AVMATRIX SHARK S4M Audio-Video Streaming Mixer

    SHARK S4M
    Price: €649.00
    No tax
    We offer EU-wide sales, invoicing for VAT-free intra-community delivery.

    Compact enough to travel inside a camera bag yet built around broadcast-grade connectivity, the AVMATRIX SHARK S4M merges a four-channel SDI/HDMI video switcher with a full production audio console. Two 3G-SDI and two HDMI inputs accept embedded audio at resolutions up to 1080p60, while dual HDMI program outputs and a dedicated HDMI multiview feed give operators independent lines for projection, on-set confidence monitoring and an engineer's overview — all from a chassis that fits beside a laptop on a cramped OB desk.

    Audio handling is where the S4M pulls ahead of typical portable mixers. Six mono microphone inputs with signal indicators and switchable 48V phantom power sit alongside two stereo line inputs, two balanced XLR main outputs and a TRS headphone bus, so a host, three guests and two wireless lavs can sit on-air without external pre-amps. Every channel runs through a two-band EQ, a low-cut filter, precise gain trim and one of 99 DSP effect modes, covering reverb, compression, de-essing and vocal colour for podcasts, radio theatre and worship services.

    Vision mixing uses T-Bar, AUTO or CUT with MIX, WIPE and DIP transitions, and layered compositions through chroma key, luma key, two simultaneous PiPs, a single PoP split, downstream keying and a logo bug. The USB-C UVC output presents the program feed to OBS, vMix, Zoom or Teams as a plug-and-play webcam, while the RJ45 LAN port pushes direct RTMP or SRT streams to YouTube, Twitch, Facebook or a corporate CDN without a host PC. A separate Bluetooth module, an MP3 recorder/player and a USB sound card keep backing tracks and remote guests on independent buses, and browser-based control lets a director adjust levels and keys from a tablet anywhere on the network.

    Sessions capture in parallel to SD card and USB drive, producing a redundant archival master beside the live feed. Houses of worship running multi-camera services, esports commentators blending HDMI consoles with SDI cameras, corporate trainers producing hybrid classrooms, news crews feeding Zoom-bridge interviews and wedding videographers delivering same-day edits all sit inside the operating envelope of the AVMATRIX SHARK S4M, which compresses a full rack's worth of switching and mixing into a single palm-sized unit.

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    All-in-one Convenience
    Streamline your productions with this AlO video switcher and audio mixer. It combines professional video switching and audio mixing capabilities into a single, compact unit, saving you time and space. With its intuitive interface and versatile features, it's the perfect solution for live events, broadcasting, and more.

    4-CH Video Inputs with Configurable Outputs
    This versatile audio & video switcher is equipped with four auto-detected video inputs, independent and configurable PGM and multiview outputs, supporting up to 1080P 60 FHD resolution. Its flexibility ensures integration with diverse devices, making it ideal for a wide range of applications.

    USK & DSK
    Use to key off blue/green and black background colors and overlay captions and logos for live event applications.

    2PIP/ POP
    PIP: 2 sub-screen can be overlaid into PGM out with adjustable size and postion. POP:Two same-size screens can be over-laied into PGM out.

    LOGO Overlay
    User can add a logo from USB flash disk into PGM. The logo's size and position can be adjusted, and the logo image format can be PNG, JPG, BMP, etc.

    Scaled Output & Multiview
    Support multi-format inputs including 1080p, 1080i, 720p, 576i and 480p HDMI signals and output format can be up/down scaled.

    Transition Effects
    There are WIPE, MIX and DIP transition effects, which work for switching via AUTO and T-Bar.

    Media Management
    Support 39 preset patterns. User can inset image from USB disk or capture and store the screenshot of IN1-4, clean PGM or PGM.

    USB Capture for Streaming
    The USB type-C can be used as a webcam to capture video & audio and stream to various softwares & platforms such as OBS, MIX, ZOOM, Teams, Skype and VLC. It is compatible with Windows, Linux, and Mac.

    Live Stream via Ethernet
    The LAN port supports IP streaming transmission through the RTMP, SRT protocol, allowing users to easily live stream video programs to platforms such as YouTube, Skype, Facebook, and Twitch, and get high-quality videos.

