PTZOptics Move SE 20x Zoom White PTZ Camera PT20X-SE-WH-G3

    PT20X-SE-WH-G3
    Price: €1,219.00
    No tax
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    Roughly 30 m of on-board subject tracking is the figure that sets the PTZOptics Move SE 20x Zoom White apart. This 1080p60 auto-tracking PTZ camera can hang on the rear wall of a congress hall, a university auditorium or a deep corporate studio and still follow a presenter across the stage, with nobody on the joystick and no tracking PC in the rack.

    That reach comes from a 4.42–88.5 mm 20x optical zoom (F1.8 wide, F2.8 tele) ahead of a 1/2.8-inch Sony CMOS with 2.07 effective megapixels, spanning 60.7° to 3.4° horizontally. From 15 m, the wide end takes in almost 18 m of stage and the long end less than a metre: a tight head-and-shoulders close-up. Pull back to 30 m and the telephoto still frames a standing speaker in about 1.8 m. The 16x digital zoom crops the sensor, so for programme output the optical range is what counts.

    Presenter-Lock stays on the selected speaker even when colleagues cross between lens and lectern. Moving to the next panellist takes a left or right arrow press in the web interface, on the IR remote or on a VISCA joystick, and the Automation menu swaps Auto Tracking for Auto Framing when a group shot is needed. PTZOptics recommends picking the subject up within about 7.6 m of the start position.

    Behaviour is configurable: tracking can start from home, preset 0 or any stored preset, wait 1 to 60 s before reacting, and fall back to a chosen preset after a timeout once the target disappears. One field tip: switching tracking on loads the image settings saved in preset 0, so set exposure and colour there first. January 2026 firmware calmed the head's response to minor movement at maximum focal length, where a 20x magnifies every nod. Presets 150 and 151 start or stop tracking from a room controller or a single hardware button.

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    The sensor is specified down to 0.5 lux with the iris wide open and gain engaged, and PTZOptics lists a signal-to-noise ratio of 55 dB or higher. Exposure runs in full auto, manual, shutter or iris priority, or Bright for dimmed rooms, with a shutter range of 1/30–1/10,000 s. Nine DRC steps, 2D/3D noise reduction and 50 Hz anti-flicker for LED walls on European mains keep the picture clean. VAR white balance, adjustable between 2,500 and 8,000 K, sits beside Auto, Indoor, Outdoor, One Push and Manual for matching this head to other cameras on the switcher.

    Long focal lengths are unforgiving with autofocus. Near and far AF limits, set in metre steps between 1 and 20 m, stop the lens jumping onto a lectern or a front-row head; AF zone weighting and a one-shot SNAP focus, which returns to manual afterwards, complete the toolset.

    Formats cover 1080p at 60, 59.94, 50, 30, 29.97 and 25 fps plus 720p60 and 720p50, set by the rear rotary dial. In the web interface, four output combinations decide where video goes: HDMI/SDI + IP, USB + IP, USB + HDMI/SDI, or all three together at 30 fps. The 3G-SDI BNC (SMPTE 424M) and HDMI 1.3 connectors feed a hardware vision mixer or router, while USB-C 3.0 presents a UVC device with sound to Teams, Zoom or a lecture-capture PC, in MJPEG up to 1080p60 or YUY2 up to 1080p30.

    The gigabit port delivers two separately configured streams in H.264 or H.265, stream two also offering MJPEG: up to 102.4 Mb/s on the first, 20.48 Mb/s on the second, CBR or VBR. Each can push to a separate RTMP or RTMPS address, so one product launch can go live on YouTube and a client's platform without extra hardware. SRT works in caller and listener modes with passphrase encryption (10–79 characters), carrying contribution feeds across hotel or venue internet. ONVIF, RTSP and RTP multicast cover recorders and VMS software.

    Native NDI|HX3 runs on the NDI 6.3 SDK, can be disabled when unused and travels over TCP, multicast, plain UDP or its reliable RUDP form, with NTP keeping timestamps aligned across several NDI heads. Desk audio arrives at line level on a 3.5 mm jack and is embedded as AAC (44.1/48 kHz) or G.711A; a second jack sends a line feed back for monitoring.

