PTZOptics SUPERJOY PTZ Camera Controller
€1,149.00
RS-232, RS-422 and RS-485 ports share the rear panel of the PTZOptics SuperJoy with an Ethernet jack that also takes 802.3af PoE, so older...
Among the three zoom versions of the Move 4K family, the PTZOptics Move 4K 20x Zoom White pairs the larger 1/1.8-inch Sony CMOS of the 30x with the compact housing of the 12x, and its F1.58 maximum aperture is the brightest of the three. That middle position lets one 4K PTZ camera frame both a boardroom table and a lectern at the far end of a congress hall. The 20x optical zoom runs from 6.25 to 125 mm, about 31–589 mm on a full-frame camera, closing the horizontal angle from 60.7° to 3.5°. Five metres from a panel table, at the wide end, it takes in almost six metres of width. Fifteen metres away at full telephoto, the frame is less than a metre across: a clean head-and-shoulders shot. For HD programmes, SuperZoom doubles that reach to 40x while keeping 1080p. The sensor delivers native UHD (3840 × 2160) at up to 60p, with 50p and 25p available for European broadcasters.
Few venues are lit like a studio, and the processing reflects that. Rated sensitivity is 0.5 lux (F1.8, AGC on), 3D noise reduction holds at least 55 dB of signal-to-noise ratio, and wide dynamic range keeps faces readable in front of LED screens or glazed façades. Exposure can be Auto, Manual, shutter or iris priority, Bright or One Push; the last reads the scene once, then holds the values. Anti-flicker, offered in Auto, iris priority, Bright and One Push, keeps LED video walls and dimmed fittings free of rolling bars. VAR white balance moves in 20 K steps, which shortens colour matching on a white-cyclorama set or in a hotel ballroom. Within the Move 4K range, IR Night Mode exists only on the 20x. It takes the infrared-cut filter out of the optical path on command, and with external IR illuminators the control room keeps a monochrome view of a hall blacked out for a product reveal or a video roll.
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On this auto-tracking PTZ camera, person detection is computed inside the head itself, with no external PC. Presenter Lock keeps the frame on one designated speaker while others walk past, and Auto-Framing zooms in or out to suit the number of people present. Multi-Target Select tags each detected person with a number, letting the operator hand the shot to the next speaker from the keypad. Composition on both axes, sensitivity, tracking zoom level, start delay, target timeout and a fallback preset are configured once. Tilt-Lock then freezes the vertical axis while a presenter paces a level stage. PTZOptics specifies roughly 80 m as the maximum tracking distance for the 20x, enough for plenary sessions, award nights in sports arenas and tiered auditoriums filmed from the back. Serial controllers start and stop tracking by calling presets 150 and 151.
For seated discussions, Voice Tracking, sold as a licence, takes zone activity from networked microphones by Audio-Technica, Shure, Sennheiser, Nureva and Yamaha, or from a Televic Confero conference system. The camera moves to the preset tied to the active zone and can also switch OBS, vMix, INOGENI or Epiphan units to the right source, so a council chamber needs one person supervising rather than steering.
Two baseband outputs sit on the rear panel, HDMI 2.0 up to 2160p60 and 3G-SDI up to 1080p60, but only one is live at any moment; a 16-position rotary dial fixes the format. IP output runs regardless. The 30 September 2026 firmware brought NDI 6.3 and two NDI|HX3 profiles, High for 1080p50/60 and Ultra for 4K50/60, in H.264 or H.265, carried by Reliable UDP, TCP, plain UDP or multicast, plus iris and shutter adjustment from an NDI controller. At the same time, AES-encrypted SRT (caller or listener), RTMPS, RTMP and RTSP can serve a streaming platform, an off-site control room and a recorder, while a lighter second encoder handles previews. Over USB 2.0, Teams or Zoom see a UVC camera up to 4K30. Line-level audio enters on a 3.5 mm jack and is embedded as AAC, or G.711 for third-party platforms, with a second jack for monitoring. Under an NDI switcher the tally lamp glows green in preview and red on air, and an optional NTP timestamp overlay suits hearing recordings that must show the time.
Control fits almost any rack: the camera accepts VISCA over IP on TCP 5678 or UDP 1259, Sony's own VISCA over IP variant, ONVIF Profile S for video-management software and an HTTP API. That API reports whether the head is moving, returns the bounding boxes of detected people, serves JPEG snapshots from either stream and puts the camera into standby or privacy mode when a session ends; Resolume can also position it with NDI absolute commands. RS-232 reaches 30 m and daisy-chains, RS-485 reaches 1,200 m on a multi-drop bus, both speaking VISCA, Pelco-D or Pelco-P. Horizontal travel is ±170° at 0.7 to 100°/s, vertical travel −30° to +90° at up to 69.9°/s. Each of the 255 presets is found again within 0.1°, and Motion Sync brings pan, tilt and zoom to the mark together. The browser-based Horizon interface comes included, HIVE Linked brings cloud supervision of several sites, and FreeD data (beta) lets Unreal Engine follow the camera's position inside a virtual set. OBS, vMix, TriCaster, Wirecast, mimoLive, Blackmagic ATEM switchers and PTZOptics joysticks all drive it.
