DZOFilm Pavo 2x Anamorphic 3-Lens Kit (32/55/100mm T2.1/T2.4) PL Mount (S35) Neutral

    DZO-PAB3PLMN
    Price: €6,999.00
    No tax
    We offer EU-wide sales, invoicing for VAT-free intra-community delivery.
    Available from supplier (Delivery time to be confirmed.)

    DZOFilm Pavo 2x Anamorphic 3-Lens Kit (32/55/100mm T2.1/T2.4) PL Mount (S35) Neutral is a matched Super35 prime set for crews who want one coherent anamorphic signature from establishing wides to tight character coverage. Each lens holds a true 2x squeeze, delivering classic CinemaScope geometry after de-squeeze, with coherent colour and controlled distortion so edits between focal lengths cut cleanly in drama, commercials and broadcast packages.

    Exposure management stays predictable: T2.1 on 32mm and 55mm, and T2.4 on 100mm, all stopping to T22 for highlight discipline. A 16-blade iris shapes smooth oval bokeh and stable specular roll-off, while the Neutral flare coating keeps horizontal streaks restrained and contrast intact under mixed sources—practical for LED volumes, stage lighting, night exteriors and glossy product work where flare should read as texture rather than a colour cast that dictates grading choices.

    Close focus is unusually short for 2x anamorphics, enabling tight inserts without diopters: 0.40 m (32mm), 0.60 m (55mm) and 0.95 m (100mm) measured from the sensor plane. Long-throw manual focus supports repeatable marks and smooth pulls for dialogue blocking, handheld vérité, gimbal moves, and tabletop shots (tech, cosmetics, food) where de-squeezed widescreen makes breathing and framing changes immediately visible.

    Mechanically, the trio fits standard cine workflows with PL mount, Super35 coverage (31.5 mm image circle), unified focus/iris gearing (0.8 MOD) and a shared M86 front filter thread to standardise filtration across the set. Integrated back-focus adjustment supports on-camera calibration after transport or temperature swings, keeping focus marks aligned for assistants and speeding up lens swaps on multi-camera days. For productions alternating Super35 and larger sensors, the optics can be paired with the Marlin 1.6x Expander to broaden compatibility.

    UE Shipping

    We ship across the EU for €20, free over €1,000.

    B2B Shop

    B2B sales only, prices excl. VAT.

    Safe Shopping

    Official EU distribution and warranty.

    Secure checkout

    Secure online payments via Stripe.

    Individual quotation

    Send your enquiry via the form or email avgear@avgear.shop

    2X Compression Factor for Authentic Anamorphic
    The PAVO series comprises 28mm to 100mm focal lengths with a 2X compression ratio. This expansion of the cinematic scope allows for the inclusion of additional details, resulting in a more dramatic depth of field.

    It achieves a genuine anamorphic look that immerses viewers in a visually spectacular world, while maintaining a harmonious and unified visual style across the entire series, making it the ideal choice for professional film production.

    Unparalleled Compact Anamorphic
    With its solid and lightweight design, the PAVO features a front diameter of only 95mm and weighs between 1.2 and 1.6 kg. This versatility allows for seamless integration with a range of filming accessories, such as gimbals, Steadicams, and drones.

    Whether you're navigating handheld shots, shoulder-mounted rigs, vehicle-mounted setups, or aerial cinematography, PAVO offers the adaptability you need. Its precise construction and superior optical performance offer limitless creative possibilities for indie filmmakers and large-scale productions.

    Modern Ergonomics, Cinematic Artistry
    PAVO captures stunning imagery even in low-light shooting scenarios with a T2.1 aperture (28mm to 75mm) and T2.4 at 100mm. Its 14–16 blades of round iris create captivating oval-shaped bokeh and a mesmerizing 'waterfall' background blur, delivering a dreamlike aesthetic.

    Revolutionary Close Focus
    The PAVO series overcomes anamorphic limitations with a phenomenal minimum focus distance of 0.4m, perfect for capturing subtle facial expressions and using close-ups to create immersive and engaging visuals that resonate with viewers. This lens set is an ideal tool for filmmakers seeking to add depth and nuance to their storytelling.

    Futuristic Design, Dual Flare
    PAVO offers two different horizontal flare colors, Blue and Neutral, to cater to a wide range of movie genres and visual styles. The dark gray exterior design takes inspiration from the futuristic aesthetics of iconic sci-fi spaceships and blends the essence of modern design into its construction. 

    The Blue version is adorned with cobalt ink, while the Neutral version is elegantly embellished with vermilion ink.

    Superb Visuals for Immersive Brilliance
    PAVO provides exceptional resolution with precise control, ensuring negligible breathing effects even at longer focal lengths. The innovative design minimizes chromatic aberration, resulting in sharp, crisp images with accurate color rendering. PAVO provides a smooth transition between in-focus and out-of-focus images with a characteristic anamorphic look.

    Versatile Design, Flex Adaptation
    PAVO lenses feature a built-in back-focus adjustment, enabling precise adjustments while the lens is mounted, streamlining operational processes. Additionally, these lenses can adapt to full-frame cinema cameras using the Marlin 1.6X Expander, broadening compatibility across various shooting scenarios and meeting the demands of professional film production.

