Canon CR-N700 Black Auto Tracking PTZ Camera

    CR-N700 BK auto-tracking
    Price: €7,499.00
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    Broadcast operations that need large-sensor depth from a remotely operated head quickly understand what the Canon CR-N700 Black Auto Tracking PTZ Camera brings to a production floor. A 1.0-type CMOS sensor paired with the DIGIC DV7 processor resolves 4K UHD 60p in 4:2:2 10-bit, giving studios and live-event teams the tonal latitude and low-light reach — down to roughly 3 lux, with a dedicated Night Mode for darker venues — that smaller PTZ heads cannot match. Canon Log 3 plus HDR capture in PQ or HLG let footage from this head sit cleanly beside other Canon bodies during a multi-camera grade.

    The 15x optical zoom (30x in Full HD) covers a 35mm-equivalent range of about 25.5 to 382.5 mm, reaching distant subjects across an arena or auditorium while holding faces sharp through Dual Pixel CMOS AF with EOS iTR AF X, face and eye detection. Built-in image stabilisation steadies long-end framing on less-than-rigid mounts. With the Auto Tracking application, one operator can run several positions at once: Multi-Person Framing, Face Direction Framing and Sit/Stand Framing keep natural composition as presenters move, and saved tracking presets suit recurring stage formats.

    Connectivity is built for serious live production. 12G-SDI and HDMI carry uncompressed 4K, while genlock, time code and up to 100 position presets slot the camera into multi-camera switching with frame-accurate timing. For IP-first venues, the CR-N700 streams over NDI|HX, SRT, RTMP/RTMPS and RTP/RTSP, and FreeD output opens the door to virtual and augmented-reality sets. Two balanced XLR inputs with 48V phantom power bring broadcast-grade audio straight into the head.

    A precision pan-and-tilt mechanism moves from a crawling 0.1°/s up to 100°/s across a ±170° pan range, equally at home on slow reveals and rapid repositioning. Single-cable PoE++ keeps installation tidy in ceilings, trusses and remote galleries, and control runs over LAN, Wi-Fi, serial or IR with Canon's RC-IP1000, RC-IP100 and RC-SK5 panels. For a production house standardising on dependable, service-backed kit, the Canon CR-N700 Black Auto Tracking PTZ Camera reads as a long-term studio investment rather than a stopgap.

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    4K detail for imaging excellence
    A 1.0-Type CMOS sensor and DIGIC DV7 processor deliver 4K UHD 60P imagery in up to 4:2:2 10-bit, 12G-SDI and HDMI for broadcast-standard image quality, plus 4K60P over IP.

    Award-winning Auto Focus technology
    Fast, intelligent, and extremely accurate focussing via multiple modes thanks to Canon’s proprietary Dual Pixel CMOS AF technology with advanced EOS iTR AF X.

    Close the distance with unrivalled clarity
    Harness the power of a 1.0-type 4K sensor and DIGIC DV7 processor with Dual Pixel AF. A 15x optical zoom (30x in Full HD) captures productions in exceptional detail, even in Night Mode. Stream 4K60P and HDR quality broadcast footage via a wide range of IP protocols and automate your productions using Auto Tracking.

    Class-leading optical precision
    The CR-N700’s high-performance lens has a 15x optical zoom (25.5mm - 382.5mm, 35mm equivalent) plus a 30x Advanced Zoom when shooting in Full HD. And when conditions are unstable, Canon’s renowned Image Stabilizer captures optimal footage.

    Multiple protocols for seamless integration
    The CR-N700 features SRT and NDI|HX1 that produce high quality video streams for broadcasters. RTMP/RTMPS, RTP/RTSP are included, along with Canon XC and Standard communication protocols, plus FreeD for integration into virtual productions.

    Powerful HDR imagery and low light capture
    Achieve stunning HDR imagery with direct recording into either PQ or HLG formats. A range of custom picture settings includes Canon Log 3 and Wide Dynamic Range to match your image with other Canon cameras.

    Crop function – single camera, two video feeds
    Select and extract a point of interest via a separate feed. The chosen area can then be output as a main or secondary signal and up to two cropped areas can be set in FHD.