On a PoE+ (802.3at) switch, one Cat5e/Cat6 cable of up to 100 m carries power, control and NDI; elsewhere, the 12 V DC socket takes over, drawing no more than 18 W. An orientation sensor rights the picture when the camera hangs from a ceiling, and the operating range is −10 to 40 °C, indoors only. The NDAA-compliant build and ONVIF certificate settle two points public and university tenders often check. Integrators choose the white housing for pale ceilings, conference-centre walls and bright television sets, where it stays inconspicuous in reverse shots. White ceiling and wall brackets, the SuperJoy controller and Move 4K 20x multi-camera kits are available from us; send the room plan and we will quote the full chain, from cameras to PoE+ switching and control.
| Specification | |
|---|---|
| Camera & Lens | |
| Resolution & Frame Rate HDMI | 3840x2160p - 60/59.94/50/30/29.97/25 1920x1080p - 60/59.94/50/30/29.97/25 1920x1080i - 60/59.94/50 1280x720p - 60/59.94 1024x576 720x480 720x408 640x480 640x360 - 60/59.94/50/30/29.97/25 |
| Resolution & Frame Rate 3G-SDI | 1920x1080p - 60/59.94/50/30/29.97/25 1920x1080i - 60/59.94/50 1280x720p - 60/59.94 1024x576 720x480 720x408 640x480 640x360 - 60/59.94/50/30/29.97/25 |
| Resolution & Frame Rate USB | 3840x2160p - 30/25/24/20/15/10/7.5/5 1920x1080p - 30/25/24/20/15/10/7.5/5 1280x720p - 30/25/24/20/15/10/7.5/5 1024x576 - 30/25/24/20/15/10/7.5/5 720x480 - 30/25/24/20/15/10/7.5/5 720x408 - 30/25/24/20/15/10/7.5/5 640x480 - 30/25/24/20/15/10/7.5/5 640x360 - 30/25/24/20/15/10/7.5/5 |
| Resolution & Frame Rate NDI Stream 1 | 3840x2160, 1920x1080, 1280x720, 1024x576, 720x480, 720x408, 640x480, 640x360. ALL capable of 1 ~ 60 FPS |
| Resolution & Frame Rate NDI Stream 2 | 720x480, 720x408, 640x480, 640x360, 480x320, 320x240. ALL capable of 1 ~ 60 FPS |
| Lens | 20x Zoom Sony 1/1.8 inch, CMOS |
| Image Sensor | 8.42MP, Effective Pixels: 8.29M |
| Optical Lens Focal Length (Zoom) | f = 6.25mm ~ 125mm, F1.58 ~ F3.95 |
| Maximum Tracking Distance | 264' (80.47m) |
| Optical Lens Field of View Horizontal & Vertical | H 3.5° ~ 60.7° V 1.9° ~ 34.1° |
| Display Field of View | 66.6° |
| Min Lux | 0.5 Lux @ (F1.8, AGC ON) |
| Shutter | 1/30s ~ 1/10000s |
| Pan Movement Range | ±170° |
| Tilt Movement Range | -30° ~ +90° |
| Pan Speed | 0.7°/s ~ 100°/s |
| Tilt Speed | 0.7°/s ~ 69.9°/s |
| Presets | 255 Presets |
| Preset Accuracy | 0.1° |
| Image Flip, Mirror, and Freeze | Supported |
| Physical Specifications | |
| Dimensions (L x W x H) | 6.65” L x 5.57” W x 7.91” H / 169mm L x 141.5mm W x 201mm H |
| Weight | 3.25 lbs (1.47 kg) |
| Working Environment | Indoor |
| Humidity Range | 10% - 80% |
| Operating Temperature | 14°F ~ 104°F (-10°C ~ 40°C) |
| Storage Temperature | -40°F ~ 140°F (-40°C ~ 60°C) |
| Connections | |
| RJ45 | 10/100/1000M Adaptive Ethernet Port, NDI HX enabled |
| HDMI | Version 2.0 |
| 3G-SDI | BNC Type, 800mVP-p, 75Ω, Along to SMPTE 424M, standard |
| USB 2.0 | Type A |
| Compression Standards | YUY2 / MJPEG / H.264 / H.265 |
| Audio Interface | 3.5mm Line level Input & Output |
| RS232 Input | 8-pin Mini DIN RS232 Input, Max distance: 98.5ft / 30m, Protocol: VISCA / Pelco-D / Pelco-P |
| RS232 Output | 8-pin Mini DIN RS232 Output, Max distance: 98.5ft / 30m, Protocol: VISCA / Pelco-D / Pelco-P |
| RS485 Input / Output | 2-pin Phoenix port RS485 Input / Output, Max distance: 3,937ft / 1200m, Protocol: VISCA / Pelco-D / Pelco-P |
| IR | 4x IR Addresses, Max distance 30ft / 9m |
| Power Supply | JEITA type (DC IN 12V) / PoE+ (802.3at) |
| Current Consumption | Max 1.0A |
| Certifications | |
| Certifications | BIS, CE-EMC, CE-LVD, FCC, REACH, RoHS, UKCA |
| Software Certifications | |
| Software Certifications | ONVIF-S, NDI HX3 |
| Compliance | |
| NDAA Compliance | The Move 4K is an NDAA Compliant camera. |
| HEVC Patents | Covered by one or more claims of the HEVC patents listed at patentlist.accessadvance.com |
Data sheet
Specific References
L'image en 4K est super claire et le zoom 20x permet de capter tous les détails. Même en faible lumière, elle gère super bien. L'installation a été super facile, même pour un novice comme moi. Les commandes à distance sont hyper réactives et simples à utiliser. Pour nos streams et vidéoconfs, c'est le top du top. Je recommande chaudement !
01/15/2025
Top
La PTZOPTICS MOVE 4K est franchement top ! L'image en 4K est super nette, et le zoom 20x, c'est juste parfait pour tout capturer. Même quand la lumière est pas terrible, ça reste nickel. L'installation s'est faite les doigts dans le nez, super rapide. Les commandes sont hyper intuitives, un vrai plaisir à utiliser. Pour nos webinaires et vidéos, c'est juste génial. Je recommande sans hésiter !