Z-CAM E2-F8 Mark II 8K NDI Camera

    ZCE2F8M2N
    Price: €4,999.00
    No tax
    We offer EU-wide sales, invoicing for VAT-free intra-community delivery.
    Available from supplier (Delivery time to be confirmed.)

    An 8K acquisition pipeline and a broadcast-grade IP output share a single fanless aluminium body in the Z-CAM E2-F8 Mark II — no external encoder, no conversion rack. Its 61.17-megapixel full-frame CMOS sensor (35.9 × 24.0 mm) records 8192 × 3456 at 30 fps, holds 14 stops of dynamic range, and the dual native ISO of 400 and 1250 keeps a festival stage at dusk as clean as a lit studio floor.

    On the network side, the camera behaves like a native source in the video matrix. A 10-bit NDI feed with very low latency travels over Gigabit Ethernet next to RTMP, RTMPS, RTSP and SRT, all set up from the built-in web client, while PoE+ (802.3at) carries power and signal through one cable — a detail riggers value on trussed multicam positions. BB and tri-level genlock plus LTC timecode enter via BNC, and Z CAM EzLink holds an entire camera grid within 0.5 ms of sync.

    Recording lands on CFexpress Type B cards: ZRAW, the full ProRes 422 family and 10-bit H.265 internally, or 12-bit ProRes RAW to an Atomos Ninja V and Blackmagic RAW to a Video Assist over HDMI 2.0, which also outputs 4K DCI 60p in 10-bit 4:2:2. A 3G-SDI port feeds monitoring or a vision mixer at the same moment. Z-Log2, HLG and 12-axis colour correction shorten camera matching across a fleet, and the gyroscope writes motion data for stabilisation in post — useful when an 8K master gets reframed into several 4K deliverables.

    Production companies count operating hours, so the numbers matter: 18 W maximum draw, convection cooling with zero moving parts, mini V-Lock packs, 12–18 V DC input and a regulated 12 V output for a focus motor or monitor. The EF mount locks actively and swaps to PL, LPL or M as the lens inventory dictates; LANC, a serial port and an open API tie the Z-CAM E2-F8 Mark II into robotic heads and remotely operated studios. One body covers cinema and live duty, and the rental sheet stays short.

    Quantity
    Add to Wishlist
    Add to Compare

    UE Shipping

    We ship across the EU for €20, free over €1,000.

    B2B Shop

    B2B sales only, prices excl. VAT.

    Safe Shopping

    Official EU distribution and warranty.

    Secure checkout

    Secure online payments via Stripe.

    Individual quotation

    Send your enquiry via the form or email avgear@avgear.shop

    Probably the Most Versatile Camera
    You might not have seen the Z CAM E2 at these venues, but you've likely watched the stunning images captured by it.

    10-bit NDI
    Stunning color. Ultra-low latency. Redefining professional networked workflows.

    Multiple Camera Synchronization
    Z CAM has been widely adopted in many multiple camera applications worldwide due to its high sync precision, open API and reliability.

    12-Axis Color Correction
    Precisely controls image saturation and hue, achieving consistent color matching across multiple cameras, optimized skin tones, and cinematic color expression.

    IP Streaming is the Future
    Z CAM supports a number of streaming protocols. Easily accessible through the built-in web client.

    Technical Specifications

    Camera
    Sensor Type: Full Frame CMOS Sensor
    Sensor Size: Diagonal 43.3mm
    Effective Pixels: 61.17 MP
    Dynamic Range: 14 stops
    Lens Mount: EF Mount w/active lock (interchangeable to optional PL, LPL and M)
    Microphone: Built-in Stereo Microphone

    Recording
    Resolution & Max Frame Rate
    8K 2.4:1 (8192x3456) @30fps max
    8K UHD (7680x4320) @30fps max
    6K DCI (6144x3240) @30fps max*
    6K UHD (5760x3240) @30fps max*
    4K UHD (3840x2160) @ 60fps max*
    * supersampling / cropping selectable, 4K supersampling is supported at the same frame rates as 6K DCI resolution mode

    Video Encoder: H.264 / H.265 / ProRes 422 Proxy / ProRes 422 LT / ProRes 422 / ProRes 422 HQ / ZRAW*
    RAW over HDMI: ProRes RAW (using Atomos Ninja V); BRAW (using BMD VideoAssist)
    Color Bit-depth: 10-bit 4:2:0 (H.265) / 8-bit 4:2:0 (H.264)
    Audio Format: 16-bit 48 kHz
    Audio Encoder: AAC / PCM (for MOV only)
    File Format: MOV / MP4
    Record Mode: Video / Time Lapse Video / Still Image Capture

    Settings
    ISO: Auto, Manual (400 ~ 125000), Dual Native ISO: 400 / 1250
    Shutter: Shutter Speed: Auto, Manual (1s ~ 1/10000s) , Shutter Angle: Auto, Manual (1° ~ 360°)
    White Balance: Auto, Preset, Manual (2300K ~ 30000K)
    Focus Mode: MF / AF / CAF
    Image: Sharpness / Noise Reduction / Dynamic Range Optimizer / Brightness / Contrast / Saturation / Hue / Gamma / Matrix / 12-Axis Color
    Image Config: Rec.709 / Z-Log2 / Flat / Concert / Vivid 0 / Vivid 1 / Vivid 2 / HLG / Gamma
    Time Code: Current Time / Manual Input / External Input

