Z-CAM E2-F6 Mark II NDI 6K Camera

    ZCE2F6M2N
    Price: €2,899.00
    No tax
    We offer EU-wide sales, invoicing for VAT-free intra-community delivery.

    One Cat 6 cable is sometimes all it takes to put a full-frame image on air. The Z-CAM E2-F6 Mark II NDI feeds 10-bit NDI|HX3 into your network through its Gigabit Ethernet port, draws power over the same line thanks to PoE+, and still keeps RTMP, RTSP, SRT and SSP available for direct publishing or webcam duty. For an OB van or a compact studio, that means fewer converters, fewer cables, fewer points of failure.

    Behind the EF active-lock mount, interchangeable with optional PL, LPL and M versions, sits a 24.63-megapixel full-frame CMOS sensor rated at 15 stops of dynamic range, with dual native ISO 400/2500 for concert stages and dim conference rooms alike. Internal recording covers 6K open gate (6064×4040) at 30 fps, 6K 2.4:1 up to 60 fps and C4K 2.4:1 at 120 fps for slow motion, written as ProRes 422 HQ, 10-bit H.265 or ZRAW to CFexpress Type B media. Plug an Atomos Ninja V into the HDMI 2.0 output and you capture ProRes RAW; a Blackmagic Video Assist turns the same signal into BRAW.

    Broadcast integration is where this camera earns its keep. Genlock and LTC timecode arrive on dedicated BNC sockets, programme video leaves over 3G-SDI or HDMI, and EzLink holds a whole fleet of E2 bodies synchronised within 0.5 ms across a standard switch, which suits multi-camera live production with vMix or TriCaster. Twelve-axis colour correction matches skin tones between units, while the open API plus serial CTRL and LANC ports let tracking systems and custom controllers take over.

    The fanless aluminium housing stays silent on interview sets and survives touring life. A mini V-Lock plate and 12–18 V DC input cover power in the field, the 5 GHz Wi-Fi antenna links live preview and settings to the Z Camera app, and the built-in gyroscope records motion data for stabilisation in post. We supply the E2-F6 Mark II NDI across the EU with official warranty and can advise on mount swaps, media and rigging before you commit.

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    Key features:

    • 6K full-frame cinema camera with NDI|HX3 support
    • Manufacturer SKU: E1903N
    • Full-frame CMOS sensor with 15 stops of dynamic range
    • Up to 6K 60p in 2.4:1 format and up to 4K 120p in C4K 2.4:1 format
    • Streaming via Gigabit Ethernet with NDI|HX3, RTSP, RTMP and SRT
    • EF Active Lock Mount, optionally convertible to PL, LPL or M Mount
    • Internal recording to CFexpress Type B media
    • Supports H.264, H.265, ProRes 422 variants and ZRAW
    • RAW output via HDMI with compatible external recorders
    • HDMI 2.0, 3G-SDI, Timecode In, Genlock, USB-C, LANC and Serial CTRL
    • PoE+ support for power delivery via compatible network infrastructure
    • Integrated gyroscope for stabilisation-related workflows
    • Robust aluminium body and fanless design
    • Suitable for film production, broadcast, live streaming, studio and multi-camera applications

    Probably the Most Versatile Camera
    You might not have seen the Z CAM E2 at these venues, but you've likely watched the stunning images captured by it.

    IP Streaming is the Future
    Z CAM supports a number of streaming protocols. Easily accessible through the built-in web client.

    Compact & Robust
    Compact form factor.
    Full metal body construction.

    Durability & Reliability
    Both the Z CAM E2 and the Z CAM E2 Mark II series are engineered for sustained, long-term recording and streaming.
    Fanless design. No active cooling.

    Interchangeable Mounts
    Z CAM E2-F6 Mark II : EF Mount (Active Lock)

    Optional Z CAM Interchangeable lens mount:
    Z CAM PL Mount (Active Lock)
    Z CAM LPL Mount (Active Lock)
    Z CAM M Mount (Active Lock)

    Stunning Image Quality
    Go-to camera for many big film and documentary productions.
    Entrusted by many well-known DOPs and Directors.
    Qualified as A camera.
    Perfect for B camera.

