Canon CR-N350 Black Auto Tracking PTZ Camera

    CR-N350 BK auto-tracking
    Price: €3,999.00
    No tax
    We offer EU-wide sales, invoicing for VAT-free intra-community delivery.
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    Production houses that handle simultaneous live channels need a remote head that handles 4K UHD without compromising operator efficiency. The Canon CR-N350 Black Auto Tracking PTZ Camera brings a 1/2.3-type single-plate CMOS sensor and the DIGIC DV 7 image processor under one chassis, ready to deliver clean 60p footage on lecture stages, multi-camera talk-show sets, sports halls and corporate town halls where a single operator may be running three or more positions at once.

    The 20x optical block runs from 3.67 to 73.4 mm with a fast f/1.8 to 2.8 aperture, while the 40x Tele zoom in Full HD pushes reach in venues where seating is fixed and the action stays at the back of the room. HDR rendering through HLG, PQ, BT.709 Wide DR and Canon Log 3 lets a colourist match this body to higher-tier broadcast cameras during post, and the built-in motorised ND filter (1/2, 1/4, 1/8) keeps exposure clean under window light. Continuous Hybrid AF, Face / Eye detection and a 100-preset memory handle quick swaps between speaker close-ups and panel master shots.

    Multi-protocol streaming is where the CR-N350 earns its place in a mixed studio rack: NDI|HX2, SRT with adaptive bitrate, RTSP/RTP, RTMP/RTMPS and Canon XC sit alongside FreeD for AR and virtual-set tracking. Outputs cover 3G-SDI, HDMI Type A, USB Type-C and IP, with PoE++ (IEEE 802.3bt) over a single Cat 6 run so an installer can pull one cable to a balcony rig instead of two. A built-in Wi-Fi access point speeds first-day commissioning, and RS-422 plus IP control coexist for studios that still run physical controllers next to NDI grids.

    This bundle ships with the full Auto Tracking Application RA-AT001 licence included, unlocking Multi-Person Framing, Face Direction Framing and Sit / Stand Framing without any second purchase — useful on talk shows, podcast filming and hybrid conferences where one head replaces a camera operator. Simultaneous 16:9 main and 9:16 vertical feeds let a single lens cover broadcast TV and a social channel at once. For a production house buying for long-term value, the Canon CR-N350 Black Auto Tracking PTZ Camera lines up Canon optics, broadcast-grade I/O and an active firmware roadmap — three things rental fleets and integrators count on.

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    Deliver 4K60P video from this 4K PTZ camera with HDR imagery. Enjoy 40x Advanced Zoom in Full HD, smooth auto tracking, and flexible streaming options. It’s the ideal PTZ camera for education and corporate.

    Zoom in on every moment
    Get closer than ever without losing clarity. The 20x optical in 4K and 40x advanced zoom in Full HD bring distant subjects into focus, making it ideal for covering large venues, auditoriums, and live productions.

    Capture every detail with HDR imagery
    Adapt seamlessly to any environment. With high dynamic range and flexible image settings, deliver sharp, vibrant footage that maintains professional quality in challenging classroom, studio, or event lighting.

    Track every move automatically
    Never miss a moment. The intelligent auto-tracking system and enhanced pan/tilt drive unit follows presenters with smooth, precise pan and tilt – even when they turn away – ensuring a polished, professional look at all times.

    Two feeds, more flexibility
    Maximise your reach with simultaneous widescreen and vertical streaming. Perfect for hybrid events, social platforms, and live-commerce, giving you versatile content from a single live feed.

    Work with all major protocols
    Integrate seamlessly into any workflow. With compatibility for NDI|HX, SRT, FreeD, RTP/RTSP, RTMP/RTMPS, Canon XC Protocol, Standard Communication, enjoy reliable, flexible streaming and control across platforms and applications.

    Upgrade your content with a new firmware update available August 2025
    Download the latest firmware and take advantage of newly added Auto Tracking App RA-AT001* features. Auto Framing features include Multi-Person Framing, that detects and includes multiple people in the frame, while Face Direction Framing and Sit/Stand Framing deliver natural composition for a single person in frame. Additionally, RTMP/SRT auto reconnection and improved camera control from the iOS app is now included.

