PTZOptics Move SE 30x Zoom White PTZ Camera PT30X-SE-WH-G3

    PT30X-SE-WH-G3
    Price: €1,339.00
    No tax
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    Of the three zoom versions in the Move SE family, the PTZOptics Move SE 30x Zoom White carries the longest lens and the longest on-board tracking range, in a pale housing that disappears against lecture-hall ceilings, light timber panelling and bright corporate sets. This 1080p60 PTZ camera with auto-tracking belongs at the position furthest from the stage: the back wall of an auditorium, the public gallery of a council chamber, a hotel ballroom balcony.

    Its 30x optical zoom spans 4.42 to 132.6 mm (F1.8 to F2.8) and closes the horizontal view from 60.7° to 2.3°. Mounted 30 m from a lectern, the camera can hold a view about 35 m wide, then tighten to roughly 1.2 m, a single speaker from the shoulders up. A 16x digital zoom exists for monitoring crops; programme shots stay in the optical range.

    Behind the glass sits a Sony CMOS, 1/2.8 inch in format, resolving 2.07 megapixels effective. It outputs up to 1080p60, with 25, 29.97, 30, 50 and 59.94 fps also available, plus 720p60 and 720p50, chosen in the browser interface or with the rotary selector at the back. Sensitivity goes to 0.5 lux (F1.8, auto gain), while WDR, DRC and 2D/3D denoising hold detail on a speaker standing in front of a projection screen once the house lights drop.

    Exposure modes: full auto, manual, shutter-priority (SAE), iris-priority (AAE) and Bright. White balance covers One Push, Manual, Auto and Indoor/Outdoor presets, plus VAR, where colour temperature is dialled in anywhere between 2500 and 8000 kelvin to match the other heads in the room. Gamma presets and image styles such as Clarity, Vivid or Soft settle the look, and an autofocus range limited to 1–20 m stops the lens refocusing on a microphone stand in front of the lectern.

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    Subject detection runs on the camera's own processor, so there is no tracking PC to rack or license. PTZOptics quotes a maximum tracking distance of 120 ft, about 37 m, for the 30x, the furthest in the line. Presenter-Lock stays with the chosen person while others walk through frame. To move on to another speaker, send a left/right arrow from the camera's web page, the IR remote or a VISCA joystick; for a panel debate, Auto Framing takes over with a group composition.

    Behaviour is configured, not left to chance. You decide where tracking starts, where the head parks afterwards, how long it waits before reacting and which preset it returns to if the subject is lost. Two reserved presets, 150 to start tracking and 151 to stop it, let a show controller or one joystick key pass the shot from automation to a human operator and back. During a livestreamed council meeting, the camera follows whichever member takes the floor while the gallery crew concentrates on sound and graphics.

    The web interface offers four output modes: IP plus HDMI or SDI, IP plus USB, USB plus HDMI or SDI, and an all-interfaces mode capped at 30 fps. Coax runs of roughly 60 to 100 m on the BNC 3G-SDI connector (SMPTE 424M) carry embedded audio, for the run back to a hardware switcher; HDMI 1.3 covers short hops. Over USB-C 3.0, Teams, Zoom and OBS see a standard UVC camera, and Zoom adds far-end PTZ control.

    Over IP the encoder produces two streams in H.264, H.265 or MJPEG. It pushes RTMP or RTMPS directly to YouTube or another streaming CDN, serves RTSP to recorders and sends SRT, protected by a 10 to 79 character passphrase, when a feed must cross the internet to a remote gallery. NDI|HX3 is native, with no licence to buy: it runs on NDI 6.3, can be switched off in the web interface, and its transport is set to RUDP, multicast, TCP or UDP. Desk audio enters through a line-level 3.5 mm socket and rides along in the video as AAC sampled at 44.1 or 48 kHz, or as G.711A; a line output feeds monitoring.

