The Canon CR-N300 Producer Bundle brings together three CR-N300 PTZ cameras and one Canon RC-IP300 multi-camera controller, giving a small crew everything required to run a polished three-angle production from a single operating position. Each CR-N300 pairs a 1/2.3-inch CMOS sensor with Canon's DIGIC DV 6 processor and a native 4K lens carrying a 20x optical zoom, delivering UHD capture at 30p and Full HD up to 59.94p with the colour rendition broadcast operators expect from Canon glass.
Smooth coverage of speakers, panellists, stages and sports halls relies on the camera's responsive pan and tilt mechanism, which travels from a creeping 0.2°/s up to a brisk 300°/s. Operators can lean on Hybrid AF, which blends phase-difference and contrast detection, so a presenter walking across a riser stays locked in even at the long end of the zoom. Image output is handled through 3G-SDI, HDMI, USB video and IP, while NDI|HX2, SRT, RTSP/RTP and RTMP/RTMPS open the door to live switching, remote contribution and direct push to YouTube, Twitch or a corporate streaming platform.
A single Cat-6 run carries video, IP control, tally and power thanks to PoE+ (IEEE 802.3at), cutting the cable load on truss rigs, ceiling mounts and discreet wall brackets. Each head can be controlled by serial, IR, USB or Wi-Fi, and FreeD output lets the bundle drop into AR/VR pipelines without third-party converters. The Canon RC-IP300 sits at the heart of the rig with a 3.5-inch touchscreen showing up to nine live feeds in 2x2 or 3x3 multiview, plus dedicated dials for pan, tilt, zoom, focus and iris, twelve user-assignable buttons and four function keys.
The controller addresses up to 200 cameras over IP with 100 presets per head, runs on PoE or its included adapter, and ties to a vision mixer through GPIO tally so cue lights stay accurate during a live cut. Touch-to-track autofocus and direct subject selection make solo operation realistic for conference relays, esports productions, corporate town halls and university lecture capture. With the Canon CR-N300 Producer Bundle, a production house gains a coherent three-camera package that ships ready to wire, ready to network and ready to bill against the next project.
Instead of €8,926.00
The Canon CR-N300 Producer Bundle brings together three CR-N300 PTZ cameras and one Canon RC-IP300 multi-camera controller, giving a small crew everything required to run a polished three-angle production from a single operating position. Each CR-N300 pairs a 1/2.3-inch CMOS sensor with Canon's DIGIC DV 6 processor and a native 4K lens carrying a 20x optical zoom, delivering UHD capture at 30p and Full HD up to 59.94p with the colour rendition broadcast operators expect from Canon glass.
Smooth coverage of speakers, panellists, stages and sports halls relies on the camera's responsive pan and tilt mechanism, which travels from a creeping 0.2°/s up to a brisk 300°/s. Operators can lean on Hybrid AF, which blends phase-difference and contrast detection, so a presenter walking across a riser stays locked in even at the long end of the zoom. Image output is handled through 3G-SDI, HDMI, USB video and IP, while NDI|HX2, SRT, RTSP/RTP and RTMP/RTMPS open the door to live switching, remote contribution and direct push to YouTube, Twitch or a corporate streaming platform.
A single Cat-6 run carries video, IP control, tally and power thanks to PoE+ (IEEE 802.3at), cutting the cable load on truss rigs, ceiling mounts and discreet wall brackets. Each head can be controlled by serial, IR, USB or Wi-Fi, and FreeD output lets the bundle drop into AR/VR pipelines without third-party converters. The Canon RC-IP300 sits at the heart of the rig with a 3.5-inch touchscreen showing up to nine live feeds in 2x2 or 3x3 multiview, plus dedicated dials for pan, tilt, zoom, focus and iris, twelve user-assignable buttons and four function keys.
The controller addresses up to 200 cameras over IP with 100 presets per head, runs on PoE or its included adapter, and ties to a vision mixer through GPIO tally so cue lights stay accurate during a live cut. Touch-to-track autofocus and direct subject selection make solo operation realistic for conference relays, esports productions, corporate town halls and university lecture capture. With the Canon CR-N300 Producer Bundle, a production house gains a coherent three-camera package that ships ready to wire, ready to network and ready to bill against the next project.
