Z-CAM E2-F6 Mark II 6K Camera

    ZCE2F6M2
    Price: €2,899.00
    No tax
    We offer EU-wide sales, invoicing for VAT-free intra-community delivery.
    Available from supplier (Delivery time to be confirmed.)

    How many cameras slot into a genlocked studio grid, a gimbal rig and a documentary backpack without changing systems? The Z-CAM E2-F6 Mark II makes that question easy to answer. Its full-frame CMOS sensor (35.9 × 24.0 mm, 24.63 megapixels) records Open Gate 6064 × 4040 at 30 fps for reframing and anamorphic glass, holds 6K 2.4:1 at 60 fps, and pushes C4K 2.4:1 to 120 fps for dense slow motion. Fifteen stops of dynamic range with dual native ISO 400/2500 keep texture in stage blacks and daylight highlights alike — a real asset when a concert cut jumps from follow-spot to LED wall.

    Footage lands on CFexpress Type B cards in the ProRes 422 family up to HQ, as 10-bit H.265, or as ZRAW; over HDMI the camera feeds ProRes RAW to an Atomos Ninja V or Blackmagic RAW to a Video Assist. Z-Log2 preserves grading latitude for HDR deliverables, and the built-in gyroscope writes motion metadata that steadies handheld or vehicle shots in post.

    Broadcast fittings come as standard: 3G-SDI plus HDMI 2.0, LTC timecode on BNC, genlock input, and EzLink sync that aligns a networked multicam fleet within 0.5 ms. One Cat 6 line under PoE+ both powers and controls remote rail, crane or goal positions, while the Gigabit port streams SRT, RTMPS and RTSP straight from the camera's web interface — no external encoder on the OB truck's invoice.

    The EF mount locks actively and swaps to PL, LPL or M, so a rental fleet can match its existing glass inventory. A mini V-Lock plate, 12 V accessory output and fanless aluminium body keep multi-hour takes silent and dependable. Remote operation runs over 5 GHz Wi-Fi, USB-C or the LANC-compatible jack, and an open API with SDK writes the camera into robotic heads and studio automation; a built-in stereo microphone plus a 5-pin LEMO input for two XLR channels round out the audio chain.

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    Key features:
    Full Frame CMOS 6K 60FPS & 4K 120 FPS Max
    3G-SDI + HDMI Connectivity
    BNC Connector Timecode Interface
    Built-in Gyroscope Sensor
    PoE+ Power Over Ethernet
    Genlock
    Mini V-Lock Battery Plate
    CF Express Type B Storage Media Slot

    Probably the Most Versatile Camera
    You might not have seen the Z CAM E2 at these venues, but you've likely watched the stunning images captured by it.

    Multiple Camera Synchronization
    Z CAM has been widely adopted in many multiple camera applications worldwide due to its high sync precision, open API and reliability.

    Z CAM EzLink Sync
    All cameras are connected to a network switch for Z CAM EzLink Sync.
    Once connected, one camera must be designated as the master, with the others set as slaves.
    Z CAM EzLink ensures precise synchronization, maintaining a tolerance of no more than 0.5ms.

    Z CAM PixelLink*
    Z CAM PixelLink Sync (Master/Slave) requires all cameras to be connected in a daisy chain using Z CAM sync cables.
    Cameras are interconnected using Cat 6 Ethernet cables.
    Ensuring perfect line sync precision.
    * Only available on Z CAM E2 model

    IP Streaming is the Future
    Z CAM supports a number of streaming protocols. Easily accessible through the built-in web client.

    Open API & SDK
    Full set open API.
    Facilitates easier secondary development.

    Compact & Robust
    Compact form factor.
    Full metal body construction.
    Weighted 1060g only*.
    * measured on Z CAM E2-M4 Mark II model (without lens and battery)

    Durability & Reliability
    Both the Z CAM E2 and the Z CAM E2 Mark II series are engineered for sustained, long-term recording and streaming.
    Fanless design. No active cooling.

