DZOFilm Gnosis Macro 3-Lens Kit (24/32/65 T2.8) is a matched set of VV/FF macro cine primes for close-up cinematography. Covering a 46.5 mm image circle, the 24, 32 and 65 mm maintain uniform color, contrast and T-stop while delivering consistent mechanics for multi-camera pipelines.
The optics render with high resolving power and restrained breathing from minimum object distance to infinity. Macro ratios are 0.8:1 (24 mm), 1:1 (32 mm) and 1.33:1 (65 mm) at minimum focusing distances of 0.155 m (6.1″), 0.167 m (6.6″) and 0.237 m (9.36″) respectively, enabling life-size and greater-than-life product, tabletop and nature work on full-frame and VistaVision sensors. T2.8–T22 aperture range with a 16-blade iris yields clean exposure control and circular bokeh at macro distances, while coatings keep contrast stable.
Each lens arrives in native LPL with PL and EF bayonets included, enabling fast swaps across digital cinema ecosystems. Scales in meters are precise, driven by a long 300° focus throw for micro-adjustment with wireless FIZ. Standard 0.8 Mod cine gears on focus and iris integrate with standard motors and follow-focus units. Optical groupings and mechanical travel are matched across the set, supporting consistent rig balance and marks when alternating focal lengths.
For broadcast studios, e-commerce tables and field units, the DZOFilm Gnosis Macro kit delivers edge-to-edge acuity, neutral chroma and stable color matching. Use the 24 mm for wide-angle macro establishing, the 32 mm for 1:1 reproduction with shallow field isolation, and the 65 mm for tight perspectives at 1.33:1 magnification. Combined with VV/FF coverage and interchangeable mounts, the kit forms a durable imaging platform for product films, live streams, scientific shots and narrative inserts where fidelity and repeatable mechanics are essential.
Instead of €10,579.00
DZOFilm Gnosis Macro 3-Lens Kit (24/32/65 T2.8) is a matched set of VV/FF macro cine primes for close-up cinematography. Covering a 46.5 mm image circle, the 24, 32 and 65 mm maintain uniform color, contrast and T-stop while delivering consistent mechanics for multi-camera pipelines.
The optics render with high resolving power and restrained breathing from minimum object distance to infinity. Macro ratios are 0.8:1 (24 mm), 1:1 (32 mm) and 1.33:1 (65 mm) at minimum focusing distances of 0.155 m (6.1″), 0.167 m (6.6″) and 0.237 m (9.36″) respectively, enabling life-size and greater-than-life product, tabletop and nature work on full-frame and VistaVision sensors. T2.8–T22 aperture range with a 16-blade iris yields clean exposure control and circular bokeh at macro distances, while coatings keep contrast stable.
Each lens arrives in native LPL with PL and EF bayonets included, enabling fast swaps across digital cinema ecosystems. Scales in meters are precise, driven by a long 300° focus throw for micro-adjustment with wireless FIZ. Standard 0.8 Mod cine gears on focus and iris integrate with standard motors and follow-focus units. Optical groupings and mechanical travel are matched across the set, supporting consistent rig balance and marks when alternating focal lengths.
For broadcast studios, e-commerce tables and field units, the DZOFilm Gnosis Macro kit delivers edge-to-edge acuity, neutral chroma and stable color matching. Use the 24 mm for wide-angle macro establishing, the 32 mm for 1:1 reproduction with shallow field isolation, and the 65 mm for tight perspectives at 1.33:1 magnification. Combined with VV/FF coverage and interchangeable mounts, the kit forms a durable imaging platform for product films, live streams, scientific shots and narrative inserts where fidelity and repeatable mechanics are essential.
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Gnosis is DZOFILM’s high-performance full frame cinema prime macro lens. It allows you to reproduce the details and color in filming. Clear images, natural transition from in-focus to defocus and minimal breathing in focusing...all these can be found in Gnosis. They are suitable for different macro creation and can adapt to a wider range of subjects such as flowers and insects, bringing audience with pure and vivid image texture and natural transition of focus shifting. Precisely control and shift the focus with a 300 degree rotation to get a stable and comfortable performance. The industry standard front diameter of 114mm is compatible with matte boxes and other accessories, eliminating the need for repeated adjustments when changing lenses and greatly enhancing shooting efficiency.
