• -€100.00

DZOFilm Arles 35mm T1.4 FF/VV Prime Cine Lens PL Mount (metric)

DZO-SAP35MPL
€1,759.00
Price: €1,659.00 Save €100.00
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The DZOFilm Arles 35mm T1.4 FF/VV Prime Cine Lens in PL mount with a metric scale is a fast standard for full-frame and Vista Vision cameras. T1.4 transmission supports low-light capture and precise depth control, while the 46.5 mm image circle covers large-format sensors cleanly. An optical formula of 14 elements in 12 groups with floating adjustment holds contrast from infinity to the 0.35 m minimum focus with restrained breathing. A 16-blade iris renders circular highlights, and multi-layer nano coatings with calibrated flare control limit ghosts and preserve neutral colour.

Mechanically, the Arles 35 provides a uniform 95 mm front, an M86 filter thread and standard 0.8 MOD gears. The focus ring travels 270° for fine marks, and the iris rotates 80° for repeatable pulls. Ring positions mirror the rest of the Arles primes, so matte boxes, motors and follow-focus remain in place. An internal anti-reflective structure suppresses stray light, keeping blacks clean.

This unit ships in PL mount with a metric scale for precise marks; the Arles system also supports user-swappable PL/EF mounts. Vista Vision coverage pairs with leading large-format cameras and the lens handles high-speed capture without exposure drift. The close focus at 0.35 m enables tight interview framings and product hero shots without diopters, while gentle field curvature adds dimensional separation for portraits and narrative close-ups.

In live and streaming, the 35 mm angle frames presenters from a pedestal or gimbal with stable breathing for graphics keying. For commercials and fiction it offers controlled contrast, clean flare behaviour and repeatable mechanics through daily rig changes. Searchable touchpoints—FF/VV coverage, PL mount, metric focus scale, T1.4, 270° focus throw, 16-blade iris, M86 filter and 0.8 MOD gears—make the DZOFilm Arles 35mm T1.4 a dependable core prime for professional crews. .

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Specification
Focal Length35mm
ColourBlack
MountPL
ApertureT1.4-T22
Image Circleø46.5mm (VV/FF)
Construction of Optics13 Elements in 9 Groups
Flange Distance52mm (PL)
Angle of View (diagonal, horizontal, vertical)61° / 34° / 67°
Close Focus (from sensor plane)0.4m / 1ft4in
Iris ControlManual (83°)
Focus ControlManual (270°)
Front Dia.ø95mm / 3.74"
Length (from lens front to flange plane)121mm / 4.76” (PL)
Iris Blade16
Filter SizeM86
Gear Pitch0.8 Mod
MaterialAluminum Alloy
Weight (Product)≈1650g
DZO-SAP35MPL

Data sheet

Lens Mount
PL Mount
Focal Lengths
35mm
Maximum Aperture
T1.4
Lens Format Coverage
Full Frame
Lens Type
Cinema Lens
Prime

Specific References

ean13
6970604942997
mpn
DZO-SAP35MPL

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DZOFilm Arles 35mm T1.4 FF/VV Prime Cine Lens PL Mount (metric)

The DZOFilm Arles 35mm T1.4 FF/VV Prime Cine Lens in PL mount with a metric scale is a fast standard for full-frame and Vista Vision cameras. T1.4 transmission supports low-light capture and precise depth control, while the 46.5 mm image circle covers large-format sensors cleanly. An optical formula of 14 elements in 12 groups with floating adjustment holds contrast from infinity to the 0.35 m minimum focus with restrained breathing. A 16-blade iris renders circular highlights, and multi-layer nano coatings with calibrated flare control limit ghosts and preserve neutral colour.

Mechanically, the Arles 35 provides a uniform 95 mm front, an M86 filter thread and standard 0.8 MOD gears. The focus ring travels 270° for fine marks, and the iris rotates 80° for repeatable pulls. Ring positions mirror the rest of the Arles primes, so matte boxes, motors and follow-focus remain in place. An internal anti-reflective structure suppresses stray light, keeping blacks clean.

This unit ships in PL mount with a metric scale for precise marks; the Arles system also supports user-swappable PL/EF mounts. Vista Vision coverage pairs with leading large-format cameras and the lens handles high-speed capture without exposure drift. The close focus at 0.35 m enables tight interview framings and product hero shots without diopters, while gentle field curvature adds dimensional separation for portraits and narrative close-ups.

In live and streaming, the 35 mm angle frames presenters from a pedestal or gimbal with stable breathing for graphics keying. For commercials and fiction it offers controlled contrast, clean flare behaviour and repeatable mechanics through daily rig changes. Searchable touchpoints—FF/VV coverage, PL mount, metric focus scale, T1.4, 270° focus throw, 16-blade iris, M86 filter and 0.8 MOD gears—make the DZOFilm Arles 35mm T1.4 a dependable core prime for professional crews. .

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