    Most control systems already speak its language. VISCA over IP, Sony VISCA, ONVIF for video management platforms, HTTP commands and MIDI run over the network. On the serial side, RS-232 links a chain of heads within 30 m and RS-485 stretches to 1.2 km, both with VISCA, Pelco-D and Pelco-P. The head pans through 340° (±170°) at as much as 100°/s and tilts 90° up and 30° down at a maximum of 69.9°/s; each of its 255 memory positions is recalled to 0.1°. Preset tours with adjustable interval, range and speed give an unattended room view during breaks.

    API routes tell a script if the head is in motion, confirm arrival on a recalled preset and return a snapshot from either stream, so automated cuts land on a settled picture. SuperJoy, vMix, OBS, Wirecast, TriCaster, Blackmagic switchers, a Stream Deck plugin and the Hive cloud platform all drive it.

    Courtrooms, town halls and campuses ask security questions, and the answers are short. There are IR sensors on both faces of the body, a Kensington slot against theft, and privacy mode, which swings the lens aside and cuts every output during a closed session. Digest authentication guards the API by default, guest login stays off until enabled, firmware uploads need credentials, and the camera is NDAA compliant. For a recorded hearing or exam, an NTP-synced time overlay can sit in a corner of the picture. Two programmable side buttons call a preset, Home, privacy mode or image freeze without opening the web page.

    A single Cat5e or Cat6 run to a PoE port (802.3af) delivers power, picture and control; a 12 V supply is in the box for anywhere else. Hung upside down, the head detects that it is inverted and rights the image, and pan/tilt limits, retained after a reboot, keep it off the audience. Each unit can answer to an mDNS name such as council-room.local. Operating range: −10 to +40 °C, indoors.

    Free firmware releases arrive for the 12x, 20x and 30x on the same schedule, which is how native NDI, NDI|HX3 and NDI 6.3 reached cameras already installed. Send us room depths, the shot sizes you need and your switcher model: we will show where the 30x earns its place, where a 12x or a 20x is the better buy, and confirm SDI, NDI and PoE compatibility before anything ships.

    Specification
    Camera & Lens
    Resolution & Frame Rate HDMI, SDI, & USB1920x1080p - 60/59.94/50/30/29.97/25
    1280x720p - 60/50
    Resolution & Frame Rate NDI Stream 11920x1080,1280x720,1024x576, 960x540, 720x480, 720x408, 640x480, 640x360 1 ~ 60 FPS
    Resolution & Frame Rate NDI Stream 2 (used for low bandwidth NDI feed)1280x720, 720x480, 720x408, 640x480, 640x360, 480x320, 320x240 1 ~ 60 FPS
    LensSony 1/2.8 inch, CMOS
    Image Sensor2.13MP, Effective Pixels: 2.07
    Optical Lens Focal Length (Zoom)f = 4.42mm ~ 132.6mm, F1.8 ~ F2.8
    Maximum Tracking Distance120' (40m)
    Optical Lens Field of View Horizontal & VerticalH 2.3° ~ 60.7°
    V 1.28° ~ 34.1°
    Display Field of View69.6°
    Min Lux0.5 Lux @ (F1.8, AGC ON)
    Shutter1/30s ~ 1/10000s
    Pan Movement Range±170°
    Tilt Movement Range-30° ~ +90°
    Pan Speed1.7°/s ~ 100°/s
    Tilt Speed1.7°/s ~ 69.9°/s
    Presets255 Presets
    Preset Accuracy0.1⁰
    Image Flip, Mirror, and FreezeSupported
    Physical Specifications
    Dimensions(L x W x H)6.7” L x 5.6” W x 6.5” H (7.88” with tilt up) / 169mm L x 142mm W x 164mm H (189mm with tilt up)
    Weight3.0 lbs (1.36 kg)
    Working EnvironmentIndoor
    Humidity Range10% - 80%
    Operating Temperature14°F ~ 104°F (-10°C ~ 40°C )
    Storage Temperature-40°F ~ 140°F (-40°C ~ 60°C)
    Connections
    RJ4510/100/1000M Adaptive Ethernet Port NDI HX enabled
    HDMIVersion 1.3
    3G-SDIBNC Type, 800mVP-p, 75Ω, Along to SMPTE 424M,standard
    USB 3.0Type C
    Compression StandardsMJPEG / H.264 / H.265
    Audio Interface3.5mm Line level Input & Output
    RS232 Input8-pin Mini DIN RS232 Input, Max distance: 98.5ft / 30m, Protocol: VISCA / Pelco-D / Pelco-P
    RS232 Output8-pin Mini DIN RS232 Output, Max distance: 98.5ft / 30m, Protocol: VISCA / Pelco-D / Pelco-P
    RS485 Input / Output2-pin Phoenix port RS485 Input / Output, Max distance: 3,937ft / 1200m, Protocol: VISCA / Pelco-D / Pelco-P
    IR4x IR Addresses, Max distance 30ft / 9m
    Power SupplyJEITA type (DC IN 12V) / PoE (802.3af)
    Current ConsumptionMax 2.0A
    Compliance
    NDAA ComplianceThe Move SE is an NDAA Compliant camera.
    HEVC PatentsCovered by one or more claims of the HEVC patents listed at patentlist.accessadvance.com
    PT30X-SE-WH-G3
    4 Items

