    The definitive way to find the most accurate counterbalance between camera/accessories and a tripod head is to actually mount the camera on the head. However, you can use this counterbalance chart to get a rough idea of the correct counterbalance. The vertical axis of the chart depicts the height of the gravitational center and the horizontal axis is load weight (total weight of the camera and accessories). Based on the combination of these two elements, you can find a suitable tripod head for your camera. The area between the two curved lines represents the range of counterbalance that you can set with the counterbalance adjustment knob. When a standard lens, microphone and battery are used, the normal height of the gravitational center is approximately 200mm/7.9"(box lens), 125mm/4.9"(shoulder type camera) and 75mm/3"(hand-held camera) The height of the gravitational center will not shift much even when a different lens or a different battery is used on the back of the camera. Please be aware that attaching a light or a monitor on top of the camera will shift the center of gravity.

    Head (RHP75)
    Tripod (RT50C)
    Floorspreader (SP-2B)
    Carrying case (RC-70)

    Specifications
    Counterbalance range 5.5 to 14kg / 12.0 to 31.0lb (C.G.125mm)
    Payload 17kg / 37.5lb
    Counterbalance Continuous
    Drag mode 7STEP
    Tilt angle +90° / -70°
    Weight 7.7kg / 16.9lb
    Height 65 to 175.5cm / 25.5 to 69.0"
    Ball diameter 100mm
    Section 2STAGE

    RSP-750C

    Data sheet

    Tripod type
    Video Tripod System
    Payload (kg)
    17
    Maximum Height (cm)
    175
    Bowl diameter
    100mm
    Spreader Type
    Ground
    Material
    Carbon Fiber
    Counterbalance
    Continuous

    Specific References

    ean13
    4986397411024
    mpn
    RSP-750C

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    Libec RSP-750C Carbon Video Tripod

    Libec RSP-750C is a broadcast-focused carbon fibre tripod system combining the RHP75 fluid head, RT50C 2-stage legs and the SP-2B floor spreader. The head is rated for up to 17 kg, matching common ENG and compact cinema builds with matte box, follow focus, wireless video, battery plates and audio receivers—while keeping the setup realistic for daily location work.

    For repeatable balance, RS PLUS / “Perfect Balance” counterbalance works continuously across 5.5–14 kg (specified at 125 mm C.G.), so tilt can stay parked at an angle during long takes, prompter reads or locked-off live shots. Pan and tilt resistance is set with 7-step drag plus locking for consistent feel when moving between slow interview moves, fast sports reframes and stabilised long-lens work. The 100 mm bowl base integrates with standard broadcast platforms, and the side-load, one-touch plate system accelerates camera swaps on multicam sets. A sliding plate and two camera screws provide secure attachment and fore-aft trim without re-rigging.

    In field operation, the carbon pipes prioritise torsional stiffness for crisp starts and stops, and integrated metal spikes plus the ground-level spreader help maintain footprint on polished studio floors, wet pavement or uneven ground. The specified operating window of -40°C to +60°C supports winter OB, alpine documentary work and summer festival stages. An illuminated bubble level enables fast levelling in dim venues, and the extendable PH-8B pan handle with rubber grip helps hold framing precisely during micro-corrections.

    Typical deployments include multi-camera streaming, newsroom hits, corporate events, concerts, houses of worship and small-crew factual production where one support must handle locked-off shots, smooth pans and low-angle floor coverage. The supplied RC-70 carrying case keeps the complete kit protected and organised between call times, including rental and staff-operated kits.

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