Magnification in this set climbs from 0.8:1 on the 24 mm to life size on the 32 mm and 1.33:1 on the 65 mm, reached at 0.155, 0.167 and 0.237 m from the sensor plane. T-stop, front diameter and gear pitch stay identical. The DZOFilm Gnosis Macro 3-Lens Kit (Macro 24/32/65 T2.8) LPL/PL & EF Mount packs these full-frame macro cine primes into one hard case, each engraved in metres and covering VistaVision through its 46.5 mm image circle.
On a watchmaker's brand film, the trio splits the insert list cleanly. The 24 mm, 83.8° across the full-frame diagonal, keeps tweezers, loupe and bench around the open movement. The 32 mm shows the dial at true size. From further back, the 65 mm fills the frame with the balance wheel and leaves room to bounce light in. Food, beauty and wildlife jobs follow the same order: context, life size, detail. Each lens also reaches infinity, so the workshop wide and the watchmaker's interview come from the same case.
Glass differs per focal length: twelve elements in ten groups on the 24 mm, with three high-index and two low-dispersion elements against colour fringing, then eleven in nine on the 32 mm and eleven in eight on the 65 mm. A 16-blade iris keeps defocused highlights round from T2.8 to T22. Beside the focus ring, a window shows magnification in red and, in green, the exposure value to add to the T-stop. At 1:1, even T8 holds only about a millimetre in focus, so the shared 300° focus rotation earns its place on a wireless follow focus. Iris travel differs, 62°, 55° and 67°, so a lens motor's limits are remapped after each change.
Each lens ships in LPL mount (44 mm flange) for ARRI bodies; PL (52 mm) and EF (44 mm) bayonets with mounting hardware sit in the case for PL cinema cameras and EF packages. DZOFilm's manual sets out a shim-based back-focus check with a downloadable calibration tool and star chart, so scales are verified in prep. A common 114 mm front, M105 thread and 0.8 MOD gears keep one matte box, one filter set and the same motor brackets across the three. For a production company, this macro cine lens kit turns close-up work into owned stock: one line on the equipment list, one case to check out.
Instead of €9,270.00
Magnification in this set climbs from 0.8:1 on the 24 mm to life size on the 32 mm and 1.33:1 on the 65 mm, reached at 0.155, 0.167 and 0.237 m from the sensor plane. T-stop, front diameter and gear pitch stay identical. The DZOFilm Gnosis Macro 3-Lens Kit (Macro 24/32/65 T2.8) LPL/PL & EF Mount packs these full-frame macro cine primes into one hard case, each engraved in metres and covering VistaVision through its 46.5 mm image circle.
On a watchmaker's brand film, the trio splits the insert list cleanly. The 24 mm, 83.8° across the full-frame diagonal, keeps tweezers, loupe and bench around the open movement. The 32 mm shows the dial at true size. From further back, the 65 mm fills the frame with the balance wheel and leaves room to bounce light in. Food, beauty and wildlife jobs follow the same order: context, life size, detail. Each lens also reaches infinity, so the workshop wide and the watchmaker's interview come from the same case.
Glass differs per focal length: twelve elements in ten groups on the 24 mm, with three high-index and two low-dispersion elements against colour fringing, then eleven in nine on the 32 mm and eleven in eight on the 65 mm. A 16-blade iris keeps defocused highlights round from T2.8 to T22. Beside the focus ring, a window shows magnification in red and, in green, the exposure value to add to the T-stop. At 1:1, even T8 holds only about a millimetre in focus, so the shared 300° focus rotation earns its place on a wireless follow focus. Iris travel differs, 62°, 55° and 67°, so a lens motor's limits are remapped after each change.
Each lens ships in LPL mount (44 mm flange) for ARRI bodies; PL (52 mm) and EF (44 mm) bayonets with mounting hardware sit in the case for PL cinema cameras and EF packages. DZOFilm's manual sets out a shim-based back-focus check with a downloadable calibration tool and star chart, so scales are verified in prep. A common 114 mm front, M105 thread and 0.8 MOD gears keep one matte box, one filter set and the same motor brackets across the three. For a production company, this macro cine lens kit turns close-up work into owned stock: one line on the equipment list, one case to check out.
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| Specification | |||||||||
|---|---|---|---|---|---|---|---|---|---|
| Focal Length | 24mm | 32mm | 65mm | ||||||
| Colour | BLACK | ||||||||
| Mount | PL | EF | LPL | PL | EF | LPL | PL | EF | LPL |
| T-Stop | T2.8-T22 | ||||||||
| Image Circle | ø46.5mm (VV/FF) | ||||||||
| Optical Construction | 12 Elements in 10 Groups | 11 Elements in 9 Groups | 11 Elements in 8 Groups | ||||||
| Flange Distance | 52mm (PL) | 44mm (EF / LPL) | 52mm (PL) | 44mm (EF / LPL) | 52mm (PL) | 44mm (EF / LPL) | |||
| Close Focus (from sensor plane) | 0.155m/6.1in | 0.167m/6.6in | 0.237m/9.36in | ||||||
| Magnification Ratio | 0.8X | 1.0X | 1.33X | ||||||
| Iris Control | Manual (rotation angle 62°) | Manual (rotation angle 55°) | Manual (rotation angle 67°) | ||||||
| Focus Control | Manual (300°) | ||||||||
| Front Dia. | ø114mm | ||||||||
| Length | 100mm | 112mm | |||||||
| Iris Blade | 16 | ||||||||
| Filter Size | M105 | ||||||||
| Gear Pitch | 0.8M | ||||||||
| Material | Aluminum Alloy | ||||||||
Data sheet
Specific References