    Technical Specifications

    Camera
    Sensor Type: Full Frame CMOS Sensor
    Sensor Size: 35.9 x 24.0 mm (Diagonal 43.3mm)
    Effective Pixels: 24.63M
    Dynamic Range: 15 stops
    Lens Mount: EF Mount w/active lock (interchangeable to optional PL, LPL and M)
    Microphone: Built-in Stereo Microphone

    Recording
    Resolution & Max Frame Rate:
    30fps max @ Open Gate (6064x4040)
    48fps max @ C6K (6064x3196)
    60fps max @ 6K 2.4:1 (6064x2560 )
    48fps max @ 6K (5760x3240)
    30fps max @ 5K 4:3 (5376x4032)
    60fps max @ C5K (5120x2700)
    30fps max @ 5K 6:5 (4848x4040)
    60fps max @ 5K (4800x2700)
    50fps max @ 4K 4:3 (4096x3072)*
    30fps max @ C4K 3:2 (4096x2732)
    90fps max @ C4K (4096x2160) *
    120fps max @ C4K 2.4:1 (4096x1728)
    30fps max @ 4K 6:5 (4080x3400)
    90fps max @ 4K (3840x2160)
    170fps max @ S16 16:9 (2112x1188)
    170fps max @ 1080P (1920x1080)
    * supersampling / cropping selectable, 4K supersampling is supported at the same frame rates as C6K resolution mode.
    Video Encoder: H.264 / H.265 / ProRes 422 Proxy / ProRes 422 LT / ProRes 422 / ProRes 422 HQ / ZRAW*
    RAW over HDMI: ProRes RAW (using Atomos Ninja V); BRAW (using BMD VideoAssist)
    Color Bit-depth: 10-bit 4:2:0 (H.265) / 8-bit 4:2:0 (H.264)
    Audio Format: 16-bit 48 kHz
    Audio Encoder: AAC / PCM (for MOV only)
    File Format: MOV / MP4
    Record Mode: Video / Time Lapse Video / Still Image Capture

    Settings
    ISO: Auto, Manual (400 ~ 128000), Dual Native ISO: 400 / 2500
    Shutter: "Shutter Speed: Auto, Manual (1”~ 1/8000”) , Shutter Angle: Auto, Manual (1° ~ 360°)"
    White Balance: Auto, Preset, Manual (2300K ~ 30000K)
    Focus Mode: MF / AF / CAF
    Image: Brightness / Contrast / Saturation / Sharpness / Gamma Setting
    Image Config: Rec.709, Z-Log2, Flat, Concert, Vivid 0, Vivid 1, Vivid 2, HLG, Gamma
    Time Code: Current Time / Manual Input / External Input

    Connectivity
    HDMI: HDMI 2.0 Type A (up to 4K DCI 60p, 10-bit 4:2:2)
    SDI: 3G-SDI
    Timecode In: LTC Timecode Input via BNC
    Genlock: BB/Tri-Level Genlock Input via BNC
    USB: USB 3.0 Type C for camera control & data transfer only
    Remote Port: 2.5 mm jack socket (Sony LANC compatible)
    Audio In: 3.5 mm stereo jack socket (TRS) or 5-pin LEMO port for dual channel XLR microphone (require additional XLR audio connector)
    Audio Out: 3.5 mm stereo jack socket
    Wi-Fi: 5G, up to 802.11n, external antenna port
    CTRL: Serial port
    Ethernet: Gigabit Ethernet port

    Power
    Battery: Mini V-Lock 14.8V (Battery not included)
    Power Input: DC 12~18V (2-pin LEMO socket) / PoE+ (802.3at)
    Power Output (AUX): DC 12V 2A (2-pin LEMO socket)
    Power Consumption: 50W maximum, not inclusive of AUX power consumption

    Physical
    Camera Body: Aluminum Alloy
    Weight - Camera (w/o Lens): 1.21kg (with EF mount)
    Weight - Full Package: 1.55kg
    Dimensions (HxWxL) - Camera: 105 x 98 x 136.5 mm / 4.13 x 3.86 x 5.37 inch (EF Mount)
    Dimensions (HxWxL) - Package: 145 x 195 x 162 mm / 5.71 x 7.68 x 6.38 inch

