Canon CR-N500 Black PTZ Camera

    CR-N500 BK
    Price: €4,799.00
    No tax
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    Inside the Canon CR-N500 Black PTZ Camera sits a 1.0-type single-plate CMOS sensor paired with the DIGIC DV6 image processor, a combination that handles 4K UHD acquisition at 29.97p with the kind of tonal nuance broadcast operators expect from a studio chain. Larger photosites pull a cleaner signal out of dim venues, with minimum illumination dropping to roughly 1.5 lux — so evening corporate keynotes, theatre stages or back-of-room conference coverage no longer demand extra lighting rigs. Wide DR and Canon Log 3 give colourists genuine HDR latitude on tight grading days.

    The integrated optic carries a 15x optical zoom (with 20x digital extension), spanning a 35 mm-equivalent range of roughly 25.5 to 382.5 mm. That focal reach turns a single ceiling-mounted body into close-up presenter coverage and reverse-wide audience shots — a meaningful saving for two- and three-camera live shows. Dual Pixel CMOS AF tracks faces and stays locked through pans and zooms, while the 9-bladed iris, a motorised built-in ND filter (1/4, 1/16, 1/64) and a gain range from -6 dB to +33 dB give engineers shot-to-shot exposure control.

    Signal routing is where the Canon CR-N500 earns its place in IP-first studios. Outputs cover 3G-SDI, HDMI, NDI|HX over RJ45 and direct streaming via RTMP/RTMPS, RTSP/RTP, SRT and FreeD, plus Canon's XC protocol for AR-driven productions. A single PoE+ (IEEE 802.3at) cable carries video, control, tally and power — the simplification multi-camera houses need across long Cat6 runs between stage and gallery. Gen-lock via a dedicated BNC keeps the body frame-locked to a master clock, and up to 100 storable presets repeat shot positions across rehearsal and live show.

    Audio matches the rest of the build: two balanced XLR inputs, a 3.5 mm plug-in-power mini-jack and embedded audio across SDI, HDMI and NDI streams. Pan covers ±170° at speeds up to 100°/sec for silent, repeatable moves during sports relay, hybrid conferences, esports productions or regional news. Recent firmware activates the RA-AT001 Auto Tracking application (Lite included; full-feature license sold separately), turning the Canon CR-N500 Black PTZ Camera into a hands-free presenter follower — practical reinforcement for B2B studios that need consistent output with smaller crews.

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    Powerful 4K imagery
    The 1.0-type CMOS Sensor and DIGIC DV6 processor work in unison to deliver exceptional 4K UHD/30p image quality as well as upscaled Full HD/60p images thanks to over sampled HD processing.

    Smooth and precise control
    The CR-N500 is equipped with a high-precision drive mechanism enabling fine adjustments of the Pan and Tilt movement and speed ensuring the perfect shot. Compatible with the RC-IP1000, the RC-SK5, the RC-IP100 controller and Remote Camera Control Application controllers, the CR-N500 is also compatible with selected third-party controllers.

    Stabilised 15x Optical Zoom to get closer
    Canon’s advanced 4K optics make sure greater detail is captured, and flexibility assured, with a 15x optical zoom (25.5-382.5mm 35mm equivalent), providing a wide angle to telephoto field of view. Canon’s advanced four-axis image stabilisation ensures high quality image capture.

    IP Streaming and Control to transform your production
    A comprehensive range of IP control and streaming protocols up to 4K UHD 30p (such as NDI|HX, RTMP, RTP/RTSP, RTMPS, SRT, FreeD and Canon’s XC Protocol) are included, making the CR-N500 an ideal solution for new or existing systems.

    Excellent imagery in low light
    The CR-N500 produces high quality imagery with low noise, even with a minimum illumination of 1.5 lux. The large 1.0-type CMOS sensor and the DIGIC DV6 processor ensure the image quality retains its integrity even in the most challenging of lighting conditions.

