PTZOptics Move 4K 20x Zoom White PTZ Camera PT20X-4K-WH-G3

    PT20X-4K-WH-G3
    Price: €1,999.00
    No tax
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    Among the three zoom versions of the Move 4K family, the PTZOptics Move 4K 20x Zoom White pairs the larger 1/1.8-inch Sony CMOS of the 30x with the compact housing of the 12x, and its F1.58 maximum aperture is the brightest of the three. That middle position lets one 4K PTZ camera frame both a boardroom table and a lectern at the far end of a congress hall. The 20x optical zoom runs from 6.25 to 125 mm, about 31–589 mm on a full-frame camera, closing the horizontal angle from 60.7° to 3.5°. Five metres from a panel table, at the wide end, it takes in almost six metres of width. Fifteen metres away at full telephoto, the frame is less than a metre across: a clean head-and-shoulders shot. For HD programmes, SuperZoom doubles that reach to 40x while keeping 1080p. The sensor delivers native UHD (3840 × 2160) at up to 60p, with 50p and 25p available for European broadcasters.

    Few venues are lit like a studio, and the processing reflects that. Rated sensitivity is 0.5 lux (F1.8, AGC on), 3D noise reduction holds at least 55 dB of signal-to-noise ratio, and wide dynamic range keeps faces readable in front of LED screens or glazed façades. Exposure can be Auto, Manual, shutter or iris priority, Bright or One Push; the last reads the scene once, then holds the values. Anti-flicker, offered in Auto, iris priority, Bright and One Push, keeps LED video walls and dimmed fittings free of rolling bars. VAR white balance moves in 20 K steps, which shortens colour matching on a white-cyclorama set or in a hotel ballroom. Within the Move 4K range, IR Night Mode exists only on the 20x. It takes the infrared-cut filter out of the optical path on command, and with external IR illuminators the control room keeps a monochrome view of a hall blacked out for a product reveal or a video roll.

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    On this auto-tracking PTZ camera, person detection is computed inside the head itself, with no external PC. Presenter Lock keeps the frame on one designated speaker while others walk past, and Auto-Framing zooms in or out to suit the number of people present. Multi-Target Select tags each detected person with a number, letting the operator hand the shot to the next speaker from the keypad. Composition on both axes, sensitivity, tracking zoom level, start delay, target timeout and a fallback preset are configured once. Tilt-Lock then freezes the vertical axis while a presenter paces a level stage. PTZOptics specifies roughly 80 m as the maximum tracking distance for the 20x, enough for plenary sessions, award nights in sports arenas and tiered auditoriums filmed from the back. Serial controllers start and stop tracking by calling presets 150 and 151.

    For seated discussions, Voice Tracking, sold as a licence, takes zone activity from networked microphones by Audio-Technica, Shure, Sennheiser, Nureva and Yamaha, or from a Televic Confero conference system. The camera moves to the preset tied to the active zone and can also switch OBS, vMix, INOGENI or Epiphan units to the right source, so a council chamber needs one person supervising rather than steering.

    Two baseband outputs sit on the rear panel, HDMI 2.0 up to 2160p60 and 3G-SDI up to 1080p60, but only one is live at any moment; a 16-position rotary dial fixes the format. IP output runs regardless. The 30 September 2026 firmware brought NDI 6.3 and two NDI|HX3 profiles, High for 1080p50/60 and Ultra for 4K50/60, in H.264 or H.265, carried by Reliable UDP, TCP, plain UDP or multicast, plus iris and shutter adjustment from an NDI controller. At the same time, AES-encrypted SRT (caller or listener), RTMPS, RTMP and RTSP can serve a streaming platform, an off-site control room and a recorder, while a lighter second encoder handles previews. Over USB 2.0, Teams or Zoom see a UVC camera up to 4K30. Line-level audio enters on a 3.5 mm jack and is embedded as AAC, or G.711 for third-party platforms, with a second jack for monitoring. Under an NDI switcher the tally lamp glows green in preview and red on air, and an optional NTP timestamp overlay suits hearing recordings that must show the time.

    Control fits almost any rack: the camera accepts VISCA over IP on TCP 5678 or UDP 1259, Sony's own VISCA over IP variant, ONVIF Profile S for video-management software and an HTTP API. That API reports whether the head is moving, returns the bounding boxes of detected people, serves JPEG snapshots from either stream and puts the camera into standby or privacy mode when a session ends; Resolume can also position it with NDI absolute commands. RS-232 reaches 30 m and daisy-chains, RS-485 reaches 1,200 m on a multi-drop bus, both speaking VISCA, Pelco-D or Pelco-P. Horizontal travel is ±170° at 0.7 to 100°/s, vertical travel −30° to +90° at up to 69.9°/s. Each of the 255 presets is found again within 0.1°, and Motion Sync brings pan, tilt and zoom to the mark together. The browser-based Horizon interface comes included, HIVE Linked brings cloud supervision of several sites, and FreeD data (beta) lets Unreal Engine follow the camera's position inside a virtual set. OBS, vMix, TriCaster, Wirecast, mimoLive, Blackmagic ATEM switchers and PTZOptics joysticks all drive it.