    Smooth and precise control
    The CR-N700 has a high-precision drive mechanism for fine Pan and Tilt movement as slow as 0.1°/s. Compatible with the RC-IP1000, the RC-SK5, the RC-IP100 controller and Remote Camera Control Application controllers.

    Upgrade your content with a new firmware update available August 2025
    Download the latest firmware and take advantage of newly added Auto Tracking App RA-AT001* features. Auto Framing features include Multi-Person Framing, that detects and includes multiple people in the frame, while Face Direction Framing and Sit/Stand Framing deliver natural composition for a single person in frame. Additionally, RTMP/SRT auto reconnection and improved camera control from the iOS app is now included.

    *Free Auto Tracking App RA-AT001(Lite) available via FW, 1.1.0 or later. A paid license is necessary for full functionality of auto tracking.

    FeatureAuto Tracking Application (Lite)Auto Tracking Application
    Tracking subjectAuto-select onlyAuto-/manual select possible
    Tracking sensitivityFixedAdjustable from 1 to 10 levels
    Tracking subject display sizeCan be set at two levelsCan be set at five levels
    Tracking target display positionFixed at centerCan be set to any area
    Auto Framing—Multi-Person Framing, Face Direction Framing, Sit/Stand Framing
    Priority display area—Can be set
    Fixed angle of view—Can be set
    Save tracking settingsOne onlyUp to five can be saved/recalled

