Z-CAM E2-S6 Mark II 6K Camera

    ZCE2S6M2
    Price: €2,119.00
    No tax
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    Half a millisecond — that is the timing tolerance a networked group of Z CAM bodies maintains through EzLink sync, and the Z-CAM E2-S6 Mark II brings this discipline to Super 35 cinematography. Its Super 35mm CMOS sensor with 26.11 effective megapixels records 6K at up to 60 fps in 2.4:1, 6K DCI at 48 fps, and an Open Gate 6244x4168 mode at 30 fps that leaves room for reframes, anamorphic extraction or vertical cuts from one take. Fourteen stops of dynamic range and dual native ISO 400/1250 hold highlight roll-off and shadow noise in check, from a midday exterior to a dim concert stage.

    Codecs cover the whole post chain. ProRes 422 HQ through Proxy, 10-bit H.265 and ZRAW land on fast CFexpress Type B cards; over HDMI the camera feeds ProRes RAW to an Atomos Ninja V or BRAW to a Blackmagic Video Assist. Z-Log2, HLG and Rec.709 profiles slot the footage into any grading pipeline without conversion detours.

    Where the Mark II earns its keep on larger jobs is connectivity. 3G-SDI and HDMI 2.0 outputs, BNC inputs for timecode and genlock, plus Gigabit Ethernet with PoE+ mean a single network cable carries power, camera control and SRT, RTMP or RTSP streams — a robotic studio head or a railcam above the stands needs no local battery. The open API ties fleets of these cameras into broadcast automation, and the built-in gyroscope writes motion data for stabilisation in post.

    The fanless aluminium housing records for hours without thermal pauses, draws 50 W at most and accepts mini V-Lock batteries or 12–18 V DC. An active-lock EF mount swaps for PL, LPL or M options as lens inventories change. We configure and bench-test multi-camera packages around the Z-CAM E2-S6 Mark II before dispatch, so rental houses and production companies plug into a known-good setup from day one.

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    Key features:
    Super 35mm CMOS 6K 60FPS & 4K 100 FPS Max
    3G-SDI + HDMI Connectivity
    BNC Connector Timecode Interface
    Built-in Gyroscope Sensor
    PoE+ Power Over Ethernet
    Genlock
    Mini V-Lock Battery Plate
    CF Express Type B Storage Media Slot

    Probably the Most Versatile Camera
    You might not have seen the Z CAM E2 at these venues, but you've likely watched the stunning images captured by it.

    Multiple Camera Synchronization
    Z CAM has been widely adopted in many multiple camera applications worldwide due to its high sync precision, open API and reliability.

    Z CAM EzLink Sync
    All cameras are connected to a network switch for Z CAM EzLink Sync.
    Once connected, one camera must be designated as the master, with the others set as slaves.
    Z CAM EzLink ensures precise synchronization, maintaining a tolerance of no more than 0.5ms.

    Z CAM PixelLink*
    Z CAM PixelLink Sync (Master/Slave) requires all cameras to be connected in a daisy chain using Z CAM sync cables.
    Cameras are interconnected using Cat 6 Ethernet cables.
    Ensuring perfect line sync precision.
    * Only available on Z CAM E2 model

    IP Streaming is the Future
    Z CAM supports a number of streaming protocols. Easily accessible through the built-in web client.

    Open API & SDK
    Full set open API.
    Facilitates easier secondary development.

    Compact & Robust
    Compact form factor.
    Full metal body construction.
    Weighted 1060g only*.
    * measured on Z CAM E2-M4 Mark II model (without lens and battery)

    Durability & Reliability
    Both the Z CAM E2 and the Z CAM E2 Mark II series are engineered for sustained, long-term recording and streaming.
    Fanless design. No active cooling.

    Interchangeable Mounts
    Z CAM E2-S6 Mark II : EF Mount (Active Lock)

    Optional Z CAM Interchangeable lens mount:
    Z CAM PL Mount (Active Lock)
    Z CAM LPL Mount (Active Lock)
    Z CAM M Mount (Active Lock)

    Stunning Image Quality
    Go-to camera for many big film and documentary productions.
    Entrusted by many well-known DOPs and Directors.
    Qualified as A camera.
    Perfect for B camera.