    Dual Pixel CMOS AF keeps it sharp
    The CR-N500 features Canon’s renowned Dual Pixel CMOS Auto Focus system which provides extremely quick and accurate focus via multiple modes.

    Extensive Connectors for ease of use
    The CR-N500 features a host of connections to ensure the ultimate flexibility, including a 3G-SDI video output, full-sized HDMI port (supporting 4K UHD 30p at 4:2:2 10-bit), professional XLR audio inputs, as well as a PoE+ LAN port to allow for easy system integration.

    HDR Imagery, with versatile image quality adjustments
    Achieve stunning HDR imagery with Canon Log 3 and Wide Dynamic Range Support. Both technologies ensure the best HDR imagery can be achieved for applications where postproduction or a quick turnaround is required. The in-built image adjustment settings also ensure flexible and bespoke imagery to colour match with other cameras.

    Upgrade your content with a new firmware update available August 2025
    Download the latest firmware and take advantage of newly added Auto Tracking App RA-AT001* features. Auto Framing features include Multi-Person Framing, that detects and includes multiple people in the frame, while Face Direction Framing and Sit/Stand Framing deliver natural composition for a single person in frame. Additionally, RTMP/SRT auto reconnection and improved camera control from the iOS app is now included.

    *Free Auto Tracking App RA-AT001(Lite) available via FW, 1.1.0 or later. A paid license is necessary for full functionality of auto tracking.

    FeatureAuto Tracking Application (Lite)Auto Tracking Application
    Tracking subjectAuto-select onlyAuto-/manual select possible
    Tracking sensitivityFixedAdjustable from 1 to 10 levels
    Tracking subject display sizeCan be set at two levelsCan be set at five levels
    Tracking target display positionFixed at centerCan be set to any area
    Auto FramingMulti-Person Framing, Face Direction Framing, Sit/Stand Framing
    Priority display areaCan be set
    Fixed angle of viewCan be set
    Save tracking settingsOne onlyUp to five can be saved/recalled

    Specifications

    Camera
    Image SensorType 1.0 (1.0 in.) single-plate CMOS sensor
    Effective Pixelsapprox. 8.29 megapixels (3840 x 2160)
    Lensf=8.3 – 124.5 mm, F/2.8 – 4.5, 15x optical zoom, 9-bladed iris diaphragm
    Optical Zoom15x optical zoom
    Digital Zoom20x digital zoom
    Focal Lengthf=8.3 – 124.5 mm, F/2.8 – 4.5,
    35mm equivalent focal length: approx. 25.5 (W) – 382.5 mm (T)
    Angle of ViewHorizontal: 73.0 (W) – 5.7° (T)
    Vertical: 45.2° (W) – 3.2° (T)
    Minimum Subject Illumination3840 x 2160: Approx. 1.5 lux (shutter speed 1/30 sec., Frame Rate 29.97P, Gain 33.0 dB)
    1920 x 1080: Approx. 3 lux (shutter speed 1/60 sec., Frame Rate 59.94P, Gain 33.0 dB)
    Shutter Speed1/3 – 1/2000 sec. (specific values depend on the frame frequency and frame rate)
    IrisManual/Automatic aperture
    Gain-6.0 dB – 33.0 dB
    ND FilterBuilt-in (Off, 1/4, 1/16, 1/64), motor operated
    Optical Low-Pass FilterYes
    White BalanceAUTO (AWB), Set A, Set B, preset settings (daylight: 5,600 K*, tungsten lamp: 3,200 K*),
    color temperature setting (2,000 K – 15,000 K), Manual