    Specifications

    Camera
    Image SensorType 1.0 (1.0 in.) single-plate CMOS sensor
    Effective Pixelsapprox. 8.29 megapixels (3840 x 2160)
    Lens15x optical zoom, 9-bladed iris diaphragm
    Optical Zoom15x optical zoom (30 x with advanced zoom)
    Digital Zoom20x digital zoom
    Focal Length8.3 – 124.5 mm, f/2.8 – 4.5,
    35mm equivalent focal length:
    approx. 25.5 (W) – 382.5 mm (T)
    Angle of ViewHorizontal: 73.0 (W) – 5.7° (T)
    Vertical: 45.2° (W) – 3.2° (T)
    Minimum Subject IlluminationApprox. 3.0 lux (with 59.94 Hz frame frequency, 1/60 sec. shutter speed, 59.94P frame rate, and 21 dB gain)
    Approx. 2.5 lux (with 50.00 Hz frame frequency, 1/50 sec. shutter speed, 50.00P frame rate, and 21 dB gain)
    Shutter Speed1/3 – 1/2000 sec. (specific values depend on the frame frequency and frame rate)
    IrisManual/Automatic aperture
    Gain-6.0 dB - 36.0 dB
    ND FilterBuilt-in (Off, 1/4, 1/16, 1/64), motor operated
    Night Mode (IR Cut Filter Off)Yes
    Optical Low-Pass FilterYes
    White BalanceAUTO (AWB), Set A, Set B, preset settings (daylight: 5,600 K, tungsten lamp: 3,200 K), color temperature setting (2,000 K – 15,000 K), Manual
    FocusFocus mode: Manual, AF-boosted MF, Continuous AF, Face AF, Tracking
    AF type: Dual Pixel CMOS AF, Contrast AF
    Detection: Face Detection, Eye Detection
    Minimum Focusing Distance1 cm at wide end, 60 cm across entire zooming range
    GammaBT.709 Normal, BT.709 Wide DR, BT.709 Standard, Canon Log 3, Canon 709, PQ, HLG
    Pan and TiltPan operation range: Horizontal ±170°
    Pan operation speed: 0.1° – 100°/sec.
    Tilt operation range: Vertical -30° – +90°
    Tilt operation speed: 0.1° – 100°/sec.
    Server
    Video Output Format: SDI[12G-SDI]
    3840 x 2160:
    59.94P/29.97P/23.98P/50.00P/25.00P (4:2:2 10 bit)
    1920 x 1080: 59.94P/59.94i/29.97P/29.97PsF/23.98P/50.00P/50.00i/25.00P/25.00PsF (4:2:2 10 bit)
    1280 x 720: 59.94P/50.00P (4:2:2 10 bit)
    720 x 576: 59.94i/50.00i (4:2:2 10 bit)
    [3G-SDI]
    1920 x 1080: 59.94P/59.94i/29.97P/23.98P/50.00P/50.00i/25.00P (4:2:2 10 bit)
    1280 x 720: 59.94P/50.00P (4:2:2 10 bit)
    720 x 576: 59.94i/50.00i (4:2:2 10 bit)
    Video Output Format: HDMI3840 x 2160:
    59.94P/29.97P/23.98P/50.00P/25.00P (4:2:2 10 bit)
    1920 x 1080: 59.94P/59.94i/29.97P/23.98P/50.00P/50.00i/25.00P (4:2:2 10 bit)
    1280 x 720: 59.94P/50.00P (4:2:2 10 bit)
    720 x 576: 59.94i/50.00i (4:2:2 10 bit)
    Video Output Format: IP[Frame frequency 59.94 Hz]
    3840 x 2160, 1920 x 1080, 1280 x 720, 640 x 360:
    59.94 fps, 29.97 fps, 14.99 fps, 5.00 fps (4:2:0 8 bit)
    [Frame frequency 29.97 Hz]
    3840 x 2160, 1920 x 1080, 1280 x 720, 640 x 360:
    29.97 fps, 14.99 fps, 5.00 fps (4:2:0 8 bit)
    [Frame frequency 50.00 Hz]
    3840 x 2160, 1920 x 1080, 1280 x 720, 640 x 360:
    50.00 fps, 25.00 fps, 12.50 fps, 5.00 fps (4:2:0 8 bit)
    [Frame frequency 25.00 Hz]
    3840 x 2160, 1920 x 1080, 1280 x 720, 640 x 360:
    25.00 fps, 12.50 fps, 5.00 fps (4:2:0 8 bit)
    [Frame frequency 23.98 Hz]
    3840 x 2160, 1920 x 1080, 1280 x 720, 640 x 360:
    23.98 fps, 11.99 fps, 5.99 fps (4:2:0 8 bit)
    *59.94 fps/50.00 fps is only when H.265.
    – JPEG has one pattern fixed depending on the frame frequency (format is fixed and cannot be selected)
    Resolution: 1280 x 720
    59.94/29.97 Hz: 14.99 fps,
    50.00/25.00 Hz: 12.50 fps,
    23.98 Hz: 11.99 fps
    Video Output Format: USBNo
    Video Transmission ProtocolCanon XC, RTSP/RTP, NDI|HX, RTMP/RTMPS, Standard Communication (Serial), Standard Communication (IP), SRT, FreeD
    PresetNumber of presets: Max. 100 (including home position)
    Interface
    Communication ControlLAN, Wi-Fi, Serial, IR
    Network TerminalLAN x 1, RJ45, 1000Base-T
    SDI OUT Terminal12G-SDI OUT Terminal
    BNC jack (output only) x 1, 0.8 Vp-p/75 Ω,
    SMPTE ST 2082, 2081, 424, 425, 292, 259, 299, 272 compliant
    Embedded audio, Time code (VITC/LTC)

    6G-SDI OUT Terminal
    No

    3G-SDI OUT Terminal
    BNC jack (output only) x 1, 0.8 Vp-p/75 Ω,
    SMPTE ST 424, 425, 292, 259, 299, 272 compliant
    Embedded audio, Time code (VITC/LTC)
    GEN-LOCK TerminalBNC jack (also serves as the SYNC OUT terminal)
    TIME CODE TerminalBNC jack (for both input/output)
    HDMI OUT TerminalHDMI connector (Type A), both video and audio are output only
    RS-422 TerminalRJ45 connector x 1
    Audio INPUT 1/INPUT 2 TerminalsXLR 3-pin jack (balanced) ((1) shield, (2) hot, (3) cold), two lines
    Sensitivity (MIC): -60 dBu (manual volume center, -18 dB full scale)
    Sensitivity (LINE): +4 dBu (manual volume center, -18 dB full scale)
    Supply Voltage: 48 V DC (Bias resistance: 6.8 kΩ)
    MIC Terminalϕ 3.5 mm stereo mini-jack (unbalanced; supports plug-in power)
    Sensitivity (MIC): -72 dBu (manual volume center, -18 dB full scale)
    Sensitivity (LINE): -10 dBV (manual volume center, -18 dB full scale)
    Supply Voltage: 2.4 V DC (Bias resistance: 2.2 kΩ)
    USB TerminalNo
    Physical Features
    Operating EnvironmentTemperature
    0°C – +40°C (+32°F – +104°F)
    Humidity
    10% – 90% (without condensation)
    Power SupplyPoE: PoE++ power supply via LAN connector (IEEE802.3bt compliant)
    – PoE and PoE+ cannot be used
    External power source: 12 V DC
    Power ConsumptionPoE++ Input: Approx. 37.4 W/1.2 A max. (body only)
    DC Input: Approx. 36.7 W/3.5 A max. (body only)

