Blackmagic Design PYXIS 6K EF Mount
€2,639.00
Blackmagic Design PYXIS 6K EF Mount is a cinema box camera built around a full-frame 36 x 24 mm sensor ( 6048 x 4032 ) with an optical...
Forty-five million pixels per frame buy one thing above all: room to change your mind in post. The Kinefinity MAVO Edge 8K Camera KineMOUNT pulls 8192×5288 off a 36×24 mm full-frame CMOS in open gate 3:2, so a UHD deliverable still has room for a genuine reframe, a stabilisation margin or a clean VFX plate out of one take. Format sets the ceiling: 45 fps over the entire gate, 70 fps at 8K 2.4:1, 108 fps on a Super 35 5K 2.4:1 crop.
None of it needs an external recorder. 12-bit ProRes 4444 XQ and ProRes 4444 land as QuickTime files in the body, joined by 10-bit 422 HQ, 422 and LT, all in KineLOG3 so a colourist starts from a familiar curve. Two internal bays run KineMAG Nano NVMe M.2 drives, and a Nano carrier accepts off-the-shelf 2280 modules. KineOS 7.1's ProRes 4444 efficiency mode stretches a card roughly twice as far without surrendering latitude.
Exposure is handled without opening the matte box. The internal motorised full-spectrum e-ND travels from 0.6 to 2.1, two to seven stops, in stepless movement: an operator following a presenter from shade into hard sun keeps the T-stop intact. Sensitivity rests on two base ratings, 640 and 2560, each with its own span — 250 to 800 low, 800 to 16,000 high — and rated latitude passes 14 stops. A UV and IR-cut optical low-pass filter sits in the light path, shutter angle runs from 0.7° to 358°, and the short flange depth of the native KineMOUNT takes PL, LPL, active EF and passive E adapters.
Carbon fibre over aircraft aluminium accounts for the rigidity; the port panel absorbs what KineBACK-W once bolted on. Two 1.5G/3G-SDI outputs push picture and embedded metadata to a switcher or DIT station, while two dedicated video connectors drive a KineMON touchscreen and the viewfinder. Linear timecode runs in and out, a seven-pin SYNC port over RS232 holds several bodies in step, and audio arrives on two 48 V phantom XLR channels at 24-bit/48 kHz. Gigabit Ethernet and Wi-Fi 5 with internal H.264 encoding send a live feed to a stream or a remote approval room. Cooke /i lens metadata travels through to post, and the hybrid plate takes V-mount or BP-U cells, with D-Tap, RS and Lens outputs for motors and monitoring.
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MAVO Edge 8K Full-Frame 8K Cinema Camera
MAVO Edge is a brand-new large-format 8K cine camera. With a whole-new carbon fiber camera body, MAVO Edge is equipped with a stunning 8K 70P CMOS imaging sensor and cutting-edge image processing engine. Featuring internal motorized full-spectrum e-ND, more industry-standard ports and dual SSD media slots. Recognized by Hollywood's filmmaking industry, ProRes is an universal intermediate codec. MAVO Edge integrated the functions of KineBACK-W into the camera body with numerous professional ports.
Stunning 8K 70P Imaging Sensor
The new 8K imaging sensor on the MAVO Edge is an amazing canvas with 45 million pixels on a 36x24mm full-frame CMOS sensor featuring 640/2560 dual native ISO, 8K Wide up to 70fps and latitude up to 14+ stops. Even at open gate 3:2, surprisingly this beast can still deliver a gorgeous image of 45 million pixels at up to 45 frames per second.
In-camera 8K ProRes4444
MAVO Edge can directly record Apple's ProRes4444/XQ codec which has been highly expected by the video industry. From the capture of its 8K CMOS image over the delicate color processing to the 8K ProRes4444 encoding and storage, these complex processes and the ultra-high bandwidth bitrate processing all happen within the compact MAVO Edge body.
Integration, Convenient to Use
The whole-new integrated carbon fiber body has incorporated the full-spectrum e-ND system, dual SSD slots with blazing-fast NVMe M.2-based KineMAG Nano, comprehensive networking and creative power solution. Features dual XLR ports for Phantom-powered 48V MIC, dual 1.5G/3G-SDI monitoring outputs, time code input and output, SYNC, DC Power output, innovative hybrid battery plate with D-Tap port.
Internal Motorized Full-Spectrum e-ND
The built-in motor-driven full-spectrum e-ND filter ranges from 0.6 to 2.1 (2-7 stops neutral density) and can be adjusted seamlessly over all ranges.
Dual SSD Media Slots
Dual SSD slots with blazing-fast NVMe M.2-based KineMAG Nano for high-bandwidth recording and storage.
Dual SDI & Independent Monitoring
Dual 1.5G/3G SDI outputs with embedded metadata for enhanced compatibility with third-party accessories. Independent Video ports for Kinefinity touchscreen monitors and EVF.
Timecode & SYNC
Linear timecode input and output, SYNC multi-camera synchronization port for seamless integration with professional production setups.
Dual XLR Phantom Power Audio
Two independently controlled 48V phantom-powered XLR inputs for professional audio recording with in-camera reference microphone and 3.5mm stereo input.