    * Color temperatures are given for reference purposes only.
    FocusFocus mode: Manual, AF-boosted MF, Continuous AF, Face AF, Tracking
    AF type: Dual Pixel CMOS AF, Contrast AF
    GammaNormal1 (Standard), Normal2 (x4.0), Normal3 (BT.709), Normal4 (x5.0), Wide DR, Canon Log 3
    Pan and TiltPan operation range: Horizontal ±170°
    Pan operation speed: 0.1° – 100°/sec.
    Tilt operation range: Vertical -30° – +90°
    Tilt operation speed: 0.1° – 100°/sec.
    Pan and Tilt Operation
    ProtocolXC (Canon's original), RTSP/RTP, NDI|HX, RTMP/RTMPS, Standard Communication (Serial), Standard Communication (IP), SRT, FreeD
    Server
    Video Output Format: SDI1920 x 1080: 59.94P/59.94i, 50.00P/50.00i/25.00P, 29.97P/23.98P (4:2:2 10 bit)
    1280 x 720: 59.94P, 50.00P (4:2:2 10 bit)
    – Same video format required for SDI and HDMI (cannot select different formats for SDI and HDMI)
    – When 3840 x 2160 is selected for HDMI, video will not be outputted to SDI.
    Video Output Format: HDMI3840 x 2160: 29.97P, 25.00P, 23.98P (4:2:2 10 bit)
    1920 x 1080: 59.94P/59.94i, 50.00P/50.00i/25.00P, 29.97P/23.98P (4:2:2 10 bit)
    1280 x 720: 59.94P, 50.00P (4:2:2 10 bit)
    – Same video format required for SDI and HDMI (cannot select different formats for SDI and HDMI)
    – When 3840 x 2160 is selected for HDMI, video will not be outputted to SDI.
    Video Output Format: IP3840 x 2160: 29.97 fps, 14.99 fps, 5.00 fps (4:2:0 8 bit)
    1920 x 1080: 59.94 fps, 29.97 fps, 14.99 fps, 5.00 fps (4:2:0 8 bit)
    1280 x 720: 59.94 fps, 29.97 fps, 14.99 fps, 5.00 fps (4:2:0 8 bit)
    640 x 360: 59.94 fps, 29.97 fps, 14.99 fps, 5.00 fps (4:2:0 8 bit)
    – If 59.94/50.00 Hz is selected for the frame frequency, the 3840 x 2160 format cannot be selected.
    – A frame rate that exceeds the frame frequency cannot be selected.
    – JPEG has one pattern fixed depending on the frame frequency (format is fixed and cannot be selected)
    Resolution: 1280 x 720
    When frame frequency is 59.94/50.00 Hz: 14.99 fps, when frame frequency is 23.98 Hz: 11.99 fps, when frame frequency is 29.97/25.00 Hz: 12.50 fps
    Video Output Format: USB-
    PresetNumber of presets: Max. 100 (including home position)
    Interface
    Communication ControlLAN, Wi-Fi, Serial, IR
    Network TerminalLAN x 1, RJ45, 1000Base-T
    SDI OUT TerminalBNC jack (output only) x 1, 0.8 Vp-p/75 Ω, unbalanced
    SMPTE 424, SMPTE 425, SMPTE ST 299-2 compliant
    Embedded audio, Time code (VITC/LTC)
    GEN-LOCK TerminalBNC jack x 1, 1.0 Vp-p/75 Ω, input only
    HDMI OUT TerminalHDMI connector x 1, output only
    RS-422 TerminalRJ45 connector x 1
    Audio INPUT 1/INPUT 2 TerminalsXLR/Audio Input (3-pin jack) (pin1: shield, pin2: hot, pin3: cold), 2 sets, balanced
    Sensitivity (MIC): -60 dBu (Manual volume center, full scale -18 dB)/600 Ω/Att.: 20 dB
    Sensitivity (LINE): +4 dBu (Manual volume center, full scale -18 dB)/1 kΩ or more
    Supply Voltage: 48 V DC (Bias resistance: 6.8 kΩ)
    MIC Terminalϕ3.5 mm stereo mini jack (unbalanced, plug-in power supported)
    Sensitivity (MIC): -72 dBV (Manual volume center, full scale -18 dB)/1 kΩ or more/Att.: 20 dB
    Sensitivity (LINE): -10 dBV (Manual volume center, full scale -18 dB)/1 kΩ or more
    Supply Voltage: 2.4 V DC (Bias resistance: 2.2 kΩ)
    USB TerminalType-A (USB 2.0) x 1 (future expansion)
    Physical Features
    Operating EnvironmentTemperature
    0°C – +40°C (+32°F – +104°F)
    Humidity
    10% – 90% (without condensation)
    Power SupplyPoE: PoE+ power supply via LAN connector (IEEE802.3at compliant)
    – PoE cannot be used
    External power source: 24 V DC (using included AC adaptor)
    Power ConsumptionPoE+ Input: Approx. 19.6 W* max. (body only)
    DC Input: Approx. 18.6 W max. (body only)

