Kinefinity MAVO Edge 8K Camera KineMOUNT

    A010-001-01
    Price: €11,899.00
    No tax
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    Available from supplier (Delivery time to be confirmed.)

    Forty-five million pixels per frame buy one thing above all: room to change your mind in post. The Kinefinity MAVO Edge 8K Camera KineMOUNT pulls 8192×5288 off a 36×24 mm full-frame CMOS in open gate 3:2, so a UHD deliverable still has room for a genuine reframe, a stabilisation margin or a clean VFX plate out of one take. Format sets the ceiling: 45 fps over the entire gate, 70 fps at 8K 2.4:1, 108 fps on a Super 35 5K 2.4:1 crop.

    None of it needs an external recorder. 12-bit ProRes 4444 XQ and ProRes 4444 land as QuickTime files in the body, joined by 10-bit 422 HQ, 422 and LT, all in KineLOG3 so a colourist starts from a familiar curve. Two internal bays run KineMAG Nano NVMe M.2 drives, and a Nano carrier accepts off-the-shelf 2280 modules. KineOS 7.1's ProRes 4444 efficiency mode stretches a card roughly twice as far without surrendering latitude.

    Exposure is handled without opening the matte box. The internal motorised full-spectrum e-ND travels from 0.6 to 2.1, two to seven stops, in stepless movement: an operator following a presenter from shade into hard sun keeps the T-stop intact. Sensitivity rests on two base ratings, 640 and 2560, each with its own span — 250 to 800 low, 800 to 16,000 high — and rated latitude passes 14 stops. A UV and IR-cut optical low-pass filter sits in the light path, shutter angle runs from 0.7° to 358°, and the short flange depth of the native KineMOUNT takes PL, LPL, active EF and passive E adapters.

    Carbon fibre over aircraft aluminium accounts for the rigidity; the port panel absorbs what KineBACK-W once bolted on. Two 1.5G/3G-SDI outputs push picture and embedded metadata to a switcher or DIT station, while two dedicated video connectors drive a KineMON touchscreen and the viewfinder. Linear timecode runs in and out, a seven-pin SYNC port over RS232 holds several bodies in step, and audio arrives on two 48 V phantom XLR channels at 24-bit/48 kHz. Gigabit Ethernet and Wi-Fi 5 with internal H.264 encoding send a live feed to a stream or a remote approval room. Cooke /i lens metadata travels through to post, and the hybrid plate takes V-mount or BP-U cells, with D-Tap, RS and Lens outputs for motors and monitoring.

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    MAVO Edge 8K Full-Frame 8K Cinema Camera
    MAVO Edge is a brand-new large-format 8K cine camera. With a whole-new carbon fiber camera body, MAVO Edge is equipped with a stunning 8K 70P CMOS imaging sensor and cutting-edge image processing engine. Featuring internal motorized full-spectrum e-ND, more industry-standard ports and dual SSD media slots. Recognized by Hollywood's filmmaking industry, ProRes is an universal intermediate codec. MAVO Edge integrated the functions of KineBACK-W into the camera body with numerous professional ports.

    Stunning 8K 70P Imaging Sensor
    The new 8K imaging sensor on the MAVO Edge is an amazing canvas with 45 million pixels on a 36x24mm full-frame CMOS sensor featuring 640/2560 dual native ISO, 8K Wide up to 70fps and latitude up to 14+ stops. Even at open gate 3:2, surprisingly this beast can still deliver a gorgeous image of 45 million pixels at up to 45 frames per second.

    In-camera 8K ProRes4444
    MAVO Edge can directly record Apple's ProRes4444/XQ codec which has been highly expected by the video industry. From the capture of its 8K CMOS image over the delicate color processing to the 8K ProRes4444 encoding and storage, these complex processes and the ultra-high bandwidth bitrate processing all happen within the compact MAVO Edge body.

    Integration, Convenient to Use
    The whole-new integrated carbon fiber body has incorporated the full-spectrum e-ND system, dual SSD slots with blazing-fast NVMe M.2-based KineMAG Nano, comprehensive networking and creative power solution. Features dual XLR ports for Phantom-powered 48V MIC, dual 1.5G/3G-SDI monitoring outputs, time code input and output, SYNC, DC Power output, innovative hybrid battery plate with D-Tap port.

    Internal Motorized Full-Spectrum e-ND
    The built-in motor-driven full-spectrum e-ND filter ranges from 0.6 to 2.1 (2-7 stops neutral density) and can be adjusted seamlessly over all ranges.

    Dual SSD Media Slots
    Dual SSD slots with blazing-fast NVMe M.2-based KineMAG Nano for high-bandwidth recording and storage.