    *Free Auto Tracking App RA-AT001(Lite) available via FW, 1.1.0 or later. A paid license is necessary for full functionality of auto tracking.

    FeatureAuto Tracking Application (Lite)Auto Tracking Application
    Tracking subjectAuto-select onlyAuto-/manual select possible
    Tracking sensitivityFixedAdjustable from 1 to 10 levels
    Tracking subject display sizeCan be set at two levelsCan be set at five levels
    Tracking target display positionFixed at centerCan be set to any area
    Auto FramingMulti-Person Framing, Face Direction Framing, Sit/Stand Framing
    Priority display areaCan be set
    Fixed angle of viewCan be set
    Save tracking settingsOne onlyUp to five can be saved/recalled

    Specifications

    Camera
    Image SensorType 1/2.3 (1/2.3 in.) single-plate CMOS sensor
    Effective Pixelsapprox. 8.29 megapixels (3840 x 2160 at 23.98 / 25 / 29.97Hz)
    approx. 7.88 megapixels (3744 x 2104 at 50 / 59.94Hz)
    Lensf=3.67 – 73.4 mm, F/1.8 – 2.8, 20x optical zoom, 8-bladed iris diaphragm
    Optical Zoom20x optical zoom (40x with advanced zoom)
    Digital Zoom20x digital zoom
    Focal Length3.67 – 73.4 mm, f/1.8 – 2.8,
    35mm equivalent focal length:
    Approx. 30.0 (W) - 616 mm (T) (50 / 59.94Hz)
    Approx. 29.3 (W) - 601 mm (T) (23.98 / 25 / 29.97Hz)
    Angle of View59.94/50.00 Hz frame frequency:
    Horizontal: 63.3° (W) – 3.5° (T)
    Vertical: 38.9° (W) – 2.0° (T)
    29.97/25.00/23.98 Hz frame frequency:
    Horizontal: 65.6° (W) – 3.6° (T)
    Vertical: 39.8° (W) – 2.0° (T)
    Minimum Subject Illumination・59.94/29.97 Hz frame frequency:
    -Approx. 3 lux (with 1/60 sec. shutter speed, 59.94P frame rate, and 30.0 dB gain)
    -Approx. 1.5 lux (with 1/30 sec. shutter speed, 59.94P frame rate, and 30.0 dB gain)
    ・50.00/25.00 Hz frame frequency:
    -Approx. 2.5 lux (with 1/50 sec. shutter speed, 50.00P frame rate, and 30.0 dB gain)
    -Approx. 1.3 lux (with 1/25 sec. shutter speed, 50.00P frame rate, and 30.0 dB gain)
    Shutter Speed1/3 – 1/2000 sec. (specific values depend on the frame frequency and frame rate)
    IrisManual/Automatic aperture
    Gain0.0 dB – 36 dB
    ND FilterBuilt-in (Off, 1/2, 1/4, 1/8), motor operated
    Night Mode (IR Cut Filter Off)No
    Optical Low-Pass FilterNo
    White BalanceAUTO (AWB), Set A, Set B, preset settings (daylight: 5,600 K*, tungsten lamp: 3,200 K*), color temperature setting (2,000 K – 15,000 K), Manual
    FocusFocus mode: Manual, Continuous AF, Face / Eye AF, Tracking
    AF type: Hybrid AF, Contrast AF
    Minimum Focusing Distance1 cm at wide end, 60 cm across entire zooming range
    GammaBT.709 Wide DR, BT.709 Standard, Canon Log 3, Canon 709, PQ, HLG
    Pan and TiltPan operation range: Horizontal ±170°
    Pan operation speed: 0.1° – 100°/sec. (Maximum speed at preset: 200.00°/sec.)
    Tilt operation range: Vertical -30° – +100°
    Tilt operation speed: 0.1° – 100°/sec. (Maximum speed at preset: 180.00°/sec.)
    Server
    Video Output Format: SDI[3G-SDI] / 4:2:2 10-bit
    1920 x 1080: 59.94P/59.94i, 50.00P/50.00i/25.00P, 29.97P/23.98P, 29.97PsF/25.00PsF
    1280 x 720: 59.94P, 50.00P
    720 x 576: 50.00i
    720 x 480: 59.94i