    * Class 5 (40.0 W required) for power supply devices
    Dimensions (W x H x D)Approx. 200 x 269 x 208 mm (excluding protrusions)
    WeightApprox. 4.4 kg (9.7 lbs) [Body Only]
    NoiseNC 30 or less
    CR-N700 BK auto-tracking

    Data sheet

    Video Output
    HDMI
    NDI
    RJ-45 (IP)
    SDI
    Audio Input
    Mini Jack 3.5mm
    XLR
    Audio Output
    HDMI Embedded
    NDI Embedded
    RJ-45
    SDI Embedded
    Max Output Resolution
    4K UltraHD (3840 x 2160) 25/30 fps
    Control protocol for PTZ cameras
    Canon XC
    NDI
    RS-422
    Network Connection
    Ethernet
    Sensor Size
    1"
    Optical Zoom
    15x
    PoE Technology
    Yes
    Auto-Tracking
    Yes
    Tally Light
    Yes

    Specific References

    ean13
    8714574683720
    mpn
    6022C015

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    Canon CR-N700 Black Auto Tracking PTZ Camera

    Broadcast operations that need large-sensor depth from a remotely operated head quickly understand what the Canon CR-N700 Black Auto Tracking PTZ Camera brings to a production floor. A 1.0-type CMOS sensor paired with the DIGIC DV7 processor resolves 4K UHD 60p in 4:2:2 10-bit, giving studios and live-event teams the tonal latitude and low-light reach — down to roughly 3 lux, with a dedicated Night Mode for darker venues — that smaller PTZ heads cannot match. Canon Log 3 plus HDR capture in PQ or HLG let footage from this head sit cleanly beside other Canon bodies during a multi-camera grade.

    The 15x optical zoom (30x in Full HD) covers a 35mm-equivalent range of about 25.5 to 382.5 mm, reaching distant subjects across an arena or auditorium while holding faces sharp through Dual Pixel CMOS AF with EOS iTR AF X, face and eye detection. Built-in image stabilisation steadies long-end framing on less-than-rigid mounts. With the Auto Tracking application, one operator can run several positions at once: Multi-Person Framing, Face Direction Framing and Sit/Stand Framing keep natural composition as presenters move, and saved tracking presets suit recurring stage formats.

    Connectivity is built for serious live production. 12G-SDI and HDMI carry uncompressed 4K, while genlock, time code and up to 100 position presets slot the camera into multi-camera switching with frame-accurate timing. For IP-first venues, the CR-N700 streams over NDI|HX, SRT, RTMP/RTMPS and RTP/RTSP, and FreeD output opens the door to virtual and augmented-reality sets. Two balanced XLR inputs with 48V phantom power bring broadcast-grade audio straight into the head.

    A precision pan-and-tilt mechanism moves from a crawling 0.1°/s up to 100°/s across a ±170° pan range, equally at home on slow reveals and rapid repositioning. Single-cable PoE++ keeps installation tidy in ceilings, trusses and remote galleries, and control runs over LAN, Wi-Fi, serial or IR with Canon's RC-IP1000, RC-IP100 and RC-SK5 panels. For a production house standardising on dependable, service-backed kit, the Canon CR-N700 Black Auto Tracking PTZ Camera reads as a long-term studio investment rather than a stopgap.

    Write your review

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