Focusing on Details Reframing Micro Vision
The 32/65/24mm lens allows you to get an incredible amount of detail and discover the astonishing image of the microcosm at the minimum focusing distance of 17-26cm with a 1:1/1.33:1/1.5:1 magnification ratio respectively.
Cinematic Imaging In Great Details
From the MFD to INF, Gnosis provides excellent image quality with extreme sharpness from the center of frame right out to the edges. The color rendition is uniformly and naturally clean from in-focus to out-of-focus, presenting a stunning image rich in gradation.
For Professional Filmmaking And Tactful Collaboration
The industry standard front diameter of 114mm is compatible with matte boxes and other accessories, eliminating the need for repeated adjustments when changing lenses and greatly enhancing shooting efficiency.
Reliable, Precise Mechanics For Smooth Creation
Precisely control and shift the focus with a 300 degree rotation to get a stable and comfortable performance and perfect your work.
All-inclusive Meet multiple needs in filmmaking
LPL/ PL/ EF Mount These lenses cover wide-angle, standard, and telephoto focal lengths, providing flexible shooting distance and field of view options to meet the demand of macro creation in common focal lengths and adapt to a wider range of subjects.
1x DZOFILM Gnosis Macro Lens 32mm T2.8 - metric
1x DZOFILM Gnosis Macro Lens 65mm T2.8 - metric
1x DZOFILM Gnosis Macro Lens 24mm T2.8 - metric
1x safety case
Focal Length 24mm
COLOUR Black
MOUNT PL / EF / LPL
T-STOP T2.8
IMAGE CIRCLE ∮46.5（VV/FF)
OPTICAL CONSTRUCTION 12 Elements in 10 Groups
FLANGE DISTANCE 52mm (PL) / 44mm (EF) / 44mm (LPL)
"CLOSE FOCUS DIS. (FROM SENSOR PLANE) (METRIC/IMPERIAL)" 0.155m/6.1in
MAGNIFICATION RATIO 0.8X
IRIS CONTROL Manual (rotation angle 68°)
FOCUS CONTROL Manual (rotation angle 300°)
FRONT DIA. ∮114mm
LENGTH 100mm
IRIS BLADE 16
FILTER SIZE M105
GEAR PITCH 0.8 Mod
MATERIAL Housing: Aluminum Alloy
WEIGHT ≈1265g
Focal Length 32mm
COLOUR Black
MOUNT PL / EF / LPL
T-STOP T2.8
IMAGE CIRCLE ∮46.5（VV/FF)
OPTICAL CONSTRUCTION 11 Elements in 9 Groups
FLANGE DISTANCE 52mm (PL) / 44mm (EF) / 44mm (LPL)
"CLOSE FOCUS DIS. (FROM SENSOR PLANE) (METRIC/IMPERIAL)" 0.167m/6.6in
MAGNIFICATION RATIO 1.0X
IRIS CONTROL Manual (rotation angle 55°)
FOCUS CONTROL Manual (rotation angle 300°)
FRONT DIA. ∮114mm
LENGTH 112mm
IRIS BLADE 16
FILTER SIZE M105
GEAR PITCH 0.8 Mod
MATERIAL Housing: Aluminum Alloy
WEIGHT ≈1460g
Focal Length 65mm
COLOUR Black
MOUNT PL / EF / LPL
T-STOP T2.8
IMAGE CIRCLE ∮46.5（VV/FF)
OPTICAL CONSTRUCTION 11 Elements in 8 Groups
FLANGE DISTANCE 52mm (PL) / 44mm (EF) / 44mm (LPL)
"CLOSE FOCUS DIS. (FROM SENSOR PLANE) (METRIC/IMPERIAL)" 0.237m/9.36in
MAGNIFICATION RATIO 1.33X
IRIS CONTROL Manual (rotation angle 67°)
FOCUS CONTROL Manual (rotation angle 300°)
FRONT DIA. ∮114mm
LENGTH 112mm
IRIS BLADE 16
FILTER SIZE M105
GEAR PITCH 0.8 Mod
MATERIAL Housing: Aluminum Alloy
WEIGHT ≈1447.5g
Data sheet
Specific References