    Integration on the control side rarely needs adapters. VISCA over IP listens on TCP 5678 and UDP 1259, with Sony's variant on UDP 52381, joined by ONVIF, HTTP commands and MIDI mapping. Serially, RS-232 in/out ports daisy-chain heads over 30 m and RS-485 runs to 1,200 m, all with VISCA and Pelco-D/P. Its 255 presets return within 0.1°; pan covers ±170° (top speed 100°/s) and tilt −30° to +90° (69.9°/s maximum). A per-recall switch decides whether picture settings return with the framing. Since September 2026 the API also confirms preset arrival and reports stored coordinates, so show-control scripts wait for a settled shot before cutting. SuperJoy and PT-JOY-G4 controllers, vMix, OBS, NDI Studio Monitor, Hive and the Camera Management Platform all operate it.

    A single Cat5e/Cat6 run from an 802.3af PoE switch port carries power, video and control; the supplied 12 V adapter covers everything else. Hung upside down from a ceiling bracket, the head rights its own image through a gravity sensor, saved pan/tilt limits survive a reboot and keep the lens off the audience, and privacy mode points the head aside while cutting all feeds. Giving each unit a readable name such as camera1.local speeds commissioning on multi-room sites. IT teams receive digest authentication and ONVIF login enabled by default, guest accounts barred from SRT and RTMP keys, login-protected firmware uploads and NDAA compliance; a Kensington slot handles theft risk. Indoor operation, −10 to 40 °C, 10–80 % humidity.

    The white housing disappears into pale ceiling tiles, light timber auditoriums, glass boardrooms and bright corporate sets. Videomaker heard the cooling fan in a silent room during its test; on a 20x, usually mounted well back from the lectern microphone, that rarely matters. Planning several units? Tell us your vision mixer, network switch and room depth, and our technical team will confirm the output mode, NDI profile and PoE layout before the cameras ship.

    Specification
    Camera & Lens
    Resolution & Frame Rate HDMI, SDI, & USB1920x1080p - 60/59.94/50/30/29.97/25
    1280x720p - 60/50
    Resolution & Frame Rate NDI Stream 11920x1080,1280x720,1024x576, 960x540, 720x480, 720x408, 640x480, 640x360 1 ~ 60 FPS
    Resolution & Frame Rate NDI Stream 2 (used for low bandwidth NDI feed)1280x720, 720x480, 720x408, 640x480, 640x360, 480x320, 320x240 1 ~ 60 FPS
    LensSony 1/2.8 inch, CMOS
    Image Sensor2.13MP, Effective Pixels: 2.07
    Optical Lens Focal Length (Zoom)f = 4.42mm ~ 88.5mm, F1.8 ~ F2.8
    Maximum Tracking Distance100' (33m)
    Optical Lens Field of View Horizontal & VerticalH 3.4° ~ 60.7°
    V 1.9° ~ 34.1°
    Display Field of View69.6°
    Min Lux0.5 Lux @ (F1.8, AGC ON)
    Shutter1/30s ~ 1/10000s
    Pan Movement Range±170°
    Tilt Movement Range-30° ~ +90°
    Pan Speed1.7°/s ~ 100°/s
    Tilt Speed1.7°/s ~ 69.9°/s
    Presets255 Presets
    Preset Accuracy0.1⁰
    Image Flip, Mirror, and FreezeSupported
    Physical Specifications
    Dimensions(L x W x H)6.7” L x 5.6” W x 6.5” H (7.88” with tilt up) / 169mm L x 142mm W x 164mm H (189mm with tilt up)
    Weight3.0 lbs (1.36 kg)
    Working EnvironmentIndoor
    Humidity Range10% - 80%
    Operating Temperature14°F ~ 104°F (-10°C ~ 40°C )
    Storage Temperature-40°F ~ 140°F (-40°C ~ 60°C)
    Connections
    RJ4510/100/1000M Adaptive Ethernet Port NDI HX enabled
    HDMIVersion 1.3
    3G-SDIBNC Type, 800mVP-p, 75Ω, Along to SMPTE 424M,standard
    USB 3.0Type C
    Compression StandardsMJPEG / H.264 / H.265
    Audio Interface3.5mm Line level Input & Output
    RS232 Input8-pin Mini DIN RS232 Input, Max distance: 98.5ft / 30m, Protocol: VISCA / Pelco-D / Pelco-P
    RS232 Output8-pin Mini DIN RS232 Output, Max distance: 98.5ft / 30m, Protocol: VISCA / Pelco-D / Pelco-P
    RS485 Input / Output2-pin Phoenix port RS485 Input / Output, Max distance: 3,937ft / 1200m, Protocol: VISCA / Pelco-D / Pelco-P
    IR4x IR Addresses, Max distance 30ft / 9m
    Power SupplyJEITA type (DC IN 12V) / PoE (802.3af)
    Current ConsumptionMax 2.0A
    Compliance
    NDAA ComplianceThe Move SE is an NDAA Compliant camera.
    HEVC PatentsCovered by one or more claims of the HEVC patents listed at patentlist.accessadvance.com
    PT20X-SE-WH-G3
    5 Items