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The CR-N300 makes content creation and streaming simple. Equipped with a 1/2.3-inch CMOS sensor with 4K UHD resolution, 20x image stabilised optical zoom and a wide range of streaming and control protocols, as well as the ability to automate your productions using Auto Tracking App RA-AT001(Lite), it’s the ideal choice for a variety of productions.
20x Optical zoom for incredible flexibility
Capture all the detail you need, thanks to Canon’s advanced 4K optics which feature a flexible 20x optical zoom covering a broad focal range of 29.3-601mm (35mm equivalent), ensuring great flexibility. Equipped with image stabilisation, for minimal image disruption when moving.
IP Streaming and Control to transform your productions
The CR-N300 boasts a comprehensive range of IP control and streaming protocols up to 4K UHD 30p allowing for greater control for your production needs. Featuring major protocols such as NDI|HX, RTMP, RTP/RTSP, RTMPS, SRT, FreeD and Canon’s XC Protocol, it will fit into most new or most existing systems, making it an extremely flexible option.
Hybrid AF for precise focus
The CR-N300 combines high-precision contrast AF with high-speed phase-detection AF, ensuring rapid and accurate focusing of the subject, even in low light conditions. Equipped with a bespoke external sensor which measures the distance to the subject and compares the point of focus with that determined by the Contrast AF system. This Hybrid AF system is particularly effective in low light situations and provides fast, accurate and reliable Autofocus with greater accuracy than Contrast AF alone.
Flexible connectivity for your workflow
The CR-N300 features a whole host of connections to ensure the ultimate flexibility in workflows. Featuring a HDMI port which can achieve 4K UHD, 4:2:2 10-bit. The camera also boasts a 3G-SDI port, USB Port, 3.5mm Audio Input and a PoE+ LAN port.
Smooth, precise control
The CR-N300 is equipped with a high-precision drive mechanism, enabling the Pan and Tilt movement to be finely adjusted at variable speeds using controllers such as RC-IP100, Canon Remote Camera Control Application or a tablet via Wi-Fi, to capture the perfect shot.
Upgrade your content with a new firmware update available August 2025
Download the latest firmware and take advantage of newly added Auto Tracking App RA-AT001* features. Auto Framing features include Multi-Person Framing, that detects and includes multiple people in the frame, while Face Direction Framing and Sit/Stand Framing deliver natural composition for a single person in frame. Additionally, RTMP/SRT auto reconnection and improved camera control from the iOS app is now included.
*Free Auto Tracking App RA-AT001(Lite) available via FW, 1.1.0 or later. A paid license is necessary for full functionality of auto tracking.
| Feature | Auto Tracking Application (Lite) | Auto Tracking Application |
|---|---|---|
| Tracking subject | Auto-select only | Auto-/manual select possible |
| Tracking sensitivity | Fixed | Adjustable from 1 to 10 levels |
| Tracking subject display size | Can be set at two levels | Can be set at five levels |
| Tracking target display position | Fixed at center | Can be set to any area |
| Auto Framing | — | Multi-Person Framing, Face Direction Framing, Sit/Stand Framing |
| Priority display area | — | Can be set |
| Fixed angle of view | — | Can be set |