    Data sheet

    Video Output
    HDMI
    NDI
    RJ-45 (IP)
    SDI
    USB
    Audio Input
    Mini Jack 3.5mm
    Audio Output
    HDMI Embedded
    Mini Jack 3.5mm
    NDI Embedded
    RJ-45
    SDI Embedded
    USB
    Max Output Resolution
    1080p 50/60 fps
    Control protocol for PTZ cameras
    PELCO-D
    PELCO-P
    RS-232
    RS-485
    VISCA
    VISCA IP
    Network Connection
    Ethernet
    Sensor Size
    1/2.8"
    Optical Zoom
    30x
    PoE Technology
    Yes
    Auto-Tracking
    Yes
    Tally Light
    No

    Specific References

    ean13
    840170500685
    mpn
    PT30X-SE-WH-G3

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    Reviews

    Grade 
    Lucas
    07/19/2024

    De la bombe !

    La qualité d'image est juste incroyable et le zoom 30x est hyper puissant. Pour nos streams en direct, c'est juste parfait. On ne pourrait pas être plus contents de cet achat. Je la recommande les yeux fermés !

    Write your review

    PTZOptics Move SE 30x Zoom White PTZ Camera PT30X-SE-WH-G3

    Of the three zoom versions in the Move SE family, the PTZOptics Move SE 30x Zoom White carries the longest lens and the longest on-board tracking range, in a pale housing that disappears against lecture-hall ceilings, light timber panelling and bright corporate sets. This 1080p60 PTZ camera with auto-tracking belongs at the position furthest from the stage: the back wall of an auditorium, the public gallery of a council chamber, a hotel ballroom balcony.

    Its 30x optical zoom spans 4.42 to 132.6 mm (F1.8 to F2.8) and closes the horizontal view from 60.7° to 2.3°. Mounted 30 m from a lectern, the camera can hold a view about 35 m wide, then tighten to roughly 1.2 m, a single speaker from the shoulders up. A 16x digital zoom exists for monitoring crops; programme shots stay in the optical range.

    Behind the glass sits a Sony CMOS, 1/2.8 inch in format, resolving 2.07 megapixels effective. It outputs up to 1080p60, with 25, 29.97, 30, 50 and 59.94 fps also available, plus 720p60 and 720p50, chosen in the browser interface or with the rotary selector at the back. Sensitivity goes to 0.5 lux (F1.8, auto gain), while WDR, DRC and 2D/3D denoising hold detail on a speaker standing in front of a projection screen once the house lights drop.

    Exposure modes: full auto, manual, shutter-priority (SAE), iris-priority (AAE) and Bright. White balance covers One Push, Manual, Auto and Indoor/Outdoor presets, plus VAR, where colour temperature is dialled in anywhere between 2500 and 8000 kelvin to match the other heads in the room. Gamma presets and image styles such as Clarity, Vivid or Soft settle the look, and an autofocus range limited to 1–20 m stops the lens refocusing on a microphone stand in front of the lectern.

    Write your review

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