    USB and SD Card Recording
    SD card and USB interface enable direct recording of GM signal, making it easy to record high-quality videos. Bitrate of encode up to 32Mbps, and the supported file formats are MP4/TS.

    Eight-channel Audio Mixing Support
    Equipped with XLR and TRS jacks, it supports 6 microphone/line, 2 TRS external and 3.5mm stereo audio inputs, offers flexible connectivity for microphones, instruments, etc. Each channel has an independent volume setting for precise adjustment of each audio source.

    Advanced Audio Mixer with DSP & Phantom Power
    Equipped with built-in 48V phantom power, this device is designed to handle both high and low impedance sound sources with ease. It supports versatile features such as audio mixing, gain control, low-cut filtering, left-right channel balance, and 99 DSP effects modes.

    Bluetooth, USB Playback & Intuitive Control
    This audio mixer integrates Bluetooth connectivity and USB drive playback, offering users a seamless and convenient audio experience. It also features a compact screen for easy operation, enhancing user control and accessibility.

    Specifications

    VIDEO

    CONNECTION
    Video in: HDMI Type-A ×2, SDIx2
    Video Out: HDMI Type-A PGM ×2
    HDMI Type-A Multiview Output ×1
    USB2.0 Type-C × 1 (Capture)
    LAN Port: LAN x1(For Streaming, web control and Upgrade)
    Media Library: USB Type-A x1 (USB disk import and export, images and logo, firmware upgrades)
    Tally Port: DB-15 x1
    Power In: DC 12V 3A ×1
    Record: SD Card/USB Disk

    FUNCTION
    Transitions: T-Bar/ AUTO/ CUT
    Effects: Wipe (11×3 patterns)/ Mix/ DIP/ Still(freeze)/ MUTE/FTB
    Layouts: 2 styles of Multiview layout (6 windows and status)
    Keys: Upstream Key: Luma Key × 1/ Chroma Key × 1/ PIP ×2/ POP, Downstream Key: DSK × 1/ Logo × 1
    Media: Default image: 39 preset patterns
    Local image: up to 16 imported images
    Capture image: up to 16 captured images
    Generators: Pattern generator × 1 Color generators x2

    STANDARDS
    HDMI In Format Support: 1080p 60/ 59.94/ 50/ 30/29.97/ 25/ 24/ 23.98
    1080i 50/59.94/60
    720p 60/ 59.94 /50/30/ 29.97/ 25/24/23.98
    576i 50, 576p 50, 480p 59.94/ 60, 480i 59.94/ 60
    HDMI PGM Out: 1080p 60/ 59.94/ 50/ 48/ 47.95/ 30/ 29.97/ 25/ 24/ 23.98; 1080i 60/ 59.94/ 50
    HDMI Multiview Out: 1080p 60/ 59.94/ 50/ 48/ 47.95/ 30/ 29.97/ 25/ 24/ 23.98; 1080i 60/ 59.94/50
    HDMI Color Space: RGB/YUV
    SDI In Format Support: 1080p 60/59.94/50/30/29.97/25/24/23.98
    1080psF 30/29.97/25/24/23.98
    1080i 60/59.94/50
    720p 60/59.94/50/30/29.97/25/24/23.98
    625i 50 PAL, 525i 59.94 NTSC
    SDI Color Space: YUV
    USB Capture Out: Up to 1080p 60
    Media Format: USB disk format support: FAT32, Ext3, Ext4, up to 256GB
    Image format support: png, bmp, jpg, gif, jpeg, ppm, pb m, tif, jps, mpo, tga Logo format support: png, bmp, jpg, gif, jpeg, ppm, pb m, tif, jps, mpo, tga
    Logo size support: 10x 10 pixel to 600x600 pixel
    Video BitRate: 2Mbps-32Mbps
    Streaming Protocol: RTMP, RTSP, SRT
    Recording Format: File System: FAT32/EXFAT/NTFS/EXT3, File Format: MP4/TS

    AUDIO

    CONNECTION
    Audio Input Channel: Mono (MIC/LINE) ×6, Stereo (LINE) ×2, USB player/Bluetooth× 1
    Audio Output Channel: MAIN L/R OUT ×2
    PHONES ×1
    MIXER OUT ×1

