DZOFilm Pictor Zoom 2-Lens Kit (50-125mm/20-55mm T2.8) Black PL & EF Mount (S35) merges two matched cinema zoom lenses for Super 35 capture. A constant T2.8 across both ranges, true parfocal behavior and negligible focus breathing secure repeatable focus pulls from wide to tele. Each lens ships with a PL mount and an interchangeable EF mount, giving crews fast cross-platform workflows on digital cinema and mirrorless cameras.
Optical coverage reaches a 31.5 mm image circle for S35 sensors. A 16-blade iris renders smooth, round highlights with stable contrast and neutral color; coatings maintain flare control while keeping blacks clean. Mechanics are unified: identical gear positions, 0.8 Mod pitch on focus/zoom/iris and a long, precise 270° focus rotation suit follow-focus units and FIZ drives. Internal focusing with a floating group keeps framing steady and breathing minimal during critical racks.
The 20-55mm covers a versatile wide-to-normal field with a 2.75× zoom ratio and close focus of 0.60 m (2.00 ft). The 50-125mm spans portrait to mid-tele with a 2.5× zoom ratio and close focus of 0.80 m (2 ft 8 in ≈ 0.81 m). Both share an aperture range of T2.8–T22 for consistent exposure control and depth-of-field management across the set, holding focus through the entire zoom travel.
This kit includes both mounts and a protective case. The EF configuration is intended for mirrorless and cinema bodies and is not suitable for reflex DSLRs with a swinging mirror. For teams in narrative, documentary, television, live and streaming environments seeking dependable parfocal Super 35 coverage with unified mechanics, the DZOFilm Pictor Zoom 2-Lens Kit provides precise handling, stable color matching across the pair and reliable performance under multi-camera, rigged, or studio control. Scales show meters/feet, with witness marks.
Instead of €2,568.00
DZOFilm Pictor Zoom 2-Lens Kit (50-125mm/20-55mm T2.8) Black PL & EF Mount (S35) merges two matched cinema zoom lenses for Super 35 capture. A constant T2.8 across both ranges, true parfocal behavior and negligible focus breathing secure repeatable focus pulls from wide to tele. Each lens ships with a PL mount and an interchangeable EF mount, giving crews fast cross-platform workflows on digital cinema and mirrorless cameras.
Optical coverage reaches a 31.5 mm image circle for S35 sensors. A 16-blade iris renders smooth, round highlights with stable contrast and neutral color; coatings maintain flare control while keeping blacks clean. Mechanics are unified: identical gear positions, 0.8 Mod pitch on focus/zoom/iris and a long, precise 270° focus rotation suit follow-focus units and FIZ drives. Internal focusing with a floating group keeps framing steady and breathing minimal during critical racks.
The 20-55mm covers a versatile wide-to-normal field with a 2.75× zoom ratio and close focus of 0.60 m (2.00 ft). The 50-125mm spans portrait to mid-tele with a 2.5× zoom ratio and close focus of 0.80 m (2 ft 8 in ≈ 0.81 m). Both share an aperture range of T2.8–T22 for consistent exposure control and depth-of-field management across the set, holding focus through the entire zoom travel.
This kit includes both mounts and a protective case. The EF configuration is intended for mirrorless and cinema bodies and is not suitable for reflex DSLRs with a swinging mirror. For teams in narrative, documentary, television, live and streaming environments seeking dependable parfocal Super 35 coverage with unified mechanics, the DZOFilm Pictor Zoom 2-Lens Kit provides precise handling, stable color matching across the pair and reliable performance under multi-camera, rigged, or studio control. Scales show meters/feet, with witness marks.
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This bundle of the Pictor 20-55mm and 50-125mm T2.8 Super35 Zoom Lens from DZO consists of two lenses with a standard black finish, making them less likely to be seen in on-set reflections. The lenses provide coverage of an extended zoom range with a relatively fast maximum aperture. Both cover Super35 sensors and have similar lengths, weight, lens gear positions, and front outer diameter, making for fast lens swaps.
Each lens comes standard with a PL mount and includes a Canon EF Mount, for compatibility with a wide range of digital cinema cameras. The lenses hold focus throughout the focal length range and feature matching 16-blade irises for producing round out-of-focus highlights. This bundle includes a durable protective case for transport and storage.
Maintains focus throughout the zoom range
Minimal breathing
16-blade iris produces round out-of-focus highlights
T2.8 to T22 aperture
95mm front diameter
Compatible with standard cine-style lens accessories
FOCAL LENGTH 20-55 mm
COLOUR Black
MOUNT PL / EF
T-STOP T2.8-22
IMAGE CIRCLE φ31.5mm (S35)
OPTICAL CONSTRUCTION 18 Elements in 15 Groups
FLANGE DISTANCE 52mm(PL) / 44mm(EF)
CLOSE FOCUS (FROM SENSOR PLANE) 0.6m/2ft
ZOOM RATIO 2.75X
IRIS CONTROL 65°
FOCUS CONTROL 270°
ZOOM CONTROL 100°
FRONT DIA. φ95mm/3.74"
LENGTH 164mm(PL)6.46" / 171.9mm(EF)6.77"
IRIS BLADE 16
FILTER SIZE M86*0.75
GEAR PITCH 0.8 Mod
MATERIAL Aluminum Alloy
WEIGHT ≈1520g
FOCAL LENGTH 50-125 mm
COLOUR Black
MOUNT PL / EF
T-STOP T2.8-22
IMAGE CIRCLE φ31.5mm (S35)
OPTICAL CONSTRUCTION 18 Elements in 13 Groups
FLANGE DISTANCE 52mm(PL) / 44mm(EF)
CLOSE FOCUS (FROM SENSOR PLANE) 0.8m/2ft8in
ZOOM RATIO 2.5X
IRIS CONTROL 72°
FOCUS CONTROL 270°
ZOOM CONTROL 100°
FRONT DIA. φ95mm/3.74"
LENGTH 175mm(PL)6.89" / 182.9mm(EF)7.20"
IRIS BLADE 16
FILTER SIZE M86*0.75
GEAR PITCH 0.8 Mod
MATERIAL Aluminum Alloy
WEIGHT ≈1700g
Data sheet
Specific References