| Save tracking settings | One only | Up to five can be saved/recalled |
Specifications
| Camera | |
|---|---|
| Image Sensor | Type 1/2.3 (1/2.3 in.) single-plate CMOS sensor |
| Effective Pixels | approx. 8.29 megapixels (3840 x 2160) |
| Lens | f=3.67 – 73.4 mm, F/1.8 – 2.8, 20x optical zoom, 8-bladed circular aperture |
| Optical Zoom | 20x optical zoom |
| Digital Zoom | 20x digital zoom |
| Focal Length | f=3.67 – 73.4 mm, F/1.8 – 2.8, 35mm equivalent focal length: [4K UHD] approx. 29.3 (W) – 601 mm (T) [Full HD] approx. 30.5 (W) – 627 mm (T) Digital |
| Angle of View | [4K UHD] Horizontal: 65.6 (W) – 3.6° (T) Vertical: 39.8° (W) – 2.0° (T) [Full HD] Horizontal: 63.5 (W) – 3.4° (T) Vertical: 38.4° (W) – 1.9° (T) |
| Minimum Subject Illumination | Approx. 1.5 lux (shutter speed 1/30 sec., frame rate 59.947P (Programmed AE) shooting mode, auto slow shutter on) |
| Shutter Speed | 1/6 – 1/2000 sec. (specific values depend on the frame frequency and frame rate) |
| Iris | Manual/Automatic aperture |
| Gain | 0.0 dB – 36 dB |
| ND Filter | Built-in (1/8 at maximum, gradation ND), motor operate |
| White Balance | AUTO (AWB), Set A, Set B, preset settings (daylight: 5,600 K*, tungsten lamp: 3,200 K*), color temperature setting (2,000 K – 15,000 K), Manual * Color temperatures are given for reference purposes only. |
| Focus | Focus mode: Manual, Continuous AF, Face AF, Tracking AF type: Hybrid AF, Contrast AF |
| Gamma | Normal1 (Standard), Normal3 (BT.709) |
| Pan and Tilt | Pan operation range: Horizontal ±170° Pan operation speed: 0.2° – 300°/sec. Tilt operation range: Vertical -30° – +100° Tilt operation speed: 0.2° – 180°/sec. |
| Pan and Tilt Operation | |
| Protocol | XC (Canon's original), RTSP/RTP, NDI|HX, RTMP/RTMPS, Standard Communication (Serial), Standard Communication (IP), SRT, FreeD |
| Server | |
| Video Output Format: SDI | 1920 x 1080: 59.94P/59.94i, 50.00P/50.00i/25.00P, 29.97P/23.98P (4:2:2 10 bit) 1280 x 720: 59.94P, 50.00P (4:2:2 10 bit) – Same video format required for SDI and HDMI (cannot select different formats for SDI and HDMI) – When 3840 x 2160 is selected for HDMI, video will not be outputted to SDI. |
| Video Output Format: HDMI | HDMI 3840 x 2160: 29.97P, 25.00P, 23.98P (4:2:2 10 bit) 1920 x 1080: 59.94P/59.94i, 50.00P/50.00i/25.00P, 29.97P/23.98P (4:2:2 10 bit) 1280 x 720: 59.94P, 50.00P (4:2:2 10 bit) – Same video format required for SDI and HDMI (cannot select different formats for SDI and HDMI) – When 3840 x 2160 is selected for HDMI, video will not be outputted to SDI. |
| Video Output Format: IP | 3840 x 2160: 29.97 fps, 14.99 fps, 5.00 fps (4:2:0 8 bit) 1920 x 1080: 59.94 fps, 29.97 fps, 14.99 fps, 5.00 fps (4:2:0 8 bit) 1280 x 720: 59.94 fps, 29.97 fps, 14.99 fps, 5.00 fps (4:2:0 8 bit) 640 x 360: 59.94 fps, 29.97 fps, 14.99 fps, 5.00 fps (4:2:0 8 bit) – If 59.94/50.00 Hz is selected for the frame frequency, the 3840 x 2160 format cannot be selected. – A frame rate that exceeds the frame frequency cannot be selected. – JPEG has one pattern fixed depending on the frame frequency (format is fixed and cannot be selected) Resolution: 1280 x 720 When frame frequency is 59.94/50.00 Hz: 14.99 fps, when frame frequency is 23.98 Hz: 11.99 fps, when frame frequency is 29.97/25.00 Hz: 12.50 fps |