    Environment
    Storage Temperature: -20 °C ~ 60 °C
    Operation Temperature: 0 °C ~ 40 °C

    ZCE2F6M2N
    11 Items

    Data sheet

    Video Output
    HDMI
    NDI
    RJ-45 (IP)
    SDI
    Audio Input
    LEMO 5-pin
    Mini Jack 3.5mm
    Audio Output
    HDMI Embedded
    Mini Jack 3.5mm
    NDI Embedded
    RJ-45
    SDI Embedded
    Max Output Resolution
    6K (6064 x 2560) 50/60 fps
    6K Open Gate (6064 x 4040) 25/30 fps
    Output colour sampling
    RGB 4:2:2 10-bit
    Streaming protocols
    NDI®|HX 3
    RTMP
    RTMPS
    RTSP
    SRT
    SSP
    UVC
    Network Connection
    Ethernet
    Wi-Fi
    Sensor Size
    Full Frame (35.9x24.0mm)
    Lens mount
    Canon EF
    Interchangeable mount
    Internal ND filtres
    No
    Media type
    CFexpress Type B
    Battery Type
    Mini V-Mount
    Screen Type
    External
    Sensor Resolution
    24.63MP
    Sensor Type
    CMOS
    Image Stabilization
    Gyro
    ISO Sensitivity Range
    400-128000
    Dynamic Range
    15 stops
    Shutter Type
    Electronic Shutter
    Shutter Speed
    1/8000s-1min
    Bit Depth
    10-bit
    Viewfinder Type
    External
    Focus Mode
    AF
    CAF
    Manual
    Internal Recording Modes
    H.264
    H.265
    ProRes 422
    ProRes 422 HQ
    ProRes 422 LT
    ProRes 422 Proxy
    ZRAW
    External Recording Modes
    Blackmagic RAW
    ProRes RAW
    Timecode
    Yes
    Genlock
    Yes

    Specific References

    ean13
    6970130770491
    mpn
    E1903N

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    Z-CAM E2-F6 Mark II NDI 6K Camera

    One Cat 6 cable is sometimes all it takes to put a full-frame image on air. The Z-CAM E2-F6 Mark II NDI feeds 10-bit NDI|HX3 into your network through its Gigabit Ethernet port, draws power over the same line thanks to PoE+, and still keeps RTMP, RTSP, SRT and SSP available for direct publishing or webcam duty. For an OB van or a compact studio, that means fewer converters, fewer cables, fewer points of failure.

    Behind the EF active-lock mount, interchangeable with optional PL, LPL and M versions, sits a 24.63-megapixel full-frame CMOS sensor rated at 15 stops of dynamic range, with dual native ISO 400/2500 for concert stages and dim conference rooms alike. Internal recording covers 6K open gate (6064×4040) at 30 fps, 6K 2.4:1 up to 60 fps and C4K 2.4:1 at 120 fps for slow motion, written as ProRes 422 HQ, 10-bit H.265 or ZRAW to CFexpress Type B media. Plug an Atomos Ninja V into the HDMI 2.0 output and you capture ProRes RAW; a Blackmagic Video Assist turns the same signal into BRAW.

    Broadcast integration is where this camera earns its keep. Genlock and LTC timecode arrive on dedicated BNC sockets, programme video leaves over 3G-SDI or HDMI, and EzLink holds a whole fleet of E2 bodies synchronised within 0.5 ms across a standard switch, which suits multi-camera live production with vMix or TriCaster. Twelve-axis colour correction matches skin tones between units, while the open API plus serial CTRL and LANC ports let tracking systems and custom controllers take over.

    The fanless aluminium housing stays silent on interview sets and survives touring life. A mini V-Lock plate and 12–18 V DC input cover power in the field, the 5 GHz Wi-Fi antenna links live preview and settings to the Z Camera app, and the built-in gyroscope records motion data for stabilisation in post. We supply the E2-F6 Mark II NDI across the EU with official warranty and can advise on mount swaps, media and rigging before you commit.

    Write your review

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