    FUNCTION
    Audio Mixer: XLRX6, TRS×2, HDMIx2, SDIx2, Audio delay: 0-500ms
    CH1-6 MIC/LINE: Gain:-14~+40 dB
    Mic input CH 2 band EQ, 80Hz/12KHz, +15dB
    48V phantom power supply with indicator
    Peak Level LED
    Audio Input Indicator: Audio input sensitivity adjustment
    Main Output Level Meter: Stereo audio peak level meter with 6-segment LED display
    Maximum Input Level: MIC+10dBu/ Line +22dBu
    Input Impedance: XLR: 10kOhm
    Maximum Output Level: XLR+22dBu, TRS+20dBu
    Output Impedance: XLR: 600 Ohm, PHONES: 10 Ohm
    Frequency Response range: +-1 dB, 20-22KHz
    Dynamic Range: 102 dB
    Total Harmonic Distortion @ 1KHz: <0.05%(MIX)
    Stereo Separation: >80 dB

    GENERAL
    Power: 12V 2A
    Operating power: <18W
    Dimension (LWD): 287.7 × 286.7 × 83.2mm
    Weight: Net: 2500g, Gross: 3140g
    Temperature: Working: -20°C~60°C, Storage: -30°C~70°C

    SHARK S4M
    4 Items

    Data sheet

    Video Input
    HDMI
    SDI
    Video Output
    HDMI
    RJ-45 (IP)
    USB
    Audio Input
    HDMI Embedded
    Mini Jack 3.5mm
    SDI Embedded
    TRS Jack 6.3mm
    XLR
    Audio Output
    HDMI Embedded
    RJ-45
    TRS Jack 6.3mm
    USB
    XLR
    Max Output Resolution
    1080p 50/60 fps
    Built-in scaler
    No
    Streaming protocols
    RTMP
    RTSP
    SRT
    Network Connection
    Ethernet
    Video input channels
    4
    USB video capture
    Yes
    Tally Light
    Yes

    Specific References

    ean13
    6971118003105
    mpn
    SHARK S4M

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    AVMATRIX SHARK S4M Audio-Video Streaming Mixer

    Compact enough to travel inside a camera bag yet built around broadcast-grade connectivity, the AVMATRIX SHARK S4M merges a four-channel SDI/HDMI video switcher with a full production audio console. Two 3G-SDI and two HDMI inputs accept embedded audio at resolutions up to 1080p60, while dual HDMI program outputs and a dedicated HDMI multiview feed give operators independent lines for projection, on-set confidence monitoring and an engineer's overview — all from a chassis that fits beside a laptop on a cramped OB desk.

    Audio handling is where the S4M pulls ahead of typical portable mixers. Six mono microphone inputs with signal indicators and switchable 48V phantom power sit alongside two stereo line inputs, two balanced XLR main outputs and a TRS headphone bus, so a host, three guests and two wireless lavs can sit on-air without external pre-amps. Every channel runs through a two-band EQ, a low-cut filter, precise gain trim and one of 99 DSP effect modes, covering reverb, compression, de-essing and vocal colour for podcasts, radio theatre and worship services.

    Vision mixing uses T-Bar, AUTO or CUT with MIX, WIPE and DIP transitions, and layered compositions through chroma key, luma key, two simultaneous PiPs, a single PoP split, downstream keying and a logo bug. The USB-C UVC output presents the program feed to OBS, vMix, Zoom or Teams as a plug-and-play webcam, while the RJ45 LAN port pushes direct RTMP or SRT streams to YouTube, Twitch, Facebook or a corporate CDN without a host PC. A separate Bluetooth module, an MP3 recorder/player and a USB sound card keep backing tracks and remote guests on independent buses, and browser-based control lets a director adjust levels and keys from a tablet anywhere on the network.

    Sessions capture in parallel to SD card and USB drive, producing a redundant archival master beside the live feed. Houses of worship running multi-camera services, esports commentators blending HDMI consoles with SDI cameras, corporate trainers producing hybrid classrooms, news crews feeding Zoom-bridge interviews and wedding videographers delivering same-day edits all sit inside the operating envelope of the AVMATRIX SHARK S4M, which compresses a full rack's worth of switching and mixing into a single palm-sized unit.

    Write your review

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