    Interchangeable Mounts
    Z CAM E2-F6 Mark II : EF Mount (Active Lock)

    Optional Z CAM Interchangeable lens mount:
    Z CAM PL Mount (Active Lock)
    Z CAM LPL Mount (Active Lock)
    Z CAM M Mount (Active Lock)

    Stunning Image Quality
    Go-to camera for many big film and documentary productions.
    Entrusted by many well-known DOPs and Directors.
    Qualified as A camera.
    Perfect for B camera.

    Technical Specifications

    Camera
    Sensor Type: Full Frame CMOS Sensor
    Sensor Size: 35.9 x 24.0 mm (Diagonal 43.3mm)
    Effective Pixels: 24.63M
    Dynamic Range: 15 stops
    Lens Mount: EF Mount w/active lock (interchangeable to optional PL, LPL and M)
    Microphone: Built-in Stereo Microphone

    Recording
    Resolution & Max Frame Rate:
    30fps max @ Open Gate (6064x4040)
    48fps max @ C6K (6064x3196)
    60fps max @ 6K 2.4:1 (6064x2560 )
    48fps max @ 6K (5760x3240)
    30fps max @ 5K 4:3 (5376x4032)
    60fps max @ C5K (5120x2700)
    30fps max @ 5K 6:5 (4848x4040)
    60fps max @ 5K (4800x2700)
    50fps max @ 4K 4:3 (4096x3072)*
    30fps max @ C4K 3:2 (4096x2732)
    90fps max @ C4K (4096x2160) *
    120fps max @ C4K 2.4:1 (4096x1728)
    30fps max @ 4K 6:5 (4080x3400)
    90fps max @ 4K (3840x2160)
    170fps max @ S16 16:9 (2112x1188)
    170fps max @ 1080P (1920x1080)
    * supersampling / cropping selectable, 4K supersampling is supported at the same frame rates as C6K resolution mode.
    Video Encoder: H.264 / H.265 / ProRes 422 Proxy / ProRes 422 LT / ProRes 422 / ProRes 422 HQ / ZRAW*
    RAW over HDMI: ProRes RAW (using Atomos Ninja V); BRAW (using BMD VideoAssist)
    Color Bit-depth: 10-bit 4:2:0 (H.265) / 8-bit 4:2:0 (H.264)
    Audio Format: 16-bit 48 kHz
    Audio Encoder: AAC / PCM (for MOV only)
    File Format: MOV / MP4
    Record Mode: Video / Time Lapse Video / Still Image Capture

    Settings
    ISO: Auto, Manual (400 ~ 128000), Dual Native ISO: 400 / 2500
    Shutter: "Shutter Speed: Auto, Manual (1”~ 1/8000”) , Shutter Angle: Auto, Manual (1° ~ 360°)"
    White Balance: Auto, Preset, Manual (2300K ~ 30000K)
    Focus Mode: MF / AF / CAF
    Image: Brightness / Contrast / Saturation / Sharpness / Gamma Setting
    Image Config: Rec.709, Z-Log2, Flat, Concert, Vivid 0, Vivid 1, Vivid 2, HLG, Gamma
    Time Code: Current Time / Manual Input / External Input

    Connectivity
    HDMI: HDMI 2.0 Type A (up to 4K DCI 60p, 10-bit 4:2:2)
    SDI: 3G-SDI
    Timecode In: LTC Timecode Input via BNC
    Genlock: BB/Tri-Level Genlock Input via BNC
    USB: USB 3.0 Type C for camera control & data transfer only
    Remote Port: 2.5 mm jack socket (Sony LANC compatible)
    Audio In: 3.5 mm stereo jack socket (TRS) or 5-pin LEMO port for dual channel XLR microphone (require additional XLR audio connector)
    Audio Out: 3.5 mm stereo jack socket
    Wi-Fi: 5G, up to 802.11n, external antenna port
    CTRL: Serial port
    Ethernet: Gigabit Ethernet port

    Power
    Battery: Mini V-Lock 14.8V (Battery not included)
    Power Input: DC 12~18V (2-pin LEMO socket) / PoE+ (802.3at)
    Power Output (AUX): DC 12V 2A (2-pin LEMO socket)
    Power Consumption: 50W maximum, not inclusive of AUX power consumption