Dual XLR Phantom Power Audio
Two independently controlled 48V phantom-powered XLR inputs for professional audio recording with in-camera reference microphone and 3.5mm stereo input.
Comprehensive Power Solution
Innovative hybrid battery plate supports standard V-mount and BP-U batteries. D-Tap, RS, and Lens ports for powering third-party accessories directly.
Networking & Connectivity
Gigabit Ethernet, WiFi 5, and USB-C for flexible connectivity, live streaming, and camera control. Internal H.264 encoding for live output.
Integrated Body Design of the iF Industrial Design Award
MAVO Edge inherits the integrated carbon fiber body design which won the prestigious iF DESIGN AWARD 2021. Its carbon fiber and aircraft aluminium body has superior strength and toughness to meet a wide range of photographic needs. Awarded in Germany since 1953, the iF DESIGN AWARD is annually conferred by iF International Forum Design GmbH, which is the local oldest truly independent design institution. It rests on independence, rigor, and reliability, aiming to raise public awareness of design.
| CMOS Imaging Sensor | |
|---|---|
| Sensor | 8K 3:2 Full Frame CMOS Imaging Sensor |
| Max Recording Resolution | 8192×5288 (Open gate 3:2), 44.7M pixels |
| Active Sensor Area | 36×24mm, ø 43.3mm |
| Dual Base ISO | Regular Base ISO: 640 (from 250~800), High Base ISO: 2560 (from 800 to 16000) |
| Dynamic Range | >14 stops |
| Shutter Angle | 0.7°~358° with rolling shutter |
| Lens Mount | Native KineMOUNT with Short FFD, Adapters: PL/LPL/Active EF/passive E |
| Optical Filter | Replaceable OLPF with UV and IR-cut filter |
| ND Filter | Built-in motorized: Clear and e-ND from 0.6 to 2.1 |
| Codecs, LUT & Recording Media | |
| LUT Support | KineLOG3, Neutral (Rec 709), Custom 3D LUT support |
| Recording Media | Slot ×2, KineMAG Nano SSD (NVMe M.2); 3rd-party NVMe M.2 2280 supported via KineMAG Nano Body |
| Streaming | Live streaming via H.264 |
| ProRes 4444XQ | Format: QuickTime .mov Bit Depth: 12-bit Notes: KineLOG3 |
| ProRes 4444 | Format: QuickTime .mov Bit Depth: 12-bit Notes: KineLOG3 |
| ProRes 422HQ | Format: QuickTime .mov Bit Depth: 10-bit Notes: KineLOG3, ProRes 422/LT included |
| Recording Formats — Full Frame | |
| FF 8K OG | 8192×5288, 2~45fps Codec: ProRes Optical Format: 36×23.3mm, ø 42.9mm |
| FF 8K DCI | 8192×4320, 2~55fps Codec: ProRes Optical Format: 36×19mm, ø 40.7mm |
| FF 8K 2.4:1 | 8192×3384, 2~70fps Codec: ProRes Optical Format: 36×14.9mm, ø 39.0mm |
| FF 8K UHD | 7680×4320, 2~55fps Codec: ProRes Optical Format: 33.8×19mm, ø 38.7mm |
| FF 7.6K 2.4:1 | 7680×3200, 2~72fps Codec: ProRes Optical Format: 33.8×14.1mm, ø 36.6mm |
| FF 7.2K 3:2 | 7168×4760, 2~50fps Codec: ProRes Optical Format: 31.5×21mm, ø 37.9mm |
| FF 6.4K 4:2 | 6400×4760, 2~50fps Codec: ProRes Optical Format: 28.1×21mm, ø 35.1mm |
| FF 5.7K 6:5 | 5760×4760, 2~50fps Codec: ProRes Optical Format: 25.3×21mm, ø 32.9mm |
| FF 4.8K 3:2 (OS) | 4864×3176, 2~50fps Codec: ProRes Optical Format: 31.5×21mm, ø 37.9mm |
| FF 4.2K 4:3 (OS) | 4224×3176, 2~50fps Codec: ProRes Optical Format: 28.1×21mm, ø 35.1mm |
| FF 4K OG (OS) | 4096×2644, 2~45fps Codec: ProRes Optical Format: 36×23.3mm, ø 42.9mm |
| FF 4K DCI (OS) | 4096×2160, 2~55fps Codec: ProRes Optical Format: 36×19mm, ø 40.7mm |
| FF 4K 2.4:1 (OS) | 4096×1692, 2~70fps Codec: ProRes Optical Format: 36×14.9mm, ø 39.0mm |
| FF 3.8K 6:5 (OS) | 3840×3176, 2~50fps Codec: ProRes Optical Format: 25.3×21mm, ø 32.9mm |
| FF 4K UHD (OS) | 3840×2160, 2~55fps Codec: ProRes Optical Format: 33.8×19mm, ø 38.7mm |
