DZOFilm Pavo 28mm 2x Anamorphic T2.1 PL Mount (S35) Blue

    DZO-PA2821PLMB
    Price: €2,749.00
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    Cobalt-filled engravings mark a coating decided at the factory: on the DZOFilm Pavo 28mm 2x Anamorphic T2.1 PL & EF Mount Blue, the blue coating cannot be swapped later. The horizontal flare leans blue whatever the colour of the source, a look long tied to science fiction and night-time thrillers. It takes a hard light aimed into the lens to draw one; ambient practicals rarely do, so the streak is placed with lighting, not fought by the operator. A torch beam sweeping a dark corridor brings it out on cue.

    In a Super 35 2x anamorphic package, the master shot usually comes from the 28 mm, widest of nine Pavo focal lengths running to 180 mm. The image circle, 31.5 mm across, is matched to 4:3 recording. An ARRI ALEXA Mini in 4:3 2.8K (29.7 mm diagonal) is fully covered, framing about 80° across and 35° high, and de-squeezes to 2.67:1 before a light side crop to 2.39:1. Open Gate 3.4K, near 33.6 mm, vignettes. Close focus of 0.4 m, counted from the sensor plane, frames a vocalist and microphone in a tight single.

    DZOFilm places the cylindrical optics behind the focusing group, a mid-anamorphic layout that helps keep this 15-element, 13-group anamorphic prime short, with a 95 mm front and M86 thread. It is also the only Pavo with a 14-blade iris (the others use 16), and the 2x squeeze draws defocused highlights into ovals. Wide open, expect gentle barrel distortion and a faint swirl that builds toward the frame edges, welcome on a performance piece and worth testing on sets full of straight lines.

    The lens arrives in PL, with an EF bayonet, screws, shims and a screwdriver packed alongside, so converting it is a bench job. A rear collar adjusts back focus within ±0.2 mm without unmounting. With 270° of focus travel, a 79° iris arc and 0.8 MOD gears in the same positions across the Pavo range, FIZ motors and brackets survive a lens change untouched. Metric scales, no data contacts. Light enough for drones and Steadicam, it also covers full frame behind a Marlin 1.6x Expander (sold separately), as a 45 mm-class lens near T3.5. As the coating is permanent, houses quoting both looks keep blue-flare and neutral Pavos side by side.

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    Specification
    Focal Length28mm
    ColourSpace Grey+Black
    Flare OptionBlue
    MountPLEF
    T-StopT2.1-T22
    Image Circleø31.5mm (S35)
    Optical Construction15 Elements in 13 Groups
    Flange Distance52mm (PL)44mm (EF)
    Close Focus
    (from sensor plane)
    0.4m/1ft4in
    Squeeze Factor2X
    Iris ControlManual (79°)
    Focus ControlManual (270°)
    Front Dia.ø95mm/3.74"
    Length106.3mm/4.19"
    Iris Blade14
    Filter SizeM86
    Gear Pitch0.8 Mod
    MaterialAluminum Alloy
    Weight≈1203g
    DZO-PA2821PLMB

    Data sheet

    Lens Mount
    Canon EF
    PL Mount
    Focal Lengths
    28mm
    Maximum Aperture
    T2.1
    Lens Format Coverage
    Super 35mm
    Lens Type
    Anamorphic
    Cinema Lens
    Prime

    Specific References

    ean13
    6970604941815
    mpn
    DZO-PA2821PLMB

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    DZOFilm Pavo 28mm 2x Anamorphic T2.1 PL Mount (S35) Blue

    Cobalt-filled engravings mark a coating decided at the factory: on the DZOFilm Pavo 28mm 2x Anamorphic T2.1 PL & EF Mount Blue, the blue coating cannot be swapped later. The horizontal flare leans blue whatever the colour of the source, a look long tied to science fiction and night-time thrillers. It takes a hard light aimed into the lens to draw one; ambient practicals rarely do, so the streak is placed with lighting, not fought by the operator. A torch beam sweeping a dark corridor brings it out on cue.

    In a Super 35 2x anamorphic package, the master shot usually comes from the 28 mm, widest of nine Pavo focal lengths running to 180 mm. The image circle, 31.5 mm across, is matched to 4:3 recording. An ARRI ALEXA Mini in 4:3 2.8K (29.7 mm diagonal) is fully covered, framing about 80° across and 35° high, and de-squeezes to 2.67:1 before a light side crop to 2.39:1. Open Gate 3.4K, near 33.6 mm, vignettes. Close focus of 0.4 m, counted from the sensor plane, frames a vocalist and microphone in a tight single.

    DZOFilm places the cylindrical optics behind the focusing group, a mid-anamorphic layout that helps keep this 15-element, 13-group anamorphic prime short, with a 95 mm front and M86 thread. It is also the only Pavo with a 14-blade iris (the others use 16), and the 2x squeeze draws defocused highlights into ovals. Wide open, expect gentle barrel distortion and a faint swirl that builds toward the frame edges, welcome on a performance piece and worth testing on sets full of straight lines.

    The lens arrives in PL, with an EF bayonet, screws, shims and a screwdriver packed alongside, so converting it is a bench job. A rear collar adjusts back focus within ±0.2 mm without unmounting. With 270° of focus travel, a 79° iris arc and 0.8 MOD gears in the same positions across the Pavo range, FIZ motors and brackets survive a lens change untouched. Metric scales, no data contacts. Light enough for drones and Steadicam, it also covers full frame behind a Marlin 1.6x Expander (sold separately), as a 45 mm-class lens near T3.5. As the coating is permanent, houses quoting both looks keep blue-flare and neutral Pavos side by side.

    Write your review

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