DZOFilm Gnosis Macro 90mm T2.8 LPL/PL & EF Mount (VV/FF)
€3,290.00
DZOFilm Gnosis Macro 90mm T2.8 is a VV/FF macro cine prime for LPL, with PL and EF mounts included, covering an image circle of ∅46.5 mm...
At 135mm, the boundary between subject and environment dissolves into compression and atmosphere. The DZOFilm Arles Lustre 135mm T2.2 FF/VV Prime Cine Lens PL Mount carries a proprietary optical coating that generates controlled amber flares and a gentle halation around highlights — a warm, golden bloom reminiscent of classic cinema glass, tempered by cooler bluish-purple secondary tones that keep skin rendition natural. This interplay between warmth and restraint gives the lens a character suited to narrative filmmaking, fashion editorials, and music video production, where a close-up needs to convey feeling without heavy post-production colour grading.
Twelve optical elements in eight groups form the core of this cine prime lens, opening to T2.2 and closing to T22 for full exposure control. The 16-blade iris renders out-of-focus areas with round, layered bokeh — an asset when isolating talent against busy backgrounds during interview setups or multi-camera drama shoots. A minimum object distance of 0.98 metres allows surprisingly intimate framing for a telephoto prime, while the 270-degree focus throw and 88-degree iris rotation provide the fine mechanical precision that first assistants depend on during Steadicam takes.
Covering a 46.5mm image circle, this optic serves Vista Vision and full-frame sensors without vignetting — pairing naturally with bodies such as the ARRI Alexa Mini LF, RED V-Raptor, Sony VENICE 2, and Canon C400. The interchangeable PL mount ships with an EF adapter, broadening compatibility across rental inventories. A standardised 95mm front diameter and M86 filter thread integrate with professional matte boxes, and the 0.8 Mod gear pitch on both rings means no re-rigging when swapping focal lengths mid-shoot.
DZOFILM refined this series through over fifty optical iterations alongside more than twenty cinematographers specialising in art film, period drama, and advertising. The result is an image with subtly reduced contrast — a poetic sharpness that resolves detail at 12K resolution yet retains organic texture often lost in modern glass. Finished in the distinctive Desert Gold housing and marked in metric, the Arles Lustre 135mm is a telephoto built for crews who want emotional imagery straight out of the sensor.
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The Arles Lustre is a characteristic high-speed prime lens series and a brand new exploration of cinematic artistry by DZOFILM. "Lustre," meaning "soft glow," draws inspiration from the iconic golden halation in cinema history.
To craft this large-format lens collection designed for stylistic expression, we collaborated with over 20 cinematographers and photographers specializing in art films, period dramas, and fashion advertising. Based on the sophisticated delicate design of Arles prime, after more than 50 rounds of precise adjustments and refinements, from optical engineering to aesthetic design, we achieved the distinctive "Lustre Look".
Vista Vision Format for Expansive Imagery
The Lustre series spans focal lengths from 14mm to 180mm and is fully compatible with Vista Vision sensors, effortlessly achieving IMAX-level depth of field and expansive perspectives.
Tech spec.
| Focal Length | 135 mm |
| Colour | Desert Gold |
| Mount | PL/ EF |
| Aperture | T2.2-T22 |
| Image Circle | φ46.5mm (VV/FF) |
| Construction of Optics | 12 Elements in 8 Groups |
| Flange Distance | 52mm (PL) /44mm (EF) |
| Angle of view (diagonal, horizontal, vertical) | 19° / 17° / 9° |
| Close Focus (from sensor plane) | 0.98m / 3ft3in |
| Iris Control | Manual (88°) |
| Focus Control | Manual (270°) |
| Front Dia. | φ95mm/3.74" |
| Length (from lens front to flange plane) | 130.8mm / 5.18" (PL) 138.8mm / 5.49" (LPL/EF) |
| Iris Blade | 16 |
| Filter Size | M86 |
| Gear Pitch | 0.8 Mod |
| Weight (Product) | ≈1846g |
Data sheet
Specific References