DZOFilm Gnosis Macro 3-Lens Kit (Macro 32/65/90 T2.8) LPL/PL & EF Mount (VV/FF) delivers consistent T2.8 cine-macro optics across three focal lengths for full-frame capture. A 46.5 mm image circle covers VV/FF sensors, while interchangeable LPL/PL & EF mounts align with ARRI and Canon ecosystems. The set keeps unified mechanics—0.8 Mod gearing, matched focus/iris positions, and a long 300° focus rotation—confident marks.
The macro geometry is tightly controlled: 32 mm 1:1, 65 mm 1.33:1, and 90 mm 1.5:1 magnification with close focus at 0.167 m, 0.237 m, and 0.258 m from the sensor plane. Internal groups limit focus breathing and sustain field flatness from minimum focus to infinity. Spectral transmission is matched across the trio for seamless intercutting between wide, normal, and short-tele macro shots—suited to wildlife inserts, product micro-detail, cosmetics, food, and scientific work.
Each prime runs a de-clicked aperture from T2.8 to T22 through a 16-blade iris, maintaining round specular highlights and clean transitions. The optical layouts (32 mm and 90 mm: 11 elements/9 groups; 65 mm: 11 elements/8 groups) resolve high spatial frequencies across the frame on FF cinema sensors. Multi-layer coatings tame veiling flare and preserve micro-contrast in fine textures, supporting keying and HDR.
The DZOFilm Gnosis Macro kit ships in a safety case with interchangeable mounts and back-focus shims to set flange depth (flange shims included). Identical ring travel and gear pitch accelerate rigging in studio, broadcast, and live environments, and the consistent T-stop simplifies exposure mapping across cameras in multi-lens sets. For professional video production, television, and streaming, the kit delivers repeatable, color-matched macro capture with cinema-grade mechanics and VV/FF coverage.
DZOFilm Gnosis Macro 3-Lens Kit (Macro 32/65/90 T2.8) LPL/PL & EF Mount (VV/FF) delivers consistent T2.8 cine-macro optics across three focal lengths for full-frame capture. A 46.5 mm image circle covers VV/FF sensors, while interchangeable LPL/PL & EF mounts align with ARRI and Canon ecosystems. The set keeps unified mechanics—0.8 Mod gearing, matched focus/iris positions, and a long 300° focus rotation—confident marks.
The macro geometry is tightly controlled: 32 mm 1:1, 65 mm 1.33:1, and 90 mm 1.5:1 magnification with close focus at 0.167 m, 0.237 m, and 0.258 m from the sensor plane. Internal groups limit focus breathing and sustain field flatness from minimum focus to infinity. Spectral transmission is matched across the trio for seamless intercutting between wide, normal, and short-tele macro shots—suited to wildlife inserts, product micro-detail, cosmetics, food, and scientific work.
Each prime runs a de-clicked aperture from T2.8 to T22 through a 16-blade iris, maintaining round specular highlights and clean transitions. The optical layouts (32 mm and 90 mm: 11 elements/9 groups; 65 mm: 11 elements/8 groups) resolve high spatial frequencies across the frame on FF cinema sensors. Multi-layer coatings tame veiling flare and preserve micro-contrast in fine textures, supporting keying and HDR.
The DZOFilm Gnosis Macro kit ships in a safety case with interchangeable mounts and back-focus shims to set flange depth (flange shims included). Identical ring travel and gear pitch accelerate rigging in studio, broadcast, and live environments, and the consistent T-stop simplifies exposure mapping across cameras in multi-lens sets. For professional video production, television, and streaming, the kit delivers repeatable, color-matched macro capture with cinema-grade mechanics and VV/FF coverage.
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Gnosis is DZOFILM’s high-performance full frame cinema prime macro lens. It allows you to reproduce the details and color in filming. Clear images, natural transition from in-focus to defocus and minimal breathing in focusing...all these can be found in Gnosis. They are suitable for different macro creation and can adapt to a wider range of subjects such as flowers and insects, bringing audience with pure and vivid image texture and natural transition of focus shifting. Precisely control and shift the focus with a 300 degree rotation to get a stable and comfortable performance. The industry standard front diameter of 114mm is compatible with matte boxes and other accessories, eliminating the need for repeated adjustments when changing lenses and greatly enhancing shooting efficiency.
