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PTZOptics Producer-SE Bundle 3x PTZ Camera Move SE + Controller

PT20XSE-PRODUCER-JOY4
Price: €3,899.00

Instead of €4,556.00

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We offer EU-wide sales, invoicing for VAT-free intra-community delivery.

Sold as a single item, the PTZOptics Producer-SE Bundle groups three grey Move SE 20x PTZ cameras with one PT-JOY-G4 IP/serial joystick, forming a Full HD multi-camera chain that runs on an ordinary gigabit network. All three heads share the same Sony 1/2.8-inch CMOS sensor, lens and image processing, so their angles intercut cleanly at 1080p60 without a long colour-matching session before doors open. When a small crew films conferences, company events and studio talk shows week after week, that consistency is worth as much as the hardware itself.

The 4.42–88.5 mm optics open to F1.8 at wide and F2.8 at tele, taking horizontal coverage from 60.7° down to 3.4°. On a real job, a head placed 10 metres from the stage sees nearly 12 metres of stage width when zoomed fully out, while from 15 metres the long end holds a speaker's head and shoulders. Sensitivity is rated at 0.5 lux (F1.8, AGC on), shutter speeds run from 1/30 to 1/10,000 s, and wide dynamic range with 2D/3D noise reduction keeps faces readable under hard stage light. Frame rates of 60, 59.94, 50, 30, 29.97 and 25p let 50 Hz European events and broadcast-rate deliveries come out of the same kit.

Each camera does its own auto-tracking, without a computer attached and with a reach of about 30 metres on the 20x lens. Auto Tracking follows one presenter, Auto Framing keeps a small group composed, and Presenter-Lock stays on the chosen person even while others cross the frame. Firmware released in January 2026 adds subject switching via browser, infrared handset or a VISCA command, plus presets 150 and 151 that start and stop tracking.

A start delay of up to 60 seconds, defined start and stop positions and a target-loss fallback preset complete the picture. During a keynote, one head follows the speaker on its own while a single operator cuts between the other two for audience and panel shots.

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Baseband leaves each camera as 3G-SDI or HDMI, one or the other as chosen in the camera settings, and the IP streams and USB-C stay live alongside it. Current firmware brings native NDI|HX3 on NDI 6, alongside an NDI HX2-certified mode and a second low-bandwidth NDI stream for multiviewers.

There is also SRT for contribution over the public internet, RTMP and RTMPS for pushing straight to YouTube, Twitch or Facebook Live, RTSP for recorders, and multicast, encoded in H.264, H.265 or MJPEG. A common split: SDI into a hardware vision mixer for the programme, NDI into vMix, OBS or TriCaster for ISO recordings, and an RTMPS backup sent from one camera. Line-level audio enters on a 3.5 mm jack, is embedded in the outputs and, since the latest release, runs at 44.1 or 48 kHz.

The PTZ joystick controller handles more than 250 networked cameras over VISCA over IP, or switches to RS-232, RS-422 or RS-485 lines with VISCA or Pelco-D/P for older heads already cabled in a venue. Its aluminium body carries an LCD status screen, backlit keys and dedicated controls for exposure, white balance, focus lock and slow zoom.

Each camera keeps 255 presets, nine of them on quick-recall keys, and a SuperPreset can send all three heads to their marks with one press. Ten custom buttons store any VISCA string, including tracking subject selection, and automatic triggers fire a command whenever the operator changes camera. Configurations export over the LAN, so a second rental kit can be set up identically in minutes.

Power is simple. Cameras and joystick all run on standard PoE (802.3af), so a modest switch drives the whole package without a PoE+ budget, and each camera still ships with its own 12 V supply. Serial runs reach 30 metres on RS-232 and 1,200 metres on RS-485, useful in auditoriums and council chambers wired years ago.

Installation details save time on site. Video flips automatically for ceiling mounting, IR receivers sit front and rear, a Kensington slot deters theft in public rooms, and the operating range is -10 to 40 °C indoors. Corporate and public-sector IT teams get HTTP digest authentication, ONVIF authentication enabled by default, restricted guest access and a Privacy Mode that turns the camera away and cuts its feeds. The Move SE is also NDAA compliant, a box often ticked in tenders.