    Storage
    Storage Media: CF Express Type B
    File System: exFAT

    Connectivity
    HDMI: HDMI 2.0 Type A (video output up to 4K DCI 60p, 10-bit 4:2:2)
    SDI: 3G-SDI
    Time Code: LTC Timecode Input via BNC
    Genlock: BB/Tri-Level Genlock Input via BNC (E1906N w/o Genlock Input)
    USB: USB 3.0 Type C for camera control & data transfer only
    Remote Port: 2.5 mm jack socket (Sony LANC compatible)
    Audio In: 3.5 mm stereo jack socket (TRS) or 5-pin LEMO port for dual channel XLR microphone (require additional XLR audio connector)
    Audio Out: 3.5 mm stereo jack socket
    Wi-Fi: 5G, up to 802.11n, external antenna port
    CTRL: Serial port
    Ethernet: Gigabit Ethernet port

    Power
    Battery: Mini V-Lock 14.8V (Battery not included)
    Power Input: DC 12~18V (2-pin LEMO socket) / PoE+ (802.3at)
    Power Output (AUX): DC 12V 2A (2-pin LEMO socket)
    Power Consumption: 18W maximum, not inclusive of AUX power consumption

    Physical
    Camera Body: Aluminum Alloy
    Weight - Camera: 1.21kg (w/ EF mount)
    Weight - Package: 1.55kg
    Dimensions (HxWxL) - Camera: 105 x 98 x 136.5 mm / 4.13 x 3.86 x 5.37 inch (w/ EF mount)
    Dimensions (HxWxL) - Package: 145 x 195 x 162 mm / 5.71 x 7.68 x 6.38 inch

    Environment
    Storage Temperature: -20 °C ~ 60 °C
    Operation Temperature: 0 °C ~ 40 °C

    ZCE2F8M2N

    Data sheet

    Video Output
    HDMI
    NDI
    RJ-45 (IP)
    SDI
    Audio Input
    LEMO 5-pin
    Mini Jack 3.5mm
    Audio Output
    HDMI Embedded
    Mini Jack 3.5mm
    NDI Embedded
    RJ-45
    SDI Embedded
    Max Output Resolution
    8K (7680 × 4320) 25/30 fps
    8K 2.4:1 (8192 x 3456) 25/30 fps
    Output colour sampling
    RGB 4:2:2 10-bit
    Streaming protocols
    NDI®|HX 3
    RTMP
    RTMPS
    RTSP
    SRT
    SSP
    Network Connection
    Ethernet
    Wi-Fi
    Sensor Size
    Full Frame (35.9x24.0mm)
    Lens mount
    Canon EF
    Interchangeable mount
    Internal ND filtres
    No
    Media type
    CFexpress Type B
    Battery Type
    Mini V-Mount
    Screen Type
    External
    Sensor Resolution
    61.17MP
    Sensor Type
    CMOS
    Image Stabilization
    Gyro
    ISO Sensitivity Range
    400-128000
    Dynamic Range
    14 stops
    Shutter Type
    Electronic Shutter
    Shutter Speed
    1/10000s-1min
    Bit Depth
    10-bit
    Viewfinder Type
    External
    Focus Mode
    AF
    CAF
    Manual
    Internal Recording Modes
    H.264
    H.265
    ProRes 422
    ProRes 422 HQ
    ProRes 422 LT
    ProRes 422 Proxy
    ZRAW
    External Recording Modes
    Blackmagic RAW
    ProRes RAW
    Timecode
    Yes
    Genlock
    Yes

    Specific References

    ean13
    6970130770514
    mpn
    E1904N

    Contact us

    optional

    Reviews

    Write your review

    Write your review

    Z-CAM E2-F8 Mark II 8K NDI Camera

    An 8K acquisition pipeline and a broadcast-grade IP output share a single fanless aluminium body in the Z-CAM E2-F8 Mark II — no external encoder, no conversion rack. Its 61.17-megapixel full-frame CMOS sensor (35.9 × 24.0 mm) records 8192 × 3456 at 30 fps, holds 14 stops of dynamic range, and the dual native ISO of 400 and 1250 keeps a festival stage at dusk as clean as a lit studio floor.

    On the network side, the camera behaves like a native source in the video matrix. A 10-bit NDI feed with very low latency travels over Gigabit Ethernet next to RTMP, RTMPS, RTSP and SRT, all set up from the built-in web client, while PoE+ (802.3at) carries power and signal through one cable — a detail riggers value on trussed multicam positions. BB and tri-level genlock plus LTC timecode enter via BNC, and Z CAM EzLink holds an entire camera grid within 0.5 ms of sync.

    Recording lands on CFexpress Type B cards: ZRAW, the full ProRes 422 family and 10-bit H.265 internally, or 12-bit ProRes RAW to an Atomos Ninja V and Blackmagic RAW to a Video Assist over HDMI 2.0, which also outputs 4K DCI 60p in 10-bit 4:2:2. A 3G-SDI port feeds monitoring or a vision mixer at the same moment. Z-Log2, HLG and 12-axis colour correction shorten camera matching across a fleet, and the gyroscope writes motion data for stabilisation in post — useful when an 8K master gets reframed into several 4K deliverables.

    Production companies count operating hours, so the numbers matter: 18 W maximum draw, convection cooling with zero moving parts, mini V-Lock packs, 12–18 V DC input and a regulated 12 V output for a focus motor or monitor. The EF mount locks actively and swaps to PL, LPL or M as the lens inventory dictates; LANC, a serial port and an open API tie the Z-CAM E2-F8 Mark II into robotic heads and remotely operated studios. One body covers cinema and live duty, and the rental sheet stays short.

    Write your review

    Related Products ( 4 other products in the same category )