Focusing on Details Reframing Micro Vision
The 32/65/90mm lens allows you to get an incredible amount of detail and discover the astonishing image of the microcosm at the minimum focusing distance of 17-26cm with a 1:1/1.33:1/1.5:1 magnification ratio respectively.
Cinematic Imaging In Great Details
From the MFD to INF, Gnosis provides excellent image quality with extreme sharpness from the center of frame right out to the edges. The color rendition is uniformly and naturally clean from in-focus to out-of-focus, presenting a stunning image rich in gradation.
For Professional Filmmaking And Tactful Collaboration
The industry standard front diameter of 114mm is compatible with matte boxes and other accessories, eliminating the need for repeated adjustments when changing lenses and greatly enhancing shooting efficiency.
Reliable, Precise Mechanics For Smooth Creation
Precisely control and shift the focus with a 300 degree rotation to get a stable and comfortable performance and perfect your work.
All-inclusive Meet multiple needs in filmmaking
LPL/ PL/ EF Mount These lenses cover wide-angle, standard, and telephoto focal lengths, providing flexible shooting distance and field of view options to meet the demand of macro creation in common focal lengths and adapt to a wider range of subjects.
1x DZOFILM Gnosis Macro Lens 32mm T2.8 - metric
1x DZOFILM Gnosis Macro Lens 65mm T2.8 - metric
1x DZOFILM Gnosis Macro Lens 90mm T2.8 - metric
1x safety case
Focal Length 32mm
COLOUR Black
MOUNT PL / EF / LPL
T-STOP T2.8
IMAGE CIRCLE ∮46.5（VV/FF)
OPTICAL CONSTRUCTION 11 Elements in 9 Groups
FLANGE DISTANCE 52mm (PL) / 44mm (EF) / 44mm (LPL)
"CLOSE FOCUS DIS. (FROM SENSOR PLANE) (METRIC/IMPERIAL)" 0.167m/6.6in
MAGNIFICATION RATIO 1.0X
IRIS CONTROL Manual (rotation angle 55°)
FOCUS CONTROL Manual (rotation angle 300°)
FRONT DIA. ∮114mm
LENGTH 112mm
IRIS BLADE 16
FILTER SIZE M105
GEAR PITCH 0.8 Mod
MATERIAL Housing: Aluminum Alloy
WEIGHT ≈1460g
Focal Length 65mm
COLOUR Black
MOUNT PL / EF / LPL
T-STOP T2.8
IMAGE CIRCLE ∮46.5（VV/FF)
OPTICAL CONSTRUCTION 11 Elements in 8 Groups
FLANGE DISTANCE 52mm (PL) / 44mm (EF) / 44mm (LPL)
"CLOSE FOCUS DIS. (FROM SENSOR PLANE) (METRIC/IMPERIAL)" 0.237m/9.36in
MAGNIFICATION RATIO 1.33X
IRIS CONTROL Manual (rotation angle 67°)
FOCUS CONTROL Manual (rotation angle 300°)
FRONT DIA. ∮114mm
LENGTH 112mm
IRIS BLADE 16
FILTER SIZE M105
GEAR PITCH 0.8 Mod
MATERIAL Housing: Aluminum Alloy
WEIGHT ≈1447.5g
Focal Length 90mm
COLOUR Black
MOUNT PL / EF / LPL
T-STOP T2.8
IMAGE CIRCLE ∮46.5（VV/FF)
OPTICAL CONSTRUCTION 11 Elements in 9 Groups
FLANGE DISTANCE 52mm (PL) / 44mm (EF) / 44mm (LPL)
"CLOSE FOCUS DIS. (FROM SENSOR PLANE) (METRIC/IMPERIAL)" 0.258m/10.2in
MAGNIFICATION RATIO 1.5X
IRIS CONTROL Manual (rotation angle 68°)
FOCUS CONTROL Manual (rotation angle 300°)
FRONT DIA. ∮114mm
LENGTH 112mm
IRIS BLADE 16
FILTER SIZE M105
GEAR PITCH 0.8 Mod
MATERIAL Housing: Aluminum Alloy
WEIGHT ≈1280.5g
Data sheet
Specific References
