Laowa Nanomorph 32mm T2.9 1.5X Anamorphic LF (Blue) PL + EF

    LA-VE3229PLEFB
    Price: €1,499.00
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    Laowa Nanomorph 32 mm T2.9 1.5× Anamorphic LF (Blue) PL + EF is a purpose-built optic for large-format cinematography when a pronounced 2.66:1 canvas and reliable handling are mandatory. Its constant 1.5× squeeze spans 16:9, 3:2 or 4:3 sensors, preserving horizontal resolution and the oval bokeh that stays uniform from centre to corner. A generous 44.7 mm image circle covers ALEXA LF Open-Gate and every full-frame mirrorless body; edge distortion is negligible, so composition remains free from “swimming” artefacts.

    Optically, the lens relies on 17 elements in 15 groups and a 13-blade iris for the characteristic “waterfall” focus roll-off. Working wide open at T2.9 lets crews hold native ISO under low-key lighting, while stopping to T22 protects highlight latitude on LED walls. Focus breathing is barely perceptible across the extended 270° focus throw. Close-ups are achievable at 0.49 m / 1.58 ft, pulling foreground subjects forward without diopter stacks.

    Mechanically, Nanomorph balances rigs with an 80 mm front, 121 mm length and 1.07 kg mass (2.34 lb). Standard 0.8 MOD gears match the 42/55/85 mm siblings, accelerating matte-box swaps. Interchangeable PL and Canon EF mountsship in the box; shim rings allow micrometric flange calibration on set. A 77 mm internal thread accepts MOFAGE POCO drop-in filters, keeping the barrel slim for hand-held gimbals or remote heads.

    The signature blue flare coating evokes 1980s sci-fi without veiling glare, adding saturated streaks on specular sources while maintaining neutral colour elsewhere. Controlled anamorphic mumps, consistent bokeh across the frame and full-frame latitude make this lens an agile tool for commercials, cinematic live streams and high-end drama where every gram and minute count.

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    Technical Specifications
    Focal Length: 32mm
    Aperture Range: T2.9-T22
    Angle of View: 81.4° x 43.5°
    Image Circle Diameter: 36.7 x 25.54mm (Ø 44.71mm)
    Squeeze Ratio: 1.5X
    Format: Full-Frame
    Lens Structure: 17 elements in 15 groups
    Aperture Blades: 13
    Focus Throw: 270°
    Aperture Throw: 70°
    Focus Indicator: Dual Scale
    Min. Focusing Distance: 49cm / 1’7”
    In-focus Driving Mode: Manual Focus
    Gear Mod: 0.8M
    Filter Thread Diameter: 77mm
    Front Diameter: 80mm
    Dimensions: ø86.4mm x 121mm / ø3.4” x 4.76”
    Weight: 1070g / 2.34lbs
    Flare Colour: Blue
    Mount: ARRI PL, Canon EF

    LA-VE3229PLEFB

    Data sheet

    Lens Mount
    Canon EF
    PL Mount
    Focal Lengths
    32mm
    Maximum Aperture
    T2.9
    Lens Format Coverage
    Full Frame
    Lens Type
    Anamorphic
    Cinema Lens
    Prime

    Specific References

    ean13
    6940486709056
    mpn
    VE3229PLEFB

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    Laowa Nanomorph 32mm T2.9 1.5X Anamorphic LF (Blue) PL + EF

    Laowa Nanomorph 32 mm T2.9 1.5× Anamorphic LF (Blue) PL + EF is a purpose-built optic for large-format cinematography when a pronounced 2.66:1 canvas and reliable handling are mandatory. Its constant 1.5× squeeze spans 16:9, 3:2 or 4:3 sensors, preserving horizontal resolution and the oval bokeh that stays uniform from centre to corner. A generous 44.7 mm image circle covers ALEXA LF Open-Gate and every full-frame mirrorless body; edge distortion is negligible, so composition remains free from “swimming” artefacts.

    Optically, the lens relies on 17 elements in 15 groups and a 13-blade iris for the characteristic “waterfall” focus roll-off. Working wide open at T2.9 lets crews hold native ISO under low-key lighting, while stopping to T22 protects highlight latitude on LED walls. Focus breathing is barely perceptible across the extended 270° focus throw. Close-ups are achievable at 0.49 m / 1.58 ft, pulling foreground subjects forward without diopter stacks.

    Mechanically, Nanomorph balances rigs with an 80 mm front, 121 mm length and 1.07 kg mass (2.34 lb). Standard 0.8 MOD gears match the 42/55/85 mm siblings, accelerating matte-box swaps. Interchangeable PL and Canon EF mountsship in the box; shim rings allow micrometric flange calibration on set. A 77 mm internal thread accepts MOFAGE POCO drop-in filters, keeping the barrel slim for hand-held gimbals or remote heads.

    The signature blue flare coating evokes 1980s sci-fi without veiling glare, adding saturated streaks on specular sources while maintaining neutral colour elsewhere. Controlled anamorphic mumps, consistent bokeh across the frame and full-frame latitude make this lens an agile tool for commercials, cinematic live streams and high-end drama where every gram and minute count.

    Write your review

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