Three matched PTZ heads, one centralised control surface — the Canon CR-N100 Producer Bundle equips a small crew to run a full multi-camera production without juggling separate operators behind each lens. The kit pairs three Canon CR-N100 4K PTZ cameras with the Canon RC-IP300 remote controller, giving production houses a self-contained capture and control package for streaming studios, conference stages, live-event coverage and broadcast feeds where downtime is not an option.
Each CR-N100 carries a 1/2.3-inch CMOS sensor paired with Canon's DIGIC DV 6 processor, delivering 4K UHD at 30p and Full HD up to 60p when smoother motion matters. The 20x optical zoom covers a 35 mm-equivalent range of roughly 29.3 to 601 mm, opening a 65.6° horizontal angle for tight indoor stages and reaching deep into auditoriums at full telephoto. Canon's Hybrid AF blends phase-difference and contrast detection so focus locks onto presenters without the hunting common to entry-level PTZ optics, while optical image stabilisation keeps long-zoom shots usable on ceiling rigs.
Pan reaches ±170° and tilt spans -30° to +100°, both axes adjustable from 0.2°/sec for slow reveals up to 300°/sec for rapid preset jumps. Connectivity covers HDMI, USB-C, a 3.5 mm audio input and a single PoE+ LAN port that carries power and the full IP video signal on one cable — a real advantage on rigging days when running mains to three positions is impractical. Streaming and control protocols include NDI|HX, SRT, RTMP/RTMPS, RTSP/RTP and Canon XC, with no separate licences to buy.
At the operator's desk the RC-IP300 PTZ controller consolidates the whole rig. A 3.5-inch touchscreen handles live IP video monitoring, touch focus and subject selection for Auto Tracking; the joystick, dedicated rings for focus, zoom and iris, plus 12 user-assignable and 4 function buttons keep tactile control under the hand. A single technical director can address up to 200 cameras and store 100 presets per unit — generous headroom for the three CR-N100s included here, with room to absorb hybrid rigs combining PTZ heads with Cinema EOS bodies through Canon's XC Protocol. Power runs through PoE or the supplied AC adapter, suiting both fixed control rooms and travelling fly-pack setups.
Instead of €7,456.00
Three matched PTZ heads, one centralised control surface — the Canon CR-N100 Producer Bundle equips a small crew to run a full multi-camera production without juggling separate operators behind each lens. The kit pairs three Canon CR-N100 4K PTZ cameras with the Canon RC-IP300 remote controller, giving production houses a self-contained capture and control package for streaming studios, conference stages, live-event coverage and broadcast feeds where downtime is not an option.
Each CR-N100 carries a 1/2.3-inch CMOS sensor paired with Canon's DIGIC DV 6 processor, delivering 4K UHD at 30p and Full HD up to 60p when smoother motion matters. The 20x optical zoom covers a 35 mm-equivalent range of roughly 29.3 to 601 mm, opening a 65.6° horizontal angle for tight indoor stages and reaching deep into auditoriums at full telephoto. Canon's Hybrid AF blends phase-difference and contrast detection so focus locks onto presenters without the hunting common to entry-level PTZ optics, while optical image stabilisation keeps long-zoom shots usable on ceiling rigs.
Pan reaches ±170° and tilt spans -30° to +100°, both axes adjustable from 0.2°/sec for slow reveals up to 300°/sec for rapid preset jumps. Connectivity covers HDMI, USB-C, a 3.5 mm audio input and a single PoE+ LAN port that carries power and the full IP video signal on one cable — a real advantage on rigging days when running mains to three positions is impractical. Streaming and control protocols include NDI|HX, SRT, RTMP/RTMPS, RTSP/RTP and Canon XC, with no separate licences to buy.
At the operator's desk the RC-IP300 PTZ controller consolidates the whole rig. A 3.5-inch touchscreen handles live IP video monitoring, touch focus and subject selection for Auto Tracking; the joystick, dedicated rings for focus, zoom and iris, plus 12 user-assignable and 4 function buttons keep tactile control under the hand. A single technical director can address up to 200 cameras and store 100 presets per unit — generous headroom for the three CR-N100s included here, with room to absorb hybrid rigs combining PTZ heads with Cinema EOS bodies through Canon's XC Protocol. Power runs through PoE or the supplied AC adapter, suiting both fixed control rooms and travelling fly-pack setups.
