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PTZOptics Move SE 12x 6 Flex Bundle 6x PTZ Camera 12x Zoom + PT-JOY-G4 Camera Controller

Move SE 12x 6 Flex Bundle
Price: €7,299.00

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Six camera-select keys sit on the PT-JOY-G4 panel, and the PTZOptics Move SE 12x 6 Flex Bundle fills every one of them: six grey Move SE 12x PTZ cameras plus the joystick, so each angle of a Full HD multi-camera production is a single press away. Nobody has to key a camera number into the CAM ID pad mid-show, which matters when one operator is cutting a live panel discussion.

All six heads pair a Sony 1/2.8-inch sensor (2.07 MP effective) with a 4.1–49.2 mm zoom whose maximum aperture is F1.8. Matching hardware means one colour profile copied across the rig, one firmware file to deploy and spares that fit any position. For a rental house or an integrator looking after several venues, that sameness is where hours are saved.

The horizontal angle sits between 72.5° wide and 6.9° tele. Rigged 5 m from a stage, a head covers roughly 7.3 m of set; from 15 m the tele end tightens to about 1.8 m, a clean medium shot of one speaker. TV studio floors, ballrooms, lecture halls and esports stages are the natural territory, not stadium sidelines.

Video leaves at 1080p 25, 29.97, 30, 50, 59.94 or 60, or 720p at 50/60, so 50 Hz European lighting and NTSC-rate deliverables are both covered. Sensitivity reaches 0.5 lux, helped by WDR, BLC and two-stage 2D/3D denoising in dim halls and under mixed LED rigs.

Each camera runs its own auto-tracking engine, with no external server, out to about 18 m. With Presenter-Lock, the chosen speaker remains the target even as colleagues move around them; Auto Framing reframes around a small group as it shifts. Firmware from January 2026 onwards lets arrow commands, sent from the web UI, the IR handset or over VISCA, move the lock to a different person, while keying preset 150 or 151 on the joystick pad switches the tracker on or off. On a six-camera show, that typically leaves two heads following speakers unattended while the operator shapes the remaining four.

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Pan sweeps ±170° with a 100°/s ceiling; the head tilts between −30° and +90° and stores 255 presets recalled within 0.1°. September 2026 firmware lets a preset restore its stored image settings or move position only, keeping current exposure. Handy when daylight in a conference hall drifts through the afternoon.

The PT-JOY-G4 joystick controller puts iris, shutter and gain on dials, with five exposure modes (three of them priority modes), red/blue gain, five white-balance options, focus with lock and a fine zoom knob for slow on-air reframing. Pan speed has 24 steps, tilt 20, zoom 7. Ten custom buttons, automatic triggers that fire a command to the vision mixer whenever the operator selects another camera, and settings import/export over LAN let a crew reload the same desk layout for each recurring event.

Control travels over the network as VISCA over IP, with up to 253 addresses, or over serial. Serial VISCA tops out at seven cameras, so all six heads can share one RS-485 bus running up to 1,200 m when a venue's network is off-limits. Pelco-D/P remains available for older systems.

On the IP side, NDI|HX3 runs natively (NDI 6.3) in the HDMI-SDI/IP video mode, putting six sources straight into a TriCaster, vMix or OBS. NDI transport can be set to RUDP, TCP, UDP or multicast; multicast pays off when several receivers pull the same six streams through one switch. RTMP/RTMPS, SRT and RTSP (H.265, H.264 or MJPEG) run alongside, so one head can push a backup feed to a CDN while the rest serve the gallery.

Baseband goes out over 3G-SDI or HDMI 1.3, one or the other. A dedicated 30 fps mode brings USB-C into play for Teams and Zoom calls, though it switches HX3 off. Audio uses 3.5 mm line in and out, sampled at 48 or 44.1 kHz, and G.711 encoding was added for third-party conferencing and recording systems.

Cameras and joystick all draw 802.3af PoE, so seven ports on one switch, about 108 W of class budget in total, carry everything the kit needs. No switch is included, a sensible split when the venue's IT team already runs the network, and every unit also comes boxed with a 12 V adapter. One planning note: the Move SE's IR remote addresses only four cameras, so in a six-head room the joystick and web UI become the main control path.

