DZOFilm Pavo 75mm 2x Anamorphic T2.1 PL Mount (S35) Blue

    DZO-PA7521PLMB
    Price: €2,799.00
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    DZOFilm Pavo 75mm 2x Anamorphic T2.1 PL Mount (S35) Blue is a Super 35 anamorphic prime with a true 2x squeeze, bringing oval highlights, stretched bokeh and horizontal streaks that read as optical anamorphic rather than software simulation. Coverage matches Super35/APS-C cine sensors. On 16:9 capture, de-squeeze yields an ultra-wide frame that finishes naturally as 2.39:1; on 4:3 sensors it maps cleanly to 2.66:1. The fast T2.1 transmission supports controlled separation in close portraits and holds exposure continuity across multi-camera coverage.

    The optical layout (15 elements in 14 groups) prioritizes crisp detail with restrained distortion and controlled chromatic aberration, which helps on LED volumes, VFX plates and HDR deliveries where edge integrity matters. A 16-blade iris keeps bokeh smooth and consistently elliptical as you stop down. The Blue coating produces readable flares without collapsing black levels when multiple point sources share the frame.

    Manual operation is set-ready: a long 270° focus rotation for repeatable marks, cinema-standard 0.8 MOD gears for follow-focus and lens motors, and a minimum focus distance of 0.84 m for tight coverage of faces, product textures and tabletop inserts without diopters. The lens ships as ARRI PL plus shims; built-in back-focus adjustment supports quick calibration after mount swaps. Metric focus markings suit European crews and scripted focus pulls.

    This 75mm anamorphic perspective fits dialogue singles, interview coverage, fashion/beauty close-ups, automotive detail and commercial product cinematography where subject isolation matters but the frame still carries anamorphic context. The compact cine form factor also rides well on stabilizers and lightweight studio rigs, giving live-to-tape and streaming productions a controlled anamorphic look with low breathing and predictable flare behavior.

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    2X Compression Factor for Authentic Anamorphic
    The PAVO series comprises 28mm to 100mm focal lengths with a 2X compression ratio. This expansion of the cinematic scope allows for the inclusion of additional details, resulting in a more dramatic depth of field.

    It achieves a genuine anamorphic look that immerses viewers in a visually spectacular world, while maintaining a harmonious and unified visual style across the entire series, making it the ideal choice for professional film production.

    Unparalleled Compact Anamorphic
    With its solid and lightweight design, the PAVO features a front diameter of only 95mm and weighs between 1.2 and 1.6 kg. This versatility allows for seamless integration with a range of filming accessories, such as gimbals, Steadicams, and drones.

    Whether you're navigating handheld shots, shoulder-mounted rigs, vehicle-mounted setups, or aerial cinematography, PAVO offers the adaptability you need. Its precise construction and superior optical performance offer limitless creative possibilities for indie filmmakers and large-scale productions.

    Modern Ergonomics, Cinematic Artistry
    PAVO captures stunning imagery even in low-light shooting scenarios with a T2.1 aperture (28mm to 75mm) and T2.4 at 100mm. Its 14–16 blades of round iris create captivating oval-shaped bokeh and a mesmerizing 'waterfall' background blur, delivering a dreamlike aesthetic.

    Revolutionary Close Focus
    The PAVO series overcomes anamorphic limitations with a phenomenal minimum focus distance of 0.4m, perfect for capturing subtle facial expressions and using close-ups to create immersive and engaging visuals that resonate with viewers. This lens set is an ideal tool for filmmakers seeking to add depth and nuance to their storytelling.

    Futuristic Design, Dual Flare
    PAVO offers two different horizontal flare colors, Blue and Neutral, to cater to a wide range of movie genres and visual styles. The dark gray exterior design takes inspiration from the futuristic aesthetics of iconic sci-fi spaceships and blends the essence of modern design into its construction. 

    The Blue version is adorned with cobalt ink, while the Neutral version is elegantly embellished with vermilion ink.

    Superb Visuals for Immersive Brilliance
    PAVO provides exceptional resolution with precise control, ensuring negligible breathing effects even at longer focal lengths. The innovative design minimizes chromatic aberration, resulting in sharp, crisp images with accurate color rendering. PAVO provides a smooth transition between in-focus and out-of-focus images with a characteristic anamorphic look.

    Versatile Design, Flex Adaptation
    PAVO lenses feature a built-in back-focus adjustment, enabling precise adjustments while the lens is mounted, streamlining operational processes. Additionally, these lenses can adapt to full-frame cinema cameras using the Marlin 1.6X Expander, broadening compatibility across various shooting scenarios and meeting the demands of professional film production.

    PARAMETER
    Focal Length: 75mm
    Colour: Space Grey + Black
    Flare Option: Blue
    Mount: PL  
    Aperture: T2.1-T22
    Image Circle: φ31.5mm(S35)
    Construction Of Optics: 15 Elements in 14 Groups
    Flange Distance: 52mm(PL) 
    Close Focus (From Sensor Plane): 0.84m/2ft9in
    Squeeze Factor: 2X
    Iris Control: Manual(67°)
    Focus Control: Manual(270°)
    Front Dia.: φ95mm/3.74"
    Length (From Lens Front To Flange Plane): 126.9mm/4.99"
    Iris Blade: 16
    Filter Size: M86
    Gear Pitch: 0.8 Mod
    Material: Aluminum Alloy
    Weight (Product): ≈1466g

    DZO-PA7521PLMB

    Data sheet

    Lens Mount
    PL Mount
    Focal Lengths
    75mm
    Maximum Aperture
    T2.1
    Lens Format Coverage
    Super 35mm
    Lens Type
    Anamorphic
    Cinema Lens
    Prime

    Specific References

    ean13
    6970604941853
    mpn
    DZO-PA7521PLMB

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    DZOFilm Pavo 75mm 2x Anamorphic T2.1 PL Mount (S35) Blue

    DZOFilm Pavo 75mm 2x Anamorphic T2.1 PL Mount (S35) Blue is a Super 35 anamorphic prime with a true 2x squeeze, bringing oval highlights, stretched bokeh and horizontal streaks that read as optical anamorphic rather than software simulation. Coverage matches Super35/APS-C cine sensors. On 16:9 capture, de-squeeze yields an ultra-wide frame that finishes naturally as 2.39:1; on 4:3 sensors it maps cleanly to 2.66:1. The fast T2.1 transmission supports controlled separation in close portraits and holds exposure continuity across multi-camera coverage.

    The optical layout (15 elements in 14 groups) prioritizes crisp detail with restrained distortion and controlled chromatic aberration, which helps on LED volumes, VFX plates and HDR deliveries where edge integrity matters. A 16-blade iris keeps bokeh smooth and consistently elliptical as you stop down. The Blue coating produces readable flares without collapsing black levels when multiple point sources share the frame.

    Manual operation is set-ready: a long 270° focus rotation for repeatable marks, cinema-standard 0.8 MOD gears for follow-focus and lens motors, and a minimum focus distance of 0.84 m for tight coverage of faces, product textures and tabletop inserts without diopters. The lens ships as ARRI PL plus shims; built-in back-focus adjustment supports quick calibration after mount swaps. Metric focus markings suit European crews and scripted focus pulls.

    This 75mm anamorphic perspective fits dialogue singles, interview coverage, fashion/beauty close-ups, automotive detail and commercial product cinematography where subject isolation matters but the frame still carries anamorphic context. The compact cine form factor also rides well on stabilizers and lightweight studio rigs, giving live-to-tape and streaming productions a controlled anamorphic look with low breathing and predictable flare behavior.

    Write your review

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