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Canon CR-N100 - Experience the flexibility of a 1/2.3-type 4K sensor and DIGIC DV6 processor with Hybrid AF and a 20x image stabilized optical zoom. Compatible with the built-in Auto Tracking app*, IP streaming and control protocols, this camera offers seamless integration for the corporate, education, houses of worship and live event industries.
Smooth and precise control
The CR-N100 has a high-precision drive mechanism for fine Pan and Tilt movement as slow as 0.2°/s. Compatible with the RC-IP100 controller and Remote Camera Control Application controllers, it can also be configured with selected third-party units.
Precise focusing with Hybrid AF
Combining high-precision contrast AF with high-speed phase-detection AF, the CR-N100 delivers rapid and accurate focusing of the subject, even in low light conditions.
The CR-N100 PTZ camera has an external sensor measuring subject distance, and compares the point of focus with that determined by the Contrast AF system. This Auto Focus system delivers faster and more accurate focussing than conventional contrast AF, assisting the camera operator.
Upgrade your content with a new firmware update available August 2025
Download the latest firmware and take advantage of newly added Auto Tracking App RA-AT001* features. Auto Framing features include Multi-Person Framing, that detects and includes multiple people in the frame, while Face Direction Framing and Sit/Stand Framing deliver natural composition for a single person in frame. Additionally, RTMP/SRT auto reconnection and improved camera control from the iOS app is now included.
*Free Auto Tracking App RA-AT001(Lite) available via FW, 1.1.0 or later. A paid license is necessary for full functionality of auto tracking.
| Feature | Auto Tracking Application (Lite) | Auto Tracking Application |
|---|---|---|
| Tracking subject | Auto-select only | Auto-/manual select possible |
| Tracking sensitivity | Fixed | Adjustable from 1 to 10 levels |
| Tracking subject display size | Can be set at two levels | Can be set at five levels |
| Tracking target display position | Fixed at center | Can be set to any area |
| Auto Framing | — | Multi-Person Framing, Face Direction Framing, Sit/Stand Framing |
| Priority display area | — | Can be set |
| Fixed angle of view | — | Can be set |
| Save tracking settings | One only | Up to five can be saved/recalled |
Specifications
| Camera | |
|---|---|
| Image Sensor | Type 1/2.3 (1/2.3 in.) single-plate CMOS sensor |
| Effective Pixels | approx. 8.29 megapixels (3840 x 2160) |
| Lens | f=3.67 – 73.4 mm, F/1.8 – 2.8, 20x optical zoom, 8-bladed circular aperture |
| Optical Zoom | 20x optical zoom |
| Digital Zoom | 20x digital zoom |
| Focal Length | 3.67 – 73.4 mm, f/1.8 – 2.8, 35mm equivalent focal length: [4K UHD] approx. 29.3 (W) – 601 mm (T) [Full HD] approx. 30.5 (W) – 627 mm (T) |
| Angle of View | [4K UHD] Horizontal: 65.6 (W) – 3.6° (T) Vertical: 39.8° (W) – 2.0° (T) [Full HD] Horizontal: 63.5 (W) – 3.4° (T) Vertical: 38.4° (W) – 1.9° (T) |