Integrators get API routes that confirm when a recalled preset has arrived, report whether a head is still moving and return stills from either stream, useful for room-control scripts. Add image flip for ceiling mounting, a Kensington slot, privacy mode, ONVIF login protection enabled from the first boot, plus NDAA compliance, which public-sector tenders often require. Indoor operation, −10 °C to 40 °C.

Typical jobs: six-angle talk shows and video podcasts, hybrid conferences with a dedicated head on the audience, university courses recorded in adjacent halls from one control position, and town halls streamed to several platforms at once. Share the floor plan, camera-to-subject distances and your switcher model, and our team will confirm interoperability with your gallery, size the PoE switch and recommend mounts before dispatch.

PTZOptics Move SE 12x Specification
Camera & Lens
Resolution & Frame Rate HDMI, SDI, & USB1920x1080p - 60/59.94/50/30/29.97/25
1280x720p - 60/50
Resolution & Frame Rate NDI Stream 11920x1080,1280x720,1024x576, 960x540, 720x480, 720x408, 640x480, 640x360 1 ~ 60 FPS
Resolution & Frame Rate NDI Stream 2 (used for low bandwidth NDI feed)1280x720, 720x480, 720x408, 640x480, 640x360, 480x320, 320x240 1 ~ 60 FPS
Lens(12X) Sony 1/2.8 inch, CMOS
Image Sensor2.13MP, Effective Pixels: 2.07
Optical Lens Focal Length (Zoom)(12X) f = 4.1mm ~ 49.2mm, F1.8 ~ F2.68
Maximum Tracking Distance(12X) 60' (20m)
Optical Lens Field of View Horizontal & Vertical(12X) H 6.9° ~ 72.5° V 3.9° ~ 44.8°
Display Field of View(12X) 85.2°
Min Lux0.5 Lux @ (F1.8, AGC ON)
Shutter1/30s ~ 1/10000s
Pan Movement Range±170°
Tilt Movement Range-30° ~ +90°
Pan Speed1.7°/s ~ 100°/s
Tilt Speed1.7°/s ~ 69.9°/s
Presets255 Presets
Preset Accuracy0.1⁰
Image Flip, Mirror, and FreezeSupported
Physical Specifications
Dimensions(L x W x H)6.7” L x 5.6” W x 6.5” H (7.88” with tilt up) / 169mm L x 142mm W x 164mm H (189mm with tilt up)
Weight(12X) 3.25 lbs (1.47 kg)
Working EnvironmentIndoor
Humidity Range10% - 80%
Operating Temperature14°F ~ 104°F (-10°C ~ 40°C )
Storage Temperature-40°F ~ 140°F (-40°C ~ 60°C)
Connections
RJ4510/100/1000M Adaptive Ethernet Port NDI HX enabled
HDMIVersion 1.3
3G-SDIBNC Type, 800mVP-p, 75Ω, Along to SMPTE 424M,standard
USB 3.0Type C
Compression StandardsMJPEG / H.264 / H.265
Audio Interface3.5mm Line level Input & Output
RS232 Input8-pin Mini DIN RS232 Input, Max distance: 98.5ft / 30m, Protocol: VISCA / Pelco-D / Pelco-P
RS232 Output8-pin Mini DIN RS232 Output, Max distance: 98.5ft / 30m, Protocol: VISCA / Pelco-D / Pelco-P
RS485 Input / Output2-pin Phoenix port RS485 Input / Output, Max distance: 3,937ft / 1200m, Protocol: VISCA / Pelco-D / Pelco-P
IR4x IR Addresses, Max distance 30ft / 9m
Power SupplyJEITA type (DC IN 12V) / PoE (802.3af)
Current ConsumptionMax 2.0A
Compliance
NDAA ComplianceThe Move SE is an NDAA Compliant camera.
HEVC PatentsCovered by one or more claims of the HEVC patents listed at patentlist.accessadvance.com

