Fifteen degrees at one end of the focus range, sixty at the other. That span is what sets the SWIT FL-C60D 3KIT apart from the soft panels most interview kits rely on: three compact 60 W bi-colour LED Fresnel spotlights whose beam can be tightened onto a face or opened across a whole set, then packed with their stands into a single trolley.
Each head runs one COB LED source behind a Fresnel lens. At full spot, SWIT quotes 25,000 lux at 1 m; opened to flood, the same unit spreads 4,000 lux over a much wider area. The published curve stays useful well past the first metre, too: about 6,250 lux in spot and 1,000 lux in flood at 2 m, then roughly 2,700 and 445 lux at 3 m. A fixture placed three metres back can still serve as a hard key in a room lit by a window, while a second one sits closer, opened wide, as fill.
Focus is set with a dedicated knob on the fixture or remotely over DMX, so the beam can be reshaped without touching the lamp head. That saves time when the unit is already raised on a stand or the guest is seated, miked and waiting. The four-leaf metal barn doors then trim spill off backgrounds, monitors and glossy desks.
Colour temperature runs from 2700 K to 8000 K. In normal mode the knob moves in 100 K steps, and dimming goes from 0 to 100 % in 1 % increments. Press the knob and a quick mode takes over, jumping between seven presets (2700, 3200, 4500, 5600, 6500, 7200 and 8000 K) and changing brightness in 10 % steps. Matching a tungsten practical, a daylight window or an overcast exterior takes seconds instead of a slow sweep through the whole scale.
Instead of €2,607.00
Fifteen degrees at one end of the focus range, sixty at the other. That span is what sets the SWIT FL-C60D 3KIT apart from the soft panels most interview kits rely on: three compact 60 W bi-colour LED Fresnel spotlights whose beam can be tightened onto a face or opened across a whole set, then packed with their stands into a single trolley.
Each head runs one COB LED source behind a Fresnel lens. At full spot, SWIT quotes 25,000 lux at 1 m; opened to flood, the same unit spreads 4,000 lux over a much wider area. The published curve stays useful well past the first metre, too: about 6,250 lux in spot and 1,000 lux in flood at 2 m, then roughly 2,700 and 445 lux at 3 m. A fixture placed three metres back can still serve as a hard key in a room lit by a window, while a second one sits closer, opened wide, as fill.
Focus is set with a dedicated knob on the fixture or remotely over DMX, so the beam can be reshaped without touching the lamp head. That saves time when the unit is already raised on a stand or the guest is seated, miked and waiting. The four-leaf metal barn doors then trim spill off backgrounds, monitors and glossy desks.
Colour temperature runs from 2700 K to 8000 K. In normal mode the knob moves in 100 K steps, and dimming goes from 0 to 100 % in 1 % increments. Press the knob and a quick mode takes over, jumping between seven presets (2700, 3200, 4500, 5600, 6500, 7200 and 8000 K) and changing brightness in 10 % steps. Matching a tungsten practical, a daylight window or an overcast exterior takes seconds instead of a slow sweep through the whole scale.
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Colour rendering is rated at CRI 95 and TLCI 97. For broadcast and corporate jobs, TLCI is the number to watch, because it describes how a camera sensor sees the light rather than the human eye. Higher values mean skin tones that need less work in the grade and easier matching between bodies on a multi-camera shoot. SWIT also specifies flicker-free dimming across the full range, which matters as soon as high frame rates appear on the shot list.
Control is where the kit scales up. Every head has a 5-pin DMX512 input and uses three addresses: dimmer first, colour temperature second, spot/flood angle third. A full kit therefore needs only nine channels on a console. The start address (001–512) is set by holding the dimmer knob for about two seconds.
Running cable to every stand is not always practical. For those cases the 5 V USB socket (600 mA) powers SWIT's optional LA-WR8-R wireless receiver, which pairs with the pocket-sized LA-WR8 controller.
An LCD on each unit shows the DMX address, dimmer level and colour temperature, and warns of under- or over-voltage. Long-pressing the colour knob toggles silent mode: the fan stops and output is capped at 50 %, a sensible trade in a quiet room where a clip-on mic or boom is only a metre from the source. Should the LED source overheat, the fixture drops output to zero, keeps its colour setting and comes back once the temperature is safe again.
Power options cover both studio and location. The DC input, on a 4-pin XLR socket, accepts anything from 11 to 36 V, and each light comes with an AC-DC adaptor, an S-7200S V-mount plate with clamp and an S-7101 D-tap to 4-pin XLR cable. Clamp the plate to the stand, connect a V-mount battery and the head runs with no mains in sight, whether on a rooftop, a factory floor, an event backstage area or a heritage building where sockets are scarce.
The trolley holds three FL-C60D heads, each fitted with its barn doors, plus three light stands, three AC-DC adaptors, three V-mount plates and three D-tap cables. A complete three-point setup travels as one item, which shortens prep checks and makes it easy to confirm at wrap that nothing stayed behind.
Typical jobs for the SWIT FL-C60D 3KIT include seated corporate interviews with a focused key, a fill pulled back to flood and a narrow backlight; product and tabletop shots where a tight beam picks out a label; small TV and streaming studios run from a lighting console; panel discussions and conference stages where each speaker gets their own pool of light; and documentary crews working off batteries. The U-shaped yoke fits a standard light stand and lets the head tilt, so it also works as a hard edge light from above or a slash of light across a backdrop.
From a production company's point of view, the argument is simple. Three identical fixtures share matching colour metrics, an identical three-channel DMX map and a battery standard most camera departments already stock. With SWIT rating the COB source at 50,000 hours, the kit can stay in rotation through years of interviews, events and live-streamed work.
| Model | FL-C60D |
|---|---|
| Beam angle | 15°- 60° |
| Max illuminance | 1m: Spot 25000Lux,Flood 4000Lux 2m: Spot 6250Lux,Flood 1000Lux 3m: Spot 2700Lux,Flood 445Lux |
| Color temperature | 2700K～8000K |
| CRI | 95 |
| TLCI | 97 |
| USB out | 600mA |
| Power | Approx. 60W |
| Working voltage | DC11V～36V |
| Net weight(without packaging) | 2.1kg |
| Product dimensions(without packaging) | 111×120×235mm |
| Gross weight(with packaging) | 6kg |
| Package dimensions | 370×260×390mm |
Data sheet
Specific References