| Minimum Subject Illumination | Approx. 1.5 lux (shutter speed 1/30 sec., frame rate 59.947P (P (Programmed AE) shooting mode, auto slow shutter on) |
| Shutter Speed | 1/6 – 1/2000 sec. (specific values depend on the frame frequency and frame rate) |
| Iris | Manual/Automatic aperture |
| Gain | 0.0 dB – 36 dB |
| ND Filter | Built-in (1/8 at maximum, gradation ND), motor operated |
| Night Mode (IR Cut Filter Off) | No |
| White Balance | AUTO (AWB), Set A, Set B, preset settings (daylight: 5,600 K¹, tungsten lamp: 3,200 K²), color temperature setting (2,000 K – 15,000 K), Manual |
| Focus | Focus mode: Manual, Continuous AF, Face AF, Tracking AF type: Hybrid AF, Contrast AF |
| Gamma | Normal1 (Standard), Normal3 (BT.709) |
| Pan and Tilt | Pan operation range: Horizontal ±170° Pan operation speed: 0.2° – 300°/sec. Tilt operation range: Vertical -30° – +100° Tilt operation speed: 0.2° – 180°/sec. |
| Server | |
| Video Output Format: HDMI | 3840 x 2160: 29.97P, 25.00P, 23.98P (4:2:2 10 bit) 1920 x 1080: 59.94P/59.94i, 50.00P/50.00i/25.00P, 29.97P/23.98P (4:2:2 10 bit) 1280 x 720: 59.94P, 50.00P (4:2:2 10 bit) |
| Video Output Format: IP | [Frame frequency 59.94 Hz] 1920 x 1080: 59.94 fps, 29.97 fps, 14.99 fps, 5.00 fps (4:2:0 8 bit) 1280 x 720: 59.94 fps, 29.97 fps, 14.99 fps, 5.00 fps (4:2:0 8 bit) 640 x 360: 59.94 fps, 29.97 fps, 14.99 fps, 5.00 fps (4:2:0 8 bit) [Frame frequency 29.97 Hz] 3840 x 2160: 29.97 fps, 14.99 fps, 5.00 fps (4:2:0 8 bit) 1920 x 1080: 29.97 fps, 14.99 fps, 5.00 fps (4:2:0 8 bit) 1280 x 720: 29.97 fps, 14.99 fps, 5.00 fps (4:2:0 8 bit) 640 x 360: 29.97 fps, 14.99 fps, 5.00 fps (4:2:0 8 bit) [Frame frequency 50.00 Hz] 1920 x 1080: 50.00 fps, 25.00 fps, 12.50 fps, 5.00 fps (4:2:0 8 bit) 1280 x 720: 50.00 fps, 25.00 fps, 12.50 fps, 5.00 fps (4:2:0 8 bit) 640 x 360: 50.00 fps, 25.00 fps, 12.50 fps, 5.00 fps (4:2:0 8 bit) [Frame frequency 25.00 Hz] 3840 x 2160: 25.00 fps, 12.50 fps, 5.00 fps (4:2:0 8 bit) 1920 x 1080: 25.00 fps, 12.50 fps, 5.00 fps (4:2:0 8 bit) 1280 x 720: 25.00 fps, 12.50 fps, 5.00 fps (4:2:0 8 bit) 640 x 360: 25.00 fps, 12.50 fps, 5.00 fps (4:2:0 8 bit) [Frame frequency 23.98 Hz] 3840 x 2160: 23.98 fps, 11.99 fps, 5.99 fps (4:2:0 8 bit) 1920 x 1080: 23.98 fps, 11.99 fps, 5.99 fps (4:2:0 8 bit) 1280 x 720: 23.98 fps, 11.99 fps, 5.99 fps (4:2:0 8 bit) 640 x 360: 23.98 fps, 11.99 fps, 5.99 fps (4:2:0 8 bit) – JPEG has one pattern fixed depending on the frame frequency (format is fixed and cannot be selected) Resolution: 1280 x 720 When frame frequency is 59.94/29.97 Hz: 14.99 fps, When frame frequency is 50.00/25.00 Hz: 12.50 fps, When frame frequency is 23.98 Hz: 11.99 fps |
| Video Output Format: USB | Motion JPEG: 1920 x 1080 59.94 Hz: 30.00 fps, 15.00 fps, 5.00 fps 50.00 Hz: 25.00 fps, 12.50 fps, 5.00 fps 1280 x 720 59.94 Hz: 30.00 fps, 15.00 fps, 5.00 fps 50.00 Hz: 25.00 fps, 12.50 fps, 5.00 fps 640 x 360 59.94 Hz: 30.00 fps, 15.00 fps, 5.00 fps 50.00 Hz: 25.00 fps, 12.50 fps, 5.00 fps YUV: 640 x 360 59.94 Hz: 30.00 fps, 15.00 fps, 5.00 fps 50.00 Hz: 25.00 fps, 12.50 fps, 5.00 fps |
| Video Transmission Protocol | Protocol: XC (Canon's original), RTSP/RTP, NDI|HX, RTMP/RTMPS, Standard Communication (Serial), Standard Communication (IP), SRT. |
| Preset | Number of presets: Max. 100 (including home position) |
| Interface | |
| Communication Control | LAN, Serial, IR |
| Network Terminal | LAN x 1, RJ45, 1000Base-T |
| GEN-LOCK Terminal | No |
| HDMI OUT Terminal | HDMI connector x 1, output only |
| RS-422 Terminal | RJ45 connector x 1 |
| Audio INPUT 1/INPUT 2 Terminals | No |
| MIC Terminal | ϕ3.5 mm stereo mini jack (unbalanced, plug-in power supported) Sensitivity (MIC): -72 dBV (Manual volume center, full scale -18 dB)/1 kΩ or more/Att.: 20 dB Sensitivity (LINE): -10 dBV (Manual volume center, full scale -18 dB)/1 kΩ or more Supply Voltage: 2.4 V DC (Bias resistance: 2.2 kΩ) |
| USB Terminal | Type-C (USB 3.1) x 1 |
| Physical Features | |
| Operating Environment | Temperature 0°C – +40°C (+32°F – +104°F) Humidity 10% – 90% (without condensation) |
| Power Supply | PoE: PoE+ power supply via LAN connector (IEEE802.3at compliant) – PoE cannot be used External power source: 24 V DC (using included AC adaptor) |
| Power Consumption | PoE+ Input: Approx. 16.2 W³ max. (body only) DC Input: Approx. 15.0 W max. (body only) |
| Dimensions (W x H x D) | Approx. 154 x 178 x 164 mm (excluding protrusions) |
| Weight | Approx. 2.2 kg (4.86 lb.) (body only) |
| Noise | NC35 or less |
Crafted for precise multi‑camera control.
Ergonomic layout of buttons and dials, 3.5" touchscreen preview, IP video inputs, and Canon PTZ Auto Tracking support, keep control fast, familiar, and future‑ready.
| General | |
|---|---|
| Power Supply (Adapter) | DC12V |
| Power Supply (PoE) | Yes (PoE) |
| Exterior Dimensions | W 255mm x H 93mm x D 180mm (excluding protrusions) |
| Weight | approx. 1.3 kg |
| Operating Temperature | 0°C - 40°C |
| Display | 3.5-inch touch panel |
| Supported Protocols | XC protocol (IP) NU protocol (Serial) Standard Communication (Serial) |
| Connection Specifications | |
| Number of Camera Groups | 20 (10 units per 1 group) |
| Number of Connectible Cameras | 200 (IP), 1 (Serial) |
| Input / Output | |
| Video Input / Output | IP IN (video switch with camera selection; 2x2/3x3 multi-camera video display) |
| Serial Interface | RJ45 x 1 |
| Tally / GPIO | D-sub 9pin x 1 |
| Video Display on Touch Panel | YES (IP) |
| USB | USB Type A x 1 (for firmware upgrades, saving settings, and Stream Deck connection) |
| Memory | |
| Presets | Up to 100 for each camera (depends on camera specs) |
| Hard Button Support for Presets | Yes (used with camera number buttons) |
| Memory Trace | Up to 10 for each camera (depends on camera specs) |
| Control Panel | |
| Menu Operation | Yes (touch panel or arrow button and SET/BACK buttons) |
| Number of User Buttons | 3 (USER1 to USER12 can be controlled from the touch panel) |
| Touch Focus from Panel | YES (IP) |
| Number of Camera Selectable Buttons | 10 (usable as preset select) |
| Other | |
| Initial Camera Settings without PC | YES |
| Simultaneous Multi-Camera Setup | YES |
Data sheet
Specific References
