At 75mm, the field of view narrows enough to isolate subjects while preserving a natural sense of depth — a focal length that has long served narrative cinematography for medium close-ups, over-the-shoulder dialogue, and intimate portrait work. The DZOFilm Arles Lustre 75mm T1.6 FF/VV Prime Cine Lens PL Mount (metric) brings that classic framing perspective together with a distinct optical personality rooted in controlled amber halation and low-contrast rendering.
Its optical formula — 13 elements in 8 groups — covers a full 46.5mm image circle, making it natively compatible with Vista Vision and full-frame sensors on cameras such as the ARRI ALEXA 65, RED V-RAPTOR, or Sony VENICE 2. Opening to T1.6, the lens gathers substantial light for dimly lit interiors or golden-hour exteriors without pushing ISO into noisy territory. A 16-blade iris produces exceptionally round bokeh with layered tonal transitions, while the proprietary amber coating introduces warm halation around highlights — softening skin textures and lending period-drama warmth to digital footage. Breathing remains minimal even at a close focus of 0.75 metres, maintaining spatial stability during rack-focus pulls on narrative sets and fashion shoots.
Mechanically, the 270° focus throw gives first assistants precise control for critical pulling, and 0.8 Mod cine gears integrate directly with standard follow-focus motors on technocranes, robotic arms, and stabilised gimbals. A uniform 95mm front diameter and M86 filter thread match the entire Arles Lustre series, so matte-box setups remain consistent across lens changes. The native PL mount seats securely on ARRI, Sony, and RED bodies, with interchangeable EF or LPL adapters available separately. Rear compatibility with DZOFILM KOOP magnetic ND filters adds on-set efficiency for documentary or commercial scenarios.
Finished in the distinctive Desert Gold livery that identifies the Lustre line, this is a limited-edition release — only 50 individual units at the 75mm focal length will be produced. For productions seeking an emotionally charged image that balances 12K-resolving sharpness with vintage character, the Arles Lustre 75mm occupies a singular position between clinical modern glass and unpredictable rehoused vintage optics.
At 75mm, the field of view narrows enough to isolate subjects while preserving a natural sense of depth — a focal length that has long served narrative cinematography for medium close-ups, over-the-shoulder dialogue, and intimate portrait work. The DZOFilm Arles Lustre 75mm T1.6 FF/VV Prime Cine Lens PL Mount (metric) brings that classic framing perspective together with a distinct optical personality rooted in controlled amber halation and low-contrast rendering.
Its optical formula — 13 elements in 8 groups — covers a full 46.5mm image circle, making it natively compatible with Vista Vision and full-frame sensors on cameras such as the ARRI ALEXA 65, RED V-RAPTOR, or Sony VENICE 2. Opening to T1.6, the lens gathers substantial light for dimly lit interiors or golden-hour exteriors without pushing ISO into noisy territory. A 16-blade iris produces exceptionally round bokeh with layered tonal transitions, while the proprietary amber coating introduces warm halation around highlights — softening skin textures and lending period-drama warmth to digital footage. Breathing remains minimal even at a close focus of 0.75 metres, maintaining spatial stability during rack-focus pulls on narrative sets and fashion shoots.
Mechanically, the 270° focus throw gives first assistants precise control for critical pulling, and 0.8 Mod cine gears integrate directly with standard follow-focus motors on technocranes, robotic arms, and stabilised gimbals. A uniform 95mm front diameter and M86 filter thread match the entire Arles Lustre series, so matte-box setups remain consistent across lens changes. The native PL mount seats securely on ARRI, Sony, and RED bodies, with interchangeable EF or LPL adapters available separately. Rear compatibility with DZOFILM KOOP magnetic ND filters adds on-set efficiency for documentary or commercial scenarios.
Finished in the distinctive Desert Gold livery that identifies the Lustre line, this is a limited-edition release — only 50 individual units at the 75mm focal length will be produced. For productions seeking an emotionally charged image that balances 12K-resolving sharpness with vintage character, the Arles Lustre 75mm occupies a singular position between clinical modern glass and unpredictable rehoused vintage optics.
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The Arles Lustre is a characteristic high-speed prime lens series and a brand new exploration of cinematic artistry by DZOFILM. "Lustre," meaning "soft glow," draws inspiration from the iconic golden halation in cinema history.
To craft this large-format lens collection designed for stylistic expression, we collaborated with over 20 cinematographers and photographers specializing in art films, period dramas, and fashion advertising. Based on the sophisticated delicate design of Arles prime, after more than 50 rounds of precise adjustments and refinements, from optical engineering to aesthetic design, we achieved the distinctive "Lustre Look".
Vista Vision Format for Expansive Imagery
The Lustre series spans focal lengths from 14mm to 180mm and is fully compatible with Vista Vision sensors, effortlessly achieving IMAX-level depth of field and expansive perspectives.
Tech spec.
| Focal Length | 75 mm |
| Colour | Desert Gold |
| Mount | PL/ EF |
| Aperture | T1.6-T22 |
| Image Circle | φ46.5mm (VV/FF) |
| Construction of Optics | 13 Elements in 8 Groups |
| Flange Distance | 52mm (PL) /44mm (EF) |
| Angle of view (diagonal, horizontal, vertical) | 34° / 30° / 16° |
| Close Focus (from sensor plane) | 0.75m / 2ft6in |
| Iris Control | Manual (82°) |
| Focus Control | Manual (270°) |
| Front Dia. | φ95mm/3.74" |
| Length (from lens front to flange plane) | 121.8mm / 4.79''(PL) 129.8mm / 5.11"(EF) |
| Iris Blade | 16 |
| Filter Size | M86 |
| Gear Pitch | 0.8 Mod |
| Weight (Product) | ≈1662g |
Data sheet
Specific References