    PARAMETER
    Focal Length: 32mm
    Colour: Space Grey + Black
    Flare Option: Neutral
    Mount: PL
    Aperture: T2.1-T22
    Image Circle: φ31.5mm(S35)
    Construction Of Optics: 15 Elements in 13 Groups
    Flange Distance: 52mm(PL)
    Close Focus (From Sensor Plane): 0.4m/1ft4in
    Squeeze Factor: 2X
    Iris Control: Manual(59°)
    Focus Control: Manual(270°)
    Front Dia.: φ95mm/3.74"
    Length (From Lens Front To Flange Plane): 105.7mm/4.16"
    Iris Blade: 16
    Filter Size: M86
    Gear Pitch: 0.8 Mod
    Material: Aluminum Alloy
    Weight (Product): ≈1278g

    PARAMETER
    Focal Length: 55mm
    Colour: Space Grey + Black
    Flare Option: Neutral
    Mount: PL
    Aperture: T2.1-T22
    Image Circle: φ31.5mm(S35)
    Construction Of Optics: 14 Elements in 13 Groups
    Flange Distance: 52mm(PL)
    Close Focus (From Sensor Plane): 0.6m/2ft
    Squeeze Factor: 2X
    Iris Control: Manual(63°)
    Focus Control: Manual(270°)
    Front Dia.: φ95mm/3.74"
    Length (From Lens Front To Flange Plane): 108.4mm/4.26"
    Iris Blade: 16
    Filter Size: M86
    Gear Pitch: 0.8 Mod
    Material: Aluminum Alloy
    Weight (Product): ≈1262g

    PARAMETER
    Focal Length: 100mm
    Colour: Space Grey + Black
    Flare Option: Neutral
    Mount: PL
    Aperture: T2.4-T22
    Image Circle: φ31.5mm(S35)
    Construction Of Optics: 14 Elements in 13 Groups
    Flange Distance: 52mm(PL)
    Close Focus (From Sensor Plane): 0.95m/3ft1in
    Squeeze Factor: 2X
    Iris Control: Manual(76°)
    Focus Control: Manual(270°)
    Front Dia.: φ95mm/3.74"
    Length (From Lens Front To Flange Plane): 143.1mm/5.63"
    Iris Blade: 16
    Filter Size: M86
    Gear Pitch: 0.8 Mod
    Material: Aluminum Alloy
    Weight (Product): ≈1654g

    DZO-PAB3PLMN

    Data sheet

    Lens Mount
    PL Mount
    Focal Lengths
    32mm
    55mm
    100mm
    Maximum Aperture
    T2.1
    T2.4
    Lens Format Coverage
    Super 35mm
    Lens Type
    Anamorphic
    Cinema Lens
    Prime

    Specific References

    ean13
    6970604941921
    mpn
    DZO-PAB3PLMN

    Contact us

    optional

    Reviews

    Write your review

    DZOFilm Pavo 2x Anamorphic 3-Lens Kit (32/55/100mm T2.1/T2.4) PL Mount (S35) Neutral

    DZOFilm Pavo 2x Anamorphic 3-Lens Kit (32/55/100mm T2.1/T2.4) PL Mount (S35) Neutral is a matched Super35 prime set for crews who want one coherent anamorphic signature from establishing wides to tight character coverage. Each lens holds a true 2x squeeze, delivering classic CinemaScope geometry after de-squeeze, with coherent colour and controlled distortion so edits between focal lengths cut cleanly in drama, commercials and broadcast packages.

    Exposure management stays predictable: T2.1 on 32mm and 55mm, and T2.4 on 100mm, all stopping to T22 for highlight discipline. A 16-blade iris shapes smooth oval bokeh and stable specular roll-off, while the Neutral flare coating keeps horizontal streaks restrained and contrast intact under mixed sources—practical for LED volumes, stage lighting, night exteriors and glossy product work where flare should read as texture rather than a colour cast that dictates grading choices.

    Close focus is unusually short for 2x anamorphics, enabling tight inserts without diopters: 0.40 m (32mm), 0.60 m (55mm) and 0.95 m (100mm) measured from the sensor plane. Long-throw manual focus supports repeatable marks and smooth pulls for dialogue blocking, handheld vérité, gimbal moves, and tabletop shots (tech, cosmetics, food) where de-squeezed widescreen makes breathing and framing changes immediately visible.

    Mechanically, the trio fits standard cine workflows with PL mount, Super35 coverage (31.5 mm image circle), unified focus/iris gearing (0.8 MOD) and a shared M86 front filter thread to standardise filtration across the set. Integrated back-focus adjustment supports on-camera calibration after transport or temperature swings, keeping focus marks aligned for assistants and speeding up lens swaps on multi-camera days. For productions alternating Super35 and larger sensors, the optics can be paired with the Marlin 1.6x Expander to broaden compatibility.

    Write your review

    Related Products ( 4 other products in the same category )