Datavideo BC-15C | 4K CS Mount POV Box Camera, HDMI, IP Streaming, PoE
€890.00
Compact and adaptable, the Datavideo BC-15C is a 4K POV box camera engineered for professional video applications. It features a CS-mount,...
Race crews in the Nevada desert bolt the Marshall CV574 into trophy trucks and push live pictures over satellite at more than 220 km/h — a useful benchmark for what this miniature 4K POV camera shrugs off before a festival stage, a courtroom or an esports arena even registers as difficult. Behind the lens thread sits a 1/2.8-inch Sony CMOS sensor with 8.46 million pixels, reading out UHD at 60 frames per second with the colour fidelity broadcast graders expect from far larger heads.
The network side carries the strongest argument. NDI|HX3 holds end-to-end latency near 100 milliseconds at 1080p60 while using a fraction of full-NDI bandwidth; NDI|HX2 and RTSP move 2160p60 across the LAN, and SRT secures remote contribution over the public internet to a cloud production hub. H.265 encoding keeps every stream lean, the HDMI output runs simultaneously for a local mixer or confidence monitor, and a single PoE cable carries power, video, control and audio together — the 3.5 mm input embeds a microphone or line feed straight into each output.
Optically, nothing is welded shut. An interchangeable M12 mount ships with a 4 mm f/1.8 prime, and Marshall's lens catalogue stretches from a 126-degree wide to a 16 mm telephoto plus two varifocals. The ICR day/night mechanism reaches 0.01 lux in monochrome night mode; WDR, 2D/3D noise reduction and anti-flicker tame mixed venue lighting. Several units match from one seat via VISCA over IP, the built-in web panel or an RCP-PLUS desk, and a 12-pin port accepts the CV-PT-HEAD for remote pan-tilt duty.
For a production company the case is financial: a housing machined from solid aluminium alloy, shielded rear connectors and a two-year manufacturer warranty add up to kit that survives seasons of rental and rigging. Our team helps match focal lengths to throw distances, tunes stream bitrates before dispatch, and stays reachable once the camera is on the truss.
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Key features
Applications:
The Miniature CV574 is suitable for use in AV over IP or HDMI workflows where image quality and versatility are of utmost concern, including live broadcast, productions, concerts, courtroom capture, corporate video, government assembly, sportscast, newscast, reality television, eSports, live performance, house of worship and many more.
NDI HX3 Premium, Efficient, Low Latency, Loss-less Streaming Codec
Featuring the extremely efficient NDI HX3 codecs gives the miniature CV574 camera a unique advantage over other streaming cameras with 100ms end-to-end of latency using less bandwidth and maintaining the premium video quality of the source. Simultaneous HDMI output and other streaming options such as SRT, RTSP, RTMP, HEVC and more.
Interchangeable M12 Lenses
Marshall CV574 cameras come with a high-quality 4.0mm (77.2° H.AOV) prime lens which ensures focus from near contact to infinity. Marshall offers a wide selection of high quality M12 prime and varifocal lenses to meet the individual needs of the production, project, or application.
Durable, Flexible, Powerful
The miniature CV574 body is chiseled from a block of aluminum alloy making it extremely durable in a discreet miniature size with rear I/O protection. CV574 operates with exceptional low-light sensitivity, ensuring a clear Ultra-HD picture in challenging lighting conditions with refined remote adjust & match capability over network or Visca over IP commands. Suitable for a variety of AV over IP network, cloud production, remote contribution, and HDMI workflows.
Broadcast Performance
Marshall Camera Division continues to develop camera products to follow the heritage of Marshall broadcast quality incorporating reliability, durability, flexibility and most importantly affordability with feature sets that matter to our industry partners.
| Sensor | |
|---|---|
| Image Sensor | 1/2.8" Progressive CMOS (Approx. 8.46 mega) |
| Scanning System | 16:9 Progressive |
| Sync. System | Internal |
| Effective Pixel | 3840(H) x 2160(V) |
| Min. Illumination | 0.5Lux (Day), 0.01Lux (Night) |
| Optics | |
| Lens | M12 4.0mm |
| Functions | |
| Back Light Compensation | WDR, BLC |
| Exposure | Auto / Manual |
| White Balance | AUTO / Manual / Indoor / Outdoor / One Push / AUTO Tracking (ATW) |
| Day & Night System | Day / Night: TDN (ICR) |
| Electronic Shutter | 1/30~1/10000 |
| Functions | Image Mirror/Flip, 2D+3DNR, Anti Flicker |
| Ethernet | |
| IP Protocols | NDI|HX2, NDI|HX3, SRT, RTMP, RTSP |
| Video Encode Format | H.264 / H.265 (Note: RTMP supports only H.264) |
| Video Output | |
| Interfaces | HDMI, Ethernet |
| Output Resolutions | |
| HDMI | 2160p25/29.97/30/50/59.94/60 1080p23.98/24/25/29.97/30/50/59.94/60 1080i50/59.94/60 720p25/29.97/30/50/59.94/60 |
| IP | 2160p25/29.97/30/50/59.94/60 1080p23.98/24/25/29.97/30/50/59.94/60 720p25/29.97/30/50/59.94/60 |
| NDI|HX2 | 2160p25/29.97/30/50/59.94/60 1080p23.98/24/25/29.97/30/50/59.94/60 720p25/29.97/30/50/59.94/60 |
| NDI|HX3 | 1080p50/60 |
| Audio Input | |
| Line Level | 16kHz, 32kHz, 48kHz sample rates |
| Control | |
| Network | Web GUI / VISCA over IP |
| General | |
| Operation Temperature | 0℃ ~ 50℃ |
| Power Input | 12VDC (10V to 13.5VDC) |
| Power Consumption | 12VDC power: 5.625W PoE power: 6.7W |
| Dimensions | 94.53mm(L) x 53mm(W) x 55mm(H) (without lens) |
| Weight | 0.7 lbs |
Data sheet
Specific References