| Video Output Format: USB | Motion JPEG: 1920 x 1080 59.94 Hz: 30.00 fps, 15.00 fps, 5.00 fps 50.00 Hz: 25.00 fps, 12.50 fps, 5.00 fps 1280 x 720 59.94 Hz: 30.00 fps, 15.00 fps, 5.00 fps 50.00 Hz: 25.00 fps, 12.50 fps, 5.00 fps 640 x 360 59.94 Hz: 30.00 fps, 15.00 fps, 5.00 fps 50.00 Hz: 25.00 fps, 12.50 fps, 5.00 fps YUV: 640 x 360 59.94 Hz: 30.00 fps, 15.00 fps, 5.00 fps 50.00 Hz: 25.00 fps, 12.50 fps, 5.00 fps |
| Preset | Number of presets: Max. 100 (including home position) |
| Interface | |
| Communication Control | LAN, Wi-Fi, Serial, IR |
| Network Terminal | LAN x 1, RJ45, 1000Base-T |
| SDI OUT Terminal | BNC jack (output only) x 1, 0.8 Vp-p/75 Ω, unbalanced SMPTE 424, SMPTE 425, SMPTE ST 299-2 compliant Embedded audio, Time code (VITC/LTC) |
| GEN-LOCK Terminal | - |
| HDMI OUT Terminal | HDMI connector x 1, output only |
| RS-422 Terminal | RJ45 connector x 1 |
| Audio INPUT 1/INPUT 2 Terminals | - |
| MIC Terminal | ϕ3.5 mm stereo mini jack (unbalanced, plug-in power supported) Sensitivity (MIC): -72 dBV (Manual volume center, full scale -18 dB)/1 kΩ or more/Att.: 20 dB Sensitivity (LINE): -10 dBV (Manual volume center, full scale -18 dB)/1 kΩ or more Supply Voltage: 2.4 V DC (Bias resistance: 2.2 kΩ) |
| USB Terminal | Type-A (USB 2.0) x 1 (future expansion) Type-C (USB 3.0) x 1 |
| Physical Features | |
| Operating Environment | Temperature 0°C – +40°C (+32°F – +104°F) Humidity 10% – 90% (without condensation) |
| Power Supply | PoE: PoE+ power supply via LAN connector (IEEE802.3at compliant) – PoE cannot be used External power source: 24 V DC (using included AC adaptor) |
| Power Consumption | PoE+ Input: Approx. 16.2 W* max. (body only) DC Input: Approx. 15.0 W max. (body only) * Class 4 (25.5 W required) for power supply devices |
| Dimensions (W x H x D) | Approx. 154 x 178 x 164 mm (6.06 x 7.01 x 6.46 in.) (excluding protrusions) |
| Weight | Approx. 2.2 kg (4.86 lb.) (body only) |
| IP Rating | - |
Crafted for precise multi‑camera control.
Ergonomic layout of buttons and dials, 3.5" touchscreen preview, IP video inputs, and Canon PTZ Auto Tracking support, keep control fast, familiar, and future‑ready.
| General | |
|---|---|
| Power Supply (Adapter) | DC12V |
| Power Supply (PoE) | Yes (PoE) |
| Exterior Dimensions | W 255mm x H 93mm x D 180mm (excluding protrusions) |
| Weight | approx. 1.3 kg |
| Operating Temperature | 0°C - 40°C |
| Display | 3.5-inch touch panel |
| Supported Protocols | XC protocol (IP) NU protocol (Serial) Standard Communication (Serial) |
| Connection Specifications | |
| Number of Camera Groups | 20 (10 units per 1 group) |
| Number of Connectible Cameras | 200 (IP), 1 (Serial) |
| Input / Output | |
| Video Input / Output | IP IN (video switch with camera selection; 2x2/3x3 multi-camera video display) |
| Serial Interface | RJ45 x 1 |
| Tally / GPIO | D-sub 9pin x 1 |
| Video Display on Touch Panel | YES (IP) |
| USB | USB Type A x 1 (for firmware upgrades, saving settings, and Stream Deck connection) |
| Memory | |
| Presets | Up to 100 for each camera (depends on camera specs) |
| Hard Button Support for Presets | Yes (used with camera number buttons) |
| Memory Trace | Up to 10 for each camera (depends on camera specs) |
| Control Panel | |
| Menu Operation | Yes (touch panel or arrow button and SET/BACK buttons) |
| Number of User Buttons | 3 (USER1 to USER12 can be controlled from the touch panel) |
| Touch Focus from Panel | YES (IP) |
| Number of Camera Selectable Buttons | 10 (usable as preset select) |
| Other | |
| Initial Camera Settings without PC | YES |
| Simultaneous Multi-Camera Setup | YES |
Data sheet
Specific References