    On a PoE+ (802.3at) switch, one Cat5e/Cat6 cable of up to 100 m carries power, control and NDI; elsewhere, the 12 V DC socket takes over, drawing no more than 18 W. An orientation sensor rights the picture when the camera hangs from a ceiling, and the operating range is −10 to 40 °C, indoors only. The NDAA-compliant build and ONVIF certificate settle two points public and university tenders often check. Integrators choose the white housing for pale ceilings, conference-centre walls and bright television sets, where it stays inconspicuous in reverse shots. White ceiling and wall brackets, the SuperJoy controller and Move 4K 20x multi-camera kits are available from us; send the room plan and we will quote the full chain, from cameras to PoE+ switching and control.

    Specification
    Camera & Lens
    Resolution & Frame Rate HDMI3840x2160p - 60/59.94/50/30/29.97/25
    1920x1080p - 60/59.94/50/30/29.97/25
    1920x1080i - 60/59.94/50
    1280x720p - 60/59.94
    1024x576
    720x480
    720x408
    640x480
    640x360 - 60/59.94/50/30/29.97/25
    Resolution & Frame Rate 3G-SDI1920x1080p - 60/59.94/50/30/29.97/25
    1920x1080i - 60/59.94/50
    1280x720p - 60/59.94
    1024x576
    720x480
    720x408
    640x480
    640x360 - 60/59.94/50/30/29.97/25
    Resolution & Frame Rate USB3840x2160p - 30/25/24/20/15/10/7.5/5
    1920x1080p - 30/25/24/20/15/10/7.5/5
    1280x720p - 30/25/24/20/15/10/7.5/5
    1024x576 - 30/25/24/20/15/10/7.5/5
    720x480 - 30/25/24/20/15/10/7.5/5
    720x408 - 30/25/24/20/15/10/7.5/5
    640x480 - 30/25/24/20/15/10/7.5/5
    640x360 - 30/25/24/20/15/10/7.5/5
    Resolution & Frame Rate NDI Stream 13840x2160, 1920x1080, 1280x720, 1024x576, 720x480, 720x408, 640x480, 640x360. ALL capable of 1 ~ 60 FPS
    Resolution & Frame Rate NDI Stream 2720x480, 720x408, 640x480, 640x360, 480x320, 320x240. ALL capable of 1 ~ 60 FPS
    Lens20x Zoom Sony 1/1.8 inch, CMOS
    Image Sensor8.42MP, Effective Pixels: 8.29M
    Optical Lens Focal Length (Zoom)f = 6.25mm ~ 125mm, F1.58 ~ F3.95
    Maximum Tracking Distance264' (80.47m)
    Optical Lens Field of View Horizontal & VerticalH 3.5° ~ 60.7°
    V 1.9° ~ 34.1°
    Display Field of View66.6°
    Min Lux0.5 Lux @ (F1.8, AGC ON)
    Shutter1/30s ~ 1/10000s
    Pan Movement Range±170°
    Tilt Movement Range-30° ~ +90°
    Pan Speed0.7°/s ~ 100°/s
    Tilt Speed0.7°/s ~ 69.9°/s
    Presets255 Presets
    Preset Accuracy0.1°
    Image Flip, Mirror, and FreezeSupported
    Physical Specifications
    Dimensions (L x W x H)6.65” L x 5.57” W x 7.91” H / 169mm L x 141.5mm W x 201mm H
    Weight3.25 lbs (1.47 kg)
    Working EnvironmentIndoor
    Humidity Range10% - 80%
    Operating Temperature14°F ~ 104°F (-10°C ~ 40°C)
    Storage Temperature-40°F ~ 140°F (-40°C ~ 60°C)
    Connections
    RJ4510/100/1000M Adaptive Ethernet Port, NDI HX enabled
    HDMIVersion 2.0
    3G-SDIBNC Type, 800mVP-p, 75Ω, Along to SMPTE 424M, standard
    USB 2.0Type A
    Compression StandardsYUY2 / MJPEG / H.264 / H.265
    Audio Interface3.5mm Line level Input & Output
    RS232 Input8-pin Mini DIN RS232 Input, Max distance: 98.5ft / 30m, Protocol: VISCA / Pelco-D / Pelco-P
    RS232 Output8-pin Mini DIN RS232 Output, Max distance: 98.5ft / 30m, Protocol: VISCA / Pelco-D / Pelco-P
    RS485 Input / Output2-pin Phoenix port RS485 Input / Output, Max distance: 3,937ft / 1200m, Protocol: VISCA / Pelco-D / Pelco-P
    IR4x IR Addresses, Max distance 30ft / 9m
    Power SupplyJEITA type (DC IN 12V) / PoE+ (802.3at)
    Current ConsumptionMax 1.0A
    Certifications
    CertificationsBIS, CE-EMC, CE-LVD, FCC, REACH, RoHS, UKCA
    Software Certifications
    Software CertificationsONVIF-S, NDI HX3
    Compliance
    NDAA ComplianceThe Move 4K is an NDAA Compliant camera.
    HEVC PatentsCovered by one or more claims of the HEVC patents listed at patentlist.accessadvance.com
    PT20X-4K-WH-G3
    5 Items

