DZOFilm Vespid Prime 5-Lens Kit (12mm/25mm/35mm/50mm/75mm T2.1) PL & EF Mount (VV/FF)
€3,549.00
DZOFilm Vespid Prime 5-Lens Kit (12mm/25mm/35mm/50mm/75mm) is a matched cine prime lens kit for professional crews handling frequent swaps...
Capturing light with a warm, nostalgic character while maintaining modern optical precision — that is the promise behind the DZOFilm Arles Lustre 50mm T1.6 FF/VV Prime Cine Lens PL Mount (metric). This cinema prime belongs to DZOFilm's limited-production Lustre series, developed through over fifty optical iterations alongside twenty-plus cinematographers specialising in art films, period dramas, and fashion commercials. The proprietary amber halation coating introduces controlled golden flares and a gentle bloom around highlights, producing an atmospheric rendering that evokes classic analogue glass without sacrificing resolving power fit for 12K sensors.
A 46.5 mm image circle covers both Full Frame and Vista Vision sensors — pairing naturally with cameras like the ARRI ALEXA 65, RED V-RAPTOR, or Sony VENICE. The T1.6 maximum aperture gathers generous light for interior drama sequences, concert footage, or dawn-to-dusk documentary shoots where artificial lighting is scarce. A 16-blade iris shapes bokeh into richly layered highlights with rounded geometry, while soft contrast and smooth tonal gradations bring subtle shadow detail to life. Stopping down through T22 gives full creative control from atmospheric wide-open shots to deep-focus tableaux.
On set, the 270° focus rotation delivers precise manual follow-focus pulls — critical during steadicam tracking shots or dialogue scenes at shallow depth of field. Industry-standard 0.8 MOD gearing on both rings ensures instant compatibility with wireless lens motors. The native ARRI PL mount can be swapped to Canon EF or LPL (sold separately), letting this glass move between camera systems across rental houses. A minimum focus of 0.5 m from the sensor plane opens up tight close-ups for tabletop product shoots or intimate portrait compositions.
The M86 front filter thread accepts screw-on filters directly, and DZOFilm's Koop rear magnetic filter system allows rapid ND or diffusion changes mid-scene. Every Lustre lens shares a consistent 95 mm front diameter and matched gear positions, enabling near-instant swaps on multicam sets. Finished in a distinctive Desert Gold metallic housing with a matte front that suppresses reflections, this 50 mm prime combines collectible craftsmanship with dependable cinema performance.
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The Arles Lustre is a characteristic high-speed prime lens series and a brand new exploration of cinematic artistry by DZOFILM. "Lustre," meaning "soft glow," draws inspiration from the iconic golden halation in cinema history.
To craft this large-format lens collection designed for stylistic expression, we collaborated with over 20 cinematographers and photographers specializing in art films, period dramas, and fashion advertising. Based on the sophisticated delicate design of Arles prime, after more than 50 rounds of precise adjustments and refinements, from optical engineering to aesthetic design, we achieved the distinctive "Lustre Look".
Vista Vision Format for Expansive Imagery
The Lustre series spans focal lengths from 14mm to 180mm and is fully compatible with Vista Vision sensors, effortlessly achieving IMAX-level depth of field and expansive perspectives.
Tech spec.
| Focal Length | 50 mm |
| Colour | Desert Gold |
| Mount | PL/ EF |
| Aperture | T1.6-T22 |
| Image Circle | φ46.5mm (VV/FF) |
| Construction of Optics | 13 Elements in 9 Groups |
| Flange Distance | 52mm (PL) /44mm (EF) |
| Angle of view (diagonal, horizontal, vertical) | 50° / 45° / 25° |
| Close Focus (from sensor plane) | 0.5m / 1ft7in |
| Iris Control | Manual (80°) |
| Focus Control | Manual (270°) |
| Front Dia. | φ95mm/3.74" |
| Length (from lens front to flange plane) | 121.8mm / 4.79''(PL) 129.8mm / 5.11"(EF) |
| Iris Blade | 16 |
| Filter Size | M86 |
| Gear Pitch | 0.8 Mod |
| Weight (Product) | ≈1688g |
Data sheet
Specific References