DZOFilm Arles 50mm T1.4 FF/VV Prime Cine Lens in PL mount brings a fast T1.4 aperture, large-format coverage (FF/VV 46.5 mm image circle) and a precise metric focus scale. The 50 mm field of view provides a natural perspective with subtle breathing, neutral colorimetry and smooth focus falloff suited to narrative, television and live streaming pipelines where consistent rendering is essential.
An optical system of 13 elements in 9 groups with floating modules holds performance from infinity to close-up, while low-dispersion glass limits fringing. A rounded 16-blade iris shapes circular bokeh and gentle highlight transitions. Multilayer nano coatings control flare and ghosting for stable contrast. True cine mechanics include 0.8 MOD gears, a long 270° focus rotation and an 80° iris throw for precise pulls on remote FIZ units. On full frame the angle of view is approx. 45.17° (H) / 24.61° (V) / 50.23° (D).
Rigging is straightforward thanks to a uniform 95 mm front and 86 mm filter thread, enabling clamp-on matte boxes and M86 filters without step rings. The lens ships in ARRI PL and accepts an optional EF mount for cross-platform fleets. Compatibility with DZOFILM KOOP rear magnetic filters adds fast diffusion or ND swaps without disturbing front-of-lens builds—handy on gimbals, steadicams and drones where balance must remain unchanged.
Minimum focus from the sensor plane is 0.5 m (≈ 19.7 in), allowing tight interview framings, product close-ups and beauty shots with confident background separation under practical fixtures or low-key lighting. The DZOFilm Arles 50mm T1.4 sustains resolution wide open, remains stable for high-frame-rate capture, and matches the Arles set for gearing, color and contrast—ideal for ALEXA LF/Mini LF, VENICE 2 and RED V-RAPTOR VV across studio, location and multicam broadcast workflows. Color consistency across the lineup supports intercutting.
DZOFilm Arles 50mm T1.4 FF/VV Prime Cine Lens in PL mount brings a fast T1.4 aperture, large-format coverage (FF/VV 46.5 mm image circle) and a precise metric focus scale. The 50 mm field of view provides a natural perspective with subtle breathing, neutral colorimetry and smooth focus falloff suited to narrative, television and live streaming pipelines where consistent rendering is essential.
An optical system of 13 elements in 9 groups with floating modules holds performance from infinity to close-up, while low-dispersion glass limits fringing. A rounded 16-blade iris shapes circular bokeh and gentle highlight transitions. Multilayer nano coatings control flare and ghosting for stable contrast. True cine mechanics include 0.8 MOD gears, a long 270° focus rotation and an 80° iris throw for precise pulls on remote FIZ units. On full frame the angle of view is approx. 45.17° (H) / 24.61° (V) / 50.23° (D).
Rigging is straightforward thanks to a uniform 95 mm front and 86 mm filter thread, enabling clamp-on matte boxes and M86 filters without step rings. The lens ships in ARRI PL and accepts an optional EF mount for cross-platform fleets. Compatibility with DZOFILM KOOP rear magnetic filters adds fast diffusion or ND swaps without disturbing front-of-lens builds—handy on gimbals, steadicams and drones where balance must remain unchanged.
Minimum focus from the sensor plane is 0.5 m (≈ 19.7 in), allowing tight interview framings, product close-ups and beauty shots with confident background separation under practical fixtures or low-key lighting. The DZOFilm Arles 50mm T1.4 sustains resolution wide open, remains stable for high-frame-rate capture, and matches the Arles set for gearing, color and contrast—ideal for ALEXA LF/Mini LF, VENICE 2 and RED V-RAPTOR VV across studio, location and multicam broadcast workflows. Color consistency across the lineup supports intercutting.
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| Specification | |
|---|---|
| Focal Length | 50mm |
| Colour | Black |
| Mount | PL |
| Aperture | T1.4-T22 |
| Image Circle | ø46.5mm (VV/FF) |
| Construction of Optics | 13 Elements in 8 Groups |
| Flange Distance | 52mm (PL) |
| Angle of View (diagonal, horizontal, vertical) | 45° / 25° / 50° |
| Close Focus (from sensor plane) | 0.5m / 1ft7in |
| Iris Control | Manual (80°) |
| Focus Control | Manual (270°) |
| Front Dia. | ø95mm / 3.74" |
| Length (from lens front to flange plane) | 121mm / 4.76” (PL) |
| Iris Blade | 16 |
| Filter Size | M86 |
| Gear Pitch | 0.8 Mod |
| Material | Aluminum Alloy |
| Weight (Product) | ≈1688g |
Data sheet
Specific References