    Dual SDI & Independent Monitoring
    Dual 1.5G/3G SDI outputs with embedded metadata for enhanced compatibility with third-party accessories. Independent Video ports for Kinefinity touchscreen monitors and EVF.

    Timecode & SYNC
    Linear timecode input and output, SYNC multi-camera synchronization port for seamless integration with professional production setups.

    Dual XLR Phantom Power Audio
    Two independently controlled 48V phantom-powered XLR inputs for professional audio recording with in-camera reference microphone and 3.5mm stereo input.

    Dual XLR Phantom Power Audio
    Two independently controlled 48V phantom-powered XLR inputs for professional audio recording with in-camera reference microphone and 3.5mm stereo input.

    Comprehensive Power Solution
    Innovative hybrid battery plate supports standard V-mount and BP-U batteries. D-Tap, RS, and Lens ports for powering third-party accessories directly.

    Networking & Connectivity
    Gigabit Ethernet, WiFi 5, and USB-C for flexible connectivity, live streaming, and camera control. Internal H.264 encoding for live output.

    Integrated Body Design of the iF Industrial Design Award
    MAVO Edge inherits the integrated carbon fiber body design which won the prestigious iF DESIGN AWARD 2021. Its carbon fiber and aircraft aluminium body has superior strength and toughness to meet a wide range of photographic needs. Awarded in Germany since 1953, the iF DESIGN AWARD is annually conferred by iF International Forum Design GmbH, which is the local oldest truly independent design institution. It rests on independence, rigor, and reliability, aiming to raise public awareness of design.

