• -€290.00

DZOFilm Arles 180mm T2.4 FF/VV Prime Cine Lens PL Mount (metric)

DZO-SAP180MPL
€2,049.00
Price: €1,759.00 Save €290.00
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DZOFilm Arles 180mm T2.4 FF/VV Prime Cine Lens PL mount (metric) is a long telephoto prime built for precision on full-frame and VV cameras. T2.4 transmission enables selective focus and stable exposure for close-ups, interviews and dramatic inserts where compression and isolation matter. A 46.5 mm image circle covers large sensors with headroom for open-gate and VFX, supporting modern workflows for narrative, broadcast and streaming.

Optics: 12 elements in 9 groups with floating correction to restrain aberrations across the focus range. A 16-blade iris shapes smooth bokeh with stable highlights and skin-tone friendly roll-off. Multi-layer nano coatings and low-reflectance internals suppress flare and ghosting, controlling contrast in backlight and practicals. focus breathing is minimal to ease rack pulls on heads, dollies and cranes. Series color is consistent for seamless intercuts in HDR/SDR.

Mechanically, 270° focus rotation with metric markings enables repeatable pulls, plus a de-clicked aperture with ~88° throw for fine trims. Standard 0.8 MOD gears fit follow-focus, wireless FIZ and cine motors. The PL mount aligns robustly on cinema bodies and can be swapped to EF with the maker’s kit for mixed fleets. Close focus is 1.07 m (3 ft 6 in) for tight faces, product details and table-top shots without extension tubes.

Typical uses: dialogue on wide stages, isolated live-event cutaways, stylised portraiture, and nature telephoto plates where controlled flare and neutral colorimetry are required. The Arles series keeps neutral tonality near daylight for multi-camera grading. Support for KOOP magnetic rear filters enables ND or diffusion at the mount. The narrow field suits back-of-hall coverage, beauty closeups and product shots, with unified gear positions to speed swaps.

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Specification
Focal Length180mm
ColourBlack
MountPL
ApertureT2.4-T22
Image Circleø46.5mm (VV/FF)
Construction of Optics12 Elements in 9 Groups
Flange Distance52mm (PL)
Angle of view (diagonal, horizontal, vertical)13° / 7° / 15°
Close Focus (from sensor plane)1.07m / 3ft6in
Iris ControlManual (88°)
Focus ControlManual (270°)
Front Dia.ø95mm / 3.74"
Length (from lens front to fange plane)130mm / 5.12” (PL)
Iris Blade16
Filter SizeM86
Gear Pitch0.8 Mod
MaterialAluminum Alloy
Weight (Product)≈1675g
DZO-SAP180MPL
1 Item

Data sheet

Lens Mount
PL Mount
Focal Lengths
180mm
Maximum Aperture
T2.4
Lens Format Coverage
Full Frame
Lens Type
Cinema Lens
Prime

Specific References

ean13
6970604943093
mpn
DZO-SAP180MPL

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DZOFilm Arles 180mm T2.4 FF/VV Prime Cine Lens PL Mount (metric)

DZOFilm Arles 180mm T2.4 FF/VV Prime Cine Lens PL mount (metric) is a long telephoto prime built for precision on full-frame and VV cameras. T2.4 transmission enables selective focus and stable exposure for close-ups, interviews and dramatic inserts where compression and isolation matter. A 46.5 mm image circle covers large sensors with headroom for open-gate and VFX, supporting modern workflows for narrative, broadcast and streaming.

Optics: 12 elements in 9 groups with floating correction to restrain aberrations across the focus range. A 16-blade iris shapes smooth bokeh with stable highlights and skin-tone friendly roll-off. Multi-layer nano coatings and low-reflectance internals suppress flare and ghosting, controlling contrast in backlight and practicals. focus breathing is minimal to ease rack pulls on heads, dollies and cranes. Series color is consistent for seamless intercuts in HDR/SDR.

Mechanically, 270° focus rotation with metric markings enables repeatable pulls, plus a de-clicked aperture with ~88° throw for fine trims. Standard 0.8 MOD gears fit follow-focus, wireless FIZ and cine motors. The PL mount aligns robustly on cinema bodies and can be swapped to EF with the maker’s kit for mixed fleets. Close focus is 1.07 m (3 ft 6 in) for tight faces, product details and table-top shots without extension tubes.

Typical uses: dialogue on wide stages, isolated live-event cutaways, stylised portraiture, and nature telephoto plates where controlled flare and neutral colorimetry are required. The Arles series keeps neutral tonality near daylight for multi-camera grading. Support for KOOP magnetic rear filters enables ND or diffusion at the mount. The narrow field suits back-of-hall coverage, beauty closeups and product shots, with unified gear positions to speed swaps.

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