    Data sheet

    Video Output
    HDMI
    NDI
    RJ-45 (IP)
    SDI
    USB
    Audio Input
    Mini Jack 3.5mm
    Audio Output
    HDMI Embedded
    Mini Jack 3.5mm
    NDI Embedded
    RJ-45
    SDI Embedded
    USB
    Max Output Resolution
    1080p 50/60 fps
    Control protocol for PTZ cameras
    PELCO-D
    PELCO-P
    RS-232
    RS-485
    VISCA
    VISCA IP
    Network Connection
    Ethernet
    Sensor Size
    1/2.8"
    Optical Zoom
    20x
    PoE Technology
    Yes
    Auto-Tracking
    Yes
    Tally Light
    No

    Specific References

    ean13
    840170500661
    mpn
    PT20X-SE-WH-G3

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    Reviews

    Grade 
    Marc
    07/19/2024

    choix fantastique

    Est un choix fantastique pour notre salle de conférence. La qualité de l'image est superbe. La caméra est très réactive aux commandes et offre une grande flexibilité dans les angles de prise de vue. Nous sommes très satisfaits de sa performance et de sa fiabilité. Un achat que je ne regrette pas du tout.

    Write your review

    PTZOptics Move SE 20x Zoom White PTZ Camera PT20X-SE-WH-G3

    Roughly 30 m of on-board subject tracking is the figure that sets the PTZOptics Move SE 20x Zoom White apart. This 1080p60 auto-tracking PTZ camera can hang on the rear wall of a congress hall, a university auditorium or a deep corporate studio and still follow a presenter across the stage, with nobody on the joystick and no tracking PC in the rack.

    That reach comes from a 4.42–88.5 mm 20x optical zoom (F1.8 wide, F2.8 tele) ahead of a 1/2.8-inch Sony CMOS with 2.07 effective megapixels, spanning 60.7° to 3.4° horizontally. From 15 m, the wide end takes in almost 18 m of stage and the long end less than a metre: a tight head-and-shoulders close-up. Pull back to 30 m and the telephoto still frames a standing speaker in about 1.8 m. The 16x digital zoom crops the sensor, so for programme output the optical range is what counts.

    Presenter-Lock stays on the selected speaker even when colleagues cross between lens and lectern. Moving to the next panellist takes a left or right arrow press in the web interface, on the IR remote or on a VISCA joystick, and the Automation menu swaps Auto Tracking for Auto Framing when a group shot is needed. PTZOptics recommends picking the subject up within about 7.6 m of the start position.

    Behaviour is configurable: tracking can start from home, preset 0 or any stored preset, wait 1 to 60 s before reacting, and fall back to a chosen preset after a timeout once the target disappears. One field tip: switching tracking on loads the image settings saved in preset 0, so set exposure and colour there first. January 2026 firmware calmed the head's response to minor movement at maximum focal length, where a 20x magnifies every nod. Presets 150 and 151 start or stop tracking from a room controller or a single hardware button.

    Write your review

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