    CMOS Imaging Sensor
    Sensor8K 3:2 Full Frame CMOS Imaging Sensor
    Max Recording Resolution8192×5288 (Open gate 3:2), 44.7M pixels
    Active Sensor Area36×24mm, ø 43.3mm
    Dual Base ISORegular Base ISO: 640 (from 250~800), High Base ISO: 2560 (from 800 to 16000)
    Dynamic Range>14 stops
    Shutter Angle0.7°~358° with rolling shutter
    Lens MountNative KineMOUNT with Short FFD, Adapters: PL/LPL/Active EF/passive E
    Optical FilterReplaceable OLPF with UV and IR-cut filter
    ND FilterBuilt-in motorized: Clear and e-ND from 0.6 to 2.1
    Codecs, LUT & Recording Media
    LUT SupportKineLOG3, Neutral (Rec 709), Custom 3D LUT support
    Recording MediaSlot ×2, KineMAG Nano SSD (NVMe M.2); 3rd-party NVMe M.2 2280 supported via KineMAG Nano Body
    StreamingLive streaming via H.264
    ProRes 4444XQFormat: QuickTime .mov
    Bit Depth: 12-bit
    Notes: KineLOG3
    ProRes 4444Format: QuickTime .mov
    Bit Depth: 12-bit
    Notes: KineLOG3
    ProRes 422HQFormat: QuickTime .mov
    Bit Depth: 10-bit
    Notes: KineLOG3, ProRes 422/LT included
    Recording Formats — Full Frame
    FF 8K OG8192×5288, 2~45fps
    Codec: ProRes
    Optical Format: 36×23.3mm, ø 42.9mm
    FF 8K DCI8192×4320, 2~55fps
    Codec: ProRes
    Optical Format: 36×19mm, ø 40.7mm
    FF 8K 2.4:18192×3384, 2~70fps
    Codec: ProRes
    Optical Format: 36×14.9mm, ø 39.0mm
    FF 8K UHD7680×4320, 2~55fps
    Codec: ProRes
    Optical Format: 33.8×19mm, ø 38.7mm
    FF 7.6K 2.4:17680×3200, 2~72fps
    Codec: ProRes
    Optical Format: 33.8×14.1mm, ø 36.6mm
    FF 7.2K 3:27168×4760, 2~50fps
    Codec: ProRes
    Optical Format: 31.5×21mm, ø 37.9mm
    FF 6.4K 4:26400×4760, 2~50fps
    Codec: ProRes
    Optical Format: 28.1×21mm, ø 35.1mm
    FF 5.7K 6:55760×4760, 2~50fps
    Codec: ProRes
    Optical Format: 25.3×21mm, ø 32.9mm
    FF 4.8K 3:2 (OS)4864×3176, 2~50fps
    Codec: ProRes
    Optical Format: 31.5×21mm, ø 37.9mm
    FF 4.2K 4:3 (OS)4224×3176, 2~50fps
    Codec: ProRes
    Optical Format: 28.1×21mm, ø 35.1mm
    FF 4K OG (OS)4096×2644, 2~45fps
    Codec: ProRes
    Optical Format: 36×23.3mm, ø 42.9mm
    FF 4K DCI (OS)4096×2160, 2~55fps
    Codec: ProRes
    Optical Format: 36×19mm, ø 40.7mm
    FF 4K 2.4:1 (OS)4096×1692, 2~70fps
    Codec: ProRes
    Optical Format: 36×14.9mm, ø 39.0mm
    FF 3.8K 6:5 (OS)3840×3176, 2~50fps
    Codec: ProRes
    Optical Format: 25.3×21mm, ø 32.9mm
    FF 4K UHD (OS)3840×2160, 2~55fps
    Codec: ProRes
    Optical Format: 33.8×19mm, ø 38.7mm
    FF 3.8K 2.4:1 (OS)3840×1600, 2~70fps
    Codec: ProRes
    Optical Format: 33.8×14.1mm, ø 36.6mm
    Recording Formats — S35 Crop
    S35 6K 3:26144×3840, 2~60fps
    Codec: ProRes
    Optical Format: 27×16.8mm, ø 31.8mm
    S35 6K DCI6144×3240, 2~72fps
    Codec: ProRes
    Optical Format: 27×14.2mm, ø 30.5mm
    S35 6K 2.4:16144×2560, 2~92fps
    Codec: ProRes
    Optical Format: 27×11.3mm, ø 29.3mm
    S35 6K UHD5760×3240, 2~72fps
    Codec: ProRes
    Optical Format: 25.2×14.2mm, ø 29.0mm
    S35 5K 4:35120×3840, 2~60fps
    Codec: ProRes
    Optical Format: 22.5×16.8mm, ø 28.1mm
    S35 5K DCI5120×2700, 2~85fps
    Codec: ProRes
    Optical Format: 22.5×11.9mm, ø 25.5mm
    S35 5K 2.4:15120×2160, 2~108fps
    Codec: ProRes
    Optical Format: 22.5×9.5mm, ø 24.4mm
    S35 4.8K 6:54864×3840, 2~60fps
    Codec: ProRes
    Optical Format: 21.4×16.8mm, ø 27.2mm
    S35 4K 3:2 (OS)4096×2560, 2~60fps
    Codec: ProRes
    Optical Format: 27×16.8mm, ø 31.8mm
    S35 4K DCI (OS)4096×2160, 2~72fps
    Codec: ProRes
    Optical Format: 27×14.2mm, ø 30.5mm
    S35 4K UHD (OS)3840×2160, 2~72fps
    Codec: ProRes
    Optical Format: 25.2×14.2mm, ø 29.0mm
    S35 3.8K 2.4:1 (OS)3840×1600, 2~92fps
    Codec: ProRes
    Optical Format: 25.2×10.5mm, ø 27.3mm
    S35 3.4K 4:3 (OS)3456×2560, 2~60fps
    Codec: ProRes
    Optical Format: 22.5×16.8mm, ø 28.1mm
    S35 3K 6:5 (OS)3072×2560, 2~60fps
    Codec: ProRes
    Optical Format: 21.4×16.8mm, ø 27.2mm
    Recording Formats — Other Cropping
    4K DCI4096×2160, 2~108fps
    Codec: ProRes
    Optical Format: —
    4K 2.4:14096×1692, 2~130fps
    Codec: ProRes
    Optical Format: —
    4K UHD3840×2160, 2~108fps
    Codec: ProRes
    Optical Format: —
    3.8K 2.4:13840×1600, 2~130fps
    Codec: ProRes
    Optical Format: —
    3K DCI3072×1620, 2~144fps
    Codec: ProRes
    Optical Format: —
    3K 2.4:13072×1200, 2~195fps
    Codec: ProRes
    Optical Format: —
    2K DCI2048×1080, 2~200fps
    Codec: ProRes
    Optical Format: —
    2K 2.4:12048×860, 2~270fps
    Codec: ProRes
    Optical Format: —
    2K FHD1920×1080, 2~220fps
    Codec: ProRes
    Optical Format: —
    1.9K 2.4:11920×800, 2~290fps
    Codec: ProRes
    Optical Format: —
    Monitoring
    Video PortsKINEFINITY Proprietary Video Port ×2
    SDI Outputs3G/1.5G SDI ×2 with metadata (regular BNC)
    Monitor SupportKinefinity Viewfinder, KineMON-5U2/7U2 Ultra Bright Monitor with Touch Screen
    Audio
    Audio SamplingLinear PCM, 24-bit, 48KHz
    Audio InputBuilt-in Mono Microphone, 3.5mm Microphone Jack, 48V Phantom-power Balanced Input ×2 (regular XLR)
    Audio Output3.5mm Headphone Jack
    Wireless & Network
    Wired NetworkGigabit Ethernet (RJ45) for live streaming, camera control and data transfer
    WirelessWiFi 5 for live streaming and camera control
    Sensor3-axis accelerometer
    SYNC & Control
    TimecodeLinear TC In & Out (0B 5-pin)
    Lens Control PortLens with RS232, Power output (0B 6-pin)
    Multi-Sync PortSYNC with RS232 and KINEFINITY Camera Sync (0B 7-pin)
    RS Trigger PortRec trigger input with Power output (Fisher 3-pin)
    USBUSB Type-C ×1, for firmware updates and custom 3D LUT import
    Power In & Out
    Power Consumption~29W (8K 25fps, live view)
    Power InputIntegrated V-mount Battery Plate (V-mount or BP-U compatible), DC Input (1B 2-pin), 11~26V
    Power OutputsD-tap ×1 @Vbat/3A, RS ×1 @Vbat/3A (shared with D-tap), Lens ×1 @Vbat/3A
    Construction & Size
    Body MaterialCarbon Fiber and Ultra-high Strength Aircraft Aluminium
    Body Weight~2.2kg / 4.9lbs (only body)
    Operating Temperature0°C ~ 40°C
    A010-001-01