    Video Output Format: HDMI[HDMI] / 4:2:2 10-bit
    3840 x 2160: 59.94P, 50.00P, 29.97P, 25.00P, 23.98P
    1920 x 1080: 59.94P/59.94i, 50.00P/50.00i/25.00P, 29.97P/23.98P, 29.97PsF/25.00PsF
    1280 x 720: 59.94P, 50.00P
    720 x 576: 50.00i
    720 x 480: 59.94i
    Video Output Format: IP[Frame frequency 59.94 Hz]
    3840 x 2160, 1920 x 1080, 1280 x 720, 640 x 360:
    59.94 fps, 29.97 fps, 14.99 fps, 5.00 fps (4:2:0 8 bit)
    [Frame frequency 29.97 Hz]
    3840 x 2160, 1920 x 1080, 1280 x 720, 640 x 360:
    29.97 fps, 14.99 fps, 5.00 fps (4:2:0 8 bit)
    [Frame frequency 50.00 Hz]
    3840 x 2160, 1920 x 1080, 1280 x 720, 640 x 360:
    50.00 fps, 25.00 fps, 12.50 fps, 5.00 fps (4:2:0 8 bit)
    [Frame frequency 25.00 Hz]
    3840 x 2160, 1920 x 1080, 1280 x 720, 640 x 360:
    25.00 fps, 12.50 fps, 5.00 fps (4:2:0 8 bit)
    [Frame frequency 23.98 Hz]
    3840 x 2160, 1920 x 1080, 1280 x 720, 640 x 360:
    23.98 fps, 11.99 fps, 5.99 fps (4:2:0 8 bit)
    *59.94 fps/50.00 fps is only when H.265.
    – JPEG has one pattern fixed depending on the frame frequency (format is fixed and cannot be selected)
    Resolution: 1280 x 720
    59.94/29.97 Hz: 14.99 fps,
    50.00/25.00 Hz: 12.50 fps,
    23.98 Hz: 11.99 fps
    Video Output Format: USBMotion JPEG:
    1920 x 1080
    59.94 Hz: 30.00 fps, 15.00 fps, 5.00 fps
    50.00 Hz: 25.00 fps, 12.50 fps, 5.00 fps
    1280 x 720
    59.94 Hz: 30.00 fps, 15.00 fps, 5.00 fps
    50.00 Hz: 25.00 fps, 12.50 fps, 5.00 fps
    640 x 360
    59.94 Hz: 30.00 fps, 15.00 fps, 5.00 fps
    50.00 Hz: 25.00 fps, 12.50 fps, 5.00 fps
    YUV:
    640 x 360
    59.94 Hz: 30.00 fps, 15.00 fps, 5.00 fps
    50.00 Hz: 25.00 fps, 12.50 fps, 5.00 fps
    Video Transmission ProtocolCanon XC, RTSP/RTP, NDI|HX, RTMP/RTMPS, Standard Communication (Serial), Standard Communication (IP), SRT, FreeD
    PresetNumber of presets: Max. 100 (including home position)
    Interface
    Communication ControlLAN, Wi-Fi, Serial, IR
    Network TerminalLAN x 1, RJ45, 1000Base-T
    SDI OUT Terminal3G-SDI OUT Terminal
    BNC jack (output only) x 1, 0.8 Vp-p/75 Ω, unbalanced
    SMPTE 424, SMPTE 425, SMPTE ST 299-2 compliant
    Embedded audio, Time code (VITC/LTC)
    GEN-LOCK TerminalNo
    TIME CODE TerminalNo
    HDMI OUT TerminalHDMI connector (Type A), both video and audio are output only
    RS-422 TerminalRJ45 connector x 1
    Audio INPUT 1/INPUT 2 TerminalsNo
    MIC Terminalϕ 3.5 mm stereo mini-jack (unbalanced; supports plug-in power)
    Sensitivity (MIC): -72 dBu (manual volume center, -18 dB full scale)
    Sensitivity (LINE): -12 dBV (manual volume center, -18 dB full scale)
    Supply Voltage: 2.4 V DC (bias resistance: 2.2 kΩ)
    USB TerminalType-C (USB 3.0) x 1
    Physical Features
    Operating EnvironmentTemperature
    0°C – +40°C (+32°F – +104°F)
    Humidity
    10% – 90% (without condensation)
    Power SupplyPoE: PoE++ power supply via LAN connector (IEEE802.3bt compliant)
    – PoE and PoE+ cannot be used
    External power source: 12 V DC (using included AC adaptor)
    Power ConsumptionPoE++ Input: Approx. 26.1 W*/0.6 A max. (body only)
    DC Input: Approx. 23.6 W/2.0 A max. (body only)

