DZOFilm Pavo 2x Anamorphic 3-Lens Kit (28/40/75mm T2.1) PL Mount (S35) Blue

    DZO-PAA3PLMB
    Price: €6,999.00
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    DZOFilm Pavo 2x Anamorphic 3-Lens Kit (28/40/75mm T2.1) PL Mount (S35) Blue is a matched prime set for productions that need a true 2x anamorphic signature on Super35 cinema cameras. It delivers the stretched geometry associated with scope finishing and the oval “waterfall” bokeh, while the Blue flare coating produces strong horizontal streaks from practicals, LEDs and stage lighting. Consistent colour and contrast across 28mm, 40mm and 75mm makes intercutting clean for episodic drama, docu-style shoots and branded content where lens changes must stay fast quickly.

    All three lenses share a constant T2.1–T22 range and fully mechanical cine control for repeatable takes. Focus throw reaches 270° for precise marks, and standard 0.8 MOD gearing matches follow-focus units, wireless FIZ and broadcast servo drives. The series is tuned for minimal breathing to keep composition steadier during racks, with controlled chromatic aberration and low distortion for cleaner edges and more predictable grading. The 28mm uses a 14-blade iris; the 40mm and 75mm use a 16-blade iris to keep highlight rendering smooth when stopping down.

    Coverage is specified for S35 with a 31.5 mm image circle. The kit ships with ARRI PL installed for quick swaps across mixed camera fleets (flange distances 52 mm PL). A built-in back-focus adjustment supports flange tuning after a mount change or when matching multiple bodies, keeping focus marks reliable for multicam TV, rental workflows and VFX plate acquisition.

    Close focus (from the sensor plane) reaches 0.40 m at 28mm, 0.45 m at 40mm and 0.84 m at 75mm—tight enough for product inserts, handheld dialogue and stabilized work on gimbals, Steadicam or drones with fewer diopters. The set arrives as a field package with a hard case and service accessories; this PL Blue variant uses imperial (feet) focus markings.

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    2X Compression Factor for Authentic Anamorphic
    The PAVO series comprises 28mm to 100mm focal lengths with a 2X compression ratio. This expansion of the cinematic scope allows for the inclusion of additional details, resulting in a more dramatic depth of field.

    It achieves a genuine anamorphic look that immerses viewers in a visually spectacular world, while maintaining a harmonious and unified visual style across the entire series, making it the ideal choice for professional film production.

    Unparalleled Compact Anamorphic
    With its solid and lightweight design, the PAVO features a front diameter of only 95mm and weighs between 1.2 and 1.6 kg. This versatility allows for seamless integration with a range of filming accessories, such as gimbals, Steadicams, and drones.

    Whether you're navigating handheld shots, shoulder-mounted rigs, vehicle-mounted setups, or aerial cinematography, PAVO offers the adaptability you need. Its precise construction and superior optical performance offer limitless creative possibilities for indie filmmakers and large-scale productions.

    Modern Ergonomics, Cinematic Artistry
    PAVO captures stunning imagery even in low-light shooting scenarios with a T2.1 aperture (28mm to 75mm) and T2.4 at 100mm. Its 14–16 blades of round iris create captivating oval-shaped bokeh and a mesmerizing 'waterfall' background blur, delivering a dreamlike aesthetic.

    Revolutionary Close Focus
    The PAVO series overcomes anamorphic limitations with a phenomenal minimum focus distance of 0.4m, perfect for capturing subtle facial expressions and using close-ups to create immersive and engaging visuals that resonate with viewers. This lens set is an ideal tool for filmmakers seeking to add depth and nuance to their storytelling.

    Futuristic Design, Dual Flare
    PAVO offers two different horizontal flare colors, Blue and Neutral, to cater to a wide range of movie genres and visual styles. The dark gray exterior design takes inspiration from the futuristic aesthetics of iconic sci-fi spaceships and blends the essence of modern design into its construction. 

    The Blue version is adorned with cobalt ink, while the Neutral version is elegantly embellished with vermilion ink.

    Superb Visuals for Immersive Brilliance
    PAVO provides exceptional resolution with precise control, ensuring negligible breathing effects even at longer focal lengths. The innovative design minimizes chromatic aberration, resulting in sharp, crisp images with accurate color rendering. PAVO provides a smooth transition between in-focus and out-of-focus images with a characteristic anamorphic look.

    Versatile Design, Flex Adaptation
    PAVO lenses feature a built-in back-focus adjustment, enabling precise adjustments while the lens is mounted, streamlining operational processes. Additionally, these lenses can adapt to full-frame cinema cameras using the Marlin 1.6X Expander, broadening compatibility across various shooting scenarios and meeting the demands of professional film production.