    Data sheet

    Video Output
    Kinefinity Video Port
    SDI
    Audio Input
    Built-in microphone
    Mini Jack 3.5mm
    XLR
    Audio Output
    HDMI Embedded
    Mini Jack 3.5mm
    SDI Embedded
    Max Output Resolution
    8K DCI (8192 x 4320) 55 fps
    8K Open Gate (8192 x 5288) 45 fps
    Output colour sampling
    RGB 4:4:4 12-bit
    Network Connection
    Wi-Fi
    Sensor Size
    Full Frame (36x24mm)
    Lens mount
    Interchangeable mount
    KineMOUNT
    Internal ND filtres
    Yes
    Media type
    KineMAG SSD
    Battery Type
    Sony BP-U
    V-Mount
    Screen Type
    External
    Sensor Resolution
    24MP
    Sensor Type
    CMOS
    Image Stabilization
    No
    ISO Sensitivity Range
    160-81920
    Dynamic Range
    14 stops
    Shutter Type
    Electronic Shutter
    Shutter Speed
    1/2000s-1/24s
    Bit Depth
    12-bit
    Viewfinder Type
    External
    Focus Mode
    Manual
    Internal Recording Modes
    ProRes 422
    ProRes 422 HQ
    ProRes 4444
    ProRes 4444XQ
    ProRes LT
    Timecode
    Yes
    Genlock
    No

    Specific References

    mpn
    A010-001-01

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    Kinefinity MAVO Edge 8K Camera KineMOUNT

    Forty-five million pixels per frame buy one thing above all: room to change your mind in post. The Kinefinity MAVO Edge 8K Camera KineMOUNT pulls 8192×5288 off a 36×24 mm full-frame CMOS in open gate 3:2, so a UHD deliverable still has room for a genuine reframe, a stabilisation margin or a clean VFX plate out of one take. Format sets the ceiling: 45 fps over the entire gate, 70 fps at 8K 2.4:1, 108 fps on a Super 35 5K 2.4:1 crop.

    None of it needs an external recorder. 12-bit ProRes 4444 XQ and ProRes 4444 land as QuickTime files in the body, joined by 10-bit 422 HQ, 422 and LT, all in KineLOG3 so a colourist starts from a familiar curve. Two internal bays run KineMAG Nano NVMe M.2 drives, and a Nano carrier accepts off-the-shelf 2280 modules. KineOS 7.1's ProRes 4444 efficiency mode stretches a card roughly twice as far without surrendering latitude.

    Exposure is handled without opening the matte box. The internal motorised full-spectrum e-ND travels from 0.6 to 2.1, two to seven stops, in stepless movement: an operator following a presenter from shade into hard sun keeps the T-stop intact. Sensitivity rests on two base ratings, 640 and 2560, each with its own span — 250 to 800 low, 800 to 16,000 high — and rated latitude passes 14 stops. A UV and IR-cut optical low-pass filter sits in the light path, shutter angle runs from 0.7° to 358°, and the short flange depth of the native KineMOUNT takes PL, LPL, active EF and passive E adapters.

    Carbon fibre over aircraft aluminium accounts for the rigidity; the port panel absorbs what KineBACK-W once bolted on. Two 1.5G/3G-SDI outputs push picture and embedded metadata to a switcher or DIT station, while two dedicated video connectors drive a KineMON touchscreen and the viewfinder. Linear timecode runs in and out, a seven-pin SYNC port over RS232 holds several bodies in step, and audio arrives on two 48 V phantom XLR channels at 24-bit/48 kHz. Gigabit Ethernet and Wi-Fi 5 with internal H.264 encoding send a live feed to a stream or a remote approval room. Cooke /i lens metadata travels through to post, and the hybrid plate takes V-mount or BP-U cells, with D-Tap, RS and Lens outputs for motors and monitoring.

    Write your review

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