On the software side the cameras work with OBS, vMix, Wirecast, Blackmagic switchers, Stream Deck and Q-SYS, connect to PTZOptics Hive for remote operation, and the joystick itself can steer far-end cameras through a Hive Studio connection.

Three identical bodies also mean one firmware line to maintain and spare parts that fit every position. Our ProAV team can help size the PoE switch, choose wall or ceiling mounts and check compatibility with the switcher you already run, so the system goes into service on the first day.

PTZOptics Move SE 20x Zoom Grey Specification
Camera & Lens
Resolution & Frame Rate HDMI, SDI, & USB1920x1080p - 60/59.94/50/30/29.97/25
1280x720p - 60/50
Resolution & Frame Rate NDI Stream 11920x1080,1280x720,1024x576, 960x540, 720x480, 720x408, 640x480, 640x360 1 ~ 60 FPS
Resolution & Frame Rate NDI Stream 2 (used for low bandwidth NDI feed)1280x720, 720x480, 720x408, 640x480, 640x360, 480x320, 320x240 1 ~ 60 FPS
LensSony 1/2.8 inch, CMOS
Image Sensor2.13MP, Effective Pixels: 2.07
Optical Lens Focal Length (Zoom)f = 4.42mm ~ 88.5mm, F1.8 ~ F2.8
Maximum Tracking Distance100' (33m)
Optical Lens Field of View Horizontal & VerticalH 3.4° ~ 60.7°
V 1.9° ~ 34.1°
Display Field of View69.6°
Min Lux0.5 Lux @ (F1.8, AGC ON)
Shutter1/30s ~ 1/10000s
Pan Movement Range±170°
Tilt Movement Range-30° ~ +90°
Pan Speed1.7°/s ~ 100°/s
Tilt Speed1.7°/s ~ 69.9°/s
Presets255 Presets
Preset Accuracy0.1⁰
Image Flip, Mirror, and FreezeSupported
Physical Specifications
Dimensions(L x W x H)6.7” L x 5.6” W x 6.5” H (7.88” with tilt up) / 169mm L x 142mm W x 164mm H (189mm with tilt up)
Weight3.0 lbs (1.36 kg)
Working EnvironmentIndoor
Humidity Range10% - 80%
Operating Temperature14°F ~ 104°F (-10°C ~ 40°C )
Storage Temperature-40°F ~ 140°F (-40°C ~ 60°C)
Connections
RJ4510/100/1000M Adaptive Ethernet Port NDI HX enabled
HDMIVersion 1.3
3G-SDIBNC Type, 800mVP-p, 75Ω, Along to SMPTE 424M,standard
USB 3.0Type C
Compression StandardsMJPEG / H.264 / H.265
Audio Interface3.5mm Line level Input & Output
RS232 Input8-pin Mini DIN RS232 Input, Max distance: 98.5ft / 30m, Protocol: VISCA / Pelco-D / Pelco-P
RS232 Output8-pin Mini DIN RS232 Output, Max distance: 98.5ft / 30m, Protocol: VISCA / Pelco-D / Pelco-P
RS485 Input / Output2-pin Phoenix port RS485 Input / Output, Max distance: 3,937ft / 1200m, Protocol: VISCA / Pelco-D / Pelco-P
IR4x IR Addresses, Max distance 30ft / 9m
Power SupplyJEITA type (DC IN 12V) / PoE (802.3af)
Current ConsumptionMax 2.0A
Compliance
NDAA ComplianceThe Move SE is an NDAA Compliant camera.
HEVC PatentsCovered by one or more claims of the HEVC patents listed at patentlist.accessadvance.com