PTZOptics PT-JOY-G4 Camera Controller Specification
General Specifications
ProtocolPTZOptics VISCA and VISCA over IP
PELCO-D and PELCO-P via Serial Ports
Limited Sony VISCA and VISCA over IP support
Limited ONVIF support
WebSockets
Baud Rate1200 to 19200 bps
Maximum Cameras253 channels / cameras
Maximum Recommended DistanceEthernet: 328 feet / 100 Meters
RS-232: 50 feet / 15 Meters
RS-485: 3,937 feet / 1200 Meters
RS-422: 50 feet / 15 Meters
Connections
Power Connector12DC Power Connection
Power Requirements12V DC
Power Consumption6 Watts
Communication InterfaceRS-232 Control Connection
RS-422 / RS-485 Control Connection
Ethernet / RJ-45 (PoE) Network Connection
Supports 802.3af PoE power
Network: NIC (TCP and UDP)
Serial/Analog: RS-232 Full Duplex, RS-485 Semi Duplex, RS-422 Full Duplex
Physical Specifications
USB 2.0 InterfaceUSB 2.0 Service Port (Update Firmware, Import Config, Export Config) DC12V Power required to activate.
Product MaterialAluminum
Dimensions (L x W x H)9.25” L x 11.938” W x 4.25” H; 234mm L x 303mm W x 107.95mm H
Weight4.45 lbs / 2.02 kg
Box Dimensions (L x W x H)10.75” L x 14.2” W x 5.81” H; 273.05mm L x 360.36mm W x 147.64mm H
Box Weight6.75 lbs / 3.06 kg
Operating EnvironmentIndoor
Operating Temperature14° F ~ 122° F (-10° C ~ +50° C)
Operating Humidity10% ~ 90% (non condensation)
Warranty2 Year Manufacturer Warranty
Certifications
FCC Class BTested under FCC 47 CFR Part 15 Subpart B, Class (sDoC), ANSI C63.4 -2014
CETested under EMC Directive 2014/30/EU
EN 55032EN 55032:2015+A11:2020
EN 55035EN 55035:2017+A11:2020
EN IEC 61000-3-2EN IEC 61000-3-2:2019
EN 61000-3-3EN 61000-3-3:2013/A1:2019
RoHSTested under RoHS Directive 2011/65/EU
Move SE 12x 6 Flex Bundle

Data sheet

Video Output
HDMI
NDI
RJ-45 (IP)
SDI
USB
Audio Input
Mini Jack 3.5mm
Audio Output
HDMI Embedded
Mini Jack 3.5mm
NDI Embedded
RJ-45
SDI Embedded
USB
Max Output Resolution
1080p 50/60 fps
Control protocol for PTZ cameras
PELCO-D
PELCO-P
RS-232
RS-485
VISCA
VISCA IP
Network Connection
Ethernet
Sensor Size
1/2.8"
Optical Zoom
12x
PoE Technology
Yes
Auto-Tracking
Yes
Tally Light
No

Specific References

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Move SE 12x 6 Flex Bundle

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PTZOptics Move SE 12x 6 Flex Bundle 6x PTZ Camera 12x Zoom + PT-JOY-G4 Camera Controller

Six camera-select keys sit on the PT-JOY-G4 panel, and the PTZOptics Move SE 12x 6 Flex Bundle fills every one of them: six grey Move SE 12x PTZ cameras plus the joystick, so each angle of a Full HD multi-camera production is a single press away. Nobody has to key a camera number into the CAM ID pad mid-show, which matters when one operator is cutting a live panel discussion.

All six heads pair a Sony 1/2.8-inch sensor (2.07 MP effective) with a 4.1–49.2 mm zoom whose maximum aperture is F1.8. Matching hardware means one colour profile copied across the rig, one firmware file to deploy and spares that fit any position. For a rental house or an integrator looking after several venues, that sameness is where hours are saved.

The horizontal angle sits between 72.5° wide and 6.9° tele. Rigged 5 m from a stage, a head covers roughly 7.3 m of set; from 15 m the tele end tightens to about 1.8 m, a clean medium shot of one speaker. TV studio floors, ballrooms, lecture halls and esports stages are the natural territory, not stadium sidelines.

Video leaves at 1080p 25, 29.97, 30, 50, 59.94 or 60, or 720p at 50/60, so 50 Hz European lighting and NTSC-rate deliverables are both covered. Sensitivity reaches 0.5 lux, helped by WDR, BLC and two-stage 2D/3D denoising in dim halls and under mixed LED rigs.

Each camera runs its own auto-tracking engine, with no external server, out to about 18 m. With Presenter-Lock, the chosen speaker remains the target even as colleagues move around them; Auto Framing reframes around a small group as it shifts. Firmware from January 2026 onwards lets arrow commands, sent from the web UI, the IR handset or over VISCA, move the lock to a different person, while keying preset 150 or 151 on the joystick pad switches the tracker on or off. On a six-camera show, that typically leaves two heads following speakers unattended while the operator shapes the remaining four.

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