For music videos, branded event backdrops or a coloured rim on a streaming presenter, that headroom is the difference between a visible accent and a weak tint. SWIT also points to the battery side of the equation: less power wasted when producing colour means longer runtime from each V-mount pack on location.

Six control modes are on board: CCT, HSI, RGB, CIE coordinates, GEL and effects. Each panel is addressed separately, so one unit can hold a neutral 5600 K key while the other two paint the background in a brand colour or a warm practical tone. The gel library holds 20 Rosco and 20 LEE references, handy when a DoP calls out a familiar filter number or when the VANGO has to match a tungsten unit already gelled on set.

There is no fan. Cooling is passive through the metal body, so these panels can sit right next to a boom mic in podcast rooms, quiet interviews or corporate recordings in small offices.

Every panel carries its own control set on the back: a large colour LCD with menu and hotkeys, DMX512 in and out on 5-pin XLR, a 4-pin XLR DC input accepting 11–34 V, and an on-board V-mount battery plate. Linking all three units to an existing console takes a short daisy chain of DMX cables, and on location the battery option takes mains cabling off the floor entirely. The USB-A port handles firmware updates and user colour profile uploads, and it can also power a wireless DMX receiver, so no extra supply hangs off the stand.

Small crews often skip the console altogether. The SWIT Console app for iOS and Android connects over Bluetooth and puts CCT, HSI, RGB and CIE values, gels and effects on a phone, so the gaffer or camera operator adjusts levels without walking back to each stand between takes.

Inside the case come three VANGO-100L panels with metal barndoors, three swanneck ball-head connectors, three AC-DC adaptors and three light stands. The ball head accepts both a junior pin and a baby pin, letting the panels move from the supplied stands to C-stands or studio rigging without adaptors. Stood vertically they become tall side lights for a standing presenter; laid horizontally they form a soft strip above a desk or product table.

In daily use the set handles a classic three-point interview, a two-camera podcast with a coloured background wash, tabletop work where a long source leaves clean reflections on glossy packaging, or a compact news and streaming corner that needs soft key light plus controllable colour behind the host. For production companies and rental desks, one case with three identical fixtures means fewer lost parts, quicker prep checks and the same colour behaviour from job to job.

The SWIT range we carry also includes V-mount batteries, wireless video links and production monitors, and our team can help you match those to a SWIT VANGO-100L 3KIT for studio or location use.