List of products by brand ZILR

ZILR

Ask a focus puller what ruins a gimbal take and the answer is rarely the camera — more often it is a stiff cable dragging on the port. ZILR, a broadcast equipment maker from Melbourne, built its name on precisely that detail: an HDMI lead slim enough to follow a stabilised rig through a full rotation without strain. One clever cable has since become a catalogue spanning four areas of set life — broadcast cables, USB-C battery power, electric equipment transport and DMX house lighting — aimed at production companies, OB crews, television studios and streaming operators who judge gear by the minutes it saves and the retakes it prevents.

ZILR brand history: from one cable to a production ecosystem

The products that started it all were the hyper-thin HDMI cables many rental houses now treat as standard kit: a 3.5 mm jacket, close to the physical minimum for stable 4K transmission, finished with gold-plated locking connectors that keep an external recorder attached even when the rig takes a knock. Power came next. ZILR was the first manufacturer to bring USB-C Power Delivery into the NP-F, BPU and V-Lock battery formats crews already own, so one charger and one cable type serve the whole kit. In 2026 came the widest step so far: the ZILR ZIPR e-powered production cart, protected by more than 150 patent applications, arrived together with the ZL Series — RGBW house lights with CRI 95, flicker-free dimming and DMX512/RDM control. Engineering remains in Melbourne, while authorised dealers in over 25 countries handle stock and after-sales support; for a production house, that means a replacement battery plate or cable is days away, not weeks.

On-set mobility: the ZILR ZIPR electric production cart

Anyone who has hauled lighting cases across a festival ground before sunrise understands why the ZIPR exists. The electric production cart comes with two powertrains. A 1500 W front-wheel-drive version carries up to 250 kg and covers up to 30 km per charge; the 3000 W four-wheel-drive model moves up to 300 kg and manages gradients of up to 30 percent. Both top out at 16 km/h, tow at walking pace and run on a LiFePO4 battery that recharges in roughly three hours — or swaps in seconds if a spare rides along. The safety package resembles a small EV: regenerative braking, hill-start assist, anti-rollback, gradient compensation and an electronic braking system that engages as soon as the throttle is released, plus voice announcements confirming every mode change. Folded, the cart stands upright in a van corner or an estate-car boot; setting it up takes a few minutes once the sequence is familiar. The drivetrain stays quiet enough to keep moving equipment while sound is rolling — location mixers notice this before anything else. Fit the second seat and it doubles as a makeshift dolly for tracking shots; the factory-fitted TUGR hitch links several carts into a convoy, and side saddles, a storage jacket, foot pegs and a hot-swap spare battery belong to an accessory range of sixteen items. The business case is plain arithmetic: one powered run instead of four trips on foot, a trade-show strike finished in half the time, and a crew that ends a twelve-hour day without sore backs.

Cables: hyper-thin HDMI, 12G-SDI and USB-C connectivity

Cabling remains the heart of the range. Full-size 8K HDMI 2.1 cables push 48 Gbit/s — 8K at 60 fps or 4K at 120 fps with 10-bit colour, eARC and VRR — which leaves headroom for RAW output to external recorders. Mini and micro versions serve hybrid and action cameras, right-angle plugs keep monitor cages tidy, and every connector locks. Longer distances are covered by armoured fibre-optic HDMI runs of up to 100 m on transport reels, by 12G-SDI cables with standard or mini BNC from 50 cm interlinks to 100 m Reelz drums, and by Ethernet reels for camera control, intercom and streaming infrastructure. USB-C tether cables carry power and data in a single run — practical for tethered photo studios and LED-volume stages alike. Pre-assembled Kitz gather the most-used lengths in one pouch, the sort of detail a technician appreciates at a 5 a.m. load-in.

Power: USB-C PD in NP-F, BPU and V-Lock formats

The power line answers a question every gaffer keeps asking: why does each device on the truck demand its own charger? An NP-F970 battery with USB-C PD and 10,050 mAh runs field monitors and LED panels through a long interview day, then refills overnight from the same adapter as a laptop. The BPU100 brings the same convenience to Sony shoulder camcorders, while the compact V-Mount with 100 W USB-C input and output feeds cinema rigs and wireless video links without a separate charging station. USB-C dummy batteries keep mirrorless bodies filming from a power bank for hours — no battery-door roulette mid-take — and D-Tap dummies and cables tie neatly into existing V-Lock setups. An LED gauge on each pack shows remaining charge at a glance, which shortens the morning checklist on multi-camera jobs.

Taken together, ZILR reads less like an accessory brand and more like one coherent system for keeping a production connected, powered and moving. Our team works with this equipment daily, checks compatibility questions against real camera lists and advises on configurations for OB vans, streaming studios and travelling ENG crews — before the order is placed, not after the first shoot day goes wrong.