PTZOptics PT-JOY-G4 Specification
General Specifications
ProtocolPTZOptics VISCA and VISCA over IP
PELCO-D and PELCO-P via Serial Ports
Limited Sony VISCA and VISCA over IP support
Limited ONVIF support
WebSockets
Baud Rate1200 to 19200 bps
Maximum Cameras253 channels / cameras
Maximum Recommended DistanceEthernet: 328 feet / 100 Meters
RS-232: 50 feet / 15 Meters
RS-485: 3,937 feet / 1200 Meters
RS-422: 50 feet / 15 Meters
Connections
Power Connector12DC Power Connection
Power Requirements12V DC
Power Consumption6 Watts
Communication InterfaceRS-232 Control Connection
RS-422 / RS-485 Control Connection
Ethernet / RJ-45 (PoE) Network Connection
Supports 802.3af PoE power
Network: NIC (TCP and UDP)
Serial/Analog: RS-232 Full Duplex, RS-485 Semi Duplex, RS-422 Full Duplex
Physical Specifications
USB 2.0 InterfaceUSB 2.0 Service Port (Update Firmware, Import Config, Export Config) DC12V Power required to activate.
Product MaterialAluminum
Dimensions (L x W x H)9.25” L x 11.938” W x 4.25” H; 234mm L x 303mm W x 107.95mm H
Weight4.45 lbs / 2.02 kg
Box Dimensions (L x W x H)10.75” L x 14.2” W x 5.81” H; 273.05mm L x 360.36mm W x 147.64mm H
Box Weight6.75 lbs / 3.06 kg
Operating EnvironmentIndoor
Operating Temperature14° F ~ 122° F (-10° C ~ +50° C)
Operating Humidity10% ~ 90% (non condensation)
Warranty2 Year Manufacturer Warranty
Certifications
FCC Class BTested under FCC 47 CFR Part 15 Subpart B, Class (sDoC), ANSI C63.4 -2014
CETested under EMC Directive 2014/30/EU
EN 55032EN 55032:2015+A11:2020
EN 55035EN 55035:2017+A11:2020
EN IEC 61000-3-2EN IEC 61000-3-2:2019
EN 61000-3-3EN 61000-3-3:2013/A1:2019
RoHSTested under RoHS Directive 2011/65/EU
PT20XSE-PRODUCER-JOY4
2 Items

Data sheet

Video Output
HDMI
RJ-45 (IP)
SDI
USB
Audio Input
Mini Jack 3.5mm
Audio Output
HDMI Embedded
Mini Jack 3.5mm
RJ-45
SDI Embedded
USB
Max Output Resolution
1080p 50/60 fps
Control protocol for PTZ cameras
PELCO-D
PELCO-P
RS-232
RS-485
VISCA
VISCA IP
Network Connection
Ethernet
Sensor Size
1/2.8"
Optical Zoom
20x
PoE Technology
Yes
Auto-Tracking
Yes
Tally Light
No

Specific References

ean13
840170500074
mpn
PT20XSE-PRODUCER-JOY4

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PTZOptics Producer-SE Bundle 3x PTZ Camera Move SE + Controller

Sold as a single item, the PTZOptics Producer-SE Bundle groups three grey Move SE 20x PTZ cameras with one PT-JOY-G4 IP/serial joystick, forming a Full HD multi-camera chain that runs on an ordinary gigabit network. All three heads share the same Sony 1/2.8-inch CMOS sensor, lens and image processing, so their angles intercut cleanly at 1080p60 without a long colour-matching session before doors open. When a small crew films conferences, company events and studio talk shows week after week, that consistency is worth as much as the hardware itself.

The 4.42–88.5 mm optics open to F1.8 at wide and F2.8 at tele, taking horizontal coverage from 60.7° down to 3.4°. On a real job, a head placed 10 metres from the stage sees nearly 12 metres of stage width when zoomed fully out, while from 15 metres the long end holds a speaker's head and shoulders. Sensitivity is rated at 0.5 lux (F1.8, AGC on), shutter speeds run from 1/30 to 1/10,000 s, and wide dynamic range with 2D/3D noise reduction keeps faces readable under hard stage light. Frame rates of 60, 59.94, 50, 30, 29.97 and 25p let 50 Hz European events and broadcast-rate deliveries come out of the same kit.

Each camera does its own auto-tracking, without a computer attached and with a reach of about 30 metres on the 20x lens. Auto Tracking follows one presenter, Auto Framing keeps a small group composed, and Presenter-Lock stays on the chosen person even while others cross the frame. Firmware released in January 2026 adds subject switching via browser, infrared handset or a VISCA command, plus presets 150 and 151 that start and stop tracking.

A start delay of up to 60 seconds, defined start and stop positions and a target-loss fallback preset complete the picture. During a keynote, one head follows the speaker on its own while a single operator cuts between the other two for audience and panel shots.

Write your review

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