    PARAMETER
    Focal Length: 28mm
    Colour: Space Grey + Black
    Flare Option: Blue
    Mount: PL
    Aperture: T2.1-T22
    Image Circle: φ31.5mm(S35)
    Construction Of Optics: 15 Elements in 13 Groups
    Flange Distance: 52mm(PL)
    Close Focus (From Sensor Plane): 0.4m/1ft4in
    Squeeze Factor: 2X
    Iris Control: Manual(79°)
    Focus Control: Manual(270°)
    Front Dia.: φ95mm/3.74"
    Length (From Lens Front To Flange Plane): 106.3mm/4.19"
    Iris Blade: 14
    Filter Size: M86
    Gear Pitch: 0.8 Mod
    Material: Aluminum Alloy
    Weight (Product): ≈1203g

    PARAMETER
    Focal Length: 40mm
    Colour: Space Grey + Black
    Flare Option: Blue
    Mount: PL
    Aperture: T2.1-T22
    Image Circle: φ31.5mm(S35)
    Construction Of Optics: 15 Elements in 14 Groups
    Flange Distance: 52mm(PL)
    Close Focus (From Sensor Plane): 0.45m/1ft6in
    Squeeze Factor: 2X
    Iris Control: Manual(58°)
    Focus Control: Manual(270°)
    Front Dia.: φ95mm/3.74"
    Length (From Lens Front To Flange Plane): 107.6mm/4.24"
    Iris Blade: 16
    Filter Size: M86
    Gear Pitch: 0.8 Mod
    Material: Aluminum Alloy
    Weight (Product): ≈1300g

    PARAMETER
    Focal Length: 75mm
    Colour: Space Grey + Black
    Flare Option: Blue
    Mount: PL
    Aperture: T2.1-T22
    Image Circle: φ31.5mm(S35)
    Construction Of Optics: 15 Elements in 14 Groups
    Flange Distance: 52mm(PL)
    Close Focus (From Sensor Plane): 0.84m/2ft9in
    Squeeze Factor: 2X
    Iris Control: Manual(67°)
    Focus Control: Manual(270°)
    Front Dia.: φ95mm/3.74"
    Length (From Lens Front To Flange Plane): 126.9mm/4.99"
    Iris Blade: 16
    Filter Size: M86
    Gear Pitch: 0.8 Mod
    Material: Aluminum Alloy
    Weight (Product): ≈1466g

    DZO-PAA3PLMB

    Data sheet

    Lens Mount
    PL Mount
    Focal Lengths
    28mm
    40mm
    75mm
    Maximum Aperture
    T2.1
    Lens Format Coverage
    Super 35mm
    Lens Type
    Anamorphic
    Cinema Lens
    Prime

    Specific References

    ean13
    6970604941891
    mpn
    DZO-PAA3PLMB

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    DZOFilm Pavo 2x Anamorphic 3-Lens Kit (28/40/75mm T2.1) PL Mount (S35) Blue

    DZOFilm Pavo 2x Anamorphic 3-Lens Kit (28/40/75mm T2.1) PL Mount (S35) Blue is a matched prime set for productions that need a true 2x anamorphic signature on Super35 cinema cameras. It delivers the stretched geometry associated with scope finishing and the oval “waterfall” bokeh, while the Blue flare coating produces strong horizontal streaks from practicals, LEDs and stage lighting. Consistent colour and contrast across 28mm, 40mm and 75mm makes intercutting clean for episodic drama, docu-style shoots and branded content where lens changes must stay fast quickly.

    All three lenses share a constant T2.1–T22 range and fully mechanical cine control for repeatable takes. Focus throw reaches 270° for precise marks, and standard 0.8 MOD gearing matches follow-focus units, wireless FIZ and broadcast servo drives. The series is tuned for minimal breathing to keep composition steadier during racks, with controlled chromatic aberration and low distortion for cleaner edges and more predictable grading. The 28mm uses a 14-blade iris; the 40mm and 75mm use a 16-blade iris to keep highlight rendering smooth when stopping down.

    Coverage is specified for S35 with a 31.5 mm image circle. The kit ships with ARRI PL installed for quick swaps across mixed camera fleets (flange distances 52 mm PL). A built-in back-focus adjustment supports flange tuning after a mount change or when matching multiple bodies, keeping focus marks reliable for multicam TV, rental workflows and VFX plate acquisition.

    Close focus (from the sensor plane) reaches 0.40 m at 28mm, 0.45 m at 40mm and 0.84 m at 75mm—tight enough for product inserts, handheld dialogue and stabilized work on gimbals, Steadicam or drones with fewer diopters. The set arrives as a field package with a hard case and service accessories; this PL Blue variant uses imperial (feet) focus markings.

    Write your review

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