    Technical Specifications

    Camera
    Sensor Type: Super 35mm CMOS Sensor
    Sensor Size: 23.5 x 15.7 mm (Diagonal 28.3mm)
    Effective Pixels: 26.11M
    Dynamic Range: 14 stops
    Lens Mount: EF Mount w/active lock (interchangeable to optional PL, LPL and M)
    Microphone: Built-in Stereo Microphone

    Recording
    Resolution & Max Frame Rate:
    30fps max @ Open Gate (6244x4168)
    48fps max @ C6K (6144x3240)
    60fps max @ 6K 2.4:1 (6144x2592)
    48fps max @ 6K (5760x3240)
    30fps max @ 5K 4:3 (5552x4164)
    50fps max @ 5528x3112
    60fps max @ C5K (5120x2700)
    30fps max @ 5K 6:5 (4992x4160)
    60fps max @ 5K (4800x2700)
    30fps max @ C4K 3:2 (4096x2732)
    30fps max @ C4K Low Noise (4096x2160)
    75fps max @ C4K (4096x2160)
    100fps max @ C4K 2.4:1 (4096x1728)
    30fps max @ 4000x4000
    30fps max @ 3840x3840
    30fps max @ 4K Low Noise (3840x2160)
    75fps max @ 4K (3840X2160)
    50fps max @ 3456x3456
    90fps max @ S16 16:9 (3392x1908)
    120fps max @ 2.8K (2868x1512)
    120fps max @ 1920x1080
    * supersampling / cropping selectable, 4K supersampling is supported at the same frame rates as C6K resolution mode.
    Video Encoder: H.264 / H.265 / ProRes 422 Proxy / ProRes 422 LT / ProRes 422 / ProRes 422 HQ / ZRAW*
    RAW over HDMI: ProRes RAW (using Atomos Ninja V); BRAW (using BMD VideoAssist)
    Color Bit-depth: 10-bit 4:2:0 (H.265) / 8-bit 4:2:0 (H.264)
    Audio Format: 16-bit 48 kHz
    Audio Encoder: AAC / PCM (for MOV only)
    File Format: MOV / MP4
    Record Mode: Video / Time Lapse Video / Still Image Capture

    Settings
    ISO: Auto, Manual (400 ~ 128000), Dual Native ISO: 400 / 1250
    Shutter: Shutter Speed: Auto, Manual (1”~ 1/8000”) , Shutter Angle: Auto, Manual (1° ~ 360°)
    White Balance: Auto, Preset, Manual (2300K ~ 30000K)
    Focus Mode: MF / AF / CAF
    Image: Brightness / Contrast / Saturation / Sharpness / Gamma Setting
    Image Config: Rec.709, Z-Log2, Flat, Concert, Vivid 0, Vivid 1, Vivid 2, HLG, Gamma
    Time Code: Current Time / Manual Input / External Input

    Connectivity
    HDMI: HDMI 2.0 Type A (up to 4K DCI 60p, 10-bit 4:2:2)
    SDI: 3G-SDI
    Timecode In: LTC Timecode Input via BNC
    Genlock: BB/Tri-Level Genlock Input via BNC
    USB: USB 3.0 Type C for camera control & data transfer only
    Remote Port: 2.5 mm jack socket (Sony LANC compatible)
    Audio In: 3.5 mm stereo jack socket (TRS) or 5-pin LEMO port for dual channel XLR microphone (require additional XLR audio connector)
    Audio Out: 3.5 mm stereo jack socket
    Wi-Fi: 5G, up to 802.11n, external antenna port
    CTRL: Serial port
    Ethernet: Gigabit Ethernet port

    Power
    Battery: Mini V-Lock 14.8V (Battery not included)
    Power Input: DC 12~18V (2-pin LEMO socket) / PoE+ (802.3at)
    Power Output (AUX): DC 12V 2A (2-pin LEMO socket)
    Power Consumption: 50W maximum, not inclusive of AUX power consumption