    Physical
    Camera Body: Aluminum Alloy
    Weight - Camera (w/o Lens): 1.21kg (with EF mount)
    Weight - Full Package: 1.55kg
    Dimensions (HxWxL) - Camera: 105 x 98 x 136.5 mm / 4.13 x 3.86 x 5.37 inch (EF Mount)
    Dimensions (HxWxL) - Package: 145 x 195 x 162 mm / 5.71 x 7.68 x 6.38 inch

    Environment
    Storage Temperature: -20 °C ~ 60 °C
    Operation Temperature: 0 °C ~ 40 °C

    ZCE2F6M2

    Data sheet

    Video Output
    HDMI
    RJ-45 (IP)
    SDI
    Audio Input
    LEMO 5-pin
    Mini Jack 3.5mm
    Audio Output
    HDMI Embedded
    Mini Jack 3.5mm
    RJ-45
    SDI Embedded
    Max Output Resolution
    6K (6064 x 2560) 50/60 fps
    6K Open Gate (6064 x 4040) 25/30 fps
    Output colour sampling
    RGB 4:2:2 10-bit
    Streaming protocols
    RTMP
    RTMPS
    RTSP
    SRT
    SSP
    UVC
    Network Connection
    Ethernet
    Wi-Fi
    Sensor Size
    Full Frame (35.9x24.0mm)
    Lens mount
    Canon EF
    Interchangeable mount
    Internal ND filtres
    No
    Media type
    CFexpress Type B
    Battery Type
    Mini V-Mount
    Screen Type
    External
    Sensor Resolution
    24.63MP
    Sensor Type
    CMOS
    Image Stabilization
    Gyro
    ISO Sensitivity Range
    400-128000
    Dynamic Range
    15 stops
    Shutter Type
    Electronic Shutter
    Shutter Speed
    1/8000s-1min
    Bit Depth
    10-bit
    Viewfinder Type
    External
    Focus Mode
    AF
    CAF
    Manual
    Internal Recording Modes
    H.264
    H.265
    ProRes 422
    ProRes 422 HQ
    ProRes 422 LT
    ProRes 422 Proxy
    ZRAW
    External Recording Modes
    Blackmagic RAW
    ProRes RAW
    Timecode
    Yes
    Genlock
    Yes

    Specific References

    ean13
    6970130770354
    mpn
    E1903

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    Z-CAM E2-F6 Mark II 6K Camera

    How many cameras slot into a genlocked studio grid, a gimbal rig and a documentary backpack without changing systems? The Z-CAM E2-F6 Mark II makes that question easy to answer. Its full-frame CMOS sensor (35.9 × 24.0 mm, 24.63 megapixels) records Open Gate 6064 × 4040 at 30 fps for reframing and anamorphic glass, holds 6K 2.4:1 at 60 fps, and pushes C4K 2.4:1 to 120 fps for dense slow motion. Fifteen stops of dynamic range with dual native ISO 400/2500 keep texture in stage blacks and daylight highlights alike — a real asset when a concert cut jumps from follow-spot to LED wall.

    Footage lands on CFexpress Type B cards in the ProRes 422 family up to HQ, as 10-bit H.265, or as ZRAW; over HDMI the camera feeds ProRes RAW to an Atomos Ninja V or Blackmagic RAW to a Video Assist. Z-Log2 preserves grading latitude for HDR deliverables, and the built-in gyroscope writes motion metadata that steadies handheld or vehicle shots in post.

    Broadcast fittings come as standard: 3G-SDI plus HDMI 2.0, LTC timecode on BNC, genlock input, and EzLink sync that aligns a networked multicam fleet within 0.5 ms. One Cat 6 line under PoE+ both powers and controls remote rail, crane or goal positions, while the Gigabit port streams SRT, RTMPS and RTSP straight from the camera's web interface — no external encoder on the OB truck's invoice.

    The EF mount locks actively and swaps to PL, LPL or M, so a rental fleet can match its existing glass inventory. A mini V-Lock plate, 12 V accessory output and fanless aluminium body keep multi-hour takes silent and dependable. Remote operation runs over 5 GHz Wi-Fi, USB-C or the LANC-compatible jack, and an open API with SDK writes the camera into robotic heads and studio automation; a built-in stereo microphone plus a 5-pin LEMO input for two XLR channels round out the audio chain.

    Write your review

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