    Data sheet

    Video Output
    HDMI
    NDI
    RJ-45 (IP)
    SDI
    USB
    Audio Input
    Mini Jack 3.5mm
    Audio Output
    HDMI Embedded
    Mini Jack 3.5mm
    NDI Embedded
    RJ-45
    SDI Embedded
    USB
    Max Output Resolution
    4K UltraHD (3840 x 2160) 50/60 fps
    Control protocol for PTZ cameras
    PELCO-D
    PELCO-P
    VISCA
    VISCA IP
    Network Connection
    Ethernet
    Sensor Size
    1/1.8"
    Optical Zoom
    20x
    PoE Technology
    Yes
    Auto-Tracking
    Yes
    Tally Light
    Yes

    Specific References

    ean13
    840170500098
    mpn
    PT20X-4K-WH-G3

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    Reviews

    Grade 
    Antoine Dupuis
    01/15/2025

    Top

    La PTZOPTICS MOVE 4K est franchement top ! L'image en 4K est super nette, et le zoom 20x, c'est juste parfait pour tout capturer. Même quand la lumière est pas terrible, ça reste nickel. L'installation s'est faite les doigts dans le nez, super rapide. Les commandes sont hyper intuitives, un vrai plaisir à utiliser. Pour nos webinaires et vidéos, c'est juste génial. Je recommande sans hésiter !

    Grade 
    Camille Bernard
    07/29/2024

    PTZOPTICS MOVE 4K 20X

    L'image en 4K est super claire et le zoom 20x permet de capter tous les détails. Même en faible lumière, elle gère super bien. L'installation a été super facile, même pour un novice comme moi. Les commandes à distance sont hyper réactives et simples à utiliser. Pour nos streams et vidéoconfs, c'est le top du top. Je recommande chaudement !

    Write your review

    PTZOptics Move 4K 20x Zoom White PTZ Camera PT20X-4K-WH-G3

    Among the three zoom versions of the Move 4K family, the PTZOptics Move 4K 20x Zoom White pairs the larger 1/1.8-inch Sony CMOS of the 30x with the compact housing of the 12x, and its F1.58 maximum aperture is the brightest of the three. That middle position lets one 4K PTZ camera frame both a boardroom table and a lectern at the far end of a congress hall. The 20x optical zoom runs from 6.25 to 125 mm, about 31–589 mm on a full-frame camera, closing the horizontal angle from 60.7° to 3.5°. Five metres from a panel table, at the wide end, it takes in almost six metres of width. Fifteen metres away at full telephoto, the frame is less than a metre across: a clean head-and-shoulders shot. For HD programmes, SuperZoom doubles that reach to 40x while keeping 1080p. The sensor delivers native UHD (3840 × 2160) at up to 60p, with 50p and 25p available for European broadcasters.

    Few venues are lit like a studio, and the processing reflects that. Rated sensitivity is 0.5 lux (F1.8, AGC on), 3D noise reduction holds at least 55 dB of signal-to-noise ratio, and wide dynamic range keeps faces readable in front of LED screens or glazed façades. Exposure can be Auto, Manual, shutter or iris priority, Bright or One Push; the last reads the scene once, then holds the values. Anti-flicker, offered in Auto, iris priority, Bright and One Push, keeps LED video walls and dimmed fittings free of rolling bars. VAR white balance moves in 20 K steps, which shortens colour matching on a white-cyclorama set or in a hotel ballroom. Within the Move 4K range, IR Night Mode exists only on the 20x. It takes the infrared-cut filter out of the optical path on command, and with external IR illuminators the control room keeps a monochrome view of a hall blacked out for a product reveal or a video roll.

    Write your review

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