    * Class 5 (40.0 W required) for power supply devices
    Dimensions (W x H x D)Approx. 176 x 220 x 194 mm (excluding protrusions)
    WeightApprox. 3.0 kg (6.6 lb.) (body only)
    NoiseNC35 or less
    CR-N350 BK auto-tracking

    Data sheet

    Video Output
    HDMI
    NDI
    RJ-45 (IP)
    SDI
    USB
    Audio Input
    Mini Jack 3.5mm
    Audio Output
    HDMI Embedded
    NDI Embedded
    RJ-45
    SDI Embedded
    USB
    Max Output Resolution
    4K UltraHD (3840 x 2160) 50/60 fps
    Control protocol for PTZ cameras
    Canon XC
    NDI
    RS-422
    Network Connection
    Ethernet
    Sensor Size
    1/2.3"
    Optical Zoom
    20x
    PoE Technology
    Yes
    Auto-Tracking
    Yes
    Tally Light
    Yes

    Specific References

    ean13
    8714574696898
    mpn
    7506C009

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    Write your review

    Canon CR-N350 Black Auto Tracking PTZ Camera

    Production houses that handle simultaneous live channels need a remote head that handles 4K UHD without compromising operator efficiency. The Canon CR-N350 Black Auto Tracking PTZ Camera brings a 1/2.3-type single-plate CMOS sensor and the DIGIC DV 7 image processor under one chassis, ready to deliver clean 60p footage on lecture stages, multi-camera talk-show sets, sports halls and corporate town halls where a single operator may be running three or more positions at once.

    The 20x optical block runs from 3.67 to 73.4 mm with a fast f/1.8 to 2.8 aperture, while the 40x Tele zoom in Full HD pushes reach in venues where seating is fixed and the action stays at the back of the room. HDR rendering through HLG, PQ, BT.709 Wide DR and Canon Log 3 lets a colourist match this body to higher-tier broadcast cameras during post, and the built-in motorised ND filter (1/2, 1/4, 1/8) keeps exposure clean under window light. Continuous Hybrid AF, Face / Eye detection and a 100-preset memory handle quick swaps between speaker close-ups and panel master shots.

    Multi-protocol streaming is where the CR-N350 earns its place in a mixed studio rack: NDI|HX2, SRT with adaptive bitrate, RTSP/RTP, RTMP/RTMPS and Canon XC sit alongside FreeD for AR and virtual-set tracking. Outputs cover 3G-SDI, HDMI Type A, USB Type-C and IP, with PoE++ (IEEE 802.3bt) over a single Cat 6 run so an installer can pull one cable to a balcony rig instead of two. A built-in Wi-Fi access point speeds first-day commissioning, and RS-422 plus IP control coexist for studios that still run physical controllers next to NDI grids.

    This bundle ships with the full Auto Tracking Application RA-AT001 licence included, unlocking Multi-Person Framing, Face Direction Framing and Sit / Stand Framing without any second purchase — useful on talk shows, podcast filming and hybrid conferences where one head replaces a camera operator. Simultaneous 16:9 main and 9:16 vertical feeds let a single lens cover broadcast TV and a social channel at once. For a production house buying for long-term value, the Canon CR-N350 Black Auto Tracking PTZ Camera lines up Canon optics, broadcast-grade I/O and an active firmware roadmap — three things rental fleets and integrators count on.

    Write your review

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