| FF 3.8K 2.4:1 (OS) | 3840×1600, 2~70fps Codec: ProRes Optical Format: 33.8×14.1mm, ø 36.6mm |
| Recording Formats — S35 Crop | |
| S35 6K 3:2 | 6144×3840, 2~60fps Codec: ProRes Optical Format: 27×16.8mm, ø 31.8mm |
| S35 6K DCI | 6144×3240, 2~72fps Codec: ProRes Optical Format: 27×14.2mm, ø 30.5mm |
| S35 6K 2.4:1 | 6144×2560, 2~92fps Codec: ProRes Optical Format: 27×11.3mm, ø 29.3mm |
| S35 6K UHD | 5760×3240, 2~72fps Codec: ProRes Optical Format: 25.2×14.2mm, ø 29.0mm |
| S35 5K 4:3 | 5120×3840, 2~60fps Codec: ProRes Optical Format: 22.5×16.8mm, ø 28.1mm |
| S35 5K DCI | 5120×2700, 2~85fps Codec: ProRes Optical Format: 22.5×11.9mm, ø 25.5mm |
| S35 5K 2.4:1 | 5120×2160, 2~108fps Codec: ProRes Optical Format: 22.5×9.5mm, ø 24.4mm |
| S35 4.8K 6:5 | 4864×3840, 2~60fps Codec: ProRes Optical Format: 21.4×16.8mm, ø 27.2mm |
| S35 4K 3:2 (OS) | 4096×2560, 2~60fps Codec: ProRes Optical Format: 27×16.8mm, ø 31.8mm |
| S35 4K DCI (OS) | 4096×2160, 2~72fps Codec: ProRes Optical Format: 27×14.2mm, ø 30.5mm |
| S35 4K UHD (OS) | 3840×2160, 2~72fps Codec: ProRes Optical Format: 25.2×14.2mm, ø 29.0mm |
| S35 3.8K 2.4:1 (OS) | 3840×1600, 2~92fps Codec: ProRes Optical Format: 25.2×10.5mm, ø 27.3mm |
| S35 3.4K 4:3 (OS) | 3456×2560, 2~60fps Codec: ProRes Optical Format: 22.5×16.8mm, ø 28.1mm |
| S35 3K 6:5 (OS) | 3072×2560, 2~60fps Codec: ProRes Optical Format: 21.4×16.8mm, ø 27.2mm |
| Recording Formats — Other Cropping | |
| 4K DCI | 4096×2160, 2~108fps Codec: ProRes Optical Format: — |
| 4K 2.4:1 | 4096×1692, 2~130fps Codec: ProRes Optical Format: — |
| 4K UHD | 3840×2160, 2~108fps Codec: ProRes Optical Format: — |
| 3.8K 2.4:1 | 3840×1600, 2~130fps Codec: ProRes Optical Format: — |
| 3K DCI | 3072×1620, 2~144fps Codec: ProRes Optical Format: — |
| 3K 2.4:1 | 3072×1200, 2~195fps Codec: ProRes Optical Format: — |
| 2K DCI | 2048×1080, 2~200fps Codec: ProRes Optical Format: — |
| 2K 2.4:1 | 2048×860, 2~270fps Codec: ProRes Optical Format: — |
| 2K FHD | 1920×1080, 2~220fps Codec: ProRes Optical Format: — |
| 1.9K 2.4:1 | 1920×800, 2~290fps Codec: ProRes Optical Format: — |
| Monitoring | |
| Video Ports | KINEFINITY Proprietary Video Port ×2 |
| SDI Outputs | 3G/1.5G SDI ×2 with metadata (regular BNC) |
| Monitor Support | Kinefinity Viewfinder, KineMON-5U2/7U2 Ultra Bright Monitor with Touch Screen |
| Audio | |
| Audio Sampling | Linear PCM, 24-bit, 48KHz |
| Audio Input | Built-in Mono Microphone, 3.5mm Microphone Jack, 48V Phantom-power Balanced Input ×2 (regular XLR) |
| Audio Output | 3.5mm Headphone Jack |
| Wireless & Network | |
| Wired Network | Gigabit Ethernet (RJ45) for live streaming, camera control and data transfer |
| Wireless | WiFi 5 for live streaming and camera control |
| Sensor | 3-axis accelerometer |
| SYNC & Control | |
| Timecode | Linear TC In & Out (0B 5-pin) |
| Lens Control Port | Lens with RS232, Power output (0B 6-pin) |
| Multi-Sync Port | SYNC with RS232 and KINEFINITY Camera Sync (0B 7-pin) |
| RS Trigger Port | Rec trigger input with Power output (Fisher 3-pin) |
| USB | USB Type-C ×1, for firmware updates and custom 3D LUT import |
| Power In & Out | |
| Power Consumption | ~29W (8K 25fps, live view) |
| Power Input | Integrated V-mount Battery Plate (V-mount or BP-U compatible), DC Input (1B 2-pin), 11~26V |
| Power Outputs | D-tap ×1 @Vbat/3A, RS ×1 @Vbat/3A (shared with D-tap), Lens ×1 @Vbat/3A |
| Construction & Size | |
| Body Material | Carbon Fiber and Ultra-high Strength Aircraft Aluminium |
| Body Weight | ~2.2kg / 4.9lbs (only body) |
| Operating Temperature | 0°C ~ 40°C |
Data sheet
Specific References