DZOFilm Arles Lustre 5-Lens Kit 14/21/40/135/180mm FF/VV Prime Cine Lens PL Mount (metric)

Five focal lengths wrapped in a striking desert gold housing — the DZOFilm Arles Lustre 5-Lens Kit 14/21/40/135/180mm FF/VV Prime Cine Lens PL Mount (metric) brings a deliberately nostalgic optical signature to large-format cinematography. A proprietary amber halation coating sits at the heart of every element, introducing warm golden flares and a soft bloom around specular highlights that lowers contrast without eroding resolving power. Cinematographers shooting indie features, period narratives, or high-end fashion spots will recognise the effect: a warmly shifted tonal palette with what DZOFILM calls "poetic sharpness," reducing heavy colour grading in post-production.

The B-set groups the 14mm T2.2, 21mm T1.6, 40mm T1.6, 135mm T2.2, and 180mm T2.8 behind a shared 95 mm front outer diameter and M86 filter thread, so matte-box clamps and filters stay locked when swapping glass between setups. Each optic carries a 16-blade iris that renders rounded, richly layered bokeh free from onion-ring artefacts — a tangible benefit when shooting wide open for shallow depth-of-field storytelling. Close-focus distances reach as near as 0.28 m on the 14 mm, while a full 270-degree focus rotation lets follow-focus operators place precise marks across every take.

Weighing between roughly 1.5 kg and 1.85 kg per barrel, the Arles Lustre series sits comfortably on gimbals, Steadicam rigs, and shoulder-mounted setups without excessive counterweight. The PL mount provides native compatibility with ARRI, RED, and Sony VENICE bodies; an interchangeable optional Canon EF bayonet extends the kit to mirrorless cinema cameras. Standardised 0.8 MOD gear pitch on both focus and iris rings means lens motors lock into position once for an entire shoot day. A φ46.5 mm image circle covers full-frame and VistaVision sensors edge to edge, meeting the resolving demands of 8K and 12K acquisition.

Shipped with metric-scale focus markings inside a custom-cut hard case, this limited-edition configuration — only 100 full-range sets will be produced — gives productions an emotionally resonant cinematic look straight out of the lens, with no post-processing workarounds required.