DZOFilm Catta Zoom 18-35mm T2.9 Black Sony E Mount (FF)

    DZO-FF1835E-BLK
    Price: €1,490.00
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    Ninety degrees of horizontal view at 18 mm, narrowing to about 54° at 35 mm: on a 36 × 24 mm sensor, that is the working range of the DZOFilm Catta Zoom 18-35mm T2.9 Black Sony E Mount, held at one constant stop from end to end. Its image circle measures 43.5 mm, enough for a full-frame cine zoom, though not for VistaVision. On an APS-C body the same barrel frames like a 27–53 mm, so one lens can serve a mixed fleet of full-frame and crop Sony cameras.

    Because the zoom is parfocal, an operator on a TV studio floor can open on the whole set at 18 mm and tighten on the presenter's desk without touching focus, once flange depth is set with the supplied shims. From 4 m away, 18 mm takes in a stage about 8 m wide; 35 mm trims it to roughly 4 m. Breathing stays low, so a pull from a speaker at a conference lectern to the delegates behind keeps the frame steady. Close focus is 0.51 m from the sensor, leaving under 30 cm between front element and a product on a showroom table.

    Twenty elements in 14 groups give near-neutral colour and natural skin tones, matched to the 35-80 and 70-135 mm Catta zooms so footage from all three intercuts in a multicam edit. A 16-blade iris keeps defocused practicals round. Focus turns through 270°, zoom 100° and iris 77° from T2.9 to T22, roughly 13° per stop, all on 0.8 MOD gears ready for follow focus or wireless motors. Control is fully manual; with no electronic contacts, no lens data reaches the camera.

    The 80 mm front takes a clamp-on matte box, and an M77 filter thread accepts screw-in glass. Near the rear element sits a slot for optional Catta COIN drop-in filters: ND 0.6, 0.9 and 1.2, Black Mist 1/4 and 1/8, plus streak and star effects, handy on a gimbal where a matte box adds weight. A polycarbonate and glass-fibre housing keeps the lens easy to balance on a stabiliser or carry through a handheld documentary day. The Sony E mount swaps for optional RF, L, X or Z bayonets, so the lens stays in service if the camera park changes brand.

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    Specification
    Focal Length18-35 mm
    ColourBlack
    MountSony E
    T-StopT2.9-T22
    Image Circleφ43.5mm (FULL FRAME)
    Optical Construction20 Elements in 14 Groups
    Flange DistanceE=18mm
    Close Focus
    (from sensor plane)
    0.51m/1ft8in
    Zoom Ratio1.9X
    Iris ControlManual (rotation angle 77°)
    Focus ControlManual (rotation angle 270°)
    Zoom ControlManual (rotation angle 100°)
    Front Dia.ø80mm/3.15"
    Length214.4mm/8.44” (E)
    Iris Blade16
    Filter SizeM77
    Gear Pitch0.8 Mod
    MaterialPC+GF
    Weight≈1680g
    DZO-FF1835E-BLK

    Data sheet

    Lens Mount
    Sony E-Mount
    Focal Lengths
    18-35mm
    Maximum Aperture
    T2.9
    Lens Format Coverage
    Full Frame
    Lens Type
    Cinema Lens
    Zoom

    Specific References

    ean13
    6970604941280
    mpn
    DZO-FF1835E-BLK

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    DZOFilm Catta Zoom 18-35mm T2.9 Black Sony E Mount (FF)

    Ninety degrees of horizontal view at 18 mm, narrowing to about 54° at 35 mm: on a 36 × 24 mm sensor, that is the working range of the DZOFilm Catta Zoom 18-35mm T2.9 Black Sony E Mount, held at one constant stop from end to end. Its image circle measures 43.5 mm, enough for a full-frame cine zoom, though not for VistaVision. On an APS-C body the same barrel frames like a 27–53 mm, so one lens can serve a mixed fleet of full-frame and crop Sony cameras.

    Because the zoom is parfocal, an operator on a TV studio floor can open on the whole set at 18 mm and tighten on the presenter's desk without touching focus, once flange depth is set with the supplied shims. From 4 m away, 18 mm takes in a stage about 8 m wide; 35 mm trims it to roughly 4 m. Breathing stays low, so a pull from a speaker at a conference lectern to the delegates behind keeps the frame steady. Close focus is 0.51 m from the sensor, leaving under 30 cm between front element and a product on a showroom table.

    Twenty elements in 14 groups give near-neutral colour and natural skin tones, matched to the 35-80 and 70-135 mm Catta zooms so footage from all three intercuts in a multicam edit. A 16-blade iris keeps defocused practicals round. Focus turns through 270°, zoom 100° and iris 77° from T2.9 to T22, roughly 13° per stop, all on 0.8 MOD gears ready for follow focus or wireless motors. Control is fully manual; with no electronic contacts, no lens data reaches the camera.

    The 80 mm front takes a clamp-on matte box, and an M77 filter thread accepts screw-in glass. Near the rear element sits a slot for optional Catta COIN drop-in filters: ND 0.6, 0.9 and 1.2, Black Mist 1/4 and 1/8, plus streak and star effects, handy on a gimbal where a matte box adds weight. A polycarbonate and glass-fibre housing keeps the lens easy to balance on a stabiliser or carry through a handheld documentary day. The Sony E mount swaps for optional RF, L, X or Z bayonets, so the lens stays in service if the camera park changes brand.

    Write your review

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