A roughly ninefold focal span in three barrels sums up the DZOFilm Pictor Zoom 3-Lens Kit (14-30/20-55/50-125 T2.8) Black PL & EF Mount (S35): 14 mm at one end, 125 mm at the other, and T2.8 throughout. On Super 35, the 14 mm end takes in a scene about 5.3 m wide from 3 m back, while 125 mm from 20 m isolates a strip close to 4 m across. That reach suits wildlife work, where an animal never repeats its move for a lens change; one Cape Town DP, in an account DZOFilm published, has taken his Pictor zooms through Saharan heat, rainforest humidity and swamp shoots.
Once flange back is set with the supplied shims, each parfocal cine zoom holds focus through its travel, so an operator can tighten mid-shot with no new mark. Shimming is careful bench work, done once per body. Breathing stays faint thanks to floating focus elements. The 14-30 holds 21 elements, the other two 18 each. The look leans warm and gently soft, kind to skin; reviewers saw the 50-125 sharpen its corners from around T4, and sixteen iris blades keep out-of-focus highlights round. Colour matches across all three, which shortens grading when a talk show or panel stream is cut from several cameras.
Focus turns 270°, zoom 100°, iris 61°, 65° or 72°, all on 0.8 MOD gears at matching positions, so wireless motors stay put through a swap. Fronts share a 95 mm diameter and M86 filter thread, so donuts and filters carry over. Minimum focus from the sensor is 0.6 m for the 14-30 and 20-55 and 0.8 m for the 50-125; at 125 mm, 0.184x magnification lets a wristwatch carry a product insert.
Both PL and EF mounts ship with each lens. PL arrives installed; the EF bayonets travel with shims, a mounting tool and support feet in a purge-valve hard case with shaped foam. With no electronic contacts, focal length and stop go on the camera report by hand. DZOFilm limits EF use to cinema and mirrorless bodies, excluding DSLRs, and the protruding rear group rules out speed boosters; Octopus adapters bridge to E, RF, L, X and Z bodies. If the fleet moves to full frame or VistaVision, the maker's Marlin 1.6x stretches the set to 22.4–200 mm at about T4.7, so this Super 35 cine zoom kit outlives the next camera purchase.
Instead of €4,217.00
A roughly ninefold focal span in three barrels sums up the DZOFilm Pictor Zoom 3-Lens Kit (14-30/20-55/50-125 T2.8) Black PL & EF Mount (S35): 14 mm at one end, 125 mm at the other, and T2.8 throughout. On Super 35, the 14 mm end takes in a scene about 5.3 m wide from 3 m back, while 125 mm from 20 m isolates a strip close to 4 m across. That reach suits wildlife work, where an animal never repeats its move for a lens change; one Cape Town DP, in an account DZOFilm published, has taken his Pictor zooms through Saharan heat, rainforest humidity and swamp shoots.
Once flange back is set with the supplied shims, each parfocal cine zoom holds focus through its travel, so an operator can tighten mid-shot with no new mark. Shimming is careful bench work, done once per body. Breathing stays faint thanks to floating focus elements. The 14-30 holds 21 elements, the other two 18 each. The look leans warm and gently soft, kind to skin; reviewers saw the 50-125 sharpen its corners from around T4, and sixteen iris blades keep out-of-focus highlights round. Colour matches across all three, which shortens grading when a talk show or panel stream is cut from several cameras.
Focus turns 270°, zoom 100°, iris 61°, 65° or 72°, all on 0.8 MOD gears at matching positions, so wireless motors stay put through a swap. Fronts share a 95 mm diameter and M86 filter thread, so donuts and filters carry over. Minimum focus from the sensor is 0.6 m for the 14-30 and 20-55 and 0.8 m for the 50-125; at 125 mm, 0.184x magnification lets a wristwatch carry a product insert.
Both PL and EF mounts ship with each lens. PL arrives installed; the EF bayonets travel with shims, a mounting tool and support feet in a purge-valve hard case with shaped foam. With no electronic contacts, focal length and stop go on the camera report by hand. DZOFilm limits EF use to cinema and mirrorless bodies, excluding DSLRs, and the protruding rear group rules out speed boosters; Octopus adapters bridge to E, RF, L, X and Z bodies. If the fleet moves to full frame or VistaVision, the maker's Marlin 1.6x stretches the set to 22.4–200 mm at about T4.7, so this Super 35 cine zoom kit outlives the next camera purchase.
We ship across the EU for €20, free over €1,000.
B2B sales only, prices excl. VAT.
Official EU distribution and warranty.
Secure online payments via Stripe.
Send your enquiry via the form or email avgear@avgear.shop
| Specification | 14-30 mm | 20-55 mm | 50-125 mm |
|---|---|---|---|
| Colour | BLACK | ||
| Mount | PL / EF | ||
| T-Stop | T2.8-22 | ||
| Image Circle | ø31.5mm (S35) | ||
| Optical Construction | 21 Elements in 17 Groups | 18 Elements in 15 Groups | 18 Elements in 13 Groups |
| Flange Distance | 52mm (PL) / 44mm (EF) | ||
| Close Focus (from sensor plane) | 0.6m/2ft | 0.8m/2ft8in | |
| Zoom Ratio | 2.14X | 2.75X | 2.5X |
| Iris Control | 61° | 65° | 72° |
| Focus Control | 270° | ||
| Zoom Control | 100° | ||
| Front Dia. | ø95mm/3.74" | ||
| Length | 173mm (PL) 6.81”/ 181mm (EF) 7.13” | 164mm (PL) 6.46”/ 171.9mm (EF) 6.77” | 175mm (PL) 6.89”/ 182.9mm (EF) 7.20” |
| Iris Blade | 16 | ||
| Filter Size | M86*0.75 | ||
| Gear Pitch | 0.8 Mod | ||
| Material | Aluminum Alloy | ||
| Weight | ≈1880g | ≈1520g | ≈1700g |
Data sheet
Specific References
