Some lens sets fill gaps; the DZOFilm Arles 10-Lens Kit 14/21/25/35/40/50/75/100/135/180mm PL Mount (VV/FF) gives a production team coherent optical language from ultra-wide establishing frames to compressed long-lens coverage. The set covers VistaVision and full-frame sensors with a 46.5 mm image circle and includes 14 mm T1.9, 21/25/35/40/50/75/100 mm T1.4, 135 mm T1.8 and 180 mm T2.4 primes. For drama, advertising or virtual production plates, that range lets the camera department move from spatial context to tight facial detail while keeping the same Arles rendering.
The series is tuned around large-format cine capture: high transmission on the T1.4 focal lengths, controlled fall-off at wide apertures and a textured bokeh from a 16-blade iris. Wide lenses in the kit use aspherical elements to restrain distortion, coma and onion-ring artefacts, while low-dispersion glass helps keep colour fringing under control across high-contrast edges. The calibrated blue coating, protective front coating and darkened internal structure reduce ghosting and stray reflections, useful with LED walls, windows or car headlights in frame. Colour response stays around 5000 K, supporting consistent grading across focal lengths.
Mechanical behaviour matters on a set of ten lenses. Each Arles Prime has manual cine control, 270° focus rotation, 16 iris blades and 0.8 MOD gearing, giving assistants accurate marks for narrative pulls, tabletop product moves and repeatable cues on motion-control heads. Consistent gear placement and shared accessory standards reduce re-rigging between focal lengths on matte box, follow-focus or lens motor builds. The PL mount version listed here is the metric scale kit; EF conversion parts are separate accessories.
For buyers comparing prime lens packages for ARRI, RED, Sony Venice, Blackmagic or other PL cinema cameras, this FF/VV cinema lens kit offers more than a broad focal list. 14 mm supports architectural scale, interiors and vehicle shots; 35–50 mm cover dialogue and natural perspective; 75–180 mm handle portraits, pack shots and compressed backgrounds. AVGear presents precise focal-length and mount information, giving production companies a clear basis for rental-house matching, multi-camera planning and long-term lens ownership decisions.
Instead of €17,390.00
Some lens sets fill gaps; the DZOFilm Arles 10-Lens Kit 14/21/25/35/40/50/75/100/135/180mm PL Mount (VV/FF) gives a production team coherent optical language from ultra-wide establishing frames to compressed long-lens coverage. The set covers VistaVision and full-frame sensors with a 46.5 mm image circle and includes 14 mm T1.9, 21/25/35/40/50/75/100 mm T1.4, 135 mm T1.8 and 180 mm T2.4 primes. For drama, advertising or virtual production plates, that range lets the camera department move from spatial context to tight facial detail while keeping the same Arles rendering.
The series is tuned around large-format cine capture: high transmission on the T1.4 focal lengths, controlled fall-off at wide apertures and a textured bokeh from a 16-blade iris. Wide lenses in the kit use aspherical elements to restrain distortion, coma and onion-ring artefacts, while low-dispersion glass helps keep colour fringing under control across high-contrast edges. The calibrated blue coating, protective front coating and darkened internal structure reduce ghosting and stray reflections, useful with LED walls, windows or car headlights in frame. Colour response stays around 5000 K, supporting consistent grading across focal lengths.
Mechanical behaviour matters on a set of ten lenses. Each Arles Prime has manual cine control, 270° focus rotation, 16 iris blades and 0.8 MOD gearing, giving assistants accurate marks for narrative pulls, tabletop product moves and repeatable cues on motion-control heads. Consistent gear placement and shared accessory standards reduce re-rigging between focal lengths on matte box, follow-focus or lens motor builds. The PL mount version listed here is the metric scale kit; EF conversion parts are separate accessories.
For buyers comparing prime lens packages for ARRI, RED, Sony Venice, Blackmagic or other PL cinema cameras, this FF/VV cinema lens kit offers more than a broad focal list. 14 mm supports architectural scale, interiors and vehicle shots; 35–50 mm cover dialogue and natural perspective; 75–180 mm handle portraits, pack shots and compressed backgrounds. AVGear presents precise focal-length and mount information, giving production companies a clear basis for rental-house matching, multi-camera planning and long-term lens ownership decisions.