    Physical
    Camera Body: Aluminum Alloy
    Weight - Camera (w/o Lens): 1.21kg (with EF mount)
    Weight - Full Package: 1.55kg
    Dimensions (HxWxL) - Camera: 105 x 98 x 136.5 mm / 4.13 x 3.86 x 5.37 inch (EF Mount)
    Dimensions (HxWxL) - Package: 145 x 195 x 162 mm / 5.71 x 7.68 x 6.38 inch

    Environment
    Storage Temperature: -20 °C ~ 60 °C
    Operation Temperature: 0 °C ~ 40 °C

    ZCE2S6M2

    Data sheet

    Video Output
    HDMI
    RJ-45 (IP)
    SDI
    Audio Input
    LEMO 5-pin
    Mini Jack 3.5mm
    Audio Output
    HDMI Embedded
    Mini Jack 3.5mm
    RJ-45
    SDI Embedded
    Max Output Resolution
    6K (6144 x 2592) 50/60 fps
    6K Open Gate (6244 x 4168) 25/30 fps
    Output colour sampling
    RGB 4:2:2 10-bit
    Streaming protocols
    RTMP
    RTMPS
    RTSP
    SRT
    SSP
    Network Connection
    Ethernet
    Wi-Fi
    Sensor Size
    Super 35mm (23.5x15.7mm)
    Lens mount
    Canon EF
    Interchangeable mount
    Internal ND filtres
    No
    Media type
    CFexpress Type B
    Battery Type
    Mini V-Mount
    Screen Type
    External
    Sensor Resolution
    26.11MP
    Sensor Type
    CMOS
    Image Stabilization
    Gyro
    ISO Sensitivity Range
    400-128000
    Dynamic Range
    14 stops
    Shutter Type
    Electronic Shutter
    Shutter Speed
    1/8000s-1min
    Bit Depth
    10-bit
    Viewfinder Type
    External
    Focus Mode
    AF
    CAF
    Manual
    Internal Recording Modes
    H.264
    H.265
    ProRes 422
    ProRes 422 HQ
    ProRes 422 LT
    ProRes 422 Proxy
    ZRAW
    External Recording Modes
    Blackmagic RAW
    ProRes RAW
    Timecode
    Yes
    Genlock
    Yes

    Specific References

    ean13
    6970130770248
    mpn
    E1704

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    Z-CAM E2-S6 Mark II 6K Camera

    Half a millisecond — that is the timing tolerance a networked group of Z CAM bodies maintains through EzLink sync, and the Z-CAM E2-S6 Mark II brings this discipline to Super 35 cinematography. Its Super 35mm CMOS sensor with 26.11 effective megapixels records 6K at up to 60 fps in 2.4:1, 6K DCI at 48 fps, and an Open Gate 6244x4168 mode at 30 fps that leaves room for reframes, anamorphic extraction or vertical cuts from one take. Fourteen stops of dynamic range and dual native ISO 400/1250 hold highlight roll-off and shadow noise in check, from a midday exterior to a dim concert stage.

    Codecs cover the whole post chain. ProRes 422 HQ through Proxy, 10-bit H.265 and ZRAW land on fast CFexpress Type B cards; over HDMI the camera feeds ProRes RAW to an Atomos Ninja V or BRAW to a Blackmagic Video Assist. Z-Log2, HLG and Rec.709 profiles slot the footage into any grading pipeline without conversion detours.

    Where the Mark II earns its keep on larger jobs is connectivity. 3G-SDI and HDMI 2.0 outputs, BNC inputs for timecode and genlock, plus Gigabit Ethernet with PoE+ mean a single network cable carries power, camera control and SRT, RTMP or RTSP streams — a robotic studio head or a railcam above the stands needs no local battery. The open API ties fleets of these cameras into broadcast automation, and the built-in gyroscope writes motion data for stabilisation in post.

    The fanless aluminium housing records for hours without thermal pauses, draws 50 W at most and accepts mini V-Lock batteries or 12–18 V DC. An active-lock EF mount swaps for PL, LPL or M options as lens inventories change. We configure and bench-test multi-camera packages around the Z-CAM E2-S6 Mark II before dispatch, so rental houses and production companies plug into a known-good setup from day one.

    Write your review

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