    * Class 4 (25.5 W required) for power supply devices
    Dimensions (W x H x D)Approx. 200 x 269 x 208 mm (7.87 x 10.59 x 8.19 in.) (excluding protrusions)
    WeightApprox. 4.1 kg (9.04 lb.) (body only)
    IP Rating-
    CR-N500 BK
    2 Items

    Data sheet

    Video Output
    HDMI
    NDI
    RJ-45 (IP)
    SDI
    Audio Input
    Mini Jack 3.5mm
    XLR
    Audio Output
    HDMI Embedded
    NDI Embedded
    RJ-45
    SDI Embedded
    Max Output Resolution
    4K UltraHD (3840 x 2160) 25/30 fps
    Control protocol for PTZ cameras
    Canon XC
    NDI
    RS-422
    Network Connection
    Ethernet
    Sensor Size
    1"
    Optical Zoom
    15x
    PoE Technology
    Yes
    Auto-Tracking
    Yes
    Tally Light
    Yes

    Specific References

    ean13
    4549292182750
    mpn
    4839C003

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    Canon CR-N500 Black PTZ Camera

    Inside the Canon CR-N500 Black PTZ Camera sits a 1.0-type single-plate CMOS sensor paired with the DIGIC DV6 image processor, a combination that handles 4K UHD acquisition at 29.97p with the kind of tonal nuance broadcast operators expect from a studio chain. Larger photosites pull a cleaner signal out of dim venues, with minimum illumination dropping to roughly 1.5 lux — so evening corporate keynotes, theatre stages or back-of-room conference coverage no longer demand extra lighting rigs. Wide DR and Canon Log 3 give colourists genuine HDR latitude on tight grading days.

    The integrated optic carries a 15x optical zoom (with 20x digital extension), spanning a 35 mm-equivalent range of roughly 25.5 to 382.5 mm. That focal reach turns a single ceiling-mounted body into close-up presenter coverage and reverse-wide audience shots — a meaningful saving for two- and three-camera live shows. Dual Pixel CMOS AF tracks faces and stays locked through pans and zooms, while the 9-bladed iris, a motorised built-in ND filter (1/4, 1/16, 1/64) and a gain range from -6 dB to +33 dB give engineers shot-to-shot exposure control.

    Signal routing is where the Canon CR-N500 earns its place in IP-first studios. Outputs cover 3G-SDI, HDMI, NDI|HX over RJ45 and direct streaming via RTMP/RTMPS, RTSP/RTP, SRT and FreeD, plus Canon's XC protocol for AR-driven productions. A single PoE+ (IEEE 802.3at) cable carries video, control, tally and power — the simplification multi-camera houses need across long Cat6 runs between stage and gallery. Gen-lock via a dedicated BNC keeps the body frame-locked to a master clock, and up to 100 storable presets repeat shot positions across rehearsal and live show.

    Audio matches the rest of the build: two balanced XLR inputs, a 3.5 mm plug-in-power mini-jack and embedded audio across SDI, HDMI and NDI streams. Pan covers ±170° at speeds up to 100°/sec for silent, repeatable moves during sports relay, hybrid conferences, esports productions or regional news. Recent firmware activates the RA-AT001 Auto Tracking application (Lite included; full-feature license sold separately), turning the Canon CR-N500 Black PTZ Camera into a hands-free presenter follower — practical reinforcement for B2B studios that need consistent output with smaller crews.

    Write your review

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