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DZOFILM Arles Prime 14mm
Focal Length: 14mm
Colour: Black
Mount: PL
Aperture: T1.9-T22
Image Circle: ø46.5mm (VV/FF)
Construction of Optics: 15 Elements in 12 Groups
Flange Distance: 52mm (PL)
Angle of view (diagonal, horizontal, vertical): 109° / 72° / 116°
Close Focus (from sensor plane): 0.28m / 11in
Iris Control: Manual (65°)
Focus Control: Manual (270°)
Front Dia.: ø95mm / 3.74"
Length (from lens front to flange plane): 121mm / 4.76" (PL);
Iris Blade: 16
Filter Size: /
Gear Pitch: 0.8 Mod
Material: Aluminum Alloy
Weight (Product): ≈1646g
DZOFILM Arles Prime 21mm
Focal Length: 21mm
Colour: Black
Mount: PL
Aperture: T1.4-T22
Image Circle: ø46.5mm (VV/FF)
Construction of Optics: 14 Elements in 12 Groups
Flange Distance: 52mm (PL)
Angle of view (diagonal, horizontal, vertical): 89° / 54° / 96°
Close Focus (from sensor plane): 0.33m / 1ft1in
Iris Control: Manual (77°)
Focus Control: Manual (270°)
Front Dia.: ø95mm / 3.74"
Length (from lens front to flange plane): 121mm / 4.76" (PL);
Iris Blade: 16
Filter Size: M86
Gear Pitch: 0.8 Mod
Material: Aluminum Alloy
Weight (Product): ≈1500g
DZOFILM Arles Prime 25mm
Focal Length: 25mm
Colour: Black
Mount: PL
Aperture: T1.4-T22
Image Circle: ø46.5mm (VV/FF)
Construction of Optics: 14 Elements in 12 Groups
Flange Distance: 52mm (PL)
Angle of view (diagonal, horizontal, vertical): 80° / 47° / 87°
Close Focus (from sensor plane): 0.35m / 1ft2in
Iris Control: Manual (77°)
Focus Control: Manual (270°)
Front Dia.: ø95mm / 3.74"
Length (from lens front to flange plane): 121mm / 4.76" (PL);
Iris Blade: 16
Filter Size: M86
Gear Pitch: 0.8 Mod
Material: Aluminum Alloy
Weight (Product): ≈1490g
DZOFILM Arles Prime 35mm
Focal Length: 35mm
Colour: Black
Mount: PL
Aperture: T1.4-T22
Image Circle: ø46.5mm (VV/FF)
Construction of Optics: 14 Elements in 12 Groups
Flange Distance: 52mm (PL)
Angle of view (diagonal, horizontal, vertical): 61° / 34° / 67°
Close Focus (from sensor plane): 0.35m / 1ft2in
Iris Control: Manual (80°)
Focus Control: Manual (270°)
Front Dia.: ø95mm / 3.74"
Length (from lens front to flange plane): 121mm / 4.76" (PL);
Iris Blade: 16
Filter Size: M86
Gear Pitch: 0.8 Mod
Material: Aluminum Alloy
Weight (Product): ≈1650g
DZOFILM Arles Prime 40mm
Focal Length: 40mm
Colour: Black
Mount: PL
Aperture: T1.4-T22
Image Circle: ø46.5mm (VV/FF)
Construction of Optics: 13 Elements in 11 Groups
Flange Distance: 52mm (PL)
Angle of view (diagonal, horizontal, vertical): 56° / 31° / 61°
Close Focus (from sensor plane): 0.4m / 1ft4in
Iris Control: Manual (83°)
Focus Control: Manual (270°)
Front Dia.: ø95mm / 3.74"
Length (from lens front to flange plane): 121mm / 4.76" (PL);
Iris Blade: 16
Filter Size: M86
Gear Pitch: 0.8 Mod
Material: Aluminum Alloy
Weight (Product): ≈1633g
DZOFILM Arles Prime 50mm
Focal Length: 50mm
Colour: Black
Mount: PL
Aperture: T1.4-T22
Image Circle: ø46.5mm (VV/FF)
Construction of Optics: 13 Elements in 9 Groups
Flange Distance: 52mm (PL)
Angle of view (diagonal, horizontal, vertical): 45° / 25° / 50°
Close Focus (from sensor plane): 0.5m / 1ft7in
Iris Control: Manual (80°)
Focus Control: Manual (270°)
Front Dia.: ø95mm / 3.74"
Length (from lens front to flange plane): 121mm / 4.76" (PL);
Iris Blade: 16
Filter Size: M86
Gear Pitch: 0.8 Mod
Material: Aluminum Alloy
Weight (Product): ≈1688g
DZOFILM Arles Prime 75mm
Focal Length: 75mm
Colour: Black
Mount: PL
Aperture: T1.4-T22
Image Circle: ø46.5mm (VV/FF)
Construction of Optics: 13 Elements in 9 Groups
Flange Distance: 52mm (PL)
Angle of view (diagonal, horizontal, vertical): 30° / 16° / 34°
Close Focus (from sensor plane): 0.75m / 2ft6in
Iris Control: Manual (82°)
Focus Control: Manual (270°)
Front Dia.: ø95mm / 3.74"
Length (from lens front to flange plane): 121mm / 4.76" (PL);
Iris Blade: 16
Filter Size: M86
Gear Pitch: 0.8 Mod
Material: Aluminum Alloy
Weight (Product): ≈1662g
DZOFILM Arles Prime 100mm
Focal Length: 100mm
Colour: Black
Mount: PL
Aperture: T1.4-T22
Image Circle: ø46.5mm (VV/FF)
Construction of Optics: 13 Elements in 8 Groups
Flange Distance: 52mm (PL)
Angle of view (diagonal, horizontal, vertical): 23° / 12° / 26°
Close Focus (from sensor plane): 0.9m / 2ft11in
Iris Control: Manual (90°)
Focus Control: Manual (270°)
Front Dia.: ø95mm / 3.74"
Length (from lens front to flange plane): 121mm / 4.76" (PL);
Iris Blade: 16
Filter Size: M86
Gear Pitch: 0.8 Mod
Material: Aluminum Alloy
Weight (Product): ≈1830g
DZOFILM Arles Prime 135mm
Focal Length: 135mm
Colour: Black
Mount: PL
Aperture: T1.8-T22
Image Circle: ø46.5mm (VV/FF)
Construction of Optics: 12 Elements in 8 Groups
Flange Distance: 52mm (PL)
Angle of view (diagonal, horizontal, vertical): 17° / 9° / 19°
Close Focus (from sensor plane): 0.98m / 3ft3in
Iris Control: Manual (88°)
Focus Control: Manual (270°)
Front Dia.: ø95mm / 3.74"
Length (from lens front to flange plane): 130mm / 5.12" (PL);
Iris Blade: 16
Filter Size: M86
Gear Pitch: 0.8 Mod
Material: Aluminum Alloy
Weight (Product): ≈1846g
DZOFILM Arles Prime 180mm
Focal Length: 180mm
Colour: Black
Mount: PL
Aperture: T2.4-T22
Image Circle: ø46.5mm (VV/FF)
Construction of Optics: 12 Elements in 9 Groups
Flange Distance: 52mm (PL)
Angle of view (diagonal, horizontal, vertical): 13° / 7° / 15°
Close Focus (from sensor plane): 1.07m / 3ft6in
Iris Control: Manual (88°)
Focus Control: Manual (270°)
Front Dia.: ø95mm / 3.74"
Length (from lens front to flange plane): 130mm / 5.12" (PL);
Iris Blade: 16
Filter Size: M86
Gear Pitch: 0.8 Mod
Material: Aluminum Alloy
Weight (Product): ≈1675g
Data sheet
Specific References
