Some interiors simply refuse to open up. Corridors, cockpits and plant rooms leave a crew nowhere to step back to, and that is where the Laowa 9mm T5.8 VV Cine Nikon Z earns its keep. Its 134.8° diagonal angle of view is the widest currently offered by a rectilinear cine lens covering full frame, so verticals in a stairwell or the edges of an LED volume stay upright rather than bowing out the way a fisheye renders them. Fourteen elements in ten groups hold that correction, keeping colour fringing off high-contrast edges such as window frames and backlit railings.
Coverage is the second reason this optic gets specified. The Ø46.31 mm image circle clears full-frame and VistaVision sensors, so it stays clean in open-gate modes on large-format bodies. On the Z-mount side that means Nikon's Z CINEMA line, including the ZR and its R3D NE recording, plus Z8 and Z9 bodies running 8K N-RAW, with no adapter stack in the path. Focus is manual only: 0.8 MOD gears on both rings, a 90° focus throw and 43.6° of iris rotation mean standard follow-focus units and lens motors bolt straight on, while dual metric and imperial scales suit a focus puller moving between rental packages.
Close work is where the Laowa 9mm stops behaving like an establishing lens. A 12 cm minimum focus distance and 0.21x magnification let an operator push the front element towards a hand, a control surface or a car dashboard and still hold the whole environment behind it. That is the shot that sells scale in an automotive interior, a factory walkthrough or a product film. The 14-blade iris keeps point sources round when a practical light drifts into frame, and the T5.8 to T22 range serves deep-focus daylight exteriors.
Two points are worth planning around. There is no front filter thread, so ND and polarisers belong in a clip-on matte box, and the T5.8 maximum aperture rewards a proper lighting plan rather than an available-light gamble. A shim set ships in the case for back-focus calibration. On a gimbal or a heavy-lift drone, the short barrel keeps payload sensible for FPV chase work, architectural fly-bys and hand-held documentary coverage in crowded rooms.
Some interiors simply refuse to open up. Corridors, cockpits and plant rooms leave a crew nowhere to step back to, and that is where the Laowa 9mm T5.8 VV Cine Nikon Z earns its keep. Its 134.8° diagonal angle of view is the widest currently offered by a rectilinear cine lens covering full frame, so verticals in a stairwell or the edges of an LED volume stay upright rather than bowing out the way a fisheye renders them. Fourteen elements in ten groups hold that correction, keeping colour fringing off high-contrast edges such as window frames and backlit railings.
Coverage is the second reason this optic gets specified. The Ø46.31 mm image circle clears full-frame and VistaVision sensors, so it stays clean in open-gate modes on large-format bodies. On the Z-mount side that means Nikon's Z CINEMA line, including the ZR and its R3D NE recording, plus Z8 and Z9 bodies running 8K N-RAW, with no adapter stack in the path. Focus is manual only: 0.8 MOD gears on both rings, a 90° focus throw and 43.6° of iris rotation mean standard follow-focus units and lens motors bolt straight on, while dual metric and imperial scales suit a focus puller moving between rental packages.
Close work is where the Laowa 9mm stops behaving like an establishing lens. A 12 cm minimum focus distance and 0.21x magnification let an operator push the front element towards a hand, a control surface or a car dashboard and still hold the whole environment behind it. That is the shot that sells scale in an automotive interior, a factory walkthrough or a product film. The 14-blade iris keeps point sources round when a practical light drifts into frame, and the T5.8 to T22 range serves deep-focus daylight exteriors.
Two points are worth planning around. There is no front filter thread, so ND and polarisers belong in a clip-on matte box, and the T5.8 maximum aperture rewards a proper lighting plan rather than an available-light gamble. A shim set ships in the case for back-focus calibration. On a gimbal or a heavy-lift drone, the short barrel keeps payload sensible for FPV chase work, architectural fly-bys and hand-held documentary coverage in crowded rooms.
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Laowa 9mm T5.8 VV Cine is the widest rectilinear full-frame lens available, delivering an expansive 134.8° diagonal field of view on full-frame sensors. Its ultra-wide-angle design enhances cinematic and dramatic impact, while the vast field of view captures stunningly rich details.
The Unique Character of Ultra-Wide-Angle Lenses
Ultra-wide-angle lenses bring a distinctive visual signature to your work. By making objects closer to the camera appear significantly larger than those in the distance, they exaggerate depth and create a dynamic sense of scale. This stretching effect, particularly pronounced at the edges of the frame, adds a dramatic, surreal and immersive quality to your shots.
Ø46.31mm Image Circle
With a generous Ø46.31mm image circle, this lens ensures full coverage of most full-frame sensors, delivering exceptional image quality across the entire frame. Designed to meet the diverse needs of filmmakers—from independent creators to large-scale productions, it combines versatility with precision.
Impeccable Close Focusing Capability
The 12cm close focusing capability of a wide-angle lens unlocks creative potential, allowing you to capture striking compositions with exaggerated depth and perspective. By getting close to your subject, you can highlight foreground details while maintaining a wide, immersive background, creating dynamic contrast and visual impact. This feature is especially valuable in tight spaces, enabling effective shooting without losing context.
Outstanding Image Quality
Thanks to its low-distortion optical design, these lenses deliver exceptional sharpness across the entire frame, from the center to the edges. This ensures consistent image quality, even in the most demanding shooting conditions. Additionally, the lenses are engineered to minimize chromatic aberration, effectively reducing color fringing around high-contrast edges, making this lens ideal for professional cinematography.
Compact and Lightweight Design
Weighing just 430g (0.95lbs), the 9mm T5.8 VV Cine is exceptionally lightweight and versatile, making it an ideal choice for a wide range of shooting setups. Whether mounted on gimbals, drones, handheld rigs, or other stabilizing equipment, its compact design ensures seamless integration and effortless maneuverability. Perfect for on-the-go filmmaking, it enables dynamic shots and smooth camera movements, even in challenging environments. Additionally, its smaller form factor allows for greater flexibility in confined spaces, making it a practical and powerful tool in any scenario.
| Specification | |
|---|---|
| Lens | Laowa 9mm T5.8 VV Cine |
| Focal Length | 9mm |
| Aperture Range | T5.8 – 22 |
| Format | FF & VV |
| Image Circle Diameter | Ø 46.31mm |
| Angle of View | 134.8° |
| Lens Structure | 14 Elements in 10 Groups |
| Aperture Blades | 14 |
| Aperture Throw | 43.6° |
| Focus Throw | 90° |
| Min. Focusing Distance | 12cm |
| Focus Indicator | Metric & Imperial (Dual Scale) |
| In-focus Driving Mode | MF |
| Max. Magnification | 0.21X |
| Gear Mod | 0.8M |
| Dimensions for Filter Thread | N/A |
| Front Diameter | Ø 80mm |
| Dimensions | PL: Ø 84mm X 41.3mm |
| Weight | PL: 430g |
| Mounts | Arri PL, Sony E, Nikon Z, Canon